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Old Masters Art

OLD MASTERS

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.

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Style: Old Masters
Still-Life Flowers Brueghel Paint 17/18th Century Oil ona canvas Old master Art
Still-Life Flowers Brueghel Paint 17/18th Century Oil ona canvas Old master Art

Still-Life Flowers Brueghel Paint 17/18th Century Oil ona canvas Old master Art

Located in Riva del Garda, IT

A follower of Abraham Brueghel (Antwerp, 1631 – Naples, 1697) Still Life with Flowers and Citrus Fruits Oil on canvas 70 x 52 cm. - Framed 85 x 67 cm. The composition depict...

Category

17th Century Old Masters Art

Materials

Oil

Fine 17th Century English Old Master Oil Painting Portrait Aristocratic Lady
Fine 17th Century English Old Master Oil Painting Portrait Aristocratic Lady

Fine 17th Century English Old Master Oil Painting Portrait Aristocratic Lady

Located in Cirencester, Gloucestershire

Portrait of a Young English Aristocratic Lady English, circa 1670's period, unsigned oil on canvas laid on board, unframed canvas: 30 x 25 inches Provenance: private collection, UK C...

Category

Mid-17th Century Old Masters Art

Materials

Oil, Canvas

Huge 18th Century Italian Old Master Oil Painting Figures & Animals Arcadian
Huge 18th Century Italian Old Master Oil Painting Figures & Animals Arcadian

Huge 18th Century Italian Old Master Oil Painting Figures & Animals Arcadian

Located in Cirencester, Gloucestershire

The Arcadian Landscape Italian School, 18th century oil painting on canvas, unframed canvas size: 32 x 40 inches condition: excellent condition for its age, fully restored. provenance: from a private collection in Paris, France. Large scale classical 18th century Italian Old Master...

Category

Early 18th Century Old Masters Art

Materials

Canvas, Oil

Announcing Angel Fetti Paint 17th Century Oil on canvas Old master Italy Art
Announcing Angel Fetti Paint 17th Century Oil on canvas Old master Italy Art

Announcing Angel Fetti Paint 17th Century Oil on canvas Old master Italy Art

Located in Riva del Garda, IT

The Announcing Angel Lucrina Fetti, née Giustina Fetti (Rome, c. 1590 – Mantua, 1673) attributed to Oil on canvas 75 x 62 cm. - Antique gilded wooden frame 87 x 74 cm. The wo...

Category

17th Century Old Masters Art

Materials

Oil

Portrait of a Spanish Noble Lady - 17th Century Old Master art oil painting
Portrait of a Spanish Noble Lady - 17th Century Old Master art oil painting

Portrait of a Spanish Noble Lady - 17th Century Old Master art oil painting

Located in Hagley, England

This stunning, large portrait oil painting is attributed to Spanish Old Master Claudio Coello who is considered the last great Spanish painter of the 17th century. It has formerly been the property of Lady Beatrice...

Category

1680s Old Masters Art

Materials

Oil Crayon

Temptations Of Saint Anthony Mola Paint 17th Century Oil on canvas Old master
Temptations Of Saint Anthony Mola Paint 17th Century Oil on canvas Old master

Temptations Of Saint Anthony Mola Paint 17th Century Oil on canvas Old master

Located in Riva del Garda, IT

Pier Francesco Mola ‘il Ticinese’ (Coldrerio, 1612 – Rome, 1666) workshop The Temptations of Saint Anthony Oil on canvas 75 x 62 cm. - Framed (with defects) 82 x 71 cm. The the...

Category

17th Century Old Masters Art

Materials

Oil

Large 17th Century Italian Old Master Oil Painting Shepherd in Ancient Landscape
Large 17th Century Italian Old Master Oil Painting Shepherd in Ancient Landscape

Large 17th Century Italian Old Master Oil Painting Shepherd in Ancient Landscape

Located in Cirencester, Gloucestershire

Berger with Animals in Classical Landscape 17th Century Italian Old Master, we cannot see a signature oil painting on canvas, unframed 23 x 27 inches condition: very old reline, mino...

Category

17th Century Old Masters Art

Materials

Canvas, Oil

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Art

Materials

Engraving, Laid Paper

Hercules Guercino Paint 17th Century OIl on canvas Old master Emilian school Art
Hercules Guercino Paint 17th Century OIl on canvas Old master Emilian school Art

Hercules Guercino Paint 17th Century OIl on canvas Old master Emilian school Art

Located in Riva del Garda, IT

Workshop of Giovanni Francesco Barbieri, Il Guercino (1591–1666) Attributed to Ercole Gennari (Cento, 1597–Bologna, 1658) Victorious Hercules oil on canvas 136 x 112 cm. In ...

Category

17th Century Old Masters Art

Materials

Oil

Neptune Poseidon Guercino Paint 17th Century Oil on canvas Old master Italy Art
Neptune Poseidon Guercino Paint 17th Century Oil on canvas Old master Italy Art

Neptune Poseidon Guercino Paint 17th Century Oil on canvas Old master Italy Art

Located in Riva del Garda, IT

Neptune on the Waves of the Ocean Workshop of Giovanni Francesco Barbieri, known as Il Guercino (Cento, 1591 – Bologna, 1666) Attributed to Ercole Gennari (Cento, 1597 – Bologna...

Category

17th Century Old Masters Art

Materials

Oil

Fine 1800's Italian Grand Tour Oil Painting Figures before Classical Buildings
Fine 1800's Italian Grand Tour Oil Painting Figures before Classical Buildings

Fine 1800's Italian Grand Tour Oil Painting Figures before Classical Buildings

Located in Cirencester, Gloucestershire

The Arcadian View Italian School, circa 1800 Grand Tour subject oil on canvas, unframed canvas : 12 x 16 inches provenance: private collection, UK condition: very good and sound cond...

Category

Early 1800s Old Masters Art

Materials

Oil

Portrait of a gentleman, standing full length, wearing a blue jacket, waistcoat
Portrait of a gentleman, standing full length, wearing a blue jacket, waistcoat

Portrait of a gentleman, standing full length, wearing a blue jacket, waistcoat

By Arthur Devis

Located in Stoke, Hampshire

Circle of Arthur Devis (1712-1787) Portrait of a gentleman, standing full length, wearing a blue jacket, waistcoat and breeches, at a desk in a library Oil on canvas Signed lower cen...

Category

18th Century Old Masters Art

Materials

Canvas, Oil

Fine Pair 1700's Portraits of Moorish Prince and Princess in Carved Wood Frames
Fine Pair 1700's Portraits of Moorish Prince and Princess in Carved Wood Frames

Fine Pair 1700's Portraits of Moorish Prince and Princess in Carved Wood Frames

Located in Cirencester, Gloucestershire

Circle of Jean Baptiste Vanmour (French, 1671–1737) Portraits of a Moorish Prince and Princess c. 1700 Pair of oil paintings on canvas, unsigned framed in carved gilt wood frames D...

Category

Early 18th Century Old Masters Art

Materials

Canvas, Oil

"A Triumphant Cockerel Crowing Over His Victory" Melchior Hondecoeter (after)
"A Triumphant Cockerel Crowing Over His Victory" Melchior Hondecoeter (after)

"A Triumphant Cockerel Crowing Over His Victory" Melchior Hondecoeter (after)

Located in SANTA FE, NM

"The Victor (A Triumphant Cockerel Crowing Over His Victory...)" After Melchior de Hondecoeter (Flemish, 1636-1695) Oil on canvas Unsigned 40 1/2 x 34 1/4 (frame) inches This much copied painting is a masterfully executed portrait of a strutting and triumphant rooster painted...

Category

Early 1900s Old Masters Art

Materials

Canvas, Oil

Escuela española (XVIII) -  La coronación de la virgen - Óleo sobre tela
Escuela española (XVIII) -  La coronación de la virgen - Óleo sobre tela

Escuela española (XVIII) - La coronación de la virgen - Óleo sobre tela

Located in Sant Celoni, ES

Como pueden apreciar, la obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (el marco presenta algunos signos de uso) El estado de la obra es aceptable, solo com...

Category

18th Century Old Masters Art

Materials

Oil

Escuela colonial (XVIII) - Óleo en tela - San Juanito y el cordero
Escuela colonial (XVIII) - Óleo en tela - San Juanito y el cordero

Escuela colonial (XVIII) - Óleo en tela - San Juanito y el cordero

Located in Sant Celoni, ES

La obra se presenta enmarcada con su marco original de la época (el marco presenta faltas y desgastes) El estado de la obra se puede ver, tiene algunas faltas de pintura y faltas en...

Category

18th Century Old Masters Art

Materials

Oil

Huge 17th Century Italian Old Master painting The Return of the Ark of Covenant
Huge 17th Century Italian Old Master painting The Return of the Ark of Covenant

Huge 17th Century Italian Old Master painting The Return of the Ark of Covenant

Located in Cirencester, Gloucestershire

Late 17th Century Italian School. The Return of the Ark on the Covenant, Oil on Canvas, in a Fine 17th Century Italian Frame, canvas: 40.25" x 49.75" (102.3 x 126cm) Fine quality and rare 17th century Italian Old Master...

Category

17th Century Old Masters Art

Materials

Canvas, Oil

Set of Eight Period Japanese Colored Woodblock Print
Set of Eight Period Japanese Colored Woodblock Print

Set of Eight Period Japanese Colored Woodblock Print

By Utagawa Toyokuni

Located in Roma, IT

Important series of eight colorful Japanese woodblock prints featuring iconic scenes of Japanese life. They are the work of great artists including: Mizuno Toshikata (1866-1908) Utagawa Toyokuni (Japanese: ?; 1769 in Edo – 24 February 1825 in Edo) This series of woodblock prints, never before on the market, comes from a private collection. Utagawa Toyokuni[a] (歌川 豊国; 1769 – 24 February 1825), also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his gō (art-name) after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints. He was the second head of the renowned Utagawa school of Japanese woodblock artists, and was the artist who elevated it to the position of great fame and power it occupied for the rest of the nineteenth century. He was born, the son of Kurahashi Gorobei, a carver of dolls and puppets...

Category

Late 19th Century Old Masters Art

Materials

Paper, Lithograph

Rape Of Europa Paint De Matteis 18th Century Oil on canvas Old master Italy Art
Rape Of Europa Paint De Matteis 18th Century Oil on canvas Old master Italy Art

Rape Of Europa Paint De Matteis 18th Century Oil on canvas Old master Italy Art

Located in Riva del Garda, IT

The Rape of Europa Circle of Paolo De Matteis (Piano Vetrale, 1662 - Naples, 1728) oil on canvas (cm.) 57 x 98 - with gilded wooden frame 77 x 118 cm. FULL DETAILS OF THE PAIN...

Category

18th Century Old Masters Art

Materials

Oil

Portrait Ferdinando II Sustermans Paint 17th Century Oil on canvas Old master
Portrait Ferdinando II Sustermans Paint 17th Century Oil on canvas Old master

Portrait Ferdinando II Sustermans Paint 17th Century Oil on canvas Old master

Located in Riva del Garda, IT

Giusto (or Justus) Sustermans (Antwerp, 1597 – Florence, 1681) Workshop of Portrait of Ferdinando II de' Medici (1610–1670), Grand Duke of Tuscany Oil on canvas 133 x 97 cm Fram...

Category

17th Century Old Masters Art

Materials

Oil

Madonna Molinari Paint 17th Century Oil on copper Old master Religious Art Italy
Madonna Molinari Paint 17th Century Oil on copper Old master Religious Art Italy

Madonna Molinari Paint 17th Century Oil on copper Old master Religious Art Italy

By ANTONIO MOLINARI (Venice, 1655-1704)

Located in Riva del Garda, IT

Antonio Molinari (Venice, 1655-1704) attributable Madonna and Child with Saint John the Baptist Oil on copper (24 x 20 cm - In frame 36 x 31 cm) This exquisite copper paint...

Category

17th Century Old Masters Art

Materials

Oil

The Flight into Egypt
The Flight into Egypt

The Flight into Egypt

By Hans Lautensack

Located in Middletown, NY

Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...

Category

16th Century Old Masters Art

Materials

Handmade Paper, Laid Paper, Etching

Flemish School, Oil on Panel – Interior Scene with Figures
Flemish School, Oil on Panel – Interior Scene with Figures

Flemish School, Oil on Panel – Interior Scene with Figures

Located in Sant Celoni, ES

Charming 19th-century oil on panel attributed to the Flemish School, anonymous artist. This work depicts an intimate interior scene with several figures engaged in daily life, charac...

Category

Mid-19th Century Old Masters Art

Materials

Oil, Panel

A Calm with a Man of War firing a Saluteo
A Calm with a Man of War firing a Saluteo

A Calm with a Man of War firing a Saluteo

By Peter Monamy

Located in Stoke, Hampshire

Peter Monamy (London 1681-1749) A Calm with a Man of War firing a Salute Oil on canvas Canvas Size 14 1/4 x 17 1/4 in Framed Size 20 x 24 in Peter Monamy was an acclaimed British marine painter of the late 17th and early 18th centuries, renowned for his evocative depictions of seascapes and naval scenes. Born in 1681 on Guernsey, one of the Channel Islands, Monamy displayed an early affinity for art, which was shaped by the maritime culture of his homeland. His works vividly capture the drama and grandeur of the sea, marking him as one of the prominent marine artists of his time. At a young age, Monamy moved to London, where he likely apprenticed with a sign painter. His artistic skills flourished during this period, influenced by Dutch marine painters such as Willem van de Velde the Younger...

Category

18th Century Old Masters Art

Materials

Oil

19th Century Historical English Painting David Wilkie
19th Century Historical English Painting David Wilkie

19th Century Historical English Painting David Wilkie

By Sir David Wilkie

Located in Roma, IT

Sir David Wilkie RA (18 November 1785 – 1 June 1841) “The Parish Beadle” Oil on canvas Although unsigned, this beautiful painting is undoubtedly an original work by David Wilkye as...

Category

Early 19th Century Old Masters Art

Materials

Canvas, Oil

Escuela española (XVIII) - Óleo sobre tela - San Francisco de Asís
Escuela española (XVIII) - Óleo sobre tela - San Francisco de Asís

Escuela española (XVIII) - Óleo sobre tela - San Francisco de Asís

Located in Sant Celoni, ES

Como pueden apreciar, la obra no va firmada Se presenta enmarcada la obra con un marco del siglo xix en madera estucada y policromada (el marco presenta algún leve descolche) El es...

Category

Early 18th Century Old Masters Art

Materials

Oil

Antique oil painting, Boy Fleaing a Dog, Gerard ter Borch, Dutch golden age
Antique oil painting, Boy Fleaing a Dog, Gerard ter Borch, Dutch golden age

Antique oil painting, Boy Fleaing a Dog, Gerard ter Borch, Dutch golden age

Located in DEVENTER, NL

Gerard ter Borch (II) (1617-1681), copy after, around 1700 'Boy Fleas a Dog' Oil on canvas Professionally restored (cleaned and relined) In modern frame in 17th century style Dimensions excl. frame: 33 x 27,5 cm. Dimensions incl. frame: approx. 50 x 45,5 cm. Depcited is a boy busy fleaing a dog. The boy sits on a chair with the dog on his lap. On a table on the right there is a book and a pen. On a wooden bench lies the boy's hat. What is unique about this painting by Ter Borch, is the relationship that is depicted between human and animal. Mostly animals like dogs where depicted as an attribute in paintings in the 17th century, and sometimes used to symbolize certain character traits. This boy is lovingly caring for his dog, which he is giving his full attention. Another interesting detail is that Ter Borch's brother Moses, was probably the model for this painting. Ter borch often used family members as models for his paintings. Moses was also a very talented painter and draughtsman. Several copies of this work by Ter Borch are known. One of these copies is in the collection of the Dutch Rijksmuseum (Image included in the image gallery (last image)). The original painting is in the collection of the Alte Pinakothek museum in Munich, Germany. Gerard ter Borch, also known as Gerard Terburg, was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

Category

Early 18th Century Old Masters Art

Materials

Canvas, Oil

Manor House with Cottages - British 18thC Old Master art oil painting VG prov.
Manor House with Cottages - British 18thC Old Master art oil painting VG prov.

Manor House with Cottages - British 18thC Old Master art oil painting VG prov.

By George Lambert

Located in Hagley, England

This stunning British Old Master landscape oil painting, with excellent provenance, is by George Lambert. Lambert was a pioneer of British landscape in art for its own sake. Painted in 1744, the painting is entitled View of a Manor House and Cottages in Elizabeth Einberg's 63rd volume of the Walpole Society 2001 and is described as follows: In the foreground a road emerges from a wood to cross a ford and then leads up the hill to the right, towards a manor house seemingly built into the remains of a medieval or Tudor edifice. The main track, crowded with sheep and rustic figures, passes the massive square gateposts lower down the hill on the left. Further to the left is a thatched cottage with smoke coming out the chimney. In the distance is a wide coastal view. The main buildings, which are in the dead centre of the composition, represent almost certainly an as yet unidentified English view. The colouring and detail in the trees and foliage are superb. This is an excellent Old Master oil painting by one of the all time great British landscape artists with extensive provenance. Signed and dated 1744 lower left on rock in black. Provenance. Elizabeth Einberg, “Catalogue Raisonnè of the works of George Lambert” The Annual Volume of the Walpole Society, 2001 Vol. 63, page 149 no P1744, fig.71. Antonacci Efrati Antichità Rome Gallery. Burden sale, Parke Bernet, New York, 20-21, April 1938 (376 repr.) Robert E. Peters, Sotheby Parke Bernet, New York, March 1975 (41 repr.) Lit. Schnackenburg 1995, pp 83-84, cat. no.14 fig 13. Condition. Oil on canvas, 54 inches by 52 inches and in good condition. Frame. Housed in an ornate gilt frame, 64 inches by 62 inches and in good condition. George Lambert (1700-1765) was an English landscape artist and theatre scene painter. With Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe (painted conjointly with Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn Fields Theatre, in London, under John Rich. When Rich moved to Covent Garden Theatre, Lambert secured the assistance of Amigoni, and together they produced scenery of far higher quality than any previously executed. Lambert was a man of jovial temperament and shrewd wit, and frequently spent his evenings at work in his painting-loft at Covent Garden Theatre, to which men of note in the fashionable or theatrical world resorted to share his supper of a beef-steak, freshly cooked on the spot. Out of these meetings arose the well-known "Beefsteak Club" which long maintained a high social reputation. Most of Lambert's scene-paintings unfortunately perished when Covent Garden Theatre was destroyed by fire in 1808. Lambert was a friend of William Hogarth and a member of the jovial society that met at 'Old Slaughter's' Tavern in St Martin's Lane. In 1755 he was one of the committee of artists who proposed a royal academy of arts in London. He was a member of the Society of Artists of Great Britain, exhibited with them in 1761 and the three following years, and during the same period contributed to the Academy exhibitions. In 1765 he and other members seceded and formed the Incorporated Society of Artists of Great Britain, of which he was elected the first president. In conjunction with Samuel Scott, Lambert painted a series of Indian views for the old East India House in Leadenhall Street. He also etched two prints after Salvator Rosa. Lambert was associated in 1735 with George Vertue, Hogarth, and John Pine (engraver, 1660–1756) in obtaining a bill from parliament securing artists a copyright on their works. Lambert's portraits were painted by Thomas Hudson, John Vanderbank (engraved in mezzotint by John Faber the younger in 1727, and in line by H. Robinson and others), and Hogarth. Lambert's most famous painting is "A view of Box Hill, Surrey" (1733) which depicts a well-known beauty spot south of London. Hogarth considered Lambert a rival to the famous French landscape painter Claude Lorrain (1600–1682) with respect to his use of soft light to unify the scene in this painting. Though he never visited Italy he was inspired by the classical tradition of landscape painting. Lambert died on 30 November 1765 at his home on the Piazza in Covent Garden. His pupils included John Inigo Richards...

Category

Mid-18th Century Old Masters Art

Materials

Oil

17th Century Dutch Old Master Ink Drawing Christ on the Cross Many Figures 1674
17th Century Dutch Old Master Ink Drawing Christ on the Cross Many Figures 1674

17th Century Dutch Old Master Ink Drawing Christ on the Cross Many Figures 1674

Located in Cirencester, Gloucestershire

Christ on the Cross attributed to Jan Luyken (Dutch, 1649–1712) inscribed 1674 upper corner pencil drawing, watercolor and ink wash on paper over oard, framed framed: 12 x 11 inches ...

Category

17th Century Old Masters Art

Materials

Watercolor, Ink, Color Pencil

Portrait of a Lady holding a lemon, c. 1665-75
Portrait of a Lady holding a lemon, c. 1665-75

Portrait of a Lady holding a lemon, c. 1665-75

By Jacob Huysmans

Located in Henley-on-Thames, England

Jacob Huysmans (Antwerp 1633-1696 London) Portrait of a Lady holding a lemon, c. 1665-75 Three-quarter-length, wearing extensive jewellery, within an architectural interior Formerly ...

Category

1670s Old Masters Art

Materials

Oil

Myth Apollo Issa De Lairesse Paint 17/18th Century Oil on canvas Old master Art
Myth Apollo Issa De Lairesse Paint 17/18th Century Oil on canvas Old master Art

Myth Apollo Issa De Lairesse Paint 17/18th Century Oil on canvas Old master Art

Located in Riva del Garda, IT

Gérard de Lairesse (Liège 1641 - Amsterdam 1711) workshop The Myth of Apollo and Issa (from Ovid, Metamorphoses, book VI, 122-124) Oil on canvas 65 x 82 cm. - Framed 84 x 99 cm...

Category

17th Century Old Masters Art

Materials

Oil

Still Life of Fruit - Dutch 17th century art Old Master still life oil painting
Still Life of Fruit - Dutch 17th century art Old Master still life oil painting

Still Life of Fruit - Dutch 17th century art Old Master still life oil painting

By Jan Davidsz. de Heem

Located in Hagley, England

This stunning Dutch 17th century Old Master still life oil painting is attributed to the circle of Jan Davidsz de Heem. Painted circa 1660 it is a magnificent vibrant painting of gra...

Category

17th Century Old Masters Art

Materials

Oil

Mixed Floral Arrangement in a Vase - Dutch Old Master Golden Age oil painting
Mixed Floral Arrangement in a Vase - Dutch Old Master Golden Age oil painting

Mixed Floral Arrangement in a Vase - Dutch Old Master Golden Age oil painting

By Simon Pietersz Verelst 1

Located in Hagley, England

This stunning 18th century Dutch Old Master Golden Age floral oil painting is attributed to Simon Pietersz Verelst. Painted circa 1700 it is a still life floral of a mixed flower arr...

Category

Early 1700s Old Masters Art

Materials

Oil

An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier
An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier

An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier

By David Morier

Located in Stoke, Hampshire

David Morier (c.1705–1770 London) An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier (1680–1770) Oil on canvas Canvas size - 40 x 50 in Framed size - 48 ...

Category

18th Century Old Masters Art

Materials

Oil

Fine 18th Century English Portrait of Aristocratic Gentleman Huge Oil Painting
Fine 18th Century English Portrait of Aristocratic Gentleman Huge Oil Painting

Fine 18th Century English Portrait of Aristocratic Gentleman Huge Oil Painting

Located in Cirencester, Gloucestershire

Portrait of an Aristocratic English Gentleman circle of Thomas Hudson (British (1701-1779) oil on canvas, framed framed: 53.5 x 45 inches painting: 45 x 40 inches provenance: private...

Category

18th Century Old Masters Art

Materials

Oil

Escuela Italiana (XIX) - Judith (Según Cristofano Allori)
Escuela Italiana (XIX) - Judith (Según Cristofano Allori)

Escuela Italiana (XIX) - Judith (Según Cristofano Allori)

Located in Sant Celoni, ES

La obra no va firmada El estado de conservación es bueno Se presenta enmarcada la obra con un marco posterior a la obra Medidas de la obra: 40 cm. de altura x 33 cm. de ancho. Me...

Category

Late 19th Century Old Masters Art

Materials

Oil

Portrait of Maria Vittoria Queen of Portugal - Italian Old Master oil painting
Portrait of Maria Vittoria Queen of Portugal - Italian Old Master oil painting

Portrait of Maria Vittoria Queen of Portugal - Italian Old Master oil painting

Located in Hagley, England

This lovely Italian Old Master portrait oil painting is by Domenico Maria Sani. Painted circa 1732 the sitter is of Maria Anna Vittoria (1718 - 1788), daughter of Philip V and Elisabetta Farnese, who in 1729 married Joseph prince of Brazil and king of Portugal...

Category

Mid-18th Century Old Masters Art

Materials

Oil

Escuela española (XVIII) - Óleo sobre tela - San Francisco de Asís
Escuela española (XVIII) - Óleo sobre tela - San Francisco de Asís

Escuela española (XVIII) - Óleo sobre tela - San Francisco de Asís

Located in Sant Celoni, ES

Como pueden apreciar, la obra no va firmada Se presenta enmarcada la obra con un marco del siglo xix en madera estucada y policromada (el marco presenta algún leve descolche) El es...

Category

Early 18th Century Old Masters Art

Materials

Oil

Portrait Noblewoman Kneller 17/18th Century Paint Oil on canvas Old master Art
Portrait Noblewoman Kneller 17/18th Century Paint Oil on canvas Old master Art

Portrait Noblewoman Kneller 17/18th Century Paint Oil on canvas Old master Art

Located in Riva del Garda, IT

Godfrey Kneller (Lübeck 1646 – London 1723) Portrait of an English noblewoman, presumably Mary Capel, Countess of Essex (1679–1726) Oil on canvas 128 x 104 cm. In frame 146 x...

Category

17th Century Old Masters Art

Materials

Oil

Guardian Angel Cano Paint 17th Century Oil on canvas Old master Spanish school
Guardian Angel Cano Paint 17th Century Oil on canvas Old master Spanish school

Guardian Angel Cano Paint 17th Century Oil on canvas Old master Spanish school

Located in Riva del Garda, IT

Alonso Cano (Granada, 1601 – Granada, 1667) The Guardian Angel (The Archangel Raphael Showing the Way to Tobias) Oil on canvas 114 x 73 cm. - Framed 127 x 86 cm. The protago...

Category

17th Century Old Masters Art

Materials

Oil

Old Masters art for sale on 1stDibs.

Find a wide variety of authentic Old Masters art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters art, so small editions measuring 0.4 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,495,000, while the average work sells for $546.