Old Masters Art

Venice - Mario De Angeli - Italia 2009 - Oil on canvas cm. 80x120. Gold leaf gilded wooden frame ext. mis. cm.100x140 Mario De Angeli's canvas is an extraordinary work of Italian l...

Gheyn II, Jacques (Jacob) de (after Karel van Mander) c1590. Engraving on cream laid paper, 5 7/8 x 4 1/4 inches (150 x 108 mm), the full sheet. Narrow margins. In good condition wi...

La obra no va firmada El estado de conservación es bueno Se presenta enmarcada la obra con un marco posterior a la obra Medidas de la obra: 40 cm. de altura x 33 cm. de ancho. Me...

An image from a 17th-century military drill manual depicting techniques for handling muskets and pikes. De Ghen II, Jacques / Jacob Wapenhandelinghe van Roers, Musquetten ende Spies...

No signed This 18th-century oil on copper painting, by an anonymous artist, exemplifies the refinement and technical sophistication associated with this highly prized medium in Euro...

Land Battle - Antonio Savisio Italia 2006 - Oil on canvas diam. cm. 30 Gold leaf gilded and laquered wooden frame cm. 47x47 Maestro Antonio Savisio drew inspiration from the master...

This lovely 19th century Old Master portrait oil painting is by noted British artist William Owen. Painted circa 1810 the composition is a young girl kneeling to feed her chickens in...

Tavern Interior Dutch School, 17th century oil on metal, framed framed: 8 x 6.75 inches painting: 6 x 4.25 inches provenance: private collection condition: very good and sound condit...

Interesting oil on canvas depicting the Virgin and Child, belonging to the Colonial School, almost certainly Cusco (Peru). It dates from the mid-19th century and is unsigned. The wor...

This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595. This is an English translation of an excerpt from the original text in the atlas: "Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown. Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...

17th Century Italian School Christ and the Canaanite Woman oil on canvas, framed Framed: 30.5 x 35 inches in an antique gilt 'hollow' fra...

Classical Still Life of Fruit in Basket with other objects Italian artist, 18th century oil on canvas, unframed canvas: 24.5 x 33 inches provenance: private collection, UK condition:...

Bartholomeus van Bassen (The Hague 1590-1652) An interior of a Gothic cathedral with figures signed and dated 'B v Bassen / 1650' (on pillar, lower right) Oil on panel Painting size ...

Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...

This stunning, large portrait oil painting is attributed to Spanish Old Master Claudio Coello who is considered the last great Spanish painter of the 17th century. It has formerly been the property of Lady Beatrice...

Celebrated for the "sfumato" effect that Goltzius achieved through engraving alone, the incredibly fine lines in this work create the illusion of soft, glowing light and atmospheric ...

Nicolas Fouché, or Foucher (Troyes, 1653 – Paris, 1733), attributed to Portrait of Marie Thérèse de Bourbon (Paris, 1666 – Paris, 1732), Princess of Conti Oil on canvas 73 x 5...

Beautiful Dutch School painting dating from 17th century. Oil on wood panel measuring 10 3/8 x 14 7/16 inches. Unsigned. No inpainting or conservation. Depicted is a scene with a beautiful young woman singing...

This striking mid-17th-century German oil painting depicts Gustavus Adolphus Meller (or Müller) of Erdingen and Wildenstein at the age of 36. An inscription identifies the sitter as ...

Dutch Master 17th Century Farmer at the Well with Goats and Cows Oil on Wood Size: approx. 48 x 63 cm Frame: 68 x 83 cm Age-related condition, old restorations (see photos) Viewing...

Joseph Highmore (London 1692-1780 Canterbury) Portrait of a Knight Companion of the Order of the Bath, c. 1725-35 Previously identified as Charles Whitworth, 1st Earl Whitworth (1752...

Artist/ School: 18/19th Century Spanish School Title :Head study of Christ Medium: oil painting on wood panel, period gilt framed panel : 6 x 5 inches Provenance: private collect...

A beautiful and significant oleograph depicting a crucified Jesus with rare intensity and skill, rendered in an almost hyper-realistic style. The figure of Jesus stands out against ...

Bathers by the Woodland Pool Dutch School, 17th century circle of Cornelis van Poelenburgh (1594-1667) oil on copper, framed framed: 13 x 15 i...

Como pueden apreciar, la obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (el marco presenta algunos signos de uso) El estado de la obra es aceptable, solo com...

Italian artist, 19th century Still Life with Hunting Dogs indistinctly signed oil on canvas, unframed Canvas: 14.25 x 24 inches Provenance: private collection, UK Condition: very goo...

Dusk Landscape British School, 18th century oil on canvas, unframed painting: 32 x 41 inches provenance: private collection, UK condition: very good and...

Pair of Thai gilded bronze temple birds (Hong/Hamsa) with bells. Thailand, 19th century. 24 x 10 x h 53.5 cm each, base included. The hong — the sacred bird of Thai Buddhist tradit...

Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm), the full sheet, full margins. In very good condition with some minor, light sta...

Pastoral Landscape Dutch Old Master, 18th century oil on canvas, unframed canvas: 12 x 10 inches provenance: private collection, UK condition: good a...

Como pueden apreciar, la obra no va firmada Se presenta enmarcada la obra con un marco del siglo xix en madera estucada y policromada (el marco presenta algún leve descolche) El es...

Jean-Baptiste van Loo (Aix-en-Provence, 1684–1745) entourage Portrait of a French Gentleman Oil on canvas 93 x 77 cm. In an antique frame (with imperfections) 103 x 87 cm. Th...

This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it. The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints. Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...

The Rape of the Sabine Women Vincent Malò (Cambrai, c. 1595/1600 – Rome, 1649) attributed Oil on canvas 110 x 193 cm. In frame 122 x 206 cm. The ...

This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...

Large Marine Scene Dutch or Flemish, 20th century color print on canvas, framed framed: 27 x 34 inches canvas: 20 x 27.5 inches provenance: private collection, UK condition: very goo...

A follower of Abraham Brueghel (Antwerp, 1631 – Naples, 1697) Still Life with Flowers and Citrus Fruits Oil on canvas 70 x 52 cm. - Framed 85 x 67 cm. The composition depict...

John Tobias Young (1786-1828) An Italianate landscape with a messenger & his horse on a wooded path, a lake & ancient ruins beyond Signed & dated “J. Young 1821” lower centre Oil on ...

NAPLES - Oil on oval canvas cm.30x50 by Ettore Ferrante, Italy 2003. Gold leaf gilded wooden frame cm.48x68 available on request Ettore Ferrante is a refined and excellent landscape ...

Francesco Fontebasso (Venice 1709 – Venice 1769) Alexander the Great Shows Mercy to the Persians Oil on canvas 108 x 153 cm. - Framed 120 x 164 cm. Highly captivating due to ...

Philips van Kouwenbergh (1671-1729) A Peacock and Other Fowl in a Landscape Oil on canvas Canvas Size 37 3/8 x 45 7/8 in Framed Size 44 1/2 x 53 in Provenance With John Bennett Fine...

Archangel Michael Guido Reni (Bologna 1575–1642) Follower of 17th–18th century Oil on canvas 134 x 96 cm. - Framed 147 x 108 cm. The work in question, of excellent qual...

David Morier (c.1705–1770 London) An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier (1680–1770) Oil on canvas Canvas size - 40 x 50 in Framed size - 48 ...

Antiquities of Herculaneum - Letter of the Alphabet L, from the series "Antiquities of Herculaneum", is an original etching on paper realized in the 18th century. Good conditions ...

A contemporary cowboy is rendered with the gravity of a classical male nude. Surdo treats the body with the care of an Old Master while layering in the mythology of American masculin...

Artist/ School: 18th/ 19th century Continental School, after Murillo Title: Figures eating Grapes Medium: signed oil painting on metal, framed. Size:...

This enchanting 18th-century French fête galante captures the elegance and joy of aristocratic leisure, set amidst a lush garden adorned with flowers. A scene of refined celebration,...

This simply stunning large Old Master landscape oil painting is attributed to noted Dutch artist Adriaen van Diest. Painted circa 1700 this Mediterranean Italian landscape painting has everything; A really interesting landscape with land, river, sea and mountains, interesting figures and cattle and a wonderful sky with fading light. The details and the capturing of the light make this a really fantastic Dutch Old Master country house Grand Tour oil painting. Irresistible. Provenance. Dorset estate. Condition. Oil on canvas, 42 inches by 20 inches and in good condition. Frame. Housed in an English carved giltwood frame, 50 inches by 28 inches framed and in good condition. Adriaen van Diest (1655-1704) was born in the Hague in the Netherlands. Like his father and his brother, he pursued a career as a marine painter, that is, a painter of seascapes and sailing ships. In 1673, attracted by the thriving English market for portraits and marine paintings, he joined the exodus of Dutch artists leaving to work in England. It is thought that his master was Willem van de Velde the Younger...

Still life - Salvatore Marinelli Italia 2007 - Oil on canvas cm. 60x40 Salvatore Marinelli's painting is a beautiful reinterpretation by Pieter Claesz Dutch Baroque painter, one of the best known specialists in still life, having banquet scenes as its main theme. In Marinelli's painting the gold and silver colors emerge clearly on the dark background and on the gold velvet tablecloth...

Neptune on the Waves of the Ocean Workshop of Giovanni Francesco Barbieri, known as Il Guercino (Cento, 1591 – Bologna, 1666) Attributed to Ercole Gennari (Cento, 1597 – Bologna...

The Madonna and Christ Child English School, 19th century after the earlier painting by Sir Anthony van Dyck, unsigned oil on canvas, framed in fine elaborate gilt frame. Framed: 49...

This stunning British Old Master landscape oil painting, with excellent provenance, is by George Lambert. Lambert was a pioneer of British landscape in art for its own sake. Painted in 1744, the painting is entitled View of a Manor House and Cottages in Elizabeth Einberg's 63rd volume of the Walpole Society 2001 and is described as follows: In the foreground a road emerges from a wood to cross a ford and then leads up the hill to the right, towards a manor house seemingly built into the remains of a medieval or Tudor edifice. The main track, crowded with sheep and rustic figures, passes the massive square gateposts lower down the hill on the left. Further to the left is a thatched cottage with smoke coming out the chimney. In the distance is a wide coastal view. The main buildings, which are in the dead centre of the composition, represent almost certainly an as yet unidentified English view. The colouring and detail in the trees and foliage are superb. This is an excellent Old Master oil painting by one of the all time great British landscape artists with extensive provenance. Signed and dated 1744 lower left on rock in black. Provenance. Elizabeth Einberg, “Catalogue Raisonnè of the works of George Lambert” The Annual Volume of the Walpole Society, 2001 Vol. 63, page 149 no P1744, fig.71. Antonacci Efrati Antichità Rome Gallery. Burden sale, Parke Bernet, New York, 20-21, April 1938 (376 repr.) Robert E. Peters, Sotheby Parke Bernet, New York, March 1975 (41 repr.) Lit. Schnackenburg 1995, pp 83-84, cat. no.14 fig 13. Condition. Oil on canvas, 54 inches by 52 inches and in good condition. Frame. Housed in an ornate gilt frame, 64 inches by 62 inches and in good condition. George Lambert (1700-1765) was an English landscape artist and theatre scene painter. With Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe (painted conjointly with Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn Fields Theatre, in London, under John Rich. When Rich moved to Covent Garden Theatre, Lambert secured the assistance of Amigoni, and together they produced scenery of far higher quality than any previously executed. Lambert was a man of jovial temperament and shrewd wit, and frequently spent his evenings at work in his painting-loft at Covent Garden Theatre, to which men of note in the fashionable or theatrical world resorted to share his supper of a beef-steak, freshly cooked on the spot. Out of these meetings arose the well-known "Beefsteak Club" which long maintained a high social reputation. Most of Lambert's scene-paintings unfortunately perished when Covent Garden Theatre was destroyed by fire in 1808. Lambert was a friend of William Hogarth and a member of the jovial society that met at 'Old Slaughter's' Tavern in St Martin's Lane. In 1755 he was one of the committee of artists who proposed a royal academy of arts in London. He was a member of the Society of Artists of Great Britain, exhibited with them in 1761 and the three following years, and during the same period contributed to the Academy exhibitions. In 1765 he and other members seceded and formed the Incorporated Society of Artists of Great Britain, of which he was elected the first president. In conjunction with Samuel Scott, Lambert painted a series of Indian views for the old East India House in Leadenhall Street. He also etched two prints after Salvator Rosa. Lambert was associated in 1735 with George Vertue, Hogarth, and John Pine (engraver, 1660–1756) in obtaining a bill from parliament securing artists a copyright on their works. Lambert's portraits were painted by Thomas Hudson, John Vanderbank (engraved in mezzotint by John Faber the younger in 1727, and in line by H. Robinson and others), and Hogarth. Lambert's most famous painting is "A view of Box Hill, Surrey" (1733) which depicts a well-known beauty spot south of London. Hogarth considered Lambert a rival to the famous French landscape painter Claude Lorrain (1600–1682) with respect to his use of soft light to unify the scene in this painting. Though he never visited Italy he was inspired by the classical tradition of landscape painting. Lambert died on 30 November 1765 at his home on the Piazza in Covent Garden. His pupils included John Inigo Richards...

Amsterdam: C.J. Visscher, c1650. Engraving on cream laid paper with a large heraldic watermark 6 1/4 x 8 1/2 inches (158 x 216 mm); sheet 7 1/4 x 9 3/4 inches (184 x 248 mm), full m...

The Madonna, Christ Child and St. John Italian Old Master, circa 1700's period oil painting on canvas, unframed Canvas: 28.5 x 24 inches conditon: overall very good for its age, a fe...

Portrait of a Noble Lady with her dog attributed to Abraham Lambertsz. van den Tempel, Dutch 1622 - 1672 *see notes below oil on canvas, unframed canvas: 40 x 33.5 inches provenance...

Circle of George Stubbs The Lions Den Oil on canvas Canvas Size 11 x 14 1/2 in Framed Size 17 x 21 in George Stubbs, one of the most celebrated animal painters of the 18th century, ...

Follower of Gerard Seghers (1591-1651) Christ at the Column oil on wood panel c. 1700s unframed 19.5 × 14 cm Provenance: Originally in the collection of Dr. Axel Munthe (1857–1949), the renowned Swedish physician and author celebrated for his philanthropic work and for founding Villa San Michele...

Saint Michael the Archangel Workshop of Guido Reni (1575–1642) First half of the 17th century Oil on canvas Dimensions: 132 x 90 cm. With frame: 143 x 102 cm. The Saint...

17th-century Tuscan painter The Last Supper After Pieter de Witte (c. 1548 – 1628) oil on canvas (89 x 134 cm – framed 100 x 145 cm) This delightful painting, depicting th...

"Early 18th Century Old Master Christ Agonizing on the Cross." Oil on panel. Artwork: 18.2 × 13.4 cm (7.2 × 5.3 in.) ; This finely executed Early 1...