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Old Masters Art

OLD MASTERS

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.

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Style: Old Masters
Northern Italy: A 16th Century Hand-colored Map by Abraham Ortelius
Northern Italy: A 16th Century Hand-colored Map by Abraham Ortelius

Northern Italy: A 16th Century Hand-colored Map by Abraham Ortelius

By Abraham Ortelius

Located in Alamo, CA

This is a framed 16th century hand-colored copperplate map of northern Italy entitled "Veronae Urbis Territorium a Bernardo Bragnolo Descriptium" by Abraham Ortelius from his atlas "Theatrum Orbis Terrarum", which was the first modern atlas of the world, with the first volume published in 1570. This map was part of a subsequent volume, published in Antwerp in 1584. It was based on an earlier map by Bernardo Brognoli. This beautiful map of northern Italy is focussed on Verona and its environs, including Mantua. Lake Garda and the South Tyrol mountains are prominently depicted. There is a very large striking cartouche in the upper left and a decorative distance scale in the lower right. This striking hand-colored map of northern Italy is presented in a gold-colored wood frame and an olive green-colored mat. It is glazed with UV conservation glass. All mounting materials used are archival. The frame measures 21.5" high by 28" wide by 0.75" deep. There is a central vertical fold, as issued, with slight separation of the lower portion of the fold. There are faint spots in the upper and right margins, but the map is otherwise in very good condition. Abraham Ortelius (also known as Ortels, Orthellius, and Wortels) (1527-1598) was a Dutch cartographer, geographer, and cosmographer. He began his career as a map colorist. In 1547 he entered the Antwerp guild of St Luke as an "illuminator of maps". He had an affinity for business from an early age and most of his journeys before 1560, were for business. He was a dealer in antiques, coins, maps, and books. 
His business income allowed him to acquire an extensive collection of medals, coins, and antiques, as well as a large library of books...

Category

16th Century Old Masters Art

Materials

Engraving

Lovers in Landscape - British 18th century Old Master pastoral art oil painting
Lovers in Landscape - British 18th century Old Master pastoral art oil painting

Lovers in Landscape - British 18th century Old Master pastoral art oil painting

By Richard Wilson

Located in Hagley, England

This superb British 18th century Old Master oil painting is attributed to circle of noted landscape artist Richard Wilson. Painted circa 1750 it is a stunning lake landscape with a r...

Category

17th Century Old Masters Art

Materials

Oil

French Old Master Antique Oil Painting For Restoration Figures Classical Landscp
French Old Master Antique Oil Painting For Restoration Figures Classical Landscp

French Old Master Antique Oil Painting For Restoration Figures Classical Landscp

Located in Cirencester, Gloucestershire

Figures in a Classical Landscape French School, 18th/ 19th century oil painting on copper, unframed copper: 4 x 5 inches provenance: private collection condition: the work has paint ...

Category

19th Century Old Masters Art

Materials

Oil

Ruins Landscape Codazzi Paint Oil on canvas Old master 18th Century Roma Italy
Ruins Landscape Codazzi Paint Oil on canvas Old master 18th Century Roma Italy

Ruins Landscape Codazzi Paint Oil on canvas Old master 18th Century Roma Italy

By Niccolò Codazzi (Naples, 1642 - Genoa, 1693)

Located in Riva del Garda, IT

Roman school late 17th - early 18th century - Follower of Niccolò Codazzi (Naples, 1642 - Genoa, 1693) Pair of fantastic architectural whims with class...

Category

18th Century Old Masters Art

Materials

Oil

Escuela española - Virgen con niño - Óleo sobre tela
Escuela española - Virgen con niño - Óleo sobre tela

Escuela española - Virgen con niño - Óleo sobre tela

Located in Sant Celoni, ES

Siglo XVIII - Escuela española. Como pueden apreciar, la obra no va firmada, es de autor anónimo Se presenta enmarcada la obra con un marco bastante actual El estado de la obra es ...

Category

18th Century Old Masters Art

Materials

Oil

Early 19th century Empire figure bronze sculpture - woman's bust
Early 19th century Empire figure bronze sculpture - woman's bust

Early 19th century Empire figure bronze sculpture - woman's bust

Located in Varmo, IT

Small bronze ornament - Bust of a woman. Italy, early 19th century. 8 x 8 x h 29 cm, without base h 23 cm (not signed). Made entirely of patinated and gilded bronze. Depicting a fe...

Category

Early 19th Century Old Masters Art

Materials

Marble, Bronze

Piazza Navona allagata solito farsi nelle Feste di Agosto
Piazza Navona allagata solito farsi nelle Feste di Agosto

Piazza Navona allagata solito farsi nelle Feste di Agosto

By Giuseppe Vasi

Located in Fairlawn, OH

Piazza Navona allagata solito farsi nelle Feste di Agosto Etching, 1752 Signed in the plate lower right (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 26 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8 .25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...

Category

1750s Old Masters Art

Materials

Etching

Early 19th Century, Portrait of a young man wearing glasses, gouache
Early 19th Century, Portrait of a young man wearing glasses, gouache

Early 19th Century, Portrait of a young man wearing glasses, gouache

Located in Paris, FR

Early 19th Century, Portrait of a young man wearing glasses, gouache on paper 13 x 10.5 cm oval view In a vintage frame : 41.5 x 39 cm, accidents and lacks in the gilding but but...

Category

1820s Old Masters Art

Materials

Gouache

Escuela española (XVIII) - Óleo sobre tela - San Francisco de Asís
Escuela española (XVIII) - Óleo sobre tela - San Francisco de Asís

Escuela española (XVIII) - Óleo sobre tela - San Francisco de Asís

Located in Sant Celoni, ES

Como pueden apreciar, la obra no va firmada Se presenta enmarcada la obra con un marco del siglo xix en madera estucada y policromada (el marco presenta algún leve descolche) El es...

Category

Early 18th Century Old Masters Art

Materials

Oil

Escuela española (XVIII) - Óleo sobre tela - Virgen Dolorosa
Escuela española (XVIII) - Óleo sobre tela - Virgen Dolorosa

Escuela española (XVIII) - Óleo sobre tela - Virgen Dolorosa

Located in Sant Celoni, ES

La obra no va firmada, es de augtor anónimo Se presenta sin enmarcar la pintura El estado de conservación de la pintura dse puede ver, presenta faltas y precisará restauración Med...

Category

18th Century Old Masters Art

Materials

Oil

Antique French Miniature Portrait of Lady Biographical details with painting
Antique French Miniature Portrait of Lady Biographical details with painting

Antique French Miniature Portrait of Lady Biographical details with painting

Located in Cirencester, Gloucestershire

Miniature Portrait French School, late 18th/ early 19th century framed: 5.5 x 5.5 inches board: 2 x 2 inches provenance: private collection, France condition: very good and sound c...

Category

Late 18th Century Old Masters Art

Materials

Watercolor

Italian master - 18th century figure sculpture - Virgin Pity - Carved Wood Paint
Italian master - 18th century figure sculpture - Virgin Pity - Carved Wood Paint

Italian master - 18th century figure sculpture - Virgin Pity - Carved Wood Paint

Located in Varmo, IT

Carved and painted wooden sculpture - Pietà - Italy, 18th century. 13 x 7 x h 22.5 cm. Entirely made of carved and polychrome painted wood. Condition report: Good state of conserv...

Category

Mid-18th Century Old Masters Art

Materials

Wood, Paint

Fisherfolk unloading the days catch
Fisherfolk unloading the days catch

Fisherfolk unloading the days catch

By John Thomas Serres

Located in Stoke, Hampshire

John Thomas Serres (1759-1825) Fisherfolk unloading the days catch Oil on canvas Canvas Size - 17 x 25 in Framed Size - 22 x 30 in John Thomas Serres, a luminary in the realm of mar...

Category

18th Century Old Masters Art

Materials

Oil

Escuela española - Personajes - 100 x 80 cm.
Escuela española - Personajes - 100 x 80 cm.

Escuela española - Personajes - 100 x 80 cm.

Located in Sant Celoni, ES

La obra va firmada por el artista en la parte inferior (L. CABOT) y fechada del año 1983 Se presenta enmarcada la pintura (el marco presenta algunas leves faltas y signos de uso) E...

Category

1980s Old Masters Art

Materials

Oil

17th Century by Andrea Vaccaro Penitent Magdalene Oil on canvas
17th Century by Andrea Vaccaro Penitent Magdalene Oil on canvas

17th Century by Andrea Vaccaro Penitent Magdalene Oil on canvas

Located in Milano, Lombardia

Andrea Vaccaro (Naples, Italy, 1604 – 1670) Title: Penitent Magdalene Year: 1630-1635 ca. Medium: Oil on canvas Dimensions: without frame 75 x 62 cm – with frame 87.5 x 74.7 x 5.5 cm...

Category

17th Century Old Masters Art

Materials

Canvas, Oil

Escuela española (XVIII) - San Pedro Penitente - Óleo sobre tabla
Escuela española (XVIII) - San Pedro Penitente - Óleo sobre tabla

Escuela española (XVIII) - San Pedro Penitente - Óleo sobre tabla

Located in Sant Celoni, ES

Se trata de un óleo sobre tabla La obra no va firmada, es de autor anónimo La obra se presenta enmarcada con un marco posterior a la época de la pintura Medidas obra: 36 cm. de al...

Category

Late 18th Century Old Masters Art

Materials

Oil

Escuela Francesa (XIX) - Les cascatelles de Tivoli (Tras Jean Honoré Fragonard)
Escuela Francesa (XIX) - Les cascatelles de Tivoli (Tras Jean Honoré Fragonard)

Escuela Francesa (XIX) - Les cascatelles de Tivoli (Tras Jean Honoré Fragonard)

Located in Sant Celoni, ES

La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra El estado de la obra se puede ver, es aceptable, solo presenta alguna leve falta (apreciable en las fotogra...

Category

Early 19th Century Old Masters Art

Materials

Oil

Venus Paolo Fiammingo Paint Oil on canvas Old master 16th Century Italian Art
Venus Paolo Fiammingo Paint Oil on canvas Old master 16th Century Italian Art

Venus Paolo Fiammingo Paint Oil on canvas Old master 16th Century Italian Art

Located in Riva del Garda, IT

Pauwels Franck, known as Paolo Fiammingo (Antwerp, 1540 - Venice, 1596) Venus lying in a landscape Oil on canvas 116 x 150 cm. In antique frame 136 x 170 cm. The work is accompanied by a critical card by Dr. Federica Spadotto The splendid painting proposed sees portrayed, bare and stretched out on a red brocade cloth in gold sprinkled with roses, a refined and sensual Venus, in a composition with a profound symbolic value, and arriving at the perfect representation of the Renaissance woman who, like Venus, becomes an allegory love, eros, beauty and fertility. The canvas is part of the prestigious Venetian artistic and cultural environment of the second half of the sixteenth century, whose distinctive distinctive trait can be traced back to its cosmopolitan vocation. This characteristic, as Dr. Spadotto noted in her in-depth study, belongs to the same physiology of the Venetian capital, that is, being a distinctly commercial city located in a strategic point with respect to trade. Representing one of the liveliest ports in the Mediterranean also meant witnessing the continuous passage not only of goods, but of men, ideas, suggestions from distant countries, which influenced not only the taste of their people, but above all art. This happened thanks to the circulation of prints, as well as pictorial specimens, to which are added the stays of great foreign artists and, above all, the permanence in the capital of a non-negligible number of Dutch, Flemish and German masters. An emblematic case in this regard comes from Pauwels Franck (Antwerp, 1540 - Venice, 1596), better known as Paolo Fiammingo, who established himself in his native city at a young age - in 1561 a figure enrolled in the Guild of San Luca - and arrived in Venice in 1573. . He resided in Venice from 1584 until his death, although the stylistic and formal references of some of his works have led critics to believe that in previous years he had undertaken a journey to central Italy, or to Florence and Rome, where he would have metabolized the lively cultural debate that permeated these cities and which, on the other hand, seemed completely absent in Venice. Here Paolo will be fascinated by the sense of color and by the atmospheric component fixed on the canvas by Jacopo Tintoretto (Venice 1518 - 1594), of which he becomes a collaborator, to undergo, around 1590, the suggestion of Paolo Caliari...

Category

16th Century Old Masters Art

Materials

Oil

Portrait of a lady with her son, studio of F.H. Drouais, Paris, French, 18th c.
Portrait of a lady with her son, studio of F.H. Drouais, Paris, French, 18th c.

Portrait of a lady with her son, studio of F.H. Drouais, Paris, French, 18th c.

By François Hubert Drouais

Located in PARIS, FR

Portrait of a lady with her son, Workshop of François Hubert Drouais (Paris 1727-1775) (no visible signature) French School, mid-18th century, circa 1760 Oil on canvas: h. 71.5 cm, w...

Category

Mid-18th Century Old Masters Art

Materials

Canvas, Oil

Old Master portrait of a lady musician by the master or portraiture
Old Master portrait of a lady musician by the master or portraiture

Old Master portrait of a lady musician by the master or portraiture

Located in Petworth, West Sussex

Attributed to Pierre Paul Prud’hon (French, 1758-1823) 'La belle musicienne' Oil on canvas, oval Signed ‘P. P. Prudon’ (lower left) 28.3/4 x 23.1/2 in. (73 x 59.5 cm.) Pierre Paul Prud'hon is considered a prime example of early French Romanticism. He was born as the seventh and last child of a master tailor. At the age of 16 he was a pupil of the painter and sculptor Francois Devosge. After finishing his studies he moved to Paris, where he first worked for an engraver and became friends with the Baron of Joursanvault, who became his patron. He also made a friendship with the "incorruptible", the politician and revolutionary Maximilien de Robespierre. Despite important friendships and the care of some cardinals, Prud'hon plunges into loneliness and melancholy. He has a good reputation and produces allegorical paintings, but his attachment to Robespierre forces him to leave the French capital. He now lives in the Free County of Burgundy, where he makes portraits and illustrations for Pierre Didot, the owner of the printing house. After a few years he moved back to Paris and his career received a new impetus. In the Louvre, Prud'hon is provided with a studio in which he paints "La sagesse et la vérité descendant sur la terre" (Wisdom and Truth descend to earth) for one year, as well as some ceilings of the Louvre. The government assigns him a studio in the Sorbonne, where his wife Jeanne, whom he married at the age of 19, comes looking for him. To escape her, he asks the museum director for protection. In 1808 he wrote "La justice et la vengeance divine poursuivant le crime" (Justice and divine revenge pursue the crime). In the same year he is also named Knight of the Legion of Honour and is able to break with his grumpy wife once and for all. He soon reconnects with his student and painter of neoclassicism Constance Mayer. Pierre is commissioned to paint a portrait of the Empress and wife of Napoleon, Joséphine de Beauharnais, which can still be seen today in the Louvre. He also paints the small "Roi de Rome" (King of Rome). In 1816 the Academy of Fine Arts elected him a member, where he took over the armchair in the painting section of François-André Vincent. A few years later his depressed wife commits suicide, and full of pain Prud'hon finishes her last work "Une famille malheureuse" (Engl. An Unhappy Family) and exhibits it. He himself dies soon afterwards and is buried in Paris. Many renowned artists admire Prud'hon for his "clair-obscur", the chiaroscuro painting...

Category

18th Century Old Masters Art

Materials

Canvas, Oil

Escuela Italiana (XIX) - Judith (Según Cristofano Allori)
Escuela Italiana (XIX) - Judith (Según Cristofano Allori)

Escuela Italiana (XIX) - Judith (Según Cristofano Allori)

Located in Sant Celoni, ES

La obra no va firmada El estado de conservación es bueno Se presenta enmarcada la obra con un marco posterior a la obra Medidas de la obra: 40 cm. de altura x 33 cm. de ancho. Me...

Category

Late 19th Century Old Masters Art

Materials

Oil

'Jesus and the Woman at the Well, ' by Amand-Durand, Engraving
'Jesus and the Woman at the Well, ' by Amand-Durand, Engraving

'Jesus and the Woman at the Well, ' by Amand-Durand, Engraving

By Armand Durand

Located in Oklahoma City, OK

This early 19th century framed 35" x 31" engraving by artist Amand-Durand depcits an etching of 'Jesus and the Woman at the Well,' after the Dutch master, Rembrandt van Rijn. This poignant Biblical story is depicted by Arman-Durand in Rembrandt style...

Category

Early 19th Century Old Masters Art

Materials

Engraving

Adoration Magi Jan Van Der Straet Paint Oil on canvas Old master 16th Century
Adoration Magi Jan Van Der Straet Paint Oil on canvas Old master 16th Century

Adoration Magi Jan Van Der Straet Paint Oil on canvas Old master 16th Century

Located in Riva del Garda, IT

Jan Van der Straet, known as Giovanni Stradano (Bruges 1523 - Florence 1605), Workshop of The Adoration of the Magi late 16th century - early 17th century oil painting on canvas Mea...

Category

16th Century Old Masters Art

Materials

Oil

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Napoli
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Napoli

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Napoli

Located in Cirencester, Gloucestershire

'Napoli' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

Category

18th Century Old Masters Art

Materials

Ink, Watercolor, Archival Paper

Landscapes Finder (Buscador de paisajes) Figurative painting. Old masters style
Landscapes Finder (Buscador de paisajes) Figurative painting. Old masters style

Landscapes Finder (Buscador de paisajes) Figurative painting. Old masters style

By Goyo Dominguez

Located in Segovia, ES

Landscape Finder. Goyo painted this intriguing painting in 1994, when his inspiration from the old masters was most noticeable. The artist declares: “I feel a powerful attraction to ...

Category

1990s Old Masters Art

Materials

Wood Panel, Acrylic

18th Century portrait oil painting of a lady in an ermine trimmed cloak
18th Century portrait oil painting of a lady in an ermine trimmed cloak

18th Century portrait oil painting of a lady in an ermine trimmed cloak

By Sir Godfrey Kneller

Located in Nr Broadway, Worcestershire

Circle of Sir Godfrey Kneller Dutch, (1646-1723) Portrait of a Lady in an Ermine Trimmed Cloak Oil on canvas Image size: 26.5 inches x 22.5 inches Size including frame: 33.5 inches x 29.5 inches A well-executed half-length portrait of a lady painted in a feigned oval, circle of Sir Godfrey Kneller. The use of a feigned oval was a device used in portraiture to give a sense of depth and add an intimacy to the painting, drawing your attention to the sitter. The subject, posed without her wig in the undressed fashion of the day, wears a blue ermine trimmed blue cloak over a white silk robe...

Category

18th Century Old Masters Art

Materials

Canvas, Oil

18th Century by Nicola Viso The adoration of the magi Oil on canvas
18th Century by Nicola Viso The adoration of the magi Oil on canvas

18th Century by Nicola Viso The adoration of the magi Oil on canvas

Located in Milano, Lombardia

Nicola Viso, (active 1724 – 1742) Title: The adoration of the magi Medium: Oil on canvas Dimensions: without frame 63 x 100 cm – with frame 76.5 x 114.7 x 4.5 cm Signed “N. Viso. f” ...

Category

18th Century Old Masters Art

Materials

Canvas, Oil

Óleo sobre tela - La virgen con el niño y san Juanito
Óleo sobre tela - La virgen con el niño y san Juanito

Óleo sobre tela - La virgen con el niño y san Juanito

Located in Sant Celoni, ES

Sin firmar, de autor anónimo Se presenta enmarcada la obra con un marco posterior a la pintura Comentar que la tela está reentelada Medidas obra: 65 x 49 cm. Medidas marco: 82 ...

Category

Mid-18th Century Old Masters Art

Materials

Oil

PORTRAIT OF A GENTLMEN - French School -Portrait Italian Oil on Canvas Painting
PORTRAIT OF A GENTLMEN - French School -Portrait Italian Oil on Canvas Painting

PORTRAIT OF A GENTLMEN - French School -Portrait Italian Oil on Canvas Painting

By Eugenio De Blasi

Located in Napoli, IT

Portrait of a Gentlemen - Oval oil on canvas cm.50x40, Italia, 2006 Eugenio De Blasi Wooden frame available on request The portrait of Eugenio De Blasi is inspired by one of the many portraits painted by Guillam Francois Colson, a French historian painter, who painted portraits of families...

Category

Early 2000s Old Masters Art

Materials

Canvas, Oil

Bearded man in turban and fur
Bearded man in turban and fur

Bearded man in turban and fur

By Rembrandt van Rijn

Located in Middletown, NY

Etching on cream wove paper, 4 3/4 x 3 3/4 inches (120 x 95 mm), wide margins. Scattered light surface soiling, unevenly trimmed wide margins, all consistent with age. Likely printed...

Category

18th Century Old Masters Art

Materials

Etching

Titian's Studio
Titian's Studio

Titian's Studio

Located in Milford, NH

A wonderfully detailed interior genre oil painting by Flemish artist Louis Tielemans (1826-1856). Tielemans was born in Anvers, and became known for his active genre scenes, emulatin...

Category

Mid-19th Century Old Masters Art

Materials

Oil, Wood Panel

Portrait of a Gentleman in Doublet & Ruff c.1595; Elizabethan oil on copper
Portrait of a Gentleman in Doublet & Ruff c.1595; Elizabethan oil on copper

Portrait of a Gentleman in Doublet & Ruff c.1595; Elizabethan oil on copper

Located in London, GB

Portrait of an Elizabethan Gentleman in a Black Doublet c.1595 Manner of Hieronimo Custodis (died c.1593) Oil on copper Unsigned This exquisite oil on copper portrait, painted around 430 years ago, is a splendid survival from the Elizabethan era - the golden age in England’s history, when Queen Elizabeth I was on the throne. It is a time that is sandwiched between two golden ages of English renaissance culture, the reigns of Henry VIII and Charles I. This period produced a style of painting quite unlike that anywhere else in Europe and one that deserves serious assessment. Just a couple of years after our portrait was painted, English painting developed on another course, driven mainly by the artists Marcus Gheeraerts the Younger and Isaac Oliver; they depicted a new mood that was pervading Elizabethan and Jacobean society, which was that of romantic melancholy. Elizabethan painting...

Category

16th Century Old Masters Art

Materials

Copper

Classical Landscape, Original Glazed Frame, Signed
Classical Landscape, Original Glazed Frame, Signed

Classical Landscape, Original Glazed Frame, Signed

Located in Cirencester, Gloucestershire

Grand Tour Study Italian School, 18th century monogrammed, lower right hand corner, Watercolour wash painting on board, glazed frame Framed size: 9 x 11 inches The painting captures...

Category

18th Century Old Masters Art

Materials

Watercolor

Grand 19th Century English Marine Painting in Stunning Light
Grand 19th Century English Marine Painting in Stunning Light

Grand 19th Century English Marine Painting in Stunning Light

By John Wilson Ewbank

Located in London, GB

John Wilson Ewbank (1799 - 1847) Shipping in the Harbour, South Shields Oil on canvas 39.5 x 58 inches unframed 47.75 x 66.5 inches framed Provenance: Christie's October 2002; Lot 11. Fine Art Society; Private Collection This marvellous up to scale Ewbank is full of light and warmth and almost certainly his greatest work of the sort rarely - if ever - seen on the market. John W. Ewbank (4 May 1799–28 November 1847), was an English-born landscape and marine painter largely operational from Scotland. The Humber river is a large tidal estuary on the east coast of Northern England. Life Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he had some lessons with Alexander Nasmyth. He found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Works His sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He also made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. As an illustrator he illustrated some early editions of Scott's Waverley Novels and one edition of Gilbert White...

Category

19th Century Old Masters Art

Materials

Oil

16th Century Italian Renaissance Old Master Portrait of a Procuratore
16th Century Italian Renaissance Old Master Portrait of a Procuratore

16th Century Italian Renaissance Old Master Portrait of a Procuratore

By Jacopo Bassano

Located in London, GB

Jacopo BASSANO (c. 1510-1592, Italian) Portrait of a Procuratore Oil on canvas 30 ¼ x 26 inches (including frame) Provenance: Lucien Bonaparte’s Collection (as Portrait of Doge Priuli, Tiziano); Rich-mond, Virginia Museum, Portrait of Doge Lorenzo Priuli. The painting is a portrait of a man half-length, on a black background. It is a three-quarter portrait, according to a custom very common in the genre of portraiture in sixteenth century. The man is wearing a decorated...

Category

16th Century Old Masters Art

Materials

Oil

French School, Academic Study (Male Nude)
French School, Academic Study (Male Nude)

French School, Academic Study (Male Nude)

Located in London, GB

Charcoal on paper, 60cm x 42cm, (74cm x 60cm framed). The picture is framed behind museum quality non-reflective UV glass. Drawings and paintings of the nude were central to academ...

Category

19th Century Old Masters Art

Materials

Paper, Carbon Pencil

Madonna with Holy Child and St. John
Madonna with Holy Child and St. John

Madonna with Holy Child and St. John

Located in Fredericksburg, VA

Madonna with Holy Child and St. John is a masterful depiction of a tender religious scene, capturing the sacred relationship between the Virgin Mary, the infant Jesus, and St. John t...

Category

17th Century Old Masters Art

Materials

Wood, Oil

Old Masters art for sale on 1stDibs.

Find a wide variety of authentic Old Masters art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters art, so small editions measuring 0.4 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,495,000, while the average work sells for $546.