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Old Masters Art

OLD MASTERS

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.

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Style: Old Masters
La Lealtad - Original Etching - 1875
Located in Roma, IT
La lealtad - from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 17 from of...
Category

1870s Old Masters Art

Materials

Etching, Aquatint

A Huntsman with Dogs and Pony
Located in Stoke, Hampshire
John Nost Sartorius (London 1759-1828) A Huntsman with Dogs and Pony Signed 'JN Sartorius pin.' lower right Oil on canvas Canvas Size 26 3/4 x 37 in Framed Size - 31 x 41 in John No...
Category

18th Century Old Masters Art

Materials

Oil

Fine 1700's French/ Dutch Oil Painting on Copper Portrait Man Ruff Collar
Located in Cirencester, Gloucestershire
Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...
Category

18th Century Old Masters Art

Materials

Copper

Antique English 19th century marine scene
Located in Woodbury, CT
Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...
Category

1810s Old Masters Art

Materials

Oil, Wood Panel

French Old Master The Garden of Gethsemane Unusual Shape Panel
Located in Cirencester, Gloucestershire
Artist/ School: French School, 18th century Title: The Garden of Gethsemane Medium: oil painting on wooden panel, unframed. painting: measurem...
Category

18th Century Old Masters Art

Materials

Oil

Very Large Antique French Classical Romantic Oil Painting Ancient Ruin Landscape
Located in Cirencester, Gloucestershire
Artist/ School: French School, 19th century Title: Classical Landscape with figures amongst ancient ruins. Medium: oil painting on canvas, unframed. canvas: 24.5 x 36 inches P...
Category

19th Century Old Masters Art

Materials

Oil

Portrait of Lady in Silver Dress - Dutch Old Master art portrait oil painting
By Willem Wissing
Located in Hagley, England
This lovely Dutch Old Master portrait oil painting is attributed to circle of Willem Wissing. Wissing settled in England and emerged as Peter Lely's most important pupil after his de...
Category

17th Century Old Masters Art

Materials

Oil

Cattle watering in an open landscape
By Joshua Shaw
Located in Stoke, Hampshire
Joshua Shaw (Billingborough 1776-1860 New Jersey) An open landscape with cattle watering signed and dated 'J. Shaw. 1810' lower right Oil on canvas Canvas Size 36 x 51 in Framed Siz...
Category

18th Century Old Masters Art

Materials

Oil

18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures
Located in Cirencester, Gloucestershire
Title: The Italian City Artist/ School: English/ Italian School, late 18th century; a Grand Tour work. Medium: pencil drawing. Size: 6.75 x 9.75 inches Provenance: from a priva...
Category

Late 18th Century Old Masters Art

Materials

Pencil

Naval Battle Engagement at Sea Large Busy Battle Scene Many Ships, Signed Oil
Located in Cirencester, Gloucestershire
English School, early 20th century signed oil painting on canvas, unframed canvas: 17 x 24 inches provenance: private collection, Eng;and condition: good and sound condition, minor ...
Category

Early 20th Century Old Masters Art

Materials

Oil, Canvas

Italian School, 16th Century, Study of figures
Located in Paris, Île-de-France
Italian School, 16th Century Studies of Figures Pen and ink on paper, 23 × 24 cm Unsigned A finely executed sheet presenting vigorous figure studies, drawn with assured pen strok...
Category

16th Century Old Masters Art

Materials

Ink

Portrait of an Old Bearded Man With a Black Cap
Located in Stockholm, SE
We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...
Category

Late 18th Century Old Masters Art

Materials

Oil, Wood Panel

'Star', A running horse belonging to His Grace the Duke of Bridgewater
Located in Stoke, Hampshire
James Seymour (1702-1752) 'Star', A running horse belonging to His Grace the Duke of Bridgewater Mezzotint by R. Houston Image size 10 x 14 in Framed size 13 x 17 in James Seymour w...
Category

18th Century Old Masters Art

Materials

Mezzotint

Manner of Guido Reni (1575-1642) The Prophecy of Simeon Large Antique Painting
Located in Cirencester, Gloucestershire
Artist/ School: Manner of Guido Reni (1575-1642) Italian Title: The Prophecy of Simeon Medium: oil painting on canvas, unframed Painting: 21.5 ...
Category

Mid-18th Century Old Masters Art

Materials

Oil

Dutch shipping in a choppy sea
Located in Stoke, Hampshire
Charles Martin Powell (Chichester 1775-1824) Dutch shipping in a choppy sea Signed 'CPowell' lower right Oil on canvas Canvas Size - 16 x 19 in Framed Size - 23 x 25 in Provenance: The Parker Gallery...
Category

Early 19th Century Old Masters Art

Materials

Oil

Singer by Candlelight (Dutch School Old Master Genre Scene)
Located in Wilton Manors, FL
Beautiful Dutch School painting dating from 17th century. Oil on wood panel measuring 10 3/8 x 14 7/16 inches. Unsigned. No inpainting or conservation. Depicted is a scene with a beautiful young woman singing...
Category

17th Century Old Masters Art

Materials

Oil, Wood Panel

Portrait of Anna de Hooghe - Flemish art Old Master portrait oil painting
By Jacob Ferdinand Voet 1
Located in Hagley, England
This strong Flemish Old Master portrait oil painting is attributed to Ferdinand Voet. The sitter is Anna De Hooghe, the fourth wife of artist Ludolf Bakhuizen (1631-1708), a German-born Dutch painter, draughtsman, calligrapher and printmaker. He was the leading Dutch painter of maritime subjects after Willem van de Velde the Elder and Younger left for England in 1672. He also painted portraits of his family and circle of friends. Painted circa 1660 Anna is standing profile but turned to the viewer/artist with her hand to her heart. She is set in a landscape at twilight. A really lovely painting and superb example of Dutch art. It is recorded in the RKD archives with N Maes signature LL - since removed through restoration. Provenance. The estate of George Way. Archive RKD Condition. Oil on canvas, 38 inches by 34 inches unframed and in good condition. Frame. Housed in a fine period carved frame, 46 inches by 42 inches framed and in good condition. Jacob Ferdinand Voet or Jakob Ferdinand Voet (1639-1689) was a Flemish portrait...
Category

17th Century Old Masters Art

Materials

Oil

Portrait of Frances Howard Duchess of Richmond - Flemish Old Master oil painting
Located in Hagley, England
This stunning Flemish Old Master portrait oil painting is attributed to circle of Anthony Van Dyck. Painted circa 1630, the sitter is Frances Stewart née Howard (1578 -1639) Duchess ...
Category

Early 17th Century Old Masters Art

Materials

Oil

The Triumph of Caesar: Plate IV of IX
By Andrea Mantegna
Located in Middletown, NY
Andreani, Andrea, after Andrea Mantegna The Triumph of Caesar: Plate IV of IX 1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and thr...
Category

16th Century Old Masters Art

Materials

Handmade Paper, Laid Paper, Ink, Woodcut

18th Century French Portrait of Mysterious Man Oil on Canvas for restoration
Located in Cirencester, Gloucestershire
Portrait of a Gentleman French School, 18th century oil on canvas, unframed canvas : 25 x 20 inches provenance: private collection, France condition: the painting is in sound conditi...
Category

18th Century Old Masters Art

Materials

Oil

The Card Players by a Flemish 1600s Artist
Located in Stockholm, SE
Flemish 1600s School The Card Players oil on oak panel panel dimensions 22.5 x 20 cm frame included Provenance: From a Swedish private collection. Condition: Flat and stabl...
Category

17th Century Old Masters Art

Materials

Oak, Oil, Panel

COUNTRY SCENE- Italian School - Figurative Italian Oil on Canvas Painting
Located in Napoli, IT
Country scene - Oil on canvas cm.80x120, Giovanni Santaniello, Italy 2002 Gold gilded wooden frame available on request The painting by Giovanni Santaniello depicts a scene of return...
Category

Early 2000s Old Masters Art

Materials

Canvas, Oil

Dutch Marine Shipping Seascape - Golden Age art Old Master oil painting boats
Located in Hagley, England
This superb Dutch Old Master marine oil painting is attributed to the circle of Jacob de Heusch. Painted circa 1690 the setting is an Italian coast with fish...
Category

17th Century Old Masters Art

Materials

Oil

Annunciation Ferri Paint 17th Century Oil on canvas Old master Religious Rome
Located in Riva del Garda, IT
Ciro Ferri (Rome, 1634 – Rome, 1689) Attributed to Annunciation (probably a preparatory sketch) Oil on canvas 61 x 41 cm - In frame 79 x 49 cm The work, certainly commission...
Category

17th Century Old Masters Art

Materials

Oil

Fine 18th Century British Oil Painting Mother & Infant Child in Adoration
Located in Cirencester, Gloucestershire
Mother & Child British artist, late 18th century after the painting by Sir Anthony van Dyke oil on canvas, unframed canvas : 20 x 18 inches provenance: private collection, Berkshire,...
Category

18th Century Old Masters Art

Materials

Oil, Canvas

Huge 18th Century Italian Old Master Oil Painting Still Life Fruit Flowers & Jug
Located in Cirencester, Gloucestershire
Classical Still Life of Fruit in Basket with other objects Italian artist, 18th century oil on canvas, unframed canvas: 24.5 x 33 inches provenance: private collection, UK condition:...
Category

18th Century Old Masters Art

Materials

Oil

1600's French Old Master Oil Painting Nude Figures in Landscape Oil on Panel
Located in Cirencester, Gloucestershire
Nude Figures in Wooded Landscape French School, 17th century oil on wood panel, framed framed: 25.5 x 21.5 inches board: 20 x 15.5 inches provenance: private collection, France condi...
Category

17th Century Old Masters Art

Materials

Oil

Classical Landscape - French 17th century art Old Master oil painting
Located in Hagley, England
This superb 17th century French Old Master oil painting is attributed to Jean Francois Millet. Painted circa 1670 it is a classical landscape with figures by a bend in a river in the...
Category

17th Century Old Masters Art

Materials

Oil

Aeneas Dido Pseudo-caroselli Roman school 17th Century Paint Oil on canvas
Located in Riva del Garda, IT
Aeneas and Dido Attributed to Pseudo-Caroselli (Rome, active c. 1630/1650) Oil on canvas 148 × 93 cm. framed 162 × 107 cm. The episode depicted in the superb canvas illustra...
Category

17th Century Old Masters Art

Materials

Oil

Fine 17th Century Flemish Old Master Oil Painting Travellers Country Landscape
Located in Cirencester, Gloucestershire
Travellers in a Country Landscape circle of Jacques d'Arthois (Flemish 1613-1686) oil on canvas, framed frame: 13.5 x 18.5 inches canvas: 11 x 16 inches provenance: private collectio...
Category

17th Century Old Masters Art

Materials

Oil

Piazza del Popolo con Obelisco Egizio
Located in Fairlawn, OH
Piazza del Popolo con Obelisco Egizio Etching, 1752 Signed in the plate lower left (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8.25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
Category

1750s Old Masters Art

Materials

Etching

Escuela española (XIX) - Santa Bárbara - Óleo sobre tela
Located in Sant Celoni, ES
La obra no va firmada, es de autor anónimo Se presenta enmarcada la obra (la placa que pone "ESCUELA SEVILLANA XVIII" es errónea, esta obra es del siglo XIX Estado de conservación ...
Category

Mid-19th Century Old Masters Art

Materials

Oil

Mary Magdalene Guercino Paint 17th Century Oil on canvas Old master Religious
Located in Riva del Garda, IT
Mary Magdalene in the Desert Giovanni Francesco Barbieri, Il Guercino (Cento, 1591 - Bologna, 1666) Workshop of Oil on canvas 122 x 78 cm In frame 136 x 92 cm The painting presents us with a superb image of the penitent Magdalene, portrayed as an attractive young woman, mischievously undressed to remind us of her sinful past, her gaze full of devotion turned towards the angel messenger arriving from above. The composition is made even more fascinating by her long, loose hair that falls softly over her body, revealing her breasts, a further reference to the strong femininity of this saint, who is both a sinner and a penitent, and therefore perpetually portrayed in the ambivalence between the sacred and the profane. Stylistically, the work, which can be dated to the first half of the 17th century, clearly belongs to the Emilian school, and the Guercinesque characteristics undoubtedly suggest that it was executed by an artist from his workshop. The iconography of the painting reinterprets a work by Guercino, “The Vision of Saint Jerome”, painted in 1641 for the Confraternity of Saint Jerome in Rimini: the two works are similar in their setting, the composition of the scene, the treatment of the bodies of the protagonists and even in the pose and colours and the inclusion of the angel in the upper part of the painting. Returning to our beautiful Magdalene, although Guercino's original work cannot be traced, there are other versions by his talented pupils and workshop, including that by Cesare Gennari (Cento, 1637 - Bologna, 1688), now in the Pinacoteca Civica in Cento (FE), considered one of the best talents to emerge from the prestigious teaching of the master. Gennari Cesare - Penitent Magdalene oil on canvas, 276x 171 cm, 1662, no. 0342 Civica Pinacoteca Il Guercino, Cento (FE). Although it is difficult to attribute our high-quality canvas to a specific artist, we can trace its authorship to the workshop of the great master, hypothesising that it was painted either by Cesare Gennari himself or by an artist close to his style, such as Giuseppe Maria Ficatelli, from whom the particular sense of light and vigorous naturalism derives. Our painter follows the robust and synthetic naturalism typical of Cesare's style: the touch is refined but full of character in the depiction of Mary Magdalene, with her sensual flesh, particularly her breasts, which are barely concealed by her long, curly, golden hair. The woman embodies a three-dimensional strength that makes her the focal point of the painting, around which everything else is coordinated, thanks in part to her diagonal pose, which emphasises her depth. She kneels on a rock altar, on which there is a crucifix and an open book, as well as a skull at her feet, as a warning against Vanitas. In this dark setting, with colours that are deep and functional to the message of faith that Mary Magdalene conveys, the only source of light illuminating the scene is the angel at the top of the painting, pointing to the true source of that glow, which stands out against the magnificent lapis lazuli blue of the sky. ADDITIONAL INFORMATION: Good condition, with some restoration work consistent with the age of the painting, complete with gilded frame...
Category

17th Century Old Masters Art

Materials

Oil

Portrait of a Young Gentleman - Dutch Old Master 17thC art portrait oil painting
Located in Hagley, England
This superb Dutch Old Master portrait oil painting is attributed as by a follower of Dutch 17th century artist Gerrard van Honthorst. The original of this painting hangs in Wilton House, Wiltshire, home to the 18th Earl and Countess of Pembrokeshire. The painting was previously attributed to Van Dyck by early cataloguers, but after exhaustive comparisons with the two Honthorst brothers' works, it was concluded that Gerrard van Honthorst was the artist who painted the original in Wilton House. Our painting was painted circa 1695 by a follower of Gerrard Honthorst. It was sold to us as circle of Cornelius Johnson. The sitter is Prince Rupert of the Rhine, Duke of Cumberland, Earl of Holderness (1619-1682). He was an English army officer, admiral, scientist, and colonial governor. He first came to prominence as a Royalist cavalry commander during the English Civil War. Rupert was the third son of the German...
Category

1650s Old Masters Art

Materials

Oil

Shipping in Stormy Waters, Attributed to Italian Artist Francesco Guardi
By Francesco Guardi
Located in Stockholm, SE
The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...
Category

18th Century Old Masters Art

Materials

Oil, Canvas

GIRL WITH KITTEN- In the Manner of F.Ballavoine's - Italy Oil on canvas paint
Located in Napoli, IT
Girl with kitten - Giulio Di Sotto Italia 2008 - Oil on canvas cm. 60x50 Frame available on request from our workshop. This painting is Giulio Di Sotto’s personal reinterpretation of the 19th century French painter Jules Frédéric Ballavoine...
Category

Early 2000s Old Masters Art

Materials

Canvas, Oil

Portrait of Mrs James Hoste - British 18th century art portrait oil painting
By John Vanderbank
Located in Hagley, England
This superb large three quarter length British Old Master portrait in a landscape oil painting is attributed to circle of John Vanderbank the Younger. Painted circa 1738 the sitter is Mrs James Hoste of South Wootton and Sandringham, nee Hammond. She was the daughter of Anthony Hamond and Susan Walpole, daughter of Robert Walpole, and was sister to Robert, 1st Earl of Oxford. She married Major James Hoste of Sandringham, Norfolk, and they had two daughters. The sheen of her blue satin dress against her gold cloak is stunning. A really lovely 18th century portrait with excellent provenance. Inscribed with sitter details lower left. Provenance. By descent within the family of the sitter at West Acre High House, Norfolk; Cheffins, Cambridge, 'West Acre High House' sale, 24 November 2010, Lot 519; Wood Hall, Arkesden, Essex. Literature: 'Portraits in Norfolk Houses', Prince Duleep Singh, 1927, No. 36. Sitter's details on two labels verso. Condition. Oil on canvas, image size is 50 inches by 40 inches and in good condition. Frame. Housed in an ornate gilt frame, 58 inches by 48 inches framed and in good condition. John Vanderbank (1694-1739) was an English portraitist and book illustrator, who enjoyed a high reputation for a short while during the reign of King George...
Category

18th Century Old Masters Art

Materials

Oil

Portrait of William Stonestreet - Dutch Golden Age 17thC art oil painting
Located in Hagley, England
This superb Dutch Golden Age portrait is attributed to circle of Dutch artist Wybrand Simonsz de Geest. Painted in 1666 it is a full length portrait of a young William Stonestreet. He is holding the paw of a clipped little white dog with drapes and clouds beyond. (It was common practise to dress young boys in dresses up to the age of about 6 or 7 when they were 'britched' or wore britches). An excellent example of Dutch Golden Age art that wouldn't look out of place in a museum. Wm Stonestreet 1666, Prebend of Selsely is inscribed top left. Provenance. Berkshire estate. Condition. Oil and canvas, 44 inches by 36 inches and in good condition. Frame. Housed in an ornate gilt frame, 52 inches by 44 inches and in good condition. Wybrand Simonsz. de Geest (16 August 1592 – c. 1661) was a Dutch Golden Age portrait painter from Friesland in the Netherlands. Wybrand de Geest was born and died at Leeuwarden. He learned painting from his father, Simon Juckesz, a stained glass worker. He studied later with Abraham Bloemaert. From 1614 to 1618 he travelled in France and Italy on a Grand Tour. In 1616 he met up with Leonard Bramer in Aix-en-Provence. While in Rome he became a member of the painters' circle known as the Bentvueghels. He earned the nickname 'De Friesche Adelaar', or "the Frisian Eagle". De Geest married Hendrickje Fransdr Uylenburgh in 1622, a niece of Saskia van Uylenburgh...
Category

1660s Old Masters Art

Materials

Oil

Military Camp Scene and Battle. Pietro Graziani (XVII/XVIII century), entourage
Located in Firenze, IT
Military Camp Scene and Battle. Pietro Graziani (XVII/XVIII century), entourage. A pair ( two) of small paintings. Antique XIX century frames in gilt wood.  In good condition. Oi...
Category

Early 18th Century Old Masters Art

Materials

Canvas, Oil

Portrait of a woman with red jacket trimmed with fur and braid German School.
Located in Firenze, IT
Portrait of a woman with red jacket trimmed with fur and braid German School, late 18th - early 19th century Oil on canvas, 64 × 48 cm Gilded wooden frame, not original Dressed in a...
Category

Late 18th Century Old Masters Art

Materials

Canvas, Oil

The Flagellation of Christ Antique Oil on Wood Panel Painting
Located in Cirencester, Gloucestershire
The Flagellation of Christ Eastern European artist, late 19th century oil on wood panel, framed framed: 35 x 25.5 inches panel: 32 x 21 inches Provenance: private collection, Franc...
Category

Late 19th Century Old Masters Art

Materials

Oil

Morning Gun - British Old Master naval marine seascape ships art oil painting
Located in Hagley, England
This superb British Old Master marine oil painting is attributed to Peter Monamy. Painted circa 1730 it depicts Morning Gun - A morning gun is a gun fired at the first note of revei...
Category

1730s Old Masters Art

Materials

Oil

17th Century Old Master Drawing
Located in San Francisco, CA
17th Century Old Master Drawing Old master drawing with figure and putti Housed in a handsome contemporary wooden frame Drawing dimensions 4...
Category

17th Century Old Masters Art

Materials

Graphite

Large 17th Century Dutch Old Master Oil Painting Figures Animals Landscape
Located in Cirencester, Gloucestershire
Follower of Dirck van Berghen (Dutch School, 17th Century) Pastoral Landscape with a Shepherdess and Livestock Oil on canvas, framed in a French Empire period gilt frame canvas dimensions: 18 x 22 inches framed dimensions: 22.5 x 26 inches This charming pastoral scene, rendered in oil on canvas, is attributed to a follower of the 17th-century Dutch painter Dirck van Berghen, who was known for his bucolic landscapes featuring cattle and rural life. The composition reflects the influence of van Berghen’s mentor, Adriaen van de Velde...
Category

17th Century Old Masters Art

Materials

Oil

Religious Italian painter - 18th century figure painting - Saint Monica prayer
Located in Varmo, IT
Italian painter (18th century) - Saint Monica in prayer. 56 x 32 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Good state of conservation of th...
Category

Mid-18th Century Old Masters Art

Materials

Oil, Canvas

Martyrdom of Saint Stephen- Painting attr. to Vincent Adriaenssen- 17th Century
Located in Roma, IT
Landscape with martyrdom of Saint Stephen is an old master artwork realized in 17th century. Mixed colored oil painting on canvas. Includes coeval gilded frame cm. 148x196. The artwork is attributed to Vincent Adriaenssen called il Manciola (Antwerp, 1595 - Roma, 1675) Among the painters who worked in the first half of the seventeenth century it is possible to indicate only the Neapolitan Scipione Compagno (1624-1680) as the author of scenes of martyrs set within a landscape or a view such as, for example, the Martyrdom of Saint Stefano recently hesitated at the Ansorena in Madrid on June 16, 2021. It should be noted, however, that the landscape represented in the painting examined here, characterized by luxuriant vegetation, meticulously represented "in the Flemish style", shows differences with the typical settings of the paintings di Compagno, characterized above all by urban views, visionary architectures or rather arid vegetation. Even the refined figures, so elongated and lanky, represented in our painting, in particular the group of knights in the foreground on the right, are not reflected in the production of the Neapolitan painter. These elements, to which we add the depiction of the Eternal Father amidst the clouds and the detail of the dog in profile in the foreground, instead recall a painter mainly known as a battle soldier, but who was also the author of many works depicting episodes from ancient Rome set within luxuriant landscapes, or rather Vincent Adriaenssen known as Manciola, a painter from Antwerp whose figure has been shed light thanks to recent studies. The group of horsemen represented to the right of the examined painting is, in fact, comparable with other groups on horseback present in numerous works by Manciola such as, for example, in the Triumph of Caesar (Rome, Babuino, 23-03-2010; formerly Florence, Collection Privata, 2006), while similar elongated and somewhat lanky figures, dressed in red, yellow, blue and white, can be found in the three paintings conserved at the Cassa di Risparmio di Pesaro, which in the past were erroneously attributed to the Umbrian painter Francesco Allegrini...
Category

17th Century Old Masters Art

Materials

Oil

Portrait of a Gentleman in a Landscape - British Old Master art oil painting
Located in Hagley, England
This superb British 18th century Old Master portrait oil painting is by William Williams of Norwich. It was painted circa 1780, after he had returned to England from in Philadelphia ...
Category

1780s Old Masters Art

Materials

Oil

Portrait of Maria Vittoria Queen of Portugal - Italian Old Master oil painting
Located in Hagley, England
This lovely Italian Old Master portrait oil painting is by Domenico Maria Sani. Painted circa 1732 the sitter is of Maria Anna Vittoria (1718 - 1788), daughter of Philip V and Elisabetta Farnese, who in 1729 married Joseph prince of Brazil and king of Portugal...
Category

Mid-18th Century Old Masters Art

Materials

Oil

Large Classical Still Life of Flowers Ornate Profusion of Petals Oil Painting
Located in Cirencester, Gloucestershire
Profusion of Flowers Continental School, late 20th century a pastiche work after the earlier style oil on canvas, unframed canvas : 36 x 24 inches provenance: private collection, Dev...
Category

Late 20th Century Old Masters Art

Materials

Oil

Travellers and Carriage in Landscape Dutch 17th century Golden Age oil painting
Located in Hagley, England
This superb Dutch Old Master Golden Age oil painting is attributed to Pieter Bodding van Laer. Painted circa 1635 the composition is a group of travellers who have stopped to rest. I...
Category

17th Century Old Masters Art

Materials

Oil

La Dune Christian Wilhelm Ernst Dietrich (cercle) 1712 - 1774
Located in GOUVIEUX, FR
Tableau ancien – Paysage nocturne animé Attribué au cercle de Christian Wilhelm Ernst Dietrich (1712–1774) Huile sur toile – Dimensions : 63 x 48 cm Cadre en bois doré d’époque, rich...
Category

Late 18th Century Old Masters Art

Materials

Oil

Madonna Child Del Sarto Paint Oil on table 16th Century Old master
Located in Riva del Garda, IT
Madonna and Child Workshop of Andrea del Sarto, pseudonym of Andrea d'Agnolo di Francesco (Florence 1486 - 1530) Attributable to Jacopo di Giovanni di Francesco, known as Jacone (...
Category

16th Century Old Masters Art

Materials

Oil

Amsterdam Harbour Scene with Figures Dutch 17th Century art marine oil painting
Located in Hagley, England
This superb Dutch 17th century Golden Age Old Master cityscape oil painting of Amsterdam is by noted artist Jacobus Storck. Painted circa 1670, ...
Category

17th Century Old Masters Art

Materials

Oil

Studies of the Galli Statue and of an Ignudo
Located in Paris, Île-de-France
Florentine School, early 16th century Studies of the Galli Statue and of an Ignudo Pen and brown ink on laid paper 19.1 × 13 cm Executed c. 1510–1520 Unsigned This remarkable doub...
Category

16th Century Old Masters Art

Materials

Ink

Classical Still Life of Flowers Ornate Display Antique Dutch Oil Painting
Located in Cirencester, Gloucestershire
Profusion of Flowers Classical Still Life Dutch School, 19th century oil on canvas, unframed canvas : 32 x 21 inches provenance: private collection condition: very good and sound con...
Category

Late 19th Century Old Masters Art

Materials

Oil, Canvas

The Penitent Magdalene - Italian Baroque Old Master art portrait oil painting
By Giovanni Francesco Barbieri (Il Guercino)
Located in Hagley, England
This stunning Italian Baroque Old Master portrait oil painting is attributed to the circle of Guercino, Giovanni Francesco Barbieri (1591 - 1666) and it is ascribed verso. The paint...
Category

17th Century Old Masters Art

Materials

Oil

Venus Lamenting over the Death of Adonis
Located in Middletown, NY
c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...
Category

Mid-17th Century Old Masters Art

Materials

Handmade Paper, Engraving, Etching

Evening, dessert, 50x60 cm, oil on canvas
Located in Yerevan, AM
Evening, dessert, 50x60 cm, oil on canvas
Category

2010s Old Masters Art

Materials

Canvas, Oil

Four Framed Hogarth Engravings "Four Times of the Day"
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category

Mid-18th Century Old Masters Art

Materials

Engraving, Etching

The Knight - painting - XVII century
Located in Roma, IT
The Knight is an original oil painting on canvas realized during the XVII century by an anonymous artist. Provenance: Pecci-Blunt collection. Good condition...
Category

17th Century Old Masters Art

Materials

Canvas, Oil

Old Masters art for sale on 1stDibs.

Find a wide variety of authentic Old Masters art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters art, so small editions measuring 0.4 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,495,000, while the average work sells for $546.

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