Skip to main content

Old Masters Art

OLD MASTERS

Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.

The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.

Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.

Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.

to
599
2,374
761
341
310
356
Overall Width
to
Overall Height
to
3,063
866
91
135
10
5
4
2
1
6
3
12
3
4
2,238
117,062
65,258
53,544
26,823
14,644
9,460
6,057
5,765
3,019
2,544
2,263
2,249
722
1,971
1,736
387
2,816
1,462
943
914
887
466
433
326
269
265
217
206
203
159
109
105
101
99
84
81
2,296
1,256
1,121
391
388
113
95
94
88
68
1,188
2,196
2,419
739
Style: Old Masters
1800's Italian Grand Tour Oil Painting Theseus Temple Athens in Landscape
Located in Cirencester, Gloucestershire
Theseus Temple, Athens early 1800's Italian artist oil on canvas laid over board, framed framed: 9 x 12.75 inches board: 6.75 x 10.75 inches provenance: private collection, UK condit...
Category

Early 19th Century Old Masters Art

Materials

Oil

Italian School, 17th Century - Study After The Frescoes Of Bernardino Lanino
Located in Paris, Île-de-France
Italian School, 17th century Study after Bernardino Lanino’s Frescoes in Santa Caterina, Milan Red chalk on paper 297 x 186 mm Annotated on the verso: “Vani” (otherwise unsigned) ...
Category

17th Century Old Masters Art

Materials

Chalk, Laid Paper

The Giant Wheel (Carceri IX), (2nd State)
Located in Chicago, IL
This is a second state impression from three states.
Category

Mid-18th Century Old Masters Art

Materials

Engraving, Etching

Leda Swan Mythological Paint oil on canvas French Painter 18th Century
Located in Riva del Garda, IT
French painter of the late 18th-early 19th century Leda and the Swan (Literary source: Metamorphoses by Ovid, Book VI) Oil on canvas 95 x 126 cm Framed 109 x 142 cm This c...
Category

18th Century Old Masters Art

Materials

Oil

Saint Roch with Saint Jerome + Saint Sebastian - British Edwardian oil painting
Located in London, GB
This superb religious figurative oil painting is by noted artist Wilfred de Glehn. Although some experts rank de Glehn alongside Sargent, he is considered as something of a late British Renoir, for his deft use of sunlight and shadow. Indeed he was good friends with John Singer Sargent and collaborated with his on some projects. This painting, painted circa 1910 is of three saints, from left to right they are Saint Jerome, Saint Roch and Saint Sebastian. It is based on a work attributed to 16th century artist Alessandro Oliverio. Saint Jerome was a biblical translator and monastic leader and is depicted in red, holding books. Saint Roch and Saint Sebastian were known as the Plague saints - Plague saints offered hope and healing before, during, and after times of plague. A specific style of painting, the plague votive, was considered a talisman for warding off the plague. It portrayed a particular saint as an intercessor between God and the person or persons who commissioned the painting – usually a town, government, lay confraternity, or religious order to atone for the "collective guilt" of the community. Rather than a society depressed and resigned to repeated epidemics, these votives represent people taking positive steps to regain control over their environment. Paintings of Roch represent the confidence in which renaissance worshipers sought to access supernatural aid in overcoming the ravages of the plague. The thirteenth-century Saint Roch (or Rocco), whose death is still commemorated in Italy, is especially invoked against the plague. He attended plague victims in public hospitals in Italy according to traditional accounts of his life. Images attributed to the Spanish historical painter Nicolás Borrás in the Royal Cornwall Museum, or other works in institutions from The National Gallery to the Wallace Collection, show him baring his thigh to show the mark of the plague, as he is in this painting. Saint Roch is also the patron saint of dogs, after one carried food to him in the prison where he died...
Category

1910s Old Masters Art

Materials

Oil

Bellos Consejos (Wonderful Advice)
Located in Chicago, IL
An impression from the 1st edition published in 1799, the only edition published during Goya's lifetime. References: Los Caprichos Plate 15; Delteil 52; Harris 50 III.1 Prado ...
Category

18th Century and Earlier Old Masters Art

Materials

Aquatint, Etching

Huge 17th Century Italian Old Master Oil Painting Moses & Parting of the Red Sea
Located in Cirencester, Gloucestershire
Moses with the Israelites before Parting the Red Sea circle of Matteo de Pitocchi (Italian 1626-1689) oil on canvas laid on board, framed framed: 26 x 48 inches canvas: 21 x 43 inche...
Category

Late 17th Century Old Masters Art

Materials

Oil

Appearance - Etching by C.N. Cochin the Elder - 1750s
Located in Roma, IT
Appearance is a black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754) in 1750s. Good condition.
Category

1750s Old Masters Art

Materials

Etching

ATTRIBUTED TO ANTOINE FELIX BOISSELIER (19TH CENTURY) FRENCH CLASSICAL FIGURES
Located in Cirencester, Gloucestershire
Attributed to Antoine Felix Boisselier (19th Century) French 'Classical figures in a bed chamber Medium: oil on canvas, with inscription verso Size of pain...
Category

19th Century Old Masters Art

Materials

Oil

Religious Italian painter - 18th century figure painting - Saint Monica
Located in Varmo, IT
Italian painter (18th century) - Saint Monica in prayer. 56 x 32 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Good state of conservation of th...
Category

Mid-18th Century Old Masters Art

Materials

Oil, Canvas

Abraham and the Sacrifice of His Son Isaac by Adriaen Van Stalbemt, C. 1605-1610
Located in Stockholm, SE
Artist: Adriaen van Stalbemt (Stalbempt) 1580-1662 Title: Abraham and the Sacrifice of His Son Isaac “Das Opfer des Abraham” According to the Old...
Category

Early 1600s Old Masters Art

Materials

Copper

Woman
Located in Genève, GE
Work on wood Plaster and gilded wood frame 47 x 40.5 x 6 cm
Category

Early 20th Century Old Masters Art

Materials

Oil

Woman
Woman
$2,217
Cattle watering in an open landscape
By Joshua Shaw
Located in Stoke, Hampshire
Joshua Shaw (Billingborough 1776-1860 New Jersey) An open landscape with cattle watering signed and dated 'J. Shaw. 1810' lower right Oil on canvas Canvas Size 36 x 51 in Framed Siz...
Category

18th Century Old Masters Art

Materials

Oil

The Grape Seller - Workshop of Jacob Ochtervelt
Located in Stockholm, SE
Jacob Ochtervelt (Workshop) The Grape Seller oil on canvas unframed: 80.7 x 61 cm.; 31 ¾ x 24 in. framed: 109.5 x 89 cm.; 43 1/8 x 35 in. Essay: This captivating piece, originating from the studio of the revered Dutch artist Jacob Ochtervelt, mirrors the composition of a signed and dated 1669 canvas by Ochtervelt that is presently housed in the Hermitage museum. Its subject, "The Grape Seller" immerses us in a typical 17th-century interior, replete with characters from various strata of society. At the center, a fruit vendor is depicted bending over to weigh grapes for the buyer. A child hands some of the grapes to her mother to taste, their attentive maid standing by. The backdrop showcases typical Ochtervelt details: a hint of the city visible through the doorway, light filtering in through an overhead window, and a playful dog at their side. The exquisite quality of the piece is evident in the minutiae, such as the intricate detailing of the mother's earring, which in reality spans only a few millimeters yet boasts impressive attention to detail. Initially, Sotheby's considered this work to be an autograph piece by Ochtervelt. But due to some uncertainty, it was auctioned as Workshop of Jacob Ochtervelt. On the other hand, the esteemed Cabinet Turquin in Paris leans toward attributing the piece directly to Jacob Ochtervelt himself. The painting is framed in an authentic period frame, which has been delicately restored by Stockholm's Förgyllning och Bildhuggeri. The frame retains its age-old patina and, while in used condition, has minor imperfections adding to its charm. Another interesting thing worth to mention is the painting's provenance. It was once owned by the 1st Viscount Rothermere (1868-1940), the founder of the Daily Mail and Daily Mirror...
Category

17th Century Old Masters Art

Materials

Canvas, Oil

COUNTRY SCENE- Italian School - Figurative Italian Oil on Canvas Painting
Located in Napoli, IT
Country scene - Oil on canvas cm.80x120, Giovanni Santaniello, Italy 2002 Gold gilded wooden frame available on request The painting by Giovanni Santaniello depicts a scene of return...
Category

Early 2000s Old Masters Art

Materials

Canvas, Oil

Venice by Moonlight - 19th Century Oil Painting of Grand Canal under a Full Moon
Located in Gerrards Cross, GB
'Venice by Moonlight' by Henry Pether (1800-1880). The painting – which depicts an extensive nocturnal view of the Grand Canal with the Palazzo Pisani Gritti to the left and the Dor...
Category

Mid-19th Century Old Masters Art

Materials

Oil

Fine Classical Still Life Oil Painting Ornate Flowers in Vase Gilt Framed Oil
Located in Cirencester, Gloucestershire
Classical Still Life of Flowers French School, early 20th century oil on board, framed framed: 12 x 8.5 inches board: 11 x 8.5 inches provenance: private collection, France condition...
Category

Early 20th Century Old Masters Art

Materials

Oil

Portraits of John Wood of Hollin Hall, Yorkshire; and Francis Wood (pair)
Located in West Sussex, GB
A Superb pair of oval portraits with full provenance .Portrait of John Wood Esq of Hollin Hall, Yorkshire; Portrait of Francis Wood. Circa 1710. Oils on canvas:29 x 24 in. Frame: 37...
Category

Early 18th Century Old Masters Art

Materials

Oil

An elegant lady and gentleman hare coursing in an extensive landscape
Located in Stoke, Hampshire
James Seymour (1702-1752) & Thomas Spencer (1700-1753) An elegant lady and gentleman hare coursing in an extensive landscape Oil on canvas Canvas Size - 33 x 50 in Framed Size - 41 x...
Category

18th Century Old Masters Art

Materials

Oil

Christ on the Cold Stone – After Jan Gossaert (Mabuse)
Located in Stockholm, SE
This striking devotional image, painted by a follower of Jan Gossaert, represents one of the most influential compositions of the Northern Renaissance: Christ on the Cold Stone, or C...
Category

16th Century Old Masters Art

Materials

Oil, Wood Panel

Important 18th Century Royal Academy Oil Painting of Georgian London Festival
Located in Gerrards Cross, GB
‘St. James’ Day’ by Richard Morton Paye (1750-1820). This large and important 18th century oil on canvas depicts a diverse crowd of Londoners at an oyster stand on a summer’s eveni...
Category

1780s Old Masters Art

Materials

Oil

Saint Michael Archangel Reni 17/18th Century Paint Oil on canvas Old master Art
By Guido Reni (Bologna 1575 - 1642)
Located in Riva del Garda, IT
Saint Michael Archangel Guido Reni (Bologna 1575 - 1642) Workshop/Follower of 17th-18th century Oil on canvas (104 x 68 cm. - In frame 109 x 68 cm.) This high quality painting is b...
Category

17th Century Old Masters Art

Materials

Oil

Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical India
Located in Cirencester, Gloucestershire
'India' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches con...
Category

18th Century Old Masters Art

Materials

Ink, Watercolor, Archival Paper

Antique English 19th century marine scene
Located in Woodbury, CT
Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...
Category

1810s Old Masters Art

Materials

Oil, Wood Panel

Toby Angel Savoldo Religious 17/18th Century Paint Oil on canvas Old master
Located in Riva del Garda, IT
Giovanni Gerolamo Savoldo (Brescia, c. 1480 – after 1548) Follower of Toby and the Angel Oil on canvas 63 x 76 cm - In frame 77 x 90 cm We are pleased to offer this valuable ...
Category

17th Century Old Masters Art

Materials

Oil

Portrait of Lady in Silver Dress - Dutch Old Master art portrait oil painting
By Willem Wissing
Located in London, GB
This lovely Dutch Old Master portrait oil painting is attributed to circle of Willem Wissing. Wissing settled in England and emerged as Peter Lely's most important pupil after his de...
Category

17th Century Old Masters Art

Materials

Oil

Ecce Homo Castello 17th Century Paint Oil on canvas Old master Genoese school
Located in Riva del Garda, IT
17th-century Genoese School Workshop of Valerio Castello (Genoa, 1624 - Genoa, 1659) Ecce homo Oil on canvas 117 x 99 cm. In frame 138 x 118 cm. The Ecce Homo, the subject of our ...
Category

17th Century Old Masters Art

Materials

Oil

Portrait of Frances Howard Duchess of Richmond - Flemish Old Master oil painting
Located in London, GB
This stunning Flemish Old Master portrait oil painting is attributed to circle of Anthony Van Dyck. Painted circa 1630, the sitter is Frances Stewart née Howard (1578 -1639) Duchess ...
Category

Early 17th Century Old Masters Art

Materials

Oil

Ships Heading to Sea - Dutch 17th century Old Master marine art oil painting
Located in London, GB
This fantastic Dutch Old Master marine oil painting is by noted Dutch marine artist Abraham Storck. Painted circa 1670 the composition is a number of ships heading out to sea, their sails billowing and banners and flags blowing in the wind. The sea is also choppy and clouds race over head. It is an ambitious, busy nautical scene and Storck has perfectly captured the energy and movement of the ships and smaller vessels. This is an excellent example of a 17th century Dutch Old Master oil painting. Provenance: Part of a private collection of Flemish & European paintings. Koller Auctions in Switzerland in 2011. Bonhams 2020. Condition. Oil on canvas, 25 inches by 24 inches and in good condition. Frame. Housed in an ornate 23 carat gilt carved Lely period frame with name plate, 32 inches by 31 inches and in excellent condition. Abraham Storck (1644-1708) was a Dutch painter, who enjoyed a reputation for his marine paintings, topographical views and Italianate harbour scenes. Storck was also an outstanding draughtsman. Storck was baptized in the Noorderkerk, a Protestant church in the Jordaan. His father was the painter Jan Jansz Sturck (or Johannes Storck) (1603-1673), from Wesel; his mother was Teuntje (Apolonia) Jacobs. The couple married in 1628. Storck had two brothers, who were also painters using the name Sturckenburch until c. 1688 after which they started calling themselves Storck or Sturck. It is likely they were all trained with their father in the family workshop and joined the local Guild of Saint Luke, otherwise it was impossible to sell any painting. Circa 1666 Storck established his workshop producing naval, harbor scenes as well as landscape paintings and city scapes. In 1670 he traveled with his brother Jacob and worked in Germany. In 1694, at age 49, he married the widow Neeltje Pieters van Meyservelt. At the end of his life he lived on Kattenburg near the harbour. Storck's marine and river scenes were influenced by the two Willem van de Veldes (the elder and the younger), Ludolf Bakhuizen...
Category

1670s Old Masters Art

Materials

Oil

Escuela Colonial Siglo XVIII - XIX Óleo sobre cristal - Virgen con niño.
Located in Sant Celoni, ES
Muy interesante ÓLEO SOBRE CRISTAL, representando a una Virgen con Niño, de finales del siglo XVIII principios del XIX. Escuela colonial, va con un fino marco de madera dorada al oro...
Category

Late 18th Century Old Masters Art

Materials

Oil

Dutch shipping in a choppy sea
Located in Stoke, Hampshire
Charles Martin Powell (Chichester 1775-1824) Dutch shipping in a choppy sea Signed 'CPowell' lower right Oil on canvas Canvas Size - 16 x 19 in Framed Size - 23 x 25 in Provenance: The Parker Gallery...
Category

Early 19th Century Old Masters Art

Materials

Oil

18th century English portrait of the Duke of Newcastle upon his horse in
By Thomas Spencer
Located in Woodbury, CT
Thomas Spencer was a leading sporting and equestrian artist of the period of John Wootton and James Seymour; his art shows a considerable to debt to tha...
Category

1760s Old Masters Art

Materials

Canvas, Oil

German school (XIX) After Bartholomäus Bruyn "the elder" - Portrait of a woman
Located in Sant Celoni, ES
El estado de la obra es aceptable Se presenta enmarcada la pintura con un marco bastante actual Medidas obra: 30 cm altura x 24 cm ancho. Medidas marco: 39 cm altura x 33 cm ancho.
Category

Mid-19th Century Old Masters Art

Materials

Oil

Huge 18th Century Italian Old Master Oil Painting Still Life Fruit Flowers & Jug
Located in Cirencester, Gloucestershire
Classical Still Life of Fruit in Basket with other objects Italian artist, 18th century oil on canvas, unframed canvas: 24.5 x 33 inches provenance: private collection, UK condition:...
Category

18th Century Old Masters Art

Materials

Oil

Still Life
Located in Edinburgh, GB
This drawing by Johann Rudolf Feyerabend, known as Lelong, is a finely executed still life that captures a rustic yet elegant composition. The detailed rendering of objects—such as t...
Category

Late 18th Century Old Masters Art

Materials

Paper, Gouache

18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures
Located in Cirencester, Gloucestershire
Title: The Italian City Artist/ School: English/ Italian School, late 18th century; a Grand Tour work. Medium: pencil drawing. Size: 6.75 x 9.75 inches Provenance: from a priva...
Category

Late 18th Century Old Masters Art

Materials

Pencil

Manor House with Cottages - British 18thC Old Master art oil painting VG prov.
Located in London, GB
This stunning British Old Master landscape oil painting, with excellent provenance, is by George Lambert. Lambert was a pioneer of British landscape in art for its own sake. Painted in 1744, the painting is entitled View of a Manor House and Cottages in Elizabeth Einberg's 63rd volume of the Walpole Society 2001 and is described as follows: In the foreground a road emerges from a wood to cross a ford and then leads up the hill to the right, towards a manor house seemingly built into the remains of a medieval or Tudor edifice. The main track, crowded with sheep and rustic figures, passes the massive square gateposts lower down the hill on the left. Further to the left is a thatched cottage with smoke coming out the chimney. In the distance is a wide coastal view. The main buildings, which are in the dead centre of the composition, represent almost certainly an as yet unidentified English view. The colouring and detail in the trees and foliage are superb. This is an excellent Old Master oil painting by one of the all time great British landscape artists with extensive provenance. Signed and dated 1744 lower left on rock in black. Provenance. Elizabeth Einberg, “Catalogue Raisonnè of the works of George Lambert” The Annual Volume of the Walpole Society, 2001 Vol. 63, page 149 no P1744, fig.71. Antonacci Efrati Antichità Rome Gallery. Burden sale, Parke Bernet, New York, 20-21, April 1938 (376 repr.) Robert E. Peters, Sotheby Parke Bernet, New York, March 1975 (41 repr.) Lit. Schnackenburg 1995, pp 83-84, cat. no.14 fig 13. Condition. Oil on canvas, 54 inches by 52 inches and in good condition. Frame. Housed in an ornate gilt frame, 64 inches by 62 inches and in good condition. George Lambert (1700-1765) was an English landscape artist and theatre scene painter. With Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe (painted conjointly with Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn Fields Theatre, in London, under John Rich. When Rich moved to Covent Garden Theatre, Lambert secured the assistance of Amigoni, and together they produced scenery of far higher quality than any previously executed. Lambert was a man of jovial temperament and shrewd wit, and frequently spent his evenings at work in his painting-loft at Covent Garden Theatre, to which men of note in the fashionable or theatrical world resorted to share his supper of a beef-steak, freshly cooked on the spot. Out of these meetings arose the well-known "Beefsteak Club" which long maintained a high social reputation. Most of Lambert's scene-paintings unfortunately perished when Covent Garden Theatre was destroyed by fire in 1808. Lambert was a friend of William Hogarth and a member of the jovial society that met at 'Old Slaughter's' Tavern in St Martin's Lane. In 1755 he was one of the committee of artists who proposed a royal academy of arts in London. He was a member of the Society of Artists of Great Britain, exhibited with them in 1761 and the three following years, and during the same period contributed to the Academy exhibitions. In 1765 he and other members seceded and formed the Incorporated Society of Artists of Great Britain, of which he was elected the first president. In conjunction with Samuel Scott, Lambert painted a series of Indian views for the old East India House in Leadenhall Street. He also etched two prints after Salvator Rosa. Lambert was associated in 1735 with George Vertue, Hogarth, and John Pine (engraver, 1660–1756) in obtaining a bill from parliament securing artists a copyright on their works. Lambert's portraits were painted by Thomas Hudson, John Vanderbank (engraved in mezzotint by John Faber the younger in 1727, and in line by H. Robinson and others), and Hogarth. Lambert's most famous painting is "A view of Box Hill, Surrey" (1733) which depicts a well-known beauty spot south of London. Hogarth considered Lambert a rival to the famous French landscape painter Claude Lorrain (1600–1682) with respect to his use of soft light to unify the scene in this painting. Though he never visited Italy he was inspired by the classical tradition of landscape painting. Lambert died on 30 November 1765 at his home on the Piazza in Covent Garden. His pupils included John Inigo Richards...
Category

Mid-18th Century Old Masters Art

Materials

Oil

Dutch Marine Shipping Seascape - Golden Age art Old Master oil painting boats
Located in London, GB
This superb Dutch Old Master marine oil painting is attributed to the circle of Jacob de Heusch. Painted circa 1690 the setting is an Italian coast with fish...
Category

17th Century Old Masters Art

Materials

Oil

The Ponte and Castel S. Angelo (Veduta del Ponte e Castello Sant' Angelo)
Located in Fairlawn, OH
The Ponte and Castel S. Angelo Veduta del Ponte e Castello Sant' Angelo Etching, 1754 Signed in the plate lower right above the caption From: Vedute di Roma A proper Roman printing w...
Category

1750s Old Masters Art

Materials

Etching

Table Top Still Life with Birds, Fruit and Walnuts - Old Master art oil painting
Located in London, GB
This simply stunning German 18th century Old Master oil painting is by noted artist C.L. Braun, signed lower right on the table edge. It was painted circa 1780 and has the look of a...
Category

1780s Old Masters Art

Materials

Oil

Fine 18th Century British Old Master Oil The Young Shepherdess with Lamb
Located in Cirencester, Gloucestershire
The Young Shepherd English School, 18th century circle of Sir Joshua Reynolds oil on canvas, unframed Canvas: 30 x 25 inches Provenance: Private collection Condition: very good condi...
Category

18th Century Old Masters Art

Materials

Oil

Rare 18th Century English Still Life of Grapes and Peaches
Located in Harkstead, GB
A rare and most attractive still life by William Smith of Chichester. The sumptuous textures of the peaches and grapes contrasting with the dark ba...
Category

18th Century Old Masters Art

Materials

Oil, Canvas

Fine 17th Century Dutch Old Master Oil on Wood Panel Ester before Ahasuerus
Located in Cirencester, Gloucestershire
Ester before Ahasuerus Dutch School, 17th century circle of Rembrandt oil painting on wooden panel, unframed panel: 28 x 20 inches provenance: private collection, London condition: very good and sound condition for its age though there are old panel splits evident and minor, but stable, paint loss in those areas, as shown in the photos. The subject of ‘Ester before Ahasuerus’ was narrated by the Bible’s Book of Ester (V: 2-34). Here, the Persian King...
Category

17th Century Old Masters Art

Materials

Oil

Antique Flemish 18th Century Oil Painting Swans Frightened by Dog in Landscape
Located in Cirencester, Gloucestershire
Swans Startled by Dog Flemish Old Master, 18th century unsigned (as is typical of the period) oil on bevelled wood panel, framed framed: 14.5 x 17 inches panel: 10 x 13 inches proven...
Category

18th Century Old Masters Art

Materials

Oil

18th century English marine Battle scene between Dutch and British warships
By Francis Swaine
Located in Woodbury, CT
Attributed to Francis Swaine (British, 1725–1782) Naval Engagement at Sea, 18th century Oil on panel In this evocative seascape, a cluster of ships—flags raised, cannons fired—conve...
Category

1760s Old Masters Art

Materials

Oil, Wood Panel

Study of a Horseman Charging His Opponent
Located in Paris, Île-de-France
Attributed to Joseph Parrocel (1646–1704) Study of a Horseman Charging His Opponent Black chalk on cream paper 20 × 29 cm France, late 17th century Provenance: – William Bateson ...
Category

Late 17th Century Old Masters Art

Materials

Chalk

Antique French Still Life Strawberry Bowl Abundant Still Life of Fruit Interior
Located in Cirencester, Gloucestershire
Still Life of Fruit French School, mid 19th century indistinctly signed lower right corner oil on canvas laid on board, framed framed: 27 x 35 inches board: 25 x 33 inches provenance...
Category

Late 19th Century Old Masters Art

Materials

Oil

French Old Master The Garden of Gethsemane Unusual Shape Panel
Located in Cirencester, Gloucestershire
Artist/ School: French School, 18th century Title: The Garden of Gethsemane Medium: oil painting on wooden panel, unframed. painting: measurem...
Category

18th Century Old Masters Art

Materials

Oil

Portrait Gentleman Rigaud 18th Century Paint Oil on canvas Old master French Art
Located in Riva del Garda, IT
Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) School of Portrait of a gentleman in armour: Joseph Jean Raymond de Lasbordes, Officer of the “Régiment des Landes” (infantry regime...
Category

18th Century Old Masters Art

Materials

Oil

GIRL WITH KITTEN- In the Manner of F.Ballavoine's - Italy Oil on canvas paint
Located in Napoli, IT
Girl with kitten - Giulio Di Sotto Italia 2008 - Oil on canvas cm. 60x50 Frame available on request from our workshop. This painting is Giulio Di Sotto’s personal reinterpretation of the 19th century French painter Jules Frédéric Ballavoine...
Category

Early 2000s Old Masters Art

Materials

Canvas, Oil

Fine 17th Century Dutch Old Master Ink Drawing & Wash Visiting Angel
Located in Cirencester, Gloucestershire
The Angel Dutch Old Master, 17th century wash with pencil drawing on artist paper, framed Glass covering framed: 14 x 12.5 inches board: 12.5 x 9.5 inches condition: age related crea...
Category

17th Century Old Masters Art

Materials

Gouache, Ink

Roundel depicting St. Catherine
Located in Fairlawn, OH
Unknown French Art and Workshop, Middle 15th century Roundel depicting St. Catherine (?) Gouache, ink gold wash and gold burnishing on vellum Book of Hours folio attributed to the C...
Category

15th Century and Earlier Old Masters Art

Materials

Gouache, Pigment

Mannerist Italian painter - 16th century figure painting - Christ mocked
Located in Varmo, IT
Italian painter (16th century) - Christ mocked. 18 x 28 cm. Antique oil painting on canvas glued on board, without frame (not signed). Condition report: Good state of conservation...
Category

16th Century Old Masters Art

Materials

Oil, Panel

Italian Mountainous River Landscape - French 19th Century Neo Classical art
Located in London, GB
This stunning Neo Classical French 19th century landscape oil painting is by acclaimed French artist Jean Victor Bertin. He was also an early proponent of sketching out doors and dir...
Category

19th Century Old Masters Art

Materials

Oil

Fine 18th Century British Marine Oil Painting Naval Shipping in Stormy Seas
By Charles Brooking
Located in Cirencester, Gloucestershire
Naval Shipping in Stormy Seas English School, 18th century circle of Charles Brooking, (1723-1759) oil painting on canvas: 16.5 x 21.5 inches Morland ...
Category

18th Century Old Masters Art

Materials

Canvas, Oil

Portrait of a lady in blue dress ”Countess of Peterborough”
Located in Stockholm, SE
This exquisite portrait, with its new attribution to Theodore Russel, is believed to depict Lady Penelope O'Brien, daughter of Barnabas O'Brien, the sixth Earl of Thomond, and wife of the Earl of Peterborough, whom she married in 1644. The painting thus belongs to a historically significant period, capturing the refined elegance of the time. The portrait has a prestigious provenance from Elleholms Hofgård, a historic estate in Mörrums socken, Blekinge, Sweden. Elleholms Hofgård, whose two-story, timber-framed main building was constructed in 1730 and expanded in 1804, has changed ownership several times since the 17th century. The ancestors of the present owners acquired the estate in 1915, and from the 20th century until 2023, this painting was prominently displayed in the estate’s main building, making it an integral part of the estate’s history. Theodore Russel, an English portrait artist born in 1614, studied under the renowned Sir Anthony van Dyck, whose influence can be seen in Russel’s meticulous style. Russel often painted on cabinet-sized panels, such as this one, which measures approximately 39 x 31 cm. This preference for panels is a notable characteristic that sets him apart from contemporary artists like Sir Peter Lely, who exclusively used canvas. The size of the panel is a key reason for the reattribution to Russel from Peter lely, as Lely never used panels for his works. This distinctive format, along with Russel’s characteristic style, strongly supports the new attribution. Russel, the son of Nicasius Rousseel, a goldsmith and jeweler to James I and Charles I, refined his skills under the mentorship of his uncle, the famous portrait painter Cornelis Janssen. He also worked as an assistant and copyist for van Dyck, further honing his artistic style. This captivating portrait exemplifies Russel’s craftsmanship, reflecting the elegance of the period’s fashion and the artist's refined techniques. oil on wood panel with indistinct inscription Countess of Peter[...] upper left. with inscription on the reverse: ”Countess of Peterborough. P. Lely 1670. S Beatty Picture Restorer [...] Warwick”. unframed 39 x 31 cm = 15.35 x 12.2 inches framed 52 x 41.5 cm = 20.47 x 16.34 inches Condition: The portrait has just been restored by a professional art conservator in Stockholm and is now in a very good condition. The colors are vivid, and the skin tones appear more natural than before. It is a very fine painting. The frame is newly made and included. Provenance: Elleholms Hofgård, Mörrums socken, Blekinge, Sweden **; Stockholms Auktionsverk, Fine Art & Antiques Autumn...
Category

17th Century Old Masters Art

Materials

Oil, Wood Panel

ALLEGORICAL SCENE - Giovanni Faliero - Italy Oil on Canvas Painting
Located in Napoli, IT
Allegorical Scene - Giovanni Faliero Italia 2009 - Oil on canvas cm. 90x110. Gold leaf gilded wooden frame available on request This beautiful oil on canvas is the personal reinterpretation of the magnificent painting “Bacchant playing the Cymbals” by Jean-Simon Berthélemy, a French painter of the 18th century. Here we admire a mythological scene showing a naked bacchant playing cymbals next to a wooded stream, with a small sleeping faun...
Category

Early 2000s Old Masters Art

Materials

Canvas, Oil

Portrait of a British Officer
Located in Wiscasett, ME
A very fine portrait of a British military officer signed and dated Thomas Beach 1774 in the lower left. This oil on canvas is presented in a period gilt frame and is ready to hang. ...
Category

18th Century Old Masters Art

Materials

Oil

Chiesa Dedicata a Sant'Ignacio - Etching by G.B. Falda
Located in Roma, IT
Chiesa dedicata a Sant’Ignatio is a wonderful black and white etching on cream-colored paper realized in the second half of the XVII century by Giovanbattista Falda. Signed on plate on the lower left margin "Giò Batta...
Category

Late 17th Century Old Masters Art

Materials

Etching

18th century portrait of a Spaniel dog with fruit in a wooded landscape.
By Tobias Stranover
Located in Woodbury, CT
Outstanding early 18th-century portrait of a seated Spaniel dog in a landscape with an array of fruits. Attributed to the work of Tobias Stranover. ...
Category

1730s Old Masters Art

Materials

Oil

Old Masters art for sale on 1stDibs.

Find a wide variety of authentic Old Masters art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters art, so small editions measuring 0.4 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,495,000, while the average work sells for $546.

Recently Viewed

View All