Old Masters Art
OLD MASTERS
Encompassing centuries of change in Europe between 1300 and 1800, from booms of prosperity to bloody revolutions, Old Masters describes a wide range of artists. The informal term was derived from the title of an artist who trained in a guild long enough to become a master, such as Leonardo da Vinci, who studied in a Florence painters’ guild. However, Old Masters paintings, prints and other art is now used to refer to work made by any artist with a high level of skill in painting, drawing, sculpture or printmaking who worked during this era.
The 15th century’s expansive trade and commerce spread culture across borders. A vibrant period of art emerged, bolstered by studies of anatomy and nature that influenced a new visual realism. From Raphael and Michelangelo in the Renaissance to Rembrandt van Rijn and Johannes Vermeer in the Dutch Golden Age, artists expressed emotion, naturalism, color and light in new ways. El Greco and Paolo Veronese were leaders in the dramatic style of Mannerism, while Caravaggio and Peter Paul Rubens demonstrated the movement and meticulous detail of Baroque art.
Historically, most attention was concentrated on male artists, but recent research and exhibitions have elevated the impactful work of women such as Rachel Ruysch and Artemisia Gentileschi. In late-18th-century France, female artists like Adélaïde Labille-Guiard and Élisabeth Vigée Le Brun were prominent names. Nevertheless, access to the academies and guilds was highly restricted for women, and even those able to establish practices were expected to adhere to portraits and still lifes rather than the grand history paintings being created by men.
Find a collection of Old Masters prints, paintings, drawings and watercolors and other art on 1stDibs.
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Style: Old Masters
18th century oil painting English portrait of a gent in armor, wearing a wig
By studio of Sir Godfrey Kneller
Located in Woodbury, CT
Outstanding early 18th century English portrait of James Bellevue.
The portrait was always believed to be the work of Sir Godfrey Kneller who was known to have painted James Bellevu...
Category
Early 1700s Old Masters Art
Materials
Oil, Canvas
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright
Located in Fairlawn, OH
The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse)
"Temple of the Cough"
Etching, 1764
Signed in the plate
From: Vedute di Roma...
Category
1760s Old Masters Art
Materials
Etching
Portrait of a Gentleman, David Erskine, 13th Laird of Dun, Wearing Armour c.1700
Located in London, GB
The gentleman in this exquisite oil on canvas portrait, presented by Titan Fine Art, is shown with the grandiloquence characteristic of the English School of painting. He is portray...
Category
17th Century Old Masters Art
Materials
Oil, Canvas
Floral Still Life in Basket - Franco Flemish art Old Master flower oil painting
Located in London, GB
This lovely 17th century Old Master floral oil painting is attributed to the circle of noted Franco Flemish artist Jean-Baptiste Monnoyer. Painted circa 1670 it is a still life of a ...
Category
17th Century Old Masters Art
Materials
Oil
Hunting trophy with a deer and game, adorned with the accoutrements of the chase
By Jan Weenix
Located in Maidenhead, GB
Flemish or South German, c. 1700-1720
Hunting trophy with a deer and game, adorned with the accoutrements of the chase
Oil on canvas
In a period style moulded pine and ebony veneer...
Category
Early 1700s Old Masters Art
Materials
Oil
Fine 18th Century Italianate Landscape Garden Classical Ornaments and Figures
Located in Cirencester, Gloucestershire
Italianate landscape garden with classical ornament, including Giambologna's Sabine women and a classical urn, view to a bay beyond
Coplestone War...
Category
Mid-18th Century Old Masters Art
Materials
Oil
19th century Oil portrait of a Hungarian Rabbi
Located in Woodbury, CT
This 19th-century oil on panel portrait depicts a Hungarian Rabbi, characterized by his traditional attire and solemn expression. The Rabbi is portrayed with a long, white beard and ...
Category
1890s Old Masters Art
Materials
Oil, Wood Panel
Portrait of Raimondo di Montecuccoli in armor with a marshal's staff. Circa 1660
Located in Firenze, IT
Portrait of Raimondo di Montecuccoli in armor with a marshal's staff. Dutch School.
Oil on canvas
Dutch School.
Circle of Peter Nason (Amsterdam, 1612 - 1690 The Hague).
Portrait of a military commander in armor with a marshal's staff.
In the portrait of the illustrious general Raimondo Montecuccoli, it can be observed that he still appears without the Order of the Golden Toson. This detail suggests that the portrait could be dated before 1664.
Raimondo Montecuccoli was a famous general and military strategist of the 17th century in the service of the Habsburg Empire. Born in 1609 in Italy, Montecuccoli fought in numerous European wars, distinguishing himself for his tactical and strategic abilities. He is best known for his victories during the Thirty Years' War and the war against the Turks. Montecuccoli is also remembered for his writings on military theory, which influenced subsequent generations of commanders. He died in 1680.
Montecuccoli came from a noble Italian family but chose to pursue a military career in the service of the Habsburg Empire. He studied in Vienna and fought in numerous battles and military campaigns, earning the trust of Emperor Leopold I.
Montecuccoli was known for his discipline, his ability to adapt to situations on the battlefield, and his skill in leading troops with cunning and determination.
Montecuccoli fought in many significant battles during the Thirty Years' War and the wars against the Turks. Some of his most famous battles include the Battle of Lens in 1648, where he achieved a decisive victory against French forces, and the Battle of Vezekény in 1664, where he defeated the Ottoman army. He faced adversaries such as the renowned French general Turenne and the great Turkish commander Kara Mustafa...
Category
17th Century Old Masters Art
Materials
Canvas, Oil
Oil Portrait of a Victorian Lady, c. 1850
Located in Chicago, IL
Painted in the 19th century, this exquisite miniature portrait wonderfully exemplifies realism in traditional oil painting. The small artwork is painted in the conventional portraiture style of the Old Masters, and achieves soft realism with fine brushwork and a subdued, neutral palette. The half length portrait depicts a fine Victorian woman dressed in all black with a delicate lace collar and bonnet. She wears a ruby broach...
Category
Mid-19th Century Old Masters Art
Materials
Oil
17th Century by Luca Forte Two Pomegranates and a Flying Butterfly Oil on Panel
Located in Milano, Lombardia
Luca Forte (Naples, 1615 ca. - 1670 ca.)
Two Pomegranates and a Flying Butterfly
Oil on poplar panel, 12.5 x 22 cm
Expertise by Nicola Spinosa, art historian
Fairs: The Internation...
Category
17th Century Old Masters Art
Materials
Oil, Wood Panel
18th century English scene of a groom with a horse in a landscape
Located in Woodbury, CT
Wonderful 18th century English gouache on paper of a 18th century English scene of a groom with a horse in a landscape.
One of a set of five all framed in Hogarth frames.
L.Green ...
Category
1780s Old Masters Art
Materials
Gouache, Paper
Two Soldiers - Etching by G.B. Tiepolo - 1795
Located in Roma, IT
Two soldiers is an etching realized by Giambattista Tiepolo in 1785.
Sheet 23 x 30 cm.
Good impressions on paper, with wide margins.
Reference: D...
Category
1790s Old Masters Art
Materials
Etching
Scholar Sharpening His Quill Penn Attributed to Justus Juncker, Oil on Panel
Located in Stockholm, SE
Justus Juncker (1703-1763, Germany) Attributed to
Scholar Sharpening His Quill Penn
Expertise: We would like to thank Dr. Fred G Meijer for his valuab...
Category
Early 18th Century Old Masters Art
Materials
Oak, Oil, Panel
Fine Antique Italian Oil Cannaregio Canal Venice Busy Figurative Scene
Located in Cirencester, Gloucestershire
View on the Cannaregio Canal, Venice
Italian School, 19th century, after Francesco Guardi, Italian 1712-1793
oil on panel
Painting: 8 x 10 inches
condition: overall very sound, with ...
Category
19th Century Old Masters Art
Materials
Oil
17th century portrait of a lady
Located in Bath, Somerset
Portrait of a lady by Dutch Golden Age painter Nicolaes Maes (1634-1693). Half-length, within a feigned oval, the lady wears a pearl necklace and earrings, an ivory silk gown adorned...
Category
17th Century Old Masters Art
Materials
Canvas, Oil
19th century Oil portrait of a Hungarian Rabbi
Located in Woodbury, CT
This 19th-century oil on panel portrait depicts a Hungarian Rabbi, characterized by his traditional attire and solemn expression. The Rabbi is portrayed with a long, white beard and ...
Category
1890s Old Masters Art
Materials
Oil, Wood Panel
Pair of Italian 18' century Paintings with Gardens
Located in Rome, IT
Pair of Italian 18' century paintings , oil on canvas with Venetian Palace gardens , antiques sculptures and various figures .
Measurements with frame cm 75 x101
Category
Mid-18th Century Old Masters Art
Materials
Oil
18th Century Oil Painting Portrait of Phillip, 6th Viscount Wenman.
By Nathaniel Dance-Holland
Located in London, GB
Sir Nathaniel Dance-Holland (1750-1811) was an English portrait painter and one of the founding members of the Royal Academy in 1768. Justly celebrated in his lifetime he won several...
Category
Late 18th Century Old Masters Art
Materials
Oil
Joseph interpreting Dreams - Italian Old Master 17thC religious art oil painting
Located in London, GB
This lovely 17th century Old Master religious oil painting is from the Italian School. The subject is Joseph in prison interpreting the dreams of Pharoah's Baker and Butler. The bars...
Category
17th Century Old Masters Art
Materials
Oil
VENICE - Gianluca Gorini - Italian Landscape Oil on Canvas Painting
Located in Napoli, IT
VENICE - Italian landscape oil on canvas oval painting cm.30x60 by Giancarlo Gorini, Italy 2002.
Gold gilded wooden frame available o...
Category
Early 2000s Old Masters Art
Materials
Canvas, Oil
Fine 17th Century Italian Old Master Oil Painting Madonna with Christ Child
Located in Cirencester, Gloucestershire
The Madonna & Christ Child
Italian, 17th century
oil on wood panel, unframed
board: 9.5 x 7.5 inches
provenance: private collection, Paris
condition: very good and sound condition fo...
Category
17th Century Old Masters Art
Materials
Oil
Psychostasy Archangel Michael Giordano 17th Century Paint Oil on canvas Italy
Located in Riva del Garda, IT
Luca Giordano (Naples, 1634 - 1705) workshop of
Psychostasy of the Archangel Michael, or the Weighing of Souls
(probable preparatory sketch)
Oil on canvas
58 x 43 cm.
Framed 73 x 6...
Category
17th Century Old Masters Art
Materials
Oil
Still Life Animals Fruit De Gryef Signed Paint 17th Century Oil on canvad Art
Located in Riva del Garda, IT
Adriaen de Gryef (Leiden 1657 - Brussels 1722)
Signed ‘A Gryeff f’(ecit) - centre left
Peasant in the courtyard with still life of animals and fruit
Oil on canvas
Dimensions (cm): ...
Category
17th Century Old Masters Art
Materials
Oil
Travelling Comic Theatre - Italian 18thC art figurative landscape oil painting
By Marco Marcola
Located in London, GB
This interesting Italian 18th century Old Master oil painting is by noted artist Marco Marcola, also known as Marco Marcuola. It was painted circa 1770 and has excellent provenance. ...
Category
1770s Old Masters Art
Materials
Oil
“Cuore Sacro” olio su tavola in legno cm 30x28 ca 1800
Located in Torino, IT
Opera di fine 1800, Cornice originale restaurata in più punti
The "Sacred Heart" is often associated with Catholic devotion, representing the love and compassion of Jesus.
This dev...
Category
Early 1800s Old Masters Art
Materials
Oil, Wood
Huge Old Master Oil Painting 17th century Diana & Cupids in Panoramic Landscape
Located in Cirencester, Gloucestershire
Diana The Huntress and her Cherubs
Northern European artist, circa 1680's period
oil on canvas, unframed
canvas: 20 x 60.5 inches
provenance: private collection, UK
condition: some p...
Category
17th Century Old Masters Art
Materials
Oil
1600s Baroque Spiritual Ghosts Supernatural Intense Figures Medieval Old Masters
By Abraham WIllemsens
Located in Milwaukee, WI
"The Fortune Teller" is an original oil painting on canvas by Abraham Willemsens, Maitre aux Beguins (Master of the Hats). It depicts a fortune tell...
Category
Mid-17th Century Old Masters Art
Materials
Canvas, Oil
Large Ornate Classical Flowers in Vase Still Life Oil Painting
Located in Cirencester, Gloucestershire
Classical Still Life of Flowers
by the Miguel Canals Studio, Spain
oil on canvas, unframed
canvas: 23.5 x 18 inches
Provenance: Private collection
Condition: very good condition
Fo...
Category
20th Century Old Masters Art
Materials
Oil
18th century portrait of a Spaniel dog with fruit in a wooded landscape.
By Tobias Stranover
Located in Woodbury, CT
Outstanding early 18th-century portrait of a seated Spaniel dog in a landscape with an array of fruits.
Attributed to the work of Tobias Stranover.
...
Category
1730s Old Masters Art
Materials
Oil
Camera sepolcrale
Located in Fairlawn, OH
Camera sepolcrale
Etching 1743
Signed in the bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 20 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Art
Materials
Etching
The Arch of Constantine and the Colosseum
Located in Fairlawn, OH
The Arch of Constantine and the Colosseum
Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo
From: "Vedute di Roma" (Roman Views), part II
An early Paris edition,...
Category
1760s Old Masters Art
Materials
Etching
Oval 18th century Portrait of a Young girl, oil on copper
By (Follower of) Sir Godfrey Kneller
Located in Woodbury, CT
This exquisite 18th-century portrait depicts a young girl, delicately rendered in the style of Sir Godfrey Kneller, one of the most celebrated portrait painters of the Baroque period...
Category
1750s Old Masters Art
Materials
Copper
Fine Dutch Old Master Large Oil Painting Portrait Gentleman in Ruff Collar Robes
Located in Cirencester, Gloucestershire
Portrait of a Gentleman in Ruff Collar and Robes
Dutch School, 18th century
oil on canvas laid over panel, unframed
board: 28.5 x 24 inches
provenance: private collection
condition: ...
Category
Mid-20th Century Old Masters Art
Materials
Oil
Fete Champetre - Garden Party - French 18thC figurative landscape oil painting
Located in London, GB
This charming 18th century French Old Master oil painting is attributed to circle of Joseph Frans Nollekens. Painted circa 1740 it is described as a fete champetre - a form of entertainment in the 18th century, taking the form of a garden party. They were often elegant affairs and became very popular in 18th French paintings. Antoine Watteau invented the genre, from around 1710 and they were also included as a category in the French Academy. In this painting, several well dressed figures are sat in the foreground by a fountain and statue, being entertained by a musician. Beyond, a wide avenue of trees leads towards a very grand country house with countryside beyond. There is superb detail in the figures and their colourful clothing. The brushwork in the trees and sky is also superb. This is a charming example of an 18th century fete champetre and of a French Old Master oil painting.
Provenance. Gloucester estate.
Condition. Oil on canvas. Image size 49 inches by 30 inches and in good condition.
Frame. Housed in a fine gilt frame, 56 inches by 37 inches and in good condition.
Josef Frans Nollekens or Joseph Frans Nollekens (1702–1748)[2] was a Flemish painter who was principally active in England where he is often referred to as "Old Nollekens" to distinguish him from his famous son, the sculptor Joseph Nollekens. He painted conversation pieces, galant companies and fêtes champêtres in the style of Watteau, genre scenes as well as portraits. He was also active as a picture restorer.
A fête champêtre was a form of entertainment in the 18th century, taking the form of a garden party. This form of entertainment was particularly practised by the French court, where in the Gardens of Versailles and elsewhere areas of the park were landscaped with follies, pavilions, and temples to accommodate such festivities. The term is a French expression, very literally translating as "party in the fields", meaning a "pastoral festival" or "country feast" and in theory was a simple form of entertainment, perhaps little more than a picnic or informal open air dancing. In practice, especially in the 18th century, the simplicity of the event was often contrived. A fête champêtre was often a very elegant form of entertainment involving on occasions whole orchestras hidden in trees, with guests sometimes in fancy dress. Such events became a popular subject in French 18th-century painting, representing a glamourized aristocratic form of pastoral, with "scenes of well dressed dalliance in a park setting". Antoine Watteau invented the genre, from around 1710, and is its best exponent, imitated by others such as Nicolas Lancret and Jean-Baptiste Pater...
Category
1740s Old Masters Art
Materials
Oil
Christ and St John the Baptist as children, studio of J. van Cleve, 16th Flemish
By Joos van Cleve
Located in PARIS, FR
Christ and St John the Baptist embracing
Studio of Joos van Cleve (1485 – 1541), Antwerp
First half of 16th century
Oil on oak panel, h. 55 cm, w. 43 cm
A 17th century ebonized wood frame
Framed: h. 100 cm, w. 83 cm
Provenance:
• Advertisement in Burlington Magazine, 1929, at the antique dealer Paul Larsen, 34 Duke's Street, London, United Kingdom
• Clowes Sale, Christie's London, 7 July 1950, lot 153 (as Joos Van Cleve)
• Acquired from the Katz antique dealers in Dieren (Netherlands) in the 1950s (one of the most important art galleries in the Netherlands specialising in Old Masters)
• By descent, private European collection
The composition of our painting depicting two naked babies embracing, Jesus and Saint John the Baptist, draws its source from a drawing by Leonardo da Vinci, probably executed in Milan around 1490 (kept at Windsor Castle, United Kingdom).
This scheme, widespread early in the Lombard school, was widely reproduced by Leonardo's Milanese followers (Marco d'Oggiono, Bernardino de Conti or Bernardino Luini.)
It is very likely that Joos Van Cleve was inspired by one of the works of his artists during his stay in Italy, however some historians hypothesize that he borrowed the figures from the painting by Marco d'Oggiono who had copied it on site in Flanders (it would have belonged to Margaret of...
Category
16th Century Old Masters Art
Materials
Oil, Wood Panel
J. Clays (British painter) - 19th century Still Life painting - Fruits
Located in Varmo, IT
J. Clays (British, 19th-20th century) - Still life with fruit basket.
61 x 51 cm without frame, 67.5 x 58 cm with frame.
Antique oil painting on canvas, in a gilded wooden frame.
...
Category
Late 19th Century Old Masters Art
Materials
Canvas, Oil
La Femme Muse /// Allegorical Symbolism Romantic Old Masters European Drawing
Located in Saint Augustine, FL
Artist: Unknown (Likely French, 18th Century)
Title: "La Femme Muse"
*No signature found
Circa: 1780
Medium: Original Pastel Drawing on heavy laid paper
Frami...
Category
1780s Old Masters Art
Materials
Pastel, Laid Paper
Portrait of Lady with Garland of Flowers - British 17thC Old Master oil painting
By Michael Dahl
Located in London, GB
This charming 17th century Old Master portrait oil painting is attributed to the circle of Swedish born Michael Dahl who lived and work in England for most of his life. Painted circa...
Category
17th Century Old Masters Art
Materials
Oil
Large 1700's Italian Oil Painting on Canvas Portrait of a Clerical Gentleman
Located in Cirencester, Gloucestershire
Portrait of a Clerical Gentleman
Italian artist, mid 18th century
Circle of Giovanni Battista Carboni (1725-1790)
oil on canvas, unframed
canvas: 26 x 22 inches
provenance: private c...
Category
Mid-18th Century Old Masters Art
Materials
Oil, Canvas
Portrait of the French Princess, late 17th c. French school
Located in PARIS, FR
Portrait of the Princess of Conti - Attributed to Louis Ferdinand Elle the Younger (1648-1717)
Late 17th century French school
Oil on canvas, h. 100 cm, l. 80 cm
Important Louis XIV ...
Category
Late 17th Century Old Masters Art
Materials
Canvas, Oil
Annunciation De Matteis Paint Oil on canvas Old master 17/18th Century Leonardo
Located in Riva del Garda, IT
The Annunciation
Circle of Paolo De Matteis (Piano Vetrale, 1662 - Naples, 1728)
oil painting on canvas (106 x 90 cm - with frame 118 x 103 cm.)
The work,...
Category
17th Century Old Masters Art
Materials
Oil
Bearded man in turban and fur
Located in Middletown, NY
Etching on cream wove paper, 4 3/4 x 3 3/4 inches (120 x 95 mm), wide margins. Scattered light surface soiling, unevenly trimmed wide margins, all consistent with age. Likely printed...
Category
18th Century Old Masters Art
Materials
Etching
17th century English portrait of a lady
By Willem Wissing
Located in Bath, Somerset
Portrait of a lady attributed to William Wissing, half-length, wearing a pearl necklace and an amber gown adorned with jewels to the bodice and sleeves, wit...
Category
17th Century Old Masters Art
Materials
Canvas, Oil
Florals in classic urn Old Masters 17th century Dutch style
Located in Hillsborough, NC
Floral with Urn is in a classical Dutch style that dates to the 17th century. The bright flowers drape the urn in whites, crimsons and pinks, standing out against the darker foliage and flowers on a dark background.
The artist is unknown and the age is unknown, but the beauty is unmistakable.
Oil on canvas, the petals stand out with brushstrokes heavy with paint. The background paint is rough. In the 17th century paint was mixed with gesso or chalk, with particles forming an uneven surface. This background is in the same style in shades of black and brown.
THe painting presents well on canvas stretched over an aged wooden stretcher.
The painting has been restored and relined at some point, obscuring the back of the original canvas. The flower colors remain bright. Canvas sight is 30" wide and 50" high. There is no frame. There are small nicks and wear consistent with age.
The precise date is unknown but aspects of the work suggest a date later than 19th century, and possibly 17th century that is more typical of this style. Dutch flower still life painting...
Category
17th Century Old Masters Art
Materials
Canvas, Oil
17th Century by Giacomo Sementi and Pier Francesco Cittadini Danae Oil on Canvas
Located in Milano, Lombardia
Giovanni Giacomo Sementi (Bologna, Italy, 1580 - Rome, Italy, 1636) - Pier Francesco Cittadini (Milan, Italy, 1616 - Bologna, Italy, 1681)
Danae
Oil on canvas, without frame 119 x 179 cm, with frame 140 x 200 x 12 cm, weight 35 kg
Expertise by Professor Giancarlo Sestieri
Publications: Carne - la materia dello spirito, exhibition catalogue curated by Father Alessio Geretti, project of the scientific catalogue curated by Father Alessio Geretti, Nicole Pravisani and Giulia Toffoletti, (21 May - 22 October 2023), Illegio, Casa delle Esposizioni, pp. 56-59; Body, Love and Feelings - Works of Ancient Masters from the 16th to the 19th century. In the paintings of Giorgio Baratti private collection, Milan, exhibition catalogue curated by Alessandro Marchi, (27 July - 18 September 2011), San Marino - Historical Centre, pp. 38-39; Giorgio Baratti Collezione. Selezione di opere d’arte antica (Giorgio Baratti Collection. Selection of ancient works of art), curated by Professor Giancarlo Sestieri and with the participation of Professor Andrea Emiliani, Grafiche Veneziane, Venezia 2011, pp. 22-23.
It is a gentle and graceful Danae the one portrayed by Giovanni Giacomo Sementi. A painting in which the Milanese painter Pier Francesco Cittadini also collaborated by painting the golden basin filled with flowers to the left of the scene. The work shows various pictorial influences; from the Bolognese Emilian style, to that of Ludovico Carracci (1555 - 1619) and Guido Reni (1575 - 1642), to the Baroque and Roman style. The work features an elegant red drapery which serves as the background to the entire scene, but the real protagonist is the young woman with long red hair who is lying on a bed covered by a white sheet. The girl is naked except for a lapis lazuli blue mantle...
Category
17th Century Old Masters Art
Materials
Canvas, Oil
Fine 1700's Italian Old Master Ink & Wash Drawing Roman Allegorical Napoli
Located in Cirencester, Gloucestershire
'Napoli'
Italian School, 18th century
ink and wash drawing on paper, framed within a light oak wood frame (behind glass)
image size: 10.5 x 7 inches
overall framed: 17 x 13 inches
co...
Category
18th Century Old Masters Art
Materials
Ink, Watercolor, Archival Paper
Portrait of a Gentleman in Grey Coat & White Cravat, Oil on canvas Painting
Located in London, GB
This exquisite work, presented by Titan Fine Art, is by the notable artist Hans Hysing, who was a noteworthy painter in England; it is significant in its quality and its remarkable s...
Category
18th Century Old Masters Art
Materials
Canvas, Oil
Portrait of an Old Bearded Man With a Black Cap
Located in Stockholm, SE
We are pleased to offer a captivating portrait, most likely painted in the late 18th century, attributed to an artist within the circle of Christian Wilhelm Ernst Dietrich. This oil ...
Category
Late 18th Century Old Masters Art
Materials
Oil, Wood Panel
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
Located in Fairlawn, OH
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
Etching, 1748
From: Vedute di Roma, Plate 8
An early Roman printing, published by Bouchard e Gravier
Watermark: Fleur de Lys in a double circle
Signed in the plate
Condition: Small margins as are common with Bouchard published impressions.
Centerfold (as usual)
Rich impression with good contrasts
Plate/Image size: 15 7/8 x 24 1/8 inches
Sheet size: 17 3/8 x 24 3/4 inches
Reference: Focillon 723
Wilton-Ely 138
Hind 6 ii/VI, Bouchard e Gravier printing, before the price and numbers in later states
This image is Piranesi’s second interior scene from the Vedute di Roma. The first interior is a less complex composition of the Interior of St. Peters which lacks the challenging perspective that the artist masters in this image.
The Papal Basilica of St. Paul Outside the Walls...
Category
1740s Old Masters Art
Materials
Etching
17th century etching animal print sketch ram sheep black and white signed
Located in Milwaukee, WI
"Two Rams Looking Down & To Their Left" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of rams.
3 3/4" x 7 3/4" art
16 3/8" x 19 1/2" frame
Du Jardin was a master of various genres of painting, including refined and tranquil Italianising landscapes, monumental historical paintings and superb portraits of the aristocracy.
Unlike the majority of his contemporaries, Karel du Jardin (b. Amsterdam 1626, d. Venice 1678) was a talented painter in not one, but many different genres. He is especially famous for his small-scale landscapes, such as the charming Italian landscape with a woman milking a goa" (1652) from the Rijksmuseum's collection. Du Jardin depicted both sun-filled Italianate scenes and Dutch farmyards with pigs and sheep. He also painted a range of elegant portraits of aristocrats and merchants. His self-portrait (1662) on copper is one of the most fascinating 17th-century portraits of a Dutch artist. Du Jardin's spectacular large-scale historical pieces, represented is the show by the impressive Conversion of Saint Pau" (1662) from the collection of the National Gallery of London, are among his most remarkable achievements; he often chose themes that were only rarely depicted by other Dutch painters of the period.
During his own lifetime Du Jardin was praised by poets and writers, particularly for his attention to detail and elegant painting technique. As Cornelis de Bie, the artist’s biographer, wrote in 1661: "the surety of the brush at his finger and such sharpe clarity […] that the eye thereon doth linger." Du Jardin's valuable paintings were mainly purchased by rich individuals with an eye for elegance, but were also commissioned by prominent institutions such as the Amsterdam 'Spinhuis' (a women's prison), for whom he painted a vast group portrait of the prison-governors.
Karel du Jardin was an artist who liked to travel. He lived for a time in Lyon and in Paris, and sailed with Joan Reynst, Heer van Drakestein, by ship via England, Portugal and Spain to Tangier and Algiers, where they met Michiel de Ruyter...
Category
17th Century Old Masters Art
Materials
Etching
Italian master - 18th century figure sculpture - Virgin Pity - Carved Wood Paint
Located in Varmo, IT
Carved and painted wooden sculpture - Pietà - Italy, 18th century.
13 x 7 x h 22.5 cm.
Entirely made of carved and polychrome painted wood.
Condition report: Good state of conserv...
Category
Mid-18th Century Old Masters Art
Materials
Wood, Paint
Mythological combat scene with Roman soldiers on horseback.
By Virgil Solis
Located in Middletown, NY
Pen and brownish black ink on grayish-cream laid paper, 6 1/2 x 8 inches (165 x 175 mm), irregular hexagonal sheet with margins. Some archival repairs along the top sheet edge, scatt...
Category
16th Century Old Masters Art
Materials
Ink, Laid Paper, Pen
Fine 17th Century Italian Old Master Oval Portrait of Lady on Copper Wooden Frm
Located in Cirencester, Gloucestershire
Portrait of a Lady (female saint?)
Italian School, 17th century
oil on copper, framed
frame: 9 x 8 inches
board: 5 x 4 inches
provenance: private collection
condition: very good and ...
Category
17th Century Old Masters Art
Materials
Oil
Figures Dancing Classical Ancient Ruins & Landscape Large Old Master Painting
Located in Cirencester, Gloucestershire
Revelry in a Classical Landscape
Italian School, early 18th century (circa 1700)
oil painting on canvas, laid on board, unframed
board: 20 x 36 inches
provenan...
Category
18th Century Old Masters Art
Materials
Oil
Jan Uytenbogaert, Preacher of the Remonstrants by Rembrandt van Rijn
Located in New Orleans, LA
Rembrandt van Rijn
1606-1669 Dutch
Jan Uytenbogaert, Preacher of the Remonstrants
New Hollstein Dutch and Flemish (Rembrandt) 153, state 4/9
Bartsch 279, state 4/6
Printed by Remb...
Category
17th Century Old Masters Art
Materials
Paper, Etching
Porta Pia Viminalis - Etching by Giuseppe Vasi - 18th century
Located in Roma, IT
Porta Pia Viminalis is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins...
Category
Late 18th Century Old Masters Art
Materials
Etching
Design for a large wooden confessional from the Santoni Workshop
Located in Middletown, NY
Pen and grayish black ink on cream laid paper, 11 1/8 x 7 1/4 inches (283 x 185 mm), with the center of the sheet removed to create a window frame. Scattered light surface soiling, a...
Category
Mid-20th Century Old Masters Art
Materials
Ink, Laid Paper
The Passengers - Original Etching by A. M. de Ghuy - 1775
Located in Roma, IT
The Passenger is an original artwork realized by Antoine de Marcenay de Ghuy in 1775.
Original etching on paper. Titled on the lower margin at the center. The artwork is glued on ca...
Category
1770s Old Masters Art
Materials
Etching
Persia, Armenia & Adjacent Regions: A Hand-colored 17th Century Map by De Wit
Located in Alamo, CA
This colorful and detailed 17th century copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1690. It depicts the Caspian Se...
Category
Late 17th Century Old Masters Art
Materials
Engraving
Triumph Trinity Christ De Matteis Paint 17/18th Century Oil on canvas Old master
Located in Riva del Garda, IT
Paolo De Matteis (Piano del Cilento, 1662 - Naples, 1728)
attributed/ workshop
Triumph of the Trinity with Our Lady, Saint Joseph, Saint John the Baptist, Saint Ignatius, Saint Fran...
Category
17th Century Old Masters Art
Materials
Oil
The Card Game: An Early 17th Century Engraving by A. Voet after Cornelis de Vos
By Alexander Voet
Located in Alamo, CA
A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...
Category
1630s Old Masters Art
Materials
Engraving
Mockery and Hate - Norse Mythology Still Life with Flowers and Animal Skull
By Matthew Cook
Located in Chicago, IL
Mockery and Hate are the English translations of Sköll and Hati, the Norse mythological wolves that chase the Sun and Moon across the sky and ultimately devour them at Ragnarok. They...
Category
2010s Old Masters Art
Materials
Oil, Acrylic
Ruine di Sepolcro antico
Located in Fairlawn, OH
Ruine di Sepolcro antico
Etching, 1743
Signed in the plate bottomleft in the caaption plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Coniditon: Excellent/Very good
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 17 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Art
Materials
Etching
Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms
By Philips Wouwerman
Located in Stockholm, SE
Workshop / Circle of Philips Wouwerman (1619-1668)
Landscape with Gentleman on Horseback and Peasant Woman Receiving Alms
oil on oak panel
12.40 x 14.17 inches (31.5 x 36 cm)
wit...
Category
17th Century Old Masters Art
Materials
Oak, Oil, Wood Panel
The Knight - painting - XVII century
Located in Roma, IT
The Knight is an original oil painting on canvas realized during the XVII century by an anonymous artist.
Provenance: Pecci-Blunt collection. Good condition...
Category
17th Century Old Masters Art
Materials
Canvas, Oil
The Tax Collectors Italian 1700's Oil Painting on Copper in Gilt Frame
Located in Cirencester, Gloucestershire
The Tax Collectors
Italian School, early 18th century
oil on copper panel, framed
framed: 14 x 11.5 inches
copper panel : 11.5 x 9 inches
provenance: private collection, UK
conditio...
Category
Early 18th Century Old Masters Art
Materials
Oil
Dutch Marine Shipping Seascape - Golden Age art Old Master oil painting boats
Located in London, GB
This superb Dutch Old Master marine oil painting is attributed to the circle of Jacob de Heusch. Painted circa 1690 the setting is an Italian coast with fish...
Category
17th Century Old Masters Art
Materials
Oil
Saint Mark Evangelist Guercino Paint Oil on canvas Old master 17th Century Italy
Located in Riva del Garda, IT
Workshop of Giovanni Francesco Barbieri, known as Il Guercino (Cento, 1591 - Bologna, 1666)
Saint Mark the Evangelist
Oil on canvas - 85 x 71 cm., Framed 100 x 86 cm.
Of great cha...
Category
17th Century Old Masters Art
Materials
Oil
PERSEO AND ANDROMEDA- In the Manner of A.R. Mengs- Italy- Figurative Painting
Located in Napoli, IT
Perseo and Andromeda - Oil on canvas cm.120x80, Eugenio De Blasi, Italy, 2005.
Gold gilded wooden frame available on request
This is his reinterpretation of a large ancient painting...
Category
Early 2000s Old Masters Art
Materials
Canvas, Oil
Rare 18th Century English Still Life of Grapes and Peaches
Located in Harkstead, GB
A rare and most attractive still life by William Smith of Chichester. The sumptuous textures of the peaches and grapes contrasting with the dark ba...
Category
18th Century Old Masters Art
Materials
Canvas, Oil
Fine 1800's French Oil Figures by Monastic Ruins Stream Bucolic Landscape
Located in Cirencester, Gloucestershire
Monastic Ruins by a Stream
French School, early 1800's
oil on canvas, framed
Framed 15 x 19 inches
Canvas : 12.5 x 16 inches
Provenance: private collection, France
Condition: very go...
Category
Early 19th Century Old Masters Art
Materials
Oil
Escuela holandesa (XIX-XX) - Óleo sobre tabla - Paisaje con ganado
Located in Sant Celoni, ES
Firmado por el artista en la parte inferior (desconozco el artista)
El estado de conservación es aceptable
Se presenta enmarcada la obra
Medidas obra: 19 cm altura x 40 cm ancho.
...
Category
Late 19th Century Old Masters Art
Materials
Oil
A pair of Dutch 17th century old master portraits of a husband and wife
Located in Bath, Somerset
A rare pair of three-quarter length 'marriage' portraits by one of the foremost dutch portrait painters of the 17th century, Nicolaes Maes (Dordrecht 1634-1693 Amsterdam). The gentleman signed middle left 'Maes 1679'. Oil on canvas in dutch style ebonised frames. Dimensions 58 x 47.5cms each.
The gentleman is shown in a landscape at dusk, leaning against a stone capital, wearing a white chemise decorated with lace, a black coat and a brown silk cloak draped across his body.
The lady is elegantly dressed in an ivory silk gown decorated with jewels on the neckline and shoulders, the contrasting sleeves in gold fabric, with a rose pink silk cloak draped over her shoulder and bodice. She wears a pearl necklace and earrings with her fair hair worn up with ringlets falling down onto her chest in the fashionable style of the day. She stands with one hand touching a lock of her hair as she rests her arm on the bowl of a stone water drinking fountain...
Category
17th Century Old Masters Art
Materials
Canvas, Oil
Old Masters art for sale on 1stDibs.
Find a wide variety of authentic Old Masters art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, blue and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Amand Durand, Giuseppe Vasi, Thomas Holloway, and Vincenzo Campana. Frequently made by artists working with Etching, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Old Masters art, so small editions measuring 0.4 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $11 and tops out at $1,495,000, while the average work sells for $546.
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