Post-Impressionist Art

Title: Light Through Pergolas Artist: Rafael Durán Benet (1931-2015) Technique: Oil on canvas board Dimensions: 13 x 16 in (painting) / 15 x 18 in (with frame) Year of Creation: ...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 9 (height) x 7 (width) Stamped Verso Condition: Good Prov...

Gordon Osborne Signed lower left Overall in 3.5 inch gold leaf modern frame 24.5 x 34.5 inches

Monaco Street Scene Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 17 x 12.75 inches Provenance: private collection in the South of France, Condition: ...

Artist: Miguel Ribera Roca (1924-?) Title: Cala S'Alguer, Palamós Technique: Oil on canvas Dimensions without frame: 18.1 x 15 inches Dimensions with frame: 23.2 x 20.1 inches Period...

Raoul Dufy 1877-1953 French Chevaux de courses (Racing Horses) Signed and dated "Raoul Dufy 1929" (lower right) Watercolor and gouache on Arches paper Raoul Dufy's fascination wi...

The still life with a samovar was painted in the studio. It shows a real 19th century Russian samovar, real Russian bagels and Russian scarves. This image will be appreciated by conn...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Antonio Sala Herrero (1927-2012) - Seascape - Oil on canvas. Oil measures 50x61 cm. Frame size 70x81 cm..

Artist/ School: Suzanne Crochet (French c. 1930), female French Impressionist artist Title: The old Provencal village lane, with red roofs and pale gr...

Artist: Henry John Yeend King (English, 1855-1924) Title: "Fetching Water by the River" *Signed by King lower left Circa: 1890 Medium: Original Oil Painting on Canvas Framing: Frame...

Artist: Charles Cobelle, French (1902 - 1994) Title: Notre Dame and Bridges Year: circa 1960 Medium: Acrylic on Canvas, signed l.r. Size: 24 x 30 in. (60.96 x 76.2 cm) Frame: 29.5 x ...

A strong Post-Impressionist oil on canvas painting by André Roubaud depicting the Sainte-Victoire Mountain in France, executed in wonderful colors and ge...

Title: Mid Century French Stylized Deer in a Birch Forest Mixed Media Drawing Artist: Josine Vignon (French 1922-2022) Medium: Pencil, Acrylic and Tracing Paper Size: 10.75 (heigh...

As the creator of this piece, I poured my soul into capturing nature's transient beauty, embracing the dance between light and shadow. I chose oils for their rich texture, creating l...

LEBAS Léonie (19th-20th) - Paris Belle Epoque Genre Scene - Oil on wood in pair - Copper leaf frames. Wood Dim (each) : 22 X 16 cm - Dim frame (eac...

This painting depicts a whimsical portrait of a young girl with brown hair against a light blue background. The bright colors used and quick brush strokes are what makes this paintin...

Michael Quirke was born in 1946 and studied at St Martin’s School of Art, London. After moving from London, Michael became a member of the art community in St Ives and was elected Pr...

Windswept Landscape French School, mid 20th century signed lower right oil painting on board, unframed painting: 15 x 18 inches provenance: private collection, France Painted with d...

The second work of the triptych “What about stereotypes? ” Female silhouette combined with flowers - a decorative subject - but with a deep concept, a series of paintings were prese...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Title: Mid Century French Pencil Drawings of Various Landscapes Artist: Josine Vignon (French 1922-2022) Medium: Pencil on paper Size: 12.25 (height) x 18.75 (width) Stamped: Ver...

Title: Mid Century French Expressive Ink Studies of Study of Female Faces Artist: Josine Vignon (French 1922-2022) Medium: Pencil on paper Size: 9 (height) x 13 (width) Stamped: Verso Condition: Good Provenance: All the paintings we have by this artist have come from the artist's estate Description: This expressive ink drawing by Josine Vignon features a study of two female faces, each rendered with bold, confident lines that capture the essence of the subjects. The larger face, positioned in the lower portion of the composition, is depicted with sweeping, fluid strokes that convey a sense of movement and intensity. The smaller face above is drawn with more delicate lines, offering a contrasting depiction of serenity and poise. Vignon’s mastery of ink is evident in her ability to convey depth and character with minimal strokes. This drawing would be a valuable addition for collectors interested in portrait studies and the exploration of expression through line work. Josine Vignon’s art...

There is no one alive that can paint and draw like Dean Cornwell. How can that be? They do not train artist the way they did. Dean Cornwell in his day was as famous as Normal Rockwell...

Abstract Reclining Nude by Raymond Letellier (French 1921-2009) signed oil on canvas, unframed canvas : 24 x 29 inches Provenance: private collection, Paris Condition: very good cond...

French Landscape, circa 1930's period indistinctly inscribed verso oil on board, unframed board : 15 x 18 inches Provenance: private collection, France Condition: overall very good c...

Yvonne Canu 1921-2008 French Saint-Tropez, le port Signed "CANU" (lower right) Oil on canvas The peaceful port of Saint-Tropez is captured in serene detail in this extraordinary...

Green Country House Landscape signed by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed dated 57' canvas: 20 x 24 inches condition: This painting is i...

CARLOS NADAL Spanish, 1917 - 1998 PONT DE VILLE signed "Nadal" (lower right) titled, signed and dated "PONT DE VILLE / Nadal / 1981" (on the reverse) with the atelier stamp (on the r...

Jean Chaleye, French (1878 - 1960) Oil on canvas "Still Life of Roses". Hand signed Brass name plate attached to frame, Provenance: Wally Findlay Galleries, bears label verso. Measures: 56-1/4" x 37", frame measures 61-1/4" x 42" This is a very large piece Jean Chaleye (French 1878 - 1960) was active, lived in France. Jean Chaleye is known for Landscape, still life and coastal view painting. Considered one of the most important Post Impressionist painters. Jean-Baptiste Chaleye, known as Joannès Chaleyé, was born to working class parents in Saint Etienne in the middle of the 19th Century. He began his career as a commercial engraver at the age of fourteen, which he continued until 1899 when he took a trip to England. He returned the following year to do his military service and on completion returned to the city of his birth. He began his artistic training in Saint Etienne and then at the School of Fine Arts in Lyon in 1896. He was then offered the opportunity to complete his training in Paris. In 1899, he joined the class of Louvrier de Lajolais at the École Nationale Supérieure des Arts Décoratifs in Paris and was also a student of Fernand Cormon at the École Nationale Supérieure des Beaux-Arts. Through Cormon he me Andre Derain, Mary Cassatt and Dunoyer de Segonzac and a number of ther Barbizon painters influenced by Edouard Manet. Jean Chaleye's life is divided between his attraction for painting and his passion for the art of lace. As early as 1902, he exhibited at the Salon des Artistes français and the Salon des indépendants. As a renowned painter of flowers, several museums acquired his paintings such as the cities of Puy-en-Velay, Lyon, Clermont-Ferrand and Saint-Gall in Switzerland. In 1903, Louvrier de Lajolais offered him to go to the provinces to teach the art of lacemaking at the École pratique de commerce et d'industrie du Puy-en-Velay. He then set out to replace the traditional geometric and repetitive designs by creations with supple and light forms, inspired by local flora. He devoted his entire life to highlighting the delicate art of lace making, participating in various competitions and international exhibitions during which he won several awards. Appointed director of the National Superior School of Arts and Textile Industries of Roubaix in 1930 but also artistic director of the school of laces of Bailleul, he favors the obtaining by this last one of the Grand Prix at the Exhibition of Brussels in 1935. Promoted to the rank of officer of the Legion of Honor in 1937, his involvement in the recognition of the know-how of the Velay lace industry is recognized. A renowned painter, one recognizes in his paintings as in his lace drawings all the delicacy and the love which he carries to the flowers and to the nature in general. He died in 1960 in Puy-en-Velay. After his death, the house in which he had lived in Puy was turned into the Musée Chaleyé. International exhibitions In 1904, he had the "Lace" section participate in the exhibition at the Galliera Museum in Paris, which presented the lace made according to his ideas. In 1905, he created the fan leaf for the lacemaker Oudin, which was purchased by the Saint-Gall Museum in Switzerland. He participated in various international competitions and exhibitions, during which he received several awards: International Exhibition of Liège (1905): he created a fan leaf decorated with Virginia creeper which took part in this exhibition. French Lace Competition (1907): the “Lace” section, the work of which he directed, won three distinctions: first prize (1000 Francs), second prize in collaboration, and for his personal work, the prize of the Under-Secretary of State for Fine Arts. Franco-British Exhibition in London (1908): gold medal for a braid of fuchsias signed by Chaleyé. Brussels World's Fair (1910): a grand prize was won by three laces signed by Chaleyé (landscape with grisaille effect, a cockfight in colour and a cushion with chestnut decorations with spider webs). Chaleyé also won a gold medal for his collaboration. International Exhibition in Turin (1911): he had produced new drawings which had earned him a gold medal for his collaboration. International Exhibition of Lyon (1914): he was awarded a medal for his collaboration. Participation in the “Lace” and “Cabinetmaking” sections, of which Chaleyé directed the work and designed the models for this exhibition. Painting by Jean Chaleyé exhibited at the Crozatier Museum in Puy-en-Velay Alongside his artistic involvement in lacemaking, he exhibited his paintings at the Salon des artistes français from 1902. At the Salon des indépendants, one of his works was selected by the Commission des beaux-arts de la Ville de Paris and several museums have acquired his paintings: the cities of Le Puy, Lyon, Clermont-Ferrand, Saint-Gall (Switzerland). Seven of them are still exhibited at the Musée Crozatier in Puy-en-Velay. A renowned painter of flowers, he enjoyed his main successes in the Lyon and Saint-Etienne regions where he exhibited mainly. He exhibited with Gaston Sebire, Louis Valtat, Leon-Alphonse Quizet...

Title: An Artist at Work on a Study of Doves - Contemporary Figurative Oil Painting Artist: Roland Pichard Signed: Bottom right Medium: Oil on oil paper, mounted on card Size: 10...

Title: Abstract Diptych: Still Life with Bottle and Chairs - Contemporary Oil Paintings Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: Left piece: 13 (heig...

This elegant oil on mounted canvas by R. Boughton (England, 20th Century) features an English landscape composition. The artwork is signed in the bottom left corner. The impressionis...

"Red and Yellow Roses" is an beautiful oil painted from life in her studio in Provence by Maria Bertran. This Contemporary Impressionist painting captures the brilliant red and yell...

Elisée MACLET (1881-1962) French Riviera : The Small Harbor of Beaulieu, c. 1935 Original oil on canvas Signed bottom left Signed and titled on the back On canvas 33 x 40 cm at vie...

Alfred Henri Pailhès. French ( b.1902 - d.1991 ). Rendez-Vous Des Havrais Pour Leur Promenade Dominicale. Oil On Panel. Signed Lower Left. Image size 12.4 inches x 15.6 inches ( 31.5...

Le Marche by Regine David (female French artist, 1910-2018) signed verso oil on board, unframed board : 15 x 18 inches inscribed verso Provenance: the artists estate, France Conditio...

Rural Landscape by Regine David (female French artist, 1910-2018) pencil painting on artist paper painting: 10.75 x 15 inches condition: This painting is in excellent condition. The ...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...

Vibrant Abstract Landscape Suzanne Vattier, French 1901-1996 gouache painting on artist paper, framed size: 7 x 10.5 inches Suzanne Vattier (1901-1996) was a pupil of the famous pai...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 12.5 x 9.5 inches; image size: 7.48 x 8.27 inches Inscription: Signed in the plate and unnumbered, as...

ISMAEL GONZÁLEZ DE LA SERNA Spanish, 1898 - 1968 "PORTAL VIEW - SAILBOATS IN HARBOUR" unsigned oil on masonite 25-1/4 x 22-1/2 inches (64 x...

Signed Oliveras - Fisherman's Beach - Oil on canvas. Slight paint chips on the sides that covered the frame. Oil measurements 61x122 cm. Frameless.

Olive Grove Valley signed by Regine David (female French artist, 1910-2018) oil painting on canvas stuck on board, unframed measures: 14 x 10.5 inches condition: This painting is in ...

Floral Still Life French School, mid 20th century indistinctly signed oil on board, framed in original mid 20th century Montparnasse frame framed: 29 x 33.5 inches board: 21 x 26 in...

Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work flowers in red and blues with green foliage against a yellow and white stripped background. Dimensions: Framed: 25"x20" Unframed: 18"x13" Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Here for your consideration is a very well done floral still life oil on canvas painting by the Yukoslavian/American artist, Marko Yukovic. Signed lower left. Circa 1960. Condition: Good. Overall measurements in original grey wash wood frame with faint gold highlights 18 by 22 inches. Biography Marko (Mark) Walker Vukovic From Yukoslavia, Marko Vukovic...

Title: Charcoal Portrait of a Woman in Profile Artist: Josine Vignon (French 1922-2022) Medium: signed black pen/charcoal on artists paper stuck on board, glass covered Size: 11 (...

Pino Daeni (Italian/American, 1939-2010), "Evening", Oil Enhanced Giclee on Canvas, signed lower left, unframed. 30" H x 30" W. Provenance: From a New York City Collection.

Portrait of a Man by Roger Allain (French 1920-1992) signed and dated 1941 (a very rare period due to WW2) oil on canvas canvas: 22 x 18 inches provenance...

Angel Bertran Montserrat (1928-1994) - Marsh - Oil on canvas Oil measures 46x55 cm. Frameless. Precocious artist who from the early age of 15...

Old Stone Town by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 13 x 16 inches Colors: Blue colors, grey, beige, brown and whi...

Countryside Path signed by Regine David (female French artist, 1910-2018) pastel painting on artist paper, stuck on card signed and dated 1952 overall size: 14 x 18 inches card: 12.5...

The River Gorge signed by Regine David (female French artist, 1910-2018) oil painting on board, unframed panting: 15 x 18 inches inscribed verso condition: This painting is in good c...

Elizabeth Grandin (American, 1889 – 1970) ‘Man with red tie’, 1912 Oil on canvas Signed with studio stamp, with inventory number 333 and inscribed ‘Spain c…. 1912’ (on the reverse) 2...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 51x43 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Span...

Title: Portrait of a Gentleman in Red - Expressive Contemporary Oil Painting Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 14 (height) x 10.75 (width) (Mo...

Roses in Vase by Josine Vignon (French 1922-2022) signed oil painting on canvas, framed framed: 29 x 20 inches canvas: 22 x 13 inches very good conditio...

Title: Ibiza Artist: Ignacio Gil Sala (Barcelona, 1913 – 2003) Date: 1950s Technique: Oil on canvas Dimensions: 54 x 73 cm (21.26 x 28.74 in) Support: Unframed canvas Signature: Sign...