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Post-Impressionist Art

POSTIMPRESSIONIST STYLE

In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.

The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.

The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.

The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.

Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.

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Style: Post-Impressionist
"Florence, Sunrise" - Original Golden Sunrise Landscape with Trees and Hills
"Florence, Sunrise" - Original Golden Sunrise Landscape with Trees and Hills

"Florence, Sunrise" - Original Golden Sunrise Landscape with Trees and Hills

By Masri Hayssam

Located in Carmel, CA

Masri Hayssam (Lebanese, born 1965) "Florence, Sunrise" 2006 Oil paint on canvas, stretcher bars Signed by the artist in the bottom left corner of the painting. Florence, Sunrise is a richly textured oil painting that captures the quiet intensity of early morning light settling over the Tuscan landscape. Broad, expressive brushstrokes and layered oil paint convey movement and atmosphere rather than strict detail, allowing color and texture to carry the emotional weight of the scene. Warm yellows and reds glow against deep greens, suggesting the land awakening as the sun rises over Florence. Masri has long maintained a deep personal and artistic relationship with Italy, returning repeatedly to its landscapes for inspiration. His approach blends post-impressionist sensitivity to light with expressionist energy, prioritizing feeling, rhythm, and painterly surface over photographic realism. This work reflects that balance, where the landscape becomes both a real place and an emotional memory shaped by time, light, and experience. About the Artist: Masri is a passionate Italian, US-based artist whose work has been exhibited in the USA, the UK, Germany, Lebanon, Italy, and Norway. His work is varied and known especially in Europe and in Major collections - Ellen DeGeneres, Ringo Starr, Al Gore, and many more. Harnessing an insatiable desire for artistic discovery, innovation, and perfection, he dives into experimentation with openness and enthusiasm. As a result, his works are bright, expansive, and bold. Masri has developed a style that captures the Middle Eastern mood with a Lucien Freud...

Category

Early 2000s Post-Impressionist Art

Materials

Canvas, Oil, Stretcher Bars

The Path Towards the Village
The Path Towards the Village

The Path Towards the Village

Located in Saint-Ouen, FR

PRINS Pierre Ernest (1838-1913) Pastel on card signed low right and dated 1912 Luxury frame gilded with gold leaves with protective glass cover Card Size ...

Category

1910s Post-Impressionist Art

Materials

Oil

Wine and Childhood Aliments

Wine and Childhood Aliments

By Raoul Dufy

Located in Laguna Beach, CA

“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...

Category

1930s Post-Impressionist Art

Materials

Lithograph

Fine 1970's French Post-Impressionist Signed Oil Flower Garden Cote d' Azur
Fine 1970's French Post-Impressionist Signed Oil Flower Garden Cote d' Azur

Fine 1970's French Post-Impressionist Signed Oil Flower Garden Cote d' Azur

Located in Cirencester, Gloucestershire

Flowers on the Cote d'Azur French Post-Impressionist artist, indistinctly signed circa 1970's oil on canvas, unframed canvas: 15 x 18 inches Provenance: private collection, France Co...

Category

Mid-20th Century Post-Impressionist Art

Materials

Oil

Venise
Venise

Venise

By André Georges Barbier

Located in LE HAVRE, FR

André BARBIER (1883-1970) Venise Oil on cardboard mounted on canvas Dimensions of the painting: 38 x 46 cm Signed lower right Painting in perfect condition. Very beautiful carved a...

Category

Mid-20th Century Post-Impressionist Art

Materials

Canvas, Oil, Cardboard

Le Cirque, 20th century oil painting, signed

Le Cirque, 20th century oil painting, signed

By Emilio Grau Sala

Located in New York, NY

Emilio Grau Sala 

(Spanish, 1911-1975)

 Title: Le Cirque
 Medium: oil on canvas
 Size: 15 x 24 inches / 25 x 33 ½ inches
 Markings: Signed lower right


Category

20th Century Post-Impressionist Art

Materials

Canvas, Oil

“Rushing Forest Stream”
“Rushing Forest Stream”

“Rushing Forest Stream”

Located in Southampton, NY

Here for your consideration is a very well executed watercolor on archival paper of a rushing stream in a sunlit forest. Strong, vibrant colors. Double sided with a seascape on a roc...

Category

1950s Post-Impressionist Art

Materials

Watercolor, Archival Paper

Frank Mason Floral Still Life Oil on Canvas, 1970
Frank Mason Floral Still Life Oil on Canvas, 1970

Frank Mason Floral Still Life Oil on Canvas, 1970

Located in Astoria, NY

Frank Mason (American, 1921-2009), Floral Still Life Scene, Oil on Canvas, 1970, signed lower right, signed, dated, and inscribed "Rome" verso, giltwood frame. Image: 13.5" H x 10.5...

Category

1970s Post-Impressionist Art

Materials

Canvas, Oil

Original Oil Abstract Still Life with Cheese Slices and Knife
Original Oil Abstract Still Life with Cheese Slices and Knife

Original Oil Abstract Still Life with Cheese Slices and Knife

By Roland Pichard

Located in Cirencester, Gloucestershire

Title: Original Oil Abstract Still Life with Cheese Slices and Knife Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 9.5 (height) x 13.25 (width), (Includin...

Category

Mid-20th Century Post-Impressionist Art

Materials

Oil

"Interieur aux Fleurs Jaunes" 20th Century Oil on Canvas by Emilio Grau Sala
"Interieur aux Fleurs Jaunes" 20th Century Oil on Canvas by Emilio Grau Sala

"Interieur aux Fleurs Jaunes" 20th Century Oil on Canvas by Emilio Grau Sala

By Emilio Grau Sala

Located in Madrid, ES

EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...

Category

1960s Post-Impressionist Art

Materials

Canvas, Oil

Large French Modernist Oil Painting Ladies Drinking Cafe Bistro Bar
Large French Modernist Oil Painting Ladies Drinking Cafe Bistro Bar

Large French Modernist Oil Painting Ladies Drinking Cafe Bistro Bar

By Max Toutain

Located in Cirencester, Gloucestershire

Cafe Chats by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the artists estate ...

Category

Mid-20th Century Post-Impressionist Art

Materials

Oil

Large Post Impressionist Oil Painting Jean Chaleye, Rose Bouquet Findlay Gallery
Large Post Impressionist Oil Painting Jean Chaleye, Rose Bouquet Findlay Gallery

Large Post Impressionist Oil Painting Jean Chaleye, Rose Bouquet Findlay Gallery

By Jean Chaleye

Located in Surfside, FL

Jean Chaleye, French (1878 - 1960) Oil on canvas "Still Life of Roses". Hand signed Brass name plate attached to frame, Provenance: Wally Findlay Galleries, bears label verso. Measures: 56-1/4" x 37", frame measures 61-1/4" x 42" This is a very large piece Jean Chaleye (French 1878 - 1960) was active, lived in France. Jean Chaleye is known for Landscape, still life and coastal view painting. Considered one of the most important Post Impressionist painters. Jean-Baptiste Chaleye, known as Joannès Chaleyé, was born to working class parents in Saint Etienne in the middle of the 19th Century. He began his career as a commercial engraver at the age of fourteen, which he continued until 1899 when he took a trip to England. He returned the following year to do his military service and on completion returned to the city of his birth. He began his artistic training in Saint Etienne and then at the School of Fine Arts in Lyon in 1896. He was then offered the opportunity to complete his training in Paris. In 1899, he joined the class of Louvrier de Lajolais at the École Nationale Supérieure des Arts Décoratifs in Paris and was also a student of Fernand Cormon at the École Nationale Supérieure des Beaux-Arts. Through Cormon he me Andre Derain, Mary Cassatt and Dunoyer de Segonzac and a number of ther Barbizon painters influenced by Edouard Manet. Jean Chaleye's life is divided between his attraction for painting and his passion for the art of lace. As early as 1902, he exhibited at the Salon des Artistes français and the Salon des indépendants. As a renowned painter of flowers, several museums acquired his paintings such as the cities of Puy-en-Velay, Lyon, Clermont-Ferrand and Saint-Gall in Switzerland. In 1903, Louvrier de Lajolais offered him to go to the provinces to teach the art of lacemaking at the École pratique de commerce et d'industrie du Puy-en-Velay. He then set out to replace the traditional geometric and repetitive designs by creations with supple and light forms, inspired by local flora. He devoted his entire life to highlighting the delicate art of lace making, participating in various competitions and international exhibitions during which he won several awards. Appointed director of the National Superior School of Arts and Textile Industries of Roubaix in 1930 but also artistic director of the school of laces of Bailleul, he favors the obtaining by this last one of the Grand Prix at the Exhibition of Brussels in 1935. Promoted to the rank of officer of the Legion of Honor in 1937, his involvement in the recognition of the know-how of the Velay lace industry is recognized. A renowned painter, one recognizes in his paintings as in his lace drawings all the delicacy and the love which he carries to the flowers and to the nature in general. He died in 1960 in Puy-en-Velay. After his death, the house in which he had lived in Puy was turned into the Musée Chaleyé. International exhibitions In 1904, he had the "Lace" section participate in the exhibition at the Galliera Museum in Paris, which presented the lace made according to his ideas. In 1905, he created the fan leaf for the lacemaker Oudin, which was purchased by the Saint-Gall Museum in Switzerland. He participated in various international competitions and exhibitions, during which he received several awards: International Exhibition of Liège (1905): he created a fan leaf decorated with Virginia creeper which took part in this exhibition. French Lace Competition (1907): the “Lace” section, the work of which he directed, won three distinctions: first prize (1000 Francs), second prize in collaboration, and for his personal work, the prize of the Under-Secretary of State for Fine Arts. Franco-British Exhibition in London (1908): gold medal for a braid of fuchsias signed by Chaleyé. Brussels World's Fair (1910): a grand prize was won by three laces signed by Chaleyé (landscape with grisaille effect, a cockfight in colour and a cushion with chestnut decorations with spider webs). Chaleyé also won a gold medal for his collaboration. International Exhibition in Turin (1911): he had produced new drawings which had earned him a gold medal for his collaboration. International Exhibition of Lyon (1914): he was awarded a medal for his collaboration. Participation in the “Lace” and “Cabinetmaking” sections, of which Chaleyé directed the work and designed the models for this exhibition. Painting by Jean Chaleyé exhibited at the Crozatier Museum in Puy-en-Velay Alongside his artistic involvement in lacemaking, he exhibited his paintings at the Salon des artistes français from 1902. At the Salon des indépendants, one of his works was selected by the Commission des beaux-arts de la Ville de Paris and several museums have acquired his paintings: the cities of Le Puy, Lyon, Clermont-Ferrand, Saint-Gall (Switzerland). Seven of them are still exhibited at the Musée Crozatier in Puy-en-Velay. A renowned painter of flowers, he enjoyed his main successes in the Lyon and Saint-Etienne regions where he exhibited mainly. He exhibited with Gaston Sebire, Louis Valtat, Leon-Alphonse Quizet...

Category

20th Century Post-Impressionist Art

Materials

Canvas, Oil

Girl with Parasol

Girl with Parasol

By Johannes van Leeuwen

Located in Southampton, NY

Circa 1990 Signed lower right Overall size with frame 24 x 20 in.

Category

1990s Post-Impressionist Art

Materials

Oil, Board

Into the Forest - Mid 20th Century Impressionist Oil Landscape by Dorothy King
Into the Forest - Mid 20th Century Impressionist Oil Landscape by Dorothy King

Into the Forest - Mid 20th Century Impressionist Oil Landscape by Dorothy King

By Dorothy King

Located in Watford, Hertfordshire

Dorothy King was born and lived in London in 1907. She studied at the Hornsey School of Art under JC Moody, then briefly at the Slade School of Fine Art with Randolph Schwabe. She to...

Category

1950s Post-Impressionist Art

Materials

Canvas, Oil

"Young Girl (Jenue Fille)" Louis Valtat, French Drawing
"Young Girl (Jenue Fille)" Louis Valtat, French Drawing

"Young Girl (Jenue Fille)" Louis Valtat, French Drawing

By Louis Valtat

Located in New York, NY

Louis Valtat Young Girl Stamped with initials lower right Pencil on brown paper Sight 7 x 6 inches Provenance: Mrs. Ernest M. Werner, New York Private Collection, Rhode Island Loui...

Category

Early 20th Century Post-Impressionist Art

Materials

Paper, Pencil

Two Views — One Vision
Two Views — One Vision

Two Views — One Vision

By Antonina Bormova

Located in Zofingen, AG

An individual gaze always forms only part of the picture, leaving beyond its limits everything that does not align with one’s own optics. In this work, the artist addresses the them...

Category

2010s Post-Impressionist Art

Materials

Acrylic

Celso Lagar, Fairgoers in front of roulottes
Celso Lagar, Fairgoers in front of roulottes

Celso Lagar, Fairgoers in front of roulottes

By Celso Lagar

Located in Madrid, ES

CELSO LAGAR Spanish, 1891 - 1966 FAIRGOERS IN FRONT OF ROULOTTES signed "Lagar" (lower right) oil on canvas 18-1/4 x 15 inches (46 x 38 cm.) framed: 29-1/4 x 26 inches (74 x 66 cm.) PROVENANCE Private French Collector Celso Lagar Arroyo (Ciudad Rodrigo, 1891 - Seville, 1966) was an expressionist Spanish painter of the first generation of the School of Paris, where he lived most of his life. He was influenced by avant-gardes of all kinds, such as cubism and fovism. He painted mainly landscapes and still lifes...

Category

1930s Post-Impressionist Art

Materials

Canvas, Oil

Buoux Hillside Rooftops and Valley View Provence Watercolour
Buoux Hillside Rooftops and Valley View Provence Watercolour

Buoux Hillside Rooftops and Valley View Provence Watercolour

By Pierre Neveu

Located in Cirencester, Gloucestershire

Title: Buoux Hillside Rooftops and Valley View Provence Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Signed lower right “P. Neveu”. Inscrib...

Category

Mid-20th Century Post-Impressionist Art

Materials

Watercolor

Hydrangea in Red Pot
Hydrangea in Red Pot

Hydrangea in Red Pot

By Jean Hannon 1

Located in New York, NY

Still Life depicting hydrangea in red pot. Signed by the artist on the front. Jean Hannon grew up in Boston and attended the School at the Museum of Fine Arts, Boston and L’Ecole de...

Category

Late 20th Century Post-Impressionist Art

Materials

Canvas, Oil

“The Old Mill”
“The Old Mill”

“The Old Mill”

By Charles Blondin

Located in Southampton, NY

Original oil on canvas painting of the old Gingon Mill located in Pierre Perthuis France by the well known artist Charles Blondin. Pierre Perthuis is a village located in Burgundy, F...

Category

1950s Post-Impressionist Art

Materials

Canvas, Oil

Clair de Lune - Post Impressionist Landscape Oil by Ferdinand du Puigaudeau
Clair de Lune - Post Impressionist Landscape Oil by Ferdinand du Puigaudeau

Clair de Lune - Post Impressionist Landscape Oil by Ferdinand du Puigaudeau

By Ferdinand du Puigaudeau

Located in Marlow, Buckinghamshire

Signed post impressionist riverscape oil on canvas circa 1910 by French painter Ferdinand du Puigaudeau. The work depicts a view of La Briere - a wetland region in France - by moonli...

Category

1910s Post-Impressionist Art

Materials

Canvas, Oil

Montmartre -La Place Dutertre, Paris 1952
Montmartre -La Place Dutertre, Paris 1952

Montmartre -La Place Dutertre, Paris 1952

By Jean Salabet

Located in Sheffield, MA

Jean Salabet French, 20th Century Montmartre Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work is comparable to those of Jules Herve, An...

Category

1950s Post-Impressionist Art

Materials

Oil

“Young Woman with Pink Hat”
“Young Woman with Pink Hat”

“Young Woman with Pink Hat”

Located in Southampton, NY

Original oil on canvas painting of a young woman in a pink hat by the well known American portrait artist, Lawton Silas Parker. Signed by the artist lower right. Circa 1920. Condit...

Category

1920s Post-Impressionist Art

Materials

Canvas, Oil

Couple of Berbers - Oil paint, a couple, 41x33 cm. each
Couple of Berbers - Oil paint, a couple, 41x33 cm. each

Couple of Berbers - Oil paint, a couple, 41x33 cm. each

Located in Nice, FR

Couple of paintings depincting a Berber man and woman by the spanish artist ANGLADA PINTO Luis. The man is painted on panel and the woman on canvas. Both same size. Not framed. A bea...

Category

1920s Post-Impressionist Art

Materials

Oil

Still life with flowers
Still life with flowers

Still life with flowers

By Constantin Font

Located in Pasadena, CA

Constantin Font, born January 11, 1890 in Auch (Gers) and died in 1954 in Paris, is a French artist, painter of genre, nudes, landscapes, orientalist, sculptor and engraver. Outstand...

Category

1940s Post-Impressionist Art

Materials

Oil

"To, Livorno" - Coastal Italian Landscape with a Blue Ocean and Green Hills
"To, Livorno" - Coastal Italian Landscape with a Blue Ocean and Green Hills

"To, Livorno" - Coastal Italian Landscape with a Blue Ocean and Green Hills

By Masri Hayssam

Located in Carmel, CA

Masri Hayssam (Lebanese, Italian, born 1965) "To, Livorno" 2002 Oil paint on canvas, stretcher bars The artist signed the bottom left corner of the painting. “To, Livorno” is a richly textured landscape by Masri that captures the sensation of moving through the Italian coast rather than describing it literally. Sweeping passages of green, ochre, and deep blue are built with confident, physical brushwork, creating a sense of terrain, wind, and shifting light that feels both immediate and memory-driven. The composition suggests hills and coastal pathways dissolving into the atmosphere, allowing color and gesture to carry the emotional weight of place. Masri has long drawn inspiration from Italy, particularly the Tuscan and coastal regions, where he returns repeatedly to paint and absorb the rhythm of the landscape. In this work, that relationship is felt through the balance of structure and spontaneity, where observation gives way to intuition. Painted in oil, To, Livorno reflects Masri’s mature approach to landscape painting, one rooted in experience, movement, and a deep affection for the Italian countryside. About the Artist: Masri is a passionate Italian, US-based artist whose work has been exhibited in the USA, the UK, Germany, Lebanon, Italy, and Norway. His work is varied and known especially in Europe and in Major collections - Ellen DeGeneres, Ringo Starr, Al Gore, and many more. Harnessing an insatiable desire for artistic discovery, innovation, and perfection, he dives into experimentation with openness and enthusiasm. As a result, his works are bright, expansive, and bold. Masri has developed a style that captures the Middle Eastern mood with a Lucien Freud...

Category

Early 2000s Post-Impressionist Art

Materials

Canvas, Oil, Stretcher Bars

Paddock
Paddock

Paddock

By Emilio Grau Sala

Located in Madrid, ES

EMILIO GRAU SALA Spanish, 1911 - 1975 PADDOCK signed "Grau Sala" (lower right) oil on canvas 21-1/3 x 25-1/2 inches (54 x 65 cm.) framed: 27-1/2 x 32 inches (70 x 81 cm.) PROVENANCE...

Category

1960s Post-Impressionist Art

Materials

Canvas, Oil

Paris View Early 20th Century - Flower Banks and Conciergerie
Paris View Early 20th Century - Flower Banks and Conciergerie

Paris View Early 20th Century - Flower Banks and Conciergerie

Located in Saint-Ouen, FR

FOUQUET Armand (1904-nc) Paris view around 1930 - Flower Bank and Conciergerie Oil on canvas Signed low left Frame gilded with gold leaves Dim canvas : 61 X 50 cm Dim frame : 87 X 75 cm FOUQUET Armand (1904-nc) French painter born 1904 Lived and active in France and USA in the first part of 20th Century. Post-impressionist Parisian daily street scenes, Beach “Belle Epoque”, Orientalism Armand FOUQUET...

Category

1920s Post-Impressionist Art

Materials

Oil

Framed Signed - Original Impressionist Oil Painting of Albert Bridge, 120x90 cm
Framed Signed - Original Impressionist Oil Painting of Albert Bridge, 120x90 cm

Framed Signed - Original Impressionist Oil Painting of Albert Bridge, 120x90 cm

By Juan del Pozo

Located in London, Chelsea

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Category

21st Century and Contemporary Post-Impressionist Art

Materials

Canvas, Oil

Post-impressionist art for sale on 1stDibs.

Find a wide variety of authentic Post-Impressionist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Victor Di Gesu, Mitchell Funk, Maria Bertrán, and Rafael Duran Benet. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Post-Impressionist art, so small editions measuring 0.1 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $2,835,000, while the average work sells for $2,250.