Post-Impressionist Art

Dimanche à la campagne by H. Claude Pissarro by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower right, H. Claude Pissarro This work is a...

Ireland Lake Seascape Landscape with Boats & Figures by Contemporary Irish Artist, Frank Fitzsimons Art measures 36 x 16 inches Frame measure 41 ...

Paris in the Autumn by Josine Vignon (French 1922-2022) oil painting on canvas, unframed canvas: 26 x 36 inches Very good condition Provenance: from the artists estate, France Jo...

ITZCHAK TARKAY – "VISITING FRIENDS" ⚜ Serigraph in Color on Wove Paper ⚜ Hand Signed and Annotated AP 23/90 ⚜ Gilt Wood Frame VIBRANT INTERIOR PORTRAIT Printed in 2001, "Visiting Fr...

EMILIO GRAU SALA Spanish, 1911 - 1975 ESPAGNOLES, 1971 signed "Grau Sala" (lower left) signed again, dated and titled "Grau Sala, 1971, espagnoles" (on the reverse) oil on canvas 1...

Shipedd in roll A new piece in the series. The painting explores the mystical atmosphere of a coastal town immersed in the midnight sound of the sea. Through a fusion of deep ultram...

"Boy from the Skeleton Tribe," 60x80 cm, Acrylic and oil on canvas This painting from the "Children of the World" series transports the viewer to the mystical world of the highland ...

A dynamic but lyrical depiction of trees in colorful saturated hues, they dance fluidity in tones of orange, blue and red. My work is a serpentine flow, embodying poetic and rhythmi...

"Sunset Over the Lake" by Carl Kjellin is a Nordic Light painting capturing the ephemeral beauty of a lake at sunset. The vibrant canvas, dominated by a b...

Henri Ottmann Les Bords de Seine (The Banks of the Seine) 1877-1927 Oil on canvas, signed lower left Image size: 20 3/4 x 25 1/4 inches (53 x 64 cm) Hand-carved giltwood frame Prove...

Ferdinand du Puigaudeau 1864-1930 French La fête foraine de nuit à Batz-sur-Mer (The Nighttime Fair at Batz-sur-Mer) Signed "F. du Puigaudeau" (lower right) Oil on canvas Glowing...

Mid Century Oil Painting of Italian Sausage, Red Pepper & Garlic by Eleanor Perry The Marinara Sauce's ingredients of Italian sausages, peppers and garlic create a perfect culin...

With each stroke in this oil painting, I've captured the raw, untamed spirit of these majestic creatures. The vibrant hues enliven the scene, rooted in impressionism, to evoke a sens...

Jean Salabet French, B. 1900 Le Grand Hotel, Paris ,1954 Jean Salabet was a School of Paris painter know for his colorful Parisian cityscapes. His work i...

Title: Theme N bis 3 Year: February 7, 1943 Medium: Collotype on vélin pur fil paper Size: 13.15 x 10.04 inches Condition: Very good Inscription: Signed in the plate, unnumbered Publ...

Original oil on board painting of Trail Creek headwaters located in Sun Valley, Idaho. Signed lower left by the artist. Condition is very good. Circa 1975. Titled verso. Original...

Original oil on canvas painting of a floral still life by the well known French artist, Gaston Sebire. Signed lower right by the artist. Signed and titled verso. Circa 1965. Condi...

This painting depicts a tranquil outdoor scene set in a Paris near the Place de la Concord featuring a promenade with large equestrian statues prominently displayed. The statues, mou...

Portrait of a Lady by Jean Dulac (1902-1968) *see below signed oil painting on canvas, unframed canvas: 21.75 x 18 inches provenance: private collection, Lyon, France (the artists ho...

Paris, quay of Seine and bookstall Oil on canvas signed low left Framed by Gault (Paris) Dim canvas : 46 X 55 cm Dim frame : 68 X 76 cm AMEGLIO Mério (1...

Francois Gerome French, 1895 La Porte de St. Martin, Paris Oil on canvas 16 by 20 in. W/frame 22 by 26 in. Signed lower left Framed in a period House of Heyden...

Title: Theme N 7 Year: February 7, 1943 Medium: Collotype on vélin pur fil paper Size: 13.15 x 10.04 inches Condition: Very good Inscription: Signed in the plate, unnumbered Publishe...

"The composition invites the viewer to step into an intimate, micro-level wilderness. Interweaving bold botanicals—reminiscent of wild tansy blossoms and tall grasses—with delicate, ...

Size: 120 × 135 cm (overall canvas size 130 × 145 cm) Materials: acrylic on canvas Shipping: rolled How much of our choice remains truly our own when we are surrounded by ...

Merio Ameglio Italian, 1897-1970 Parisian Street Scene Oil on Canvas 18 by 21 ½ in. W/frame 26 by 29 ½ in. Signed lower left Merio noted impr...

Title: Original Oil Abstract Still Life with Cheese Slices and Knife Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 9.5 (height) x 13.25 (width), (Includin...

John Edward Costigan, N.A. American, 1888-1972 Woman and Child Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 24 by 30 in. W/frame 32 by 38 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

French Village Street Scene Church Light Study Impressionist Painting by Pierre Neveu (French, b.1929) signed oil on board, unframed board: 9.5 x 14 inches Provenance: from the artis...

The painting "Evening Walk in Ventimiglia" was painted in this beautiful Italian city during the artist's trip to the sea in 2025. This is a picturesque reflection of a quiet souther...

Les Élégantes by Ludovic-Rodo Pissarro (1878-1952) Watercolour and pencil on paper 15.8 x 11.1 cm (6 ¹/₄ x 4 ³/₈ inches) Signed with initials lower right...

Title: Theme D 10 Year: February 7, 1943 Medium: Collotype on vélin pur fil paper Size: 10.04 x 13.15 inches Condition: Very good Inscription: Signed in the plate, unnumbered Publish...

Henri-André Martin (1918–2004) — Notre-Dame de Paris, Oil on Canvas, ca. 1960. This elegant oil on canvas by French painter Henri-André Martin, created around 1960, depicts an evoca...

Edward Reynolds Kingsbury American, 1855-1940 Fauvist Shore Oil on canvas 20 ¼ by 24 ¼ in, w/ frame 29 ¾ by 33 ¾ in Signed lower left Best known as a painter of landscape, marine and coastal, shoreline views. Kingsbury also specialized in miniature and mural painting. Kingsbury was born in Boston, MA in 1855. He studied at the Massachusetts Normal Art School, Boston Museum School, and Académie Julian in Paris. A resident of Carmel, CA in the 1920s, Kingsbury was associated with the present day life of the art colony at that time along with notable artists such as Mary DeNeale Morgan...

Signed lower right and dated 1939 Lucien Andrion captures a beautiful sun filled day on the Seine with his signature style. The Pont Alexandre III bridge is adorned with gilded scul...

In "Apples and Tea", French artist Natalya Mougenot offers a lyrical meditation on color, emotion, and the quiet grace of daily rituals. At first glance, the composition appears disa...

"Exploring the boundary between earthly indulgence and existential stillness, this original contemporary still life redefines the classic culinary motif into a profound visual aphrod...

Details: Title: Eucalyptus Forest Tree Medium: Gouache Crayon on Watercolor Paper Size: 106x70 cm (41,7x28 inches). Year: 2026 * Frame is for illustrative purposes only. * Artwork s...

Within her ongoing exploration of psychological states, the artist focuses on the moment when a desire has already taken shape, while its outcome remains unknown. It is within this i...

Large French watercolour landscape of cherry blossom and a hilltop village by Francoise Valenti. The painting is signed bottom right and is presented in a fine custom frame under gla...

This significant and extremely rare work by the great Italian artist Aldo Natili (Rome, 1913–1975) depicts an urban or suburban scene characterised by dense vegetation. Signed ‘Nati...

Title: French Village Street Scene with Café and Market Stall Provençal Study Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): 6.25 x...

Signed with initials upper left

These paintings "Landscape" are 2 oils on hardboard by noted French fauvist artist Lucien Mainssieux 1885-1958. One of the two is signed at the lower...

EMILIO GRAU SALA Spanish, 1911 - 1975 BOULEVARD OF PARIS signed “Grau Sala” (lower right) oil on canvas 25-1/2 x 32 inches (65 x 81 cm.) framed: 36-1/4 x 42-1/2 inches (92 x 108 cm.) Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. In this work Grau Sala has a loose, subtle brushstroke, in which the color shapes the entire work. The bright and transparent whites that give life to young schoolgirls contrast with the brushstrokes of blacks from the nun who accompanies them. The explosion of greens is refreshing, it surrounds us and transports us to an idyllic place, even if it is a citizen boulevard, which becomes friendly and beautiful. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

Rivière et Saules by Paulémile Pissarro (1884-1972) Oil on canvas 46.1 x 55.2 cm (18 ¹/₈ x 21 ³/₄ inches) Signed and dated lower left Paulémile-Pissarro-1931 Titled on the reverse P...

Castle on the Beach invites the viewer into a quiet coastal landscape where sunlight, sea, and stone exist in gentle balance. Inspired by the shores of Lloret de Mar, the work captur...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...

Dimensions with frame: 55 x 46,8 x 4 cm. Signed "Guinand" in the lower right corner. A captivating modernist still life depicting a bouquet of red tulips arranged in a tall white va...

Unfounded Wildness series. The work conveys a state of freedom that requires no explanation. Wildness here is not chaos or aggression, but a natural right to be — intuitive, embodie...

Title: Village Market Woman Preparing Produce French Rural Modernist Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 5.75 x 5.75 i...

Her work with signs, symbols and esoteric spirituality reflects her passion for the ancient past and represents a symbolic return to the ground from which we emerged. Her work create...

The painting "Werdenberg in May" (70x60 cm, oil on canvas) is a lyrical landscape painted from life in the open air, in which the artist subtly conveys the character of a miniature S...

Title: Original Oil Painting of Coastal Cottages with Boats Along a Tranquil Shoreline Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 9.75 (height) x 16.25...

"I visited Copenhagen in 2019 and was amazed by Nyhavn, the city's landmark, full of restaurants, ships and people." said Anna Shesterikova about this painting. "The colorful histori...

This portfolio, entitled "Notre Pain Quotidien", consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963. These lithographs were printed by Daniel Jacomet and the four pages of typography about the artist were written by Pierre Bouchet. The portfolio begins with a forward written by French author, Georges Duhamel, as well as a justification page and a page of the artwork titles (see below). Each piece from this portfolio is numbered from the edition of 250 on Rives vellum paper, aside the editions numbered from 1 to 50 on Richard de Bas paper, and eleven numbered copies in Roman numerals reserved for the collaborators. The twelve pieces in the portfolio measure 17 x 20 inches and the lithograph on the cover of the portfolio measures 10.25 x 8.75 inches. Please see the artwork titles below: 1. Auto-portrait de l'artiste (located on the cover of the portfolio) 2. Les boutiques 3. Chemin forestier 4. Le bassin 5. Les chalands 6. Fleurs des champs 7. Proletariat 8. Le grand comptoir 9. Route du village 10. Sous la neige 11. Place de l'eglise 12. Le petit pont...

Panthéon and Bridge 2 Charles Cobelle, French (1902–1994) Date: 1959 Watercolor on Paper, signed Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 31 x 37 inches

Cagnes sur Mer by Josine Vignon (French 1922-2022) signed and inscribed verso dated 1960 oil painting on canvas, unframed canvas: 18 x 13 inches Colors: Grey colors, green, beige, ...

A bold and expressive harbor scene rendered in a vibrant Fauvist-inspired palette, featuring a gondola-like boat floating on luminous reflective waters beneath an explosive abstract sky. The composition merges figuration and abstraction through energetic brushwork, saturated color contrasts, and dynamic gestural forms. Intense blues, crimson reds, yellows, pinks, and deep blacks create a dramatic visual rhythm while emphasizing the emotional atmosphere over literal representation. Reflections across the water animate the lower half of the composition, balancing the powerful abstract forms above. Influenced by Fauvism, German Expressionism, and postwar gestural painting, the work recalls the expressive freedom of artists such as André Derain, Raoul Dufy, and early abstract expressionist colorists. The painting’s vivid chromatic intensity and strong decorative quality make it particularly striking in contemporary interiors. A compelling modernist harbor composition combining lyrical abstraction, expressionist color, and Mediterranean atmosphere. fauvist painting, expressionist harbor scene, gondola painting...

Artist/ School: Suzanne Dinkés (French, 1895 - 1984) Medium: signed and dated 39' oil on board, unframed Size : 16 x 13 inches Provenance: private collection, France Condition: The p...

Clarence Montfort Gihon (1871 Philadelphia - 1929 France) Gathering Wildflowers on a Breezy Day Oil on Canvas, 39 x 32 inches, 49 ½ x 43 inches frame size Provenance: Sotheby’s 4186,...