Surrealist Art

Original gouache and ink painting on paper. Hand signed and dated by Alexander Calder. Executed in 1969, this work is registered in the archives of the Calder Foundation, New York,...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Marc Chagall Original Lithograph Frontispiece for the book "Le Plafond de l'Opéra de Paris (The Ceiling of the Paris Opera)" by Jacques Lassaigne (Paris...

“Nectar” Surreal Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Unbearable Lightness...

Salvador Dali (1904-1989) - The Inferno, Canto 25 - The Centaur Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is in Exc...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Michael Abrams’ painting "Who? Why? What?" is a playful and en...

"Moon Birth 2" Black & White Photography 39" x 39" in Ed. of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

This limited edition lithograph, signed by Fernand Mourlot beneath the right-hand corner of the image, is part of a suite of eight “Le Domaine Enchanté” images, printed in an edition...

Héliogravure on Papeterie de Mandeure vélin paper. Paper Size: 16.93 x 11.22 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Dalí, ...

“Rumours” Black & White Photography 24" x 36" inch Edition 1/7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Park Drive" series Th...

Artist: Dali, Salvador Title: Cyclopean Make-Up Series: Imaginations and Objects of the Future Date: 1975 Medium: Lithograph with original drypoint Unframed Dimensions: 30.75" x...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Venus de la Constellaciones con Picador is an Contemporary Artwork realized in 1975. Etching and Drypoint on Rives Paper. Hand-signed in pencil on the lower right: Dalì; inscribed EA in pencil on the lower left. One of the 25 Artist's Proof aside of the edition of 75 specimens on Rives Paper. The edition was composed of other 75+25 proofs on Arches paper, 75x25 proofs on Lana Paper, 75+25 proofs on Richard de Bas and 75+25 proofs on Japanese paper. The work was dedicated to Luis Romero...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

During the pandemic, the artist stayed for 4 months in Oaxaca on a beach called San Aguistinillo, where he developed the Sana Distancia (safe distance) collection, he created each da...

Joan Miro, After, Spanish (1893 - 1983) - Person Throwing a Stone at a Bird, Medium: Screenprint Poster, Image Size: 21 x 30 inches, Size: 23 x 35 in. (58.42 x 88.9 cm)

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Standing Man Color lithograph, edition 10/50 pencil signed, image 55x47framed 59x51x1.5 Saul Steinberg was a Romanian cartoonist and illustrator best known for his iconic contribu...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Le Caducee de Mars Alimente par la Boule de feu de Jupiter Year: 1974 Medium: Etching with embossing and color lithograph...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Jorge Castillo - COMPOSICIÓN ERÓTICA (Erotic Composition) Date of creation: 1977 Medium: Etching on paper Edition: 75 + 20 E.A. Size: 50 x 65,5 cm Condition: In perfect conditions an...

More than Cubism and Roundism This graphite pencil drawing ‘Cleopatra – 23-02-24’ refers to a work under the same name I made back in 2018. That year I started my ‘Out of...

Leonel Gongora, Colombian (1932 - 1999) - Fuck You, Year: circa 1968, Medium: Graphite, Gouache and Foil on Board, signed top right, Size: 5.5 x 8.5 in. (13.97 x 21.59 cm)

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...

Héliogravure on Papeterie de Mandeure vélin paper. Paper Size: 16.93 x 11.22 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Dalí, ...

Lithograph on vélin paper. Paper Size: 12.5 x 9.625 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró,...

Ladders spring up everywhere, a symbol for me of a precarious unsustainable system that's destroying our planet. The ladders are erected on unsteady foundations, ie: more ladders and...

These were from a show of her work. Influenced by Surrealism and Dada Photographs these are images of old children's dolls in various states of decay. These bear the influence of Ha...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Le Chien aboyant a la lune from «Verve», Vol. VII, nn. 27/28 Year: 1952 Medium: Lithograph, signed in the plate Size: 14.5 x 21 in. (3...

Numbered: 138/275 Color lithograph after the 1929 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry...

1 Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. 3 nude guys form a circle in the desert. This is number 1 from a limited edition of 12. The work is signed on the back. A book of the artists work will be published in early Spring London-based Photographer and Graphic designer Omer Ga...

Surrealist proto-Afropunk drawing by African-American artist, Roland Ayers (1932-2014). Hesitation Blues, 1968. Ink on paper, sheet measures 13 x 23 inches; 14 x 18 inches in archival pH-neutral matting. Signed and dated lower right. Excellent condition with no damage or restoration. Provenance: Sheila Ayers-Whitelaw Exhibition History: Roland Ayers: Calligraphy of Dreams, Woodmere Art Museum, 07/10/2021 - 10/24/2021 Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

A very good impression of this color drypoint on Japon nacré. Artist's proof, aside from the edition of 270. Signed and inscribed "EA" in pencil. Published by Vision Nouvelle, Paris....

Signed and numbered, Edition of 9 Bold, energetic, and playfully powerful, A Hug by Irina Daylene captures a striking moment of dynamic balance and human connection. Sculpted in po...

Eugene Berman is a keen observer of his surroundings but never translates his vision in a literal way. In "Sicilian Landscape," the artist transfor...

"Moon Birth" Black & White Photography 31" x 31" in Ed. 4/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

Artist: Dali, Salvador Title: Kniphofia Aphrodisiaca (Rhinoceros Stock) Series: Florals - Surrealist Flowers Date: 1972 Medium: Lithograph Framed Dimensions: 37" x 29" Signatur...

Title: The Petrified Origin Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on canvas Dimensions: 25.6 x 31.9 in (65 x 81 cm) Date: 1967 Condition: Unframed Signature: Signed lower right: Pitxot Provenance: Private collection Notes: Early work from Pitxot’s mature period, featuring the symbolic and meticulously rendered stone forms that would define his artistic identity. 📝 Work Description In The Petrified Origin, Antoni Pitxot presents a haunting and timeless vision of a single, eroded rock suspended in a dreamlike, undefined space. The stone, modeled with sculptural precision, appears to float over a subtly reflective surface, devoid of background or narrative context. Its porous texture, cracks, and shadows evoke a fossilized memory — a silent relic of geological time. Painted in 1967, this piece exemplifies Pitxot's unique visual language, developed through his practice of collecting stones along the Costa Brava and transforming them into anthropomorphic and symbolic compositions. The result is both surreal and solemn, an ode to nature’s memory and the enduring presence of the inanimate. 👤 About the Artist Antoni Pitxot i Soler (born in Figueres, 1934 – died in Barcelona, 2015) was a Catalan painter deeply rooted in the surrealist tradition. Coming from an artistic family —his uncle was Ramon Pichot, a friend of Picasso and Dalí— Pitxot trained as a draughtsman and painter from a young age. In the 1960s, he settled in Cadaqués, where he developed his distinct artistic universe. His paintings revolve around stone as a symbol of permanence, transformation, and memory. Pitxot created sculptural assemblages from real coastal stones and later immortalized them in oil on canvas. His works often hint at human figures, ancient myths, and allegories of time. 🎭 Connection with Salvador Dalí Pitxot was not only a close friend of Salvador Dalí but also one of his closest collaborators. Dalí admired his work and invited him to co-design the Dalí Theatre-Museum in Figueres. After Dalí’s death...

The repetition of patterns and rhythm is present in almost every piece of Pedro´s work. The hybrid topographies that Pedro Friedeberg´s unclassifiable practice recreates we must rec...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Lithograph on vélin paper. Paper Size: 12.5 x 9.625 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró,...

Stardust is a lithograph on paper with an image size of 2.5 x 3.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray frame. ...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Don Quichotte à la tete qui éclate Coloured lithograph on paper, edited in 1981. Limited edition of 300 copies, numbered as EA (Épreuve d'artist) (Artist's proof) in lower left corn...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian governed academia setting. This presence exposed Franci...

Lithograph on vélin paper. Paper Size: 12.5 x 20 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, ...

This artwork titled "Conversations Pieces" 1997 is an original color serigraph on paper by noted American artist Mark Kostabi, born 1960. It is hand signed, dated and numbered 210/30...

ARTIST: Salvador Dali TITLE: L'Alchimie MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Joseph Foret EDITION NUMBER: 31/5 MEASUREMENTS: 22.25" x 30" YEAR: 1972 FRAME...

Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

"Moon Birth 3" Black & White Photography 39" x 39" in Ed. 1/3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

"Geometry 2" Black & White Photography 24" x 24" in Ed. 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

Rita Simon (aka Atirnomis), American (1938 - ) - Hieroglyphics, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: AP 30, Image Size: 26 x 22 inches, Size: ...

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...