Surrealist Art

Night Room is a lithograph on paper with an image size of 2.25 x 3.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fram...

Original oil painting on canvas. Hand signed lower front by Ferjo. Canvas image size 49 x 69 inches. Canvas is not stretched. Artwork is in excellent condition. Certificate of au...

“Inner Space” Portrait Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with COA signed by the artist Not framed. Ships in tube. From "Unbearable Lightness...

This large-scale painting presents an architectural interpretation of a football stadium tower, specifically from Real Madrid. The square composition focuses on a fragment that often...

A Surrealist etching by Mexican artist Rufino Tamayo of a simple red and blue figure standing in profile against a brown background, gesturing with one red hand to something out of v...

Salvador Dali - The Grand Inquisitor Expels the Savior Handsigned in pencil and Numbered Edition: F195/195 - Printer: Atelier Rigal. - Paper: Ri...

Artist's statement: In my series Critical Masses, I explore the relationship between our species and various small marine creatures to illustrate in symbolic form various narrative...

John Baker’s “Man Adjusting his Tie” is an acrylic painting on canvas 24 x 18 inches in greens and reds with blue and yellow color accents. The disheveled appearance of the man impli...

Artist: Hans Bellmer, German (1902 - 1975) Title: Paysage 1800 Year: 1968 Medium: Etching on Arches, signed in pencil lower right Image Size: 15.5 x 12 inches Size: 26 x 19.75 in. (6...

David Cheifetz's "Seed of Icarus" is an original, handmade oil painting that depicts a blue background dotted with grapes hanging from stems and one red grape with a halo of yellow a...

Fred Deux - Grey IV - Signed Original Etching Signed and Numbered Edition of 100 Dimensions: 24 x 14 cm Fred Deux Fred Deux, illustrator, oral poet, writer, and, under the pseudonym Jean Douassot, author of a cult book, La Gana, was a singular artist who cannot be categorised in terms of art fashions and trends. This autodidact, born in the basement of a large house in Boulogne-Billancourt to a working-class family, constantly had to overcome, as he would say. “He had to overcome”: overcome the basement walls to access the life which called him and burnt inside him. Overcome the barriers between the arts, moving from drawing to the written word, and from the page to the tape recorder, in the face of which he recounted stories to himself in a sort of endless reverie, constantly exploring the unknown in him. Overcoming and being overcome: gradually immersing himself in drawing, so that it was life itself which overcame him and surrendered to him. Timeline 1924 Born in Boulogne-Billancourt, Paris. The Deux family lived in the basement of a building close to the Seine that was often flooded. These living conditions formed the biographical core around in which the artist would develop his work as a future writer and artist. 1942 Deux worked in a factory as an electrician and night guard. 1943 Deux becomes part of the FTP group to resist against the factory. And then joined the Maquis du Doubs. 1945 At the liberation, Deux joined the Moroccan Goumier, and took part of the campaigns of Vosges, Alsace and Germany. 1947 Returned to France. Installation in Marseille. Worked in an important library that belonged to the family of his wife. 1948 Discovered Breton, Bataille, Cendrars, Peret, Sade... and founded the sub-group of Surrealists in Marseille and formed a link with the literary magazine of Marseille, Cahiers du Sud Encounters the works of Paul Klee. He begins creating his first stains with paint for bicycle and impressions (fabric and ink). At the same time, he begins to take notes for what would become "Les Rats", first version of "La Gana". 1951 Meets Cecile Reims...

The Angel of Mercy - from the Series "The Divine Comedy" is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. No...

Giorgio de Chirico (Greece 1888 - Rome 1978), The Archaeologist's Rest Lithographic pencil on paper 53.5×45 cm. Work executed for the lithograph of the same name. Artwork registere...

Rolf Thiele The Staff Color Etching 1974 Size: 12.25 x 11.75 on 21 x 15.5 inches (31.12 × 29.85 cm on 53.34 × 39.37 cm) Edition: 100 Signed, dated and numbered in pencil by the artis...

The work evokes memories of a safe and warm space where one can simply be. Delphiniums come to symbolize moments that remain with us not as memories, but as an inner sense of peace a...

Artist's statement: In my series Critical Masses, I explore the relationship between our species and various small marine creatures to illustrate in symbolic form various narrative...

DAVID JAMES GILHOOLY (American, 1943-2013), Mixed media collage 6 x 4 inches, Hand signed and dated verso Napoleon from the back, holding a heart. cut and pasted cardstock assemb...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans Titre (Untitled), originates from the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics). Published by Maeght Editeur, Paris, and printed by Arte, Adrien Maeght, Paris, this work reflects Miros lyrical fusion of abstraction, gesture, and ceramic-inspired form. In Sans Titre (Untitled), Miro channels the vivid spontaneity and symbolic richness that define his mature graphic language. Executed as a lithograph on velin paper, this work measures 11.024 x 22.28 inches, with stitch perforations and centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sans Titre (Untitled), from the album ceramiques de miro et artigas (Miro and Artigas Ceramics), 1974 Medium: Lithograph on velin paper Dimensions: 11.024 x 22.28 inches (28 x 56.57 cm), with stitch perforations and centerfold as issued Inscription: Signed in the plate and unnumbered as issued Date: 1974 Publisher: Maeght Editeur, Paris Printer: Arte, Adrien Maeght, Paris Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 926–927. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 183. Condition: Well preserved, consistent with age and medium Provenance: From the 1974 album ceramiques de miro et artigas (Miro and Artigas Ceramics), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris Notes: Excerpted from the album (translated from French), The original lithographs were drawn in the ateliers Arte, Adrien Maeght, Paris. Completed printing on April 30, 1974. About the Publication: Ceramiques de miro et artigas (Miro and Artigas Ceramics) is a landmark 1974 album published by Maeght Editeur that documents and celebrates the long, fertile collaboration between Joan Miro and the master ceramicist Josep Llorens Artigas. The album serves as both an artistic tribute and an archival record of their shared exploration into the expressive possibilities of fire, clay, pigment, and surface. Maeght Editeur—renowned for its exceptional production standards and its close relationships with leading modern artists—commissioned original lithographs specifically for the album, each reflecting the tactile, gestural, and symbolic vocabulary that Miro developed through decades of experimentation in ceramics. Printed by Arte, Adrien Maeght in Paris, the production exemplifies the publisher’s commitment to uniting fine art printing with rigorous documentation. The album honors one of the most important artist–artisan partnerships of the 20th century, capturing the profound synergy between Miro’s visionary abstraction and Artigas’s mastery of traditional and experimental ceramic processes. As with all major Maeght publications, the album was conceived not merely as a catalogue but as a complete work of art, synthesizing text, image, and craftsmanship into an enduring contribution to the history of modernist printmaking and book arts. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012. Joan Miro Sans Titre 1974, Miro ceramiques...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

Lithograph on Arches paper with embossing and gold foil by the Spanish surrealist artist Salvador Dali. From the 1977 Twelve Apostles Suite (sometimes referred to as the Knights of the Roundtable Suite). Signed and numbered in pencil. (54/350) This image is sometimes referred to as "Visions of Camelot." Edition Size: 350. Paper Size: 22.5 x 18.8 in. Referenced in; The Official Catalog of the Graphic works of Salvador Dali" by Albert Field as 72-14 C. Published by S. Wajntraub, P. Moore, A. Lancel and J. Carpentier, Paris. Framed Provenance: Martin Lawrence Gallery...

Rufino Tamayo, Mexican (1899 - 1991) - Mascara, Year: 1984, Medium: Etching, signed and numbered in pencil, Edition: 60/99, Size: 30 x 22 in. (76.2 x 55.88 cm), Publisher: Edici...

Jean HUGO ( 1894 - 1984 ) " Le miroir Magique " . PARIS .Jeanne Buchet .1927. Musée FABRE . Montpellier . portefeuille de 20 lithographies coloriées sur pochoir par Jean saudé d'apré...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

David Hare Untitled, circa 1970s Mixed media 6 1/4 x 2 inches The artist Mercedes Matter, New York (gift from the above) Bill O'Reilly, New York (gift from the above) “Freedom is ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

Salvador Dali (1904-1989) - Old Faust Etching from 1969. The edition 18/145. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt. Reference: R. Michl...

Vintage American modernist oil painting. Oil on canvas. Signed verso. Framed. Measuring: 24 by 30 inches overall, and 22 by 28 painting alone. Excellent condition, ready to hang an...

Hyper realistic surreal painting by Texas born artist Donald Roller Wilson. The work features a phallus with a single cigarette and a trio or tomato slices floating overhead. Signed ...

Original oil painting on canvas. Hand signed lower front by Ferjo. Canvas image size 50 x 70 inches. Canvas is not stretched. Artwork is in excellent condition. Certificate of au...

Artist Comments
Artist Edward McHugh riffs on a classic portrait, reimagining the familiar reference in his own surreal visual language. The figure appears pale with deep red l...

In "Fate challenge II“ a mountaineer is eagerly climbing a steep rocky promontory, hoping to get the sweetest fruit, an apple, and take a bite out of it. Although, she is completely ...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Artist Comments
A gigantic horned goat looms over a surreal medieval landscape, its face framed by a wide yellow band cutting across the dark sky. Bats, winged insects, and UFO...

Mezzotint print. Edition of 18, signed, titled and numbered by the artist. Caulfield has exhibited his prints, drawings, installations and artist’s books extensively throughout Cana...

Joan Miro (1893-1983) - La bauge du sanglier (The Wild Boar’s Lair) Lithograph from 1967. The edition of 99/100 on Arches paper with full margins. Dimensions of sheet: 31.1 x 23.2...

Maria C Bernhardsson's original artworks are influenced by the architecture and geometry of houses. Born in Sweden, Bernhardsson travels the world photographing and sketching houses ...

Medium: original lithograph. Printed in 1979 and published in Barcelona by La Poligrafa in an edition of 1000. Size: 10 x 7 1/2 inches (255 x 188 mm). Not signed.

Hand signed and numbered in pencil. From the series La Conquete du Cosmos (Conquest of Cosmos). Sheet size: 38.5 x 27.5 inches. Image size: 29.5 ...

Max Bucaille ( 1906-1996 ) " collage IV- 47 " : collage on paper , signed Max Bucaille and dated IV 1947 . framed Original vintage velvet : 40,5 x 35,5 cm x 3 cm . paper : 24 x ...

Artist's statement: In my series Critical Masses, I explore the relationship between our species and various small marine creatures to illustrate in symbolic form various narrative...

Mary Spain (American, 1934–1983) Flying Figure, 1970s Oil on canvas Signed lower right 17.5. x 21.5. inches 22 x 26 inches, framed Set in a realm of fantasy, Mary Spain’s work exhib...

L’unicorne laser désintégre les cornes de rhinoceros cosmique (from ‘La Conquête du Cosmos’) Colour etching and lithograph with embossing on paper from ‘La Conquête du Cosmos’, edit...

Magritte's original poster for the 1965 Salon de Mai is an iconic piece of art that reflects the ingenuity and surrealist aesthetic of renowned Belgian artist René Magritte. Created ...

Carlos Alpizar "Mujer Enamor" Original Surreal Oil Painting C.2000 Woman in Love Original oil on canvas. Signed lower right. Canvas dimensions 46.5" wide x 38.5" high The frame m...

Jesse Soifer (1932-2013). Untitled #06, 1969. Ink on paper, sheet measures 12 x 18 inches. Unsigned. Estate stamp on verso sheet with assignation number. Early Life and Recognit...

David Hare Untitled, circa 1970s Mixed media 4 x 2 x 1 1/2 inches Provenance The artist Mercedes Matter, New York (gift from the above) Bill O'Reilly, New York (gift from the above)...

Complete set of 20 color lithographs in a beautiful burgundy board with ties, plate-signed by Magritte and numbered from the edition of 275. The lithograph features the dry stamp...

"Knife and Fork" - Surreal Landscape of Cutlery in the Clouds Surreal etching of cutlery hanging in the clouds by Elizabeth Quandt (American, 1922-1994). A knife and fork are suspen...

Jesse Soifer (1932-2013). Untitled #07, 1964. Ink on paper, sheet measures 12 x 14 inches. Dated and signed with artist monogram. Estate stamp on verso sheet with assignation numb...

With his unmistakable version of contemporary Surrealism, as comical as it is otherworldly, Marcel Dzama is one of Canada's most internationally successful artists. Born in Winnipeg...

JOAN MIRÓ (1893–1983) – “L’OISEAU DU FORGERON” Etching and Aquatint in Colors with Debossing on Arches Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A POETIC DIALOGUE BETWEEN INDUSTRIAL MATTER AND THE LIFE OF THE BIRD “L’Oiseau du Forgeron”, or “The Blacksmith’s Bird,” is a 1963 etching and aquatint with debossing by Joan Miró, hand signed in pencil lower right and numbered 48 from the limited edition of 75. The work belongs to Miró’s celebrated Forgeron series, in which the artist used aggressive plate biting and physical debossing of the paper to summon the world of the blacksmith’s forge directly onto the printed sheet. Printed in colors on heavy Arches wove paper with the watermark present, the impression was published by Maeght Éditeur, Paris, the central printmaking publisher of Miró’s mature career, and is documented in Jacques Dupin’s Miró Engraver, Vol. II: 1961–1973 (Daniel Lelong Éditeur, Paris, 1989) as plate 363. The composition is built around a bold visual pairing. At its center sits a heavy gray geometric form, rendered through the combined effect of etching, aquatint, and debossing, the latter pressing the contours of the deeply etched plate physically into the paper to create a tactile, sculptural relief that mimics forged industrial iron. The form is perforated with a constellation of small circles that read as rivet holes and is edged with the irregular notches of a blacksmith’s tool...

Klett was an in-demand illustrator in the post-war period of the late 1940's and 1950's. and . His work appeared in many of the newsstand magazines at the time. This work is a pers...

Please contact me with zip code for best shipping rates and timely delivery. This is a large, vertical acrylic painting of an imaginary, dream-like surrealist landscape with naturali...

Joan Miro (1893-1983) Cat, Small Bird and Black Hand, 1970 Original lithograph Printed signature in the plate On vellum 83 x 60 cm (c. 33 x 24 in) Excellent condition

Pierre-Yves Tremois Gorgone and a naked woman Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in)...

This artwork titled "Crying Mask with Unicorn" c.1975 is an original color etching with aquatint on wove paper by American surrealist artist Michael Bowen, 1937-2009. It is hand signed in pencil by the artist. The plate mark (image) size is 21.85 x 17.5 inches, sheet size is 30 x 20.75 inches. It is in excellent condition, has never been framed. About the subject: Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy. About the artist: Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...

Color lithograph on four sheets of wove paper Arches France watermark on one sheet Signed and numbered of 250 in pencil Printed by Grapholith, France Publishe...

This is an important work that is loaded with Surrealist iconographies. The shape of her hands is echoed in the shape of her hair. Tiny man and woman figures...

"Sniffer" Black & White Photography 39" x 31" in Ed. 1/7 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the ar...

Pierre Alechinsky (1927) - Chapeau fort Etching with lithograph from 1976. The edition of 3/90. Dimensions of work: 63.5 x 91 cm. Hand signed. Another example of this etching wi...