Victorian Art

William Nicholson (1872-1949) The Archbishop of Canterbury Original Colour Lithograph Image: 25.0 x 23.0 cm Frame: 43.5 x 39.5 cm Colour lithographs from the original woodblocks, pub...

William Nicholson (1872-1949) Sir Henry Hawkins Original Colour Lithograph Image: 25.0 x 23.0 cm Frame: 43.5 x 39.5 cm Colour lithographs from the original woodblocks, published by W...

William Nicholson (1872-1949) Prince Bismark Original Colour Lithograph Image: 25.0 x 23.0 cm Frame: 43.5 x 39.5 cm Colour lithographs from the original woodblocks, published by Will...

William Nicholson (1872-1949) Lord Roberts Original Colour Lithograph Image: 25.0 x 23.0 cm Frame: 43.5 x 39.5 cm Colour lithographs from the original woodblocks, published by Willia...

William Nicholson (1872-1949) Queen Victoria Original Colour Lithograph Image: 25.0 x 23.0 cm Frame: 43.5 x 39.5 cm Colour lithographs from the original woodblocks, published by Will...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

'Ashdod', tinted lithograph after David Roberts RA. Signed in stone lower right. Printed title below the image. Roberts travelled throughout Egypt an...

From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3) London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...

Love and Death (after George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1900. Mezzotint. Hardie 71 between i and ii. 24 1/2 x 12 (sheet 27 1/4 x 13 3/ 8). Edition 350 in state one. London, Published May 1st 1900 by Robert Dunthorne ,5 Vigo Street, London W. Rubbing and discoloration from a previous mat in the margins, well outside the image. A rich proof printed on Japon paper. Signed in pencil by Watts and by Short. Housed in an archival folder ------------------------------------------------------------------------------------------------------- Winged Love...

Artist/ School: James Lewis (British, late 19th century), signed Title: Sunset over the River Thames Medium: signed oil painting on canvas, framed. framed: 12.5 x 16.5 inches canv...

'Rhinology' Vanity Fair portrait of Dr Robert Spicer, 'a specialist in matters relating to ears, noses and throats'. Accompanied by original descriptive text. 380mm by 260mm (sh...

'Cricket Match' Tinted lithograph with hand-colouring after the picture by Rev Tatton Winter. 340mm by 430mm (sheet)

Artist/ School: English/ American School, 19th century, circa 1860's. Title: Isabella Grapes on the vine. Interesting inscription telling the history of the drawing and how the orig...

Vanity Fair color chromolithograph caricature of "First Violin " Prince Alfred, Duke of Edinburgh and Saxe-Coburg and Gothan by Ape (Carlo Pellegrini)...

Breton Fisherfolk on the Shore French School, early 1900's signed with initials HB oil on canvas, unframed canvas: 15.5 x 20 inches provenance: private collection, France condition: ...

'River Stour, Suffolk' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic landscape...

"In Full Pursuit" English School, late 20th century oil painting on canvas, unframed painting: 24 x 20 inches Superb oil painting on canvas depicting this characterful spaniel hunt...

Artist/ School: British School, indistinctly signed with initials and dated 1920's Title: Cornish Tin Mines on coastal cliffs. Medium: oil on canvas, framed Framed: 13.75 x 21.75 ...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chapu (1833-1891) and Marius Jean Antonin Mercié (1845-1916). Dalou was hugely influential and was a founding member of the Société des Artistes Français and later a founder of the Société Nationale des Beaux-Arts. He was officially rewarded with the highest rank of the Légion d'Honneur two years before his death, with the inauguration of the Triumph of the Republic, in 1899. He started his artistic training in 1852 at the Petite Ecole after being encouraged to do so by Jean-Baptiste Carpeaux, where he studied drawing and modelling. Carpeaux continued to support Dalou throughout his career and influenced his sculpture greatly. Dalou began employment in the field of decorative sculpture working for two companies in Paris, Lefèvre and Favière goldsmiths. During this time he contributed towards the architectural features of Hôtel de la Païva, the then home of the infamous French courtesan Esther Lachmann known as La Païva. Dalou's unique approach lay in his broad range of subject, painterly and sculptural source material, though which he absorbed an impressive spectrum of inspiration. The work of an eighteenth-century sculptor, Louis-François Roubiliac, played a significant role in Dalou's artistic development, whose sculptures he studied whilst in London. Dalou's work includes friezes, maquettes, reliefs, and individual bronze figures. He is known for Baroque-inspired allegorical group compositions, as much as for his depictions of the French rural labouring classes. Dalou encouraged students of art to free themselves from the constraints of established traditions, with his style and teachings thought to have awakened a new generation of young British sculptors whose work was later aligned to the New Sculpture movement. This rough plaster model was kept in the studio of Alfred Drury...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

The Sporting Party by William Albert Clark (1880-1963) signed lower corner oil painting on canvas, framed canvas: 17 x 21 inches Provenance: private collection, Suffolk, England C...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Antique Victorian Watercolour of Whitby Harbour by 19th Century British Artist William Langley (1852–1922) dating back to Circa 1891 Art measures 19 x 10.5 inches Frame measures 2...

DAVID BATES Oil on canvas Signed and dated 1873 Antique nineteenth century painting Picture Size: 16 x 24 inch (40.5 x 61 cm) Frame Size: 26 x 34 inch (66 x 86.5 cm) Exhibition Pe...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chap...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

The Harvest Workers French School, 19th century indistinctly signed and dated oil on board, framed framed: 15.75 x 18.75 inches board: 9 x 12 inches provenance: private collection co...

The Clan Colquhoun (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descript...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Artist: Philip Lutley Sclater (English, 1829-1913) Titles: "Circaetus Zonurus (Brown Snake-Eagle)", "Spizaetus Ayresii (Ayres's Hawk-Eagle)", "Tinnunculus Alopex (Fox Kestrel)", and ...

Title: Victorian Hand Study with Scroll Pencil Drawing Louisa Wortley 1864 Artist: Louisa J. Wortley (British 19th century) Medium: original watercolour on artists paper image size: ...

'Full Practice', mixed method engraving published in New York, circa 1865. After the painting by George Armfield. 475mm by 610mm (platemark) 505mm by 645mm (sheet)

'Remains of a Triumphal Arch, Petra', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in t...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

‘Mermaid Beach’ by Henry Dawson RBA (1811-1878). The painting – which depicts a girl waiting for fishermen to unload their catch at Folkstone, with the White Cliffs of Dover in the background – is signed by the artist with monogram and presented in a fine English water-gilded landscape frame. The title of the painting refers to both the shape of the beach – which resembles the tail of mermaid - and to the young fish seller with the creel basket...

Title: Victorian English Village Church Cottage Scene Antique Watercolor Painting 1865 Initials visible; L J W original watercolor painting...

'Church of St Helena, Bethlehem', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the l...

The Fisherfolk English School, 19th centurysigned oil on canvas, framed framed: 17 x 23 inches painting: 12 x 18 inches provenance: private collection, England condition: very good ...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Vanity Fair portrait of General Sir Francis Grenfell KCB Chromolithograph, 1889. Field Marshal Francis Wallace Grenfell, 1st Baron Grenfell, GCB, GCMG, PC was a British Army offic...

The Harvest, Victorian Oil Painting English School, 19th Century Oil painting on canvas, framed Framed size: 18 x 26 inches Fine Victorian oi...

A very fine original antique English botanical watercolor painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good Provenance: from...

Portrait of a Gentleman with a Cigar English artist, mid 19th century oil on canvas, unframed canvas: 30 x 25 inches provenance: private collection, England condition: overall good a...

Artist/ School: William Langley, British 19th/ 20th century, signed Title: Sunset over the English Landscape Medium: oil on canvas (the board showing in the photos is purely a prot...

William Nicholson (1872-1949) Fishing 1897 Original Colour Lithograph Image: 21.0 x 21.0 cm Mount: 39.0 x 36.0 cm William Nicholson was born at Newark in 1872. He left to study in Paris in his late teens for six months at the Academie Julian before returning to England. In 1893 Nicholson married the painter Mabel Pryde and their first son Ben went on to become the famous painter and sculptor. Nicholson concentrated on printmaking with his brother-in-law James Pryde...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 4) London: Thomas Mclean, 1835. Etching with handcoloring in watercolor on cream wove p...

The Highland Loch by Sidney Yates Johnson, dated 1899 signed oil on canvas, unframed Canvas : 12 x 24 inches Provenance: private collection, UK Condition: very good condition Descri...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Artist/ School: Andrew Adie Dalgleish (Scottish active 1880-1904), signed and titled verso Title: Winter, Ayrshire Medium: oil on canvas, framed Framed: 28.5 x 22 inches Canvas: ...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Artist/ School: English School, 19th century, indistinctly signed lower corner. Title: botannical study of two apples with a branch next to them. Medium: watercolour drawing on pap...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper Condition: very good Provenance: from...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Artist/ School: English/ American School, 19th century, circa 1860's. Title: Isabella Grapes on the vine. Interesting inscription telling the history of the drawing and how the orig...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on paper condition: very good provenance: from...

Artist/ School: F. E. Jamieson British (signed with the artists pseudonyn 'W. Richards'). Title: Pitlochry Medium: Oil on canvas, framed Size: framed: 18 x 26 inches canvas : 16...

Etching with drypoint on hand made laid Japan paper with a deckle edge, 8 9/16 x 11 5/8 inches (220 x 296 mm), full margins. Signed, dated and titled in pencil in the margin, recto. ...