Victorian Art

John CALLOW Picture Size: 26 x 40" (66 x 102cm) Outside Frame Size: 38 x 52" (97 x 132cm) It framed in the original frame chosen by the artist gilded in gold leaf. Free Shipping ...

Joseph THORS A very attractive piece by Joseph Thors who was one of the most sought after artists of the Victorian period. Perfect for any mantlepiece it has many of the most desira...

Artist/ School: F. E. Jamieson British 1895-1950 Title: The Highland River at Sunset Medium: Oil on canvas, framed Size: framed: 20 x 28 inches canvas : 16 x 24 inches Provenance...

'Dendrolaugus Dorianus ab. loc. Aureus' Tree kangaroo native to New Guinea. From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, published in 'Transaction...

Punting on the River English School, early 1900's period oil on board, framed in antique gilt frame framed: 18.5 x 24.5 inches board: 16 x 22.5 inches provenance: private collection,...

Willem Johannes Martens Dutch, (1838-1895) The Admirer Oil on canvas, signed & transcribed with title to stretcher Image size: 19.25 inches x 24.5 inches Size including frame: 28 in...

The Victorian Interior English School, 19th century oil on board, framed behind glass hence photo reflection glare framed: 7 x 8.5 inches board: 4 x 5 inches inscribed verso provenan...

Shepard Boy Crossing A Ford Frank Traies (British, fl. 19th Century) signed & dated 1852 oil on canvas, framed framed: 23 x 29 inches painting: 18 x 24 in...

Tranquil Riverbank English School, late 19th century oil on canvas, framed Framed: 18.75 x 31 inches Canvas: 12 x 24 inches Provenance: private collection, UK Condition: very good co...

Poultry Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

This interesting British 19th century coastal landscape oil painting is by noted Suffolk School artist Edward Robert Smythe. Painted circa 1850 it is a busy coastal landscape with fi...

This statue is of Prince Albert Edward, eldest son of Queen Victoria, Prince of Wales, future King Edward VII (1841-1910) dressed in a sailor suit. After a very popular painting of the young prince done in 1846 by Franz Xaver Winterhalter (1805-73) that is in the collection of the British Royal Family.

'The Acropolis, Lower End of the Valley, Petra', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Hol...

'Jaffra', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s producing wate...

Two very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey,...

A wonderful portrait of a young boy seated in his room looking out over the expansive landscape. Painted circa 1840 this piece has all the style of middle European art. French, Swis...

Victorian Scottish Landscape Figurative Oil Painting with Horse and Rider, Cattle, Sheep and Dog in River Landscape with Lincluden Abbey Ruin...

Transport yourself to the elegance of Victorian French fashion with this vintage lithograph print featuring exquisite ladies' La Mode dresses. The unframed siz...

Saint Bernard Rescuing a Child in the Snow – Beaded embroidery, 19th century, inspired by Barry, the legendary dog of the Great Saint Bernard Hospice Technique: embroidery with pol...

A beautiful little gem of a watercolour with bold palette and most attractive composition. A rare and fabulous work by the talented son of John Sell Cotman. John Joseph Cotman (1814...

19th century English landscape with trees, a Harvest Field during Summertime. A wonderful classic English landscape dating from the middle of the 19th century. This style of paintin...

J. Wilson. English ( fl.1837 - 1870 ). Looe Town & Harbor, Cornwall. Watercolor. Monogramed Lower Left. Image size 6.5 inches x 10.4 inches ( 16.5cm x 26.5cm ). Frame size 12.6 inc...

Artist/ School: Norman A.Olley (British, 20th Century) dated 1992 and inscribed verso Title: Mallards dropping on a back wager of the Ember - East Molesy Surrey Medium: gouache/wa...

Cornelius Pearson b.1805 – d.1891 & Thomas Francis Wainewright, b.1794 – d.1883 English Crymlyn Bog And Neath River Estuary Swansea Bay, 1872 Watercolor. Signed & Dated 1872. Image size 7.9 inches x 15.9 inches ( 20cm x 40.5cm ). Frame size 15.2 inches x 23 inches ( 38.5cm x 58.5cm ). Available for sale; this original painting is by Cornelius Pearson with a significant contribution by Thomas Francis Wainewright, and is dated 1872. The watercolor is presented and supplied in a sympathetic pinned corner frame dating from the 1950s or 1960s (which is shown in these photographs), mounted and behind glass. This antique painting is in very good condition whilst the frame is in a good condition, commensurate with age. It is ready to hang and display. The watercolor is signed by both artists and dated 1872 lower left. The mount is titled and attributed by hand. Cornelius Pearson was an accomplished landscape artist. He was born in Boston, Lincolnshire but moved at an early age to London where he became apprenticed to a copper-plate engraver. He soon abandoned engraving however to devote himself to being a watercolor painter. Although he lived in London throughout his career, he travelled for his work to paint in Kent, Ireland, Wales, the Lake District, Scotland, on the Thames and Devon. He was a regular exhibitor at the Suffolk Street Galleries, and also exhibited at the Royal Academy, the New Watercolor Society and elsewhere. He was one of the oldest members of the Langham...

'Site of Cana in Galilee', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 183...

George Bernard ONeil 1828-1917 Oil on canvas, signed & dated (18)76 lower right Image size: 22 ½ x 17 inches Original frame The painting depicts the arrival of the new teacher, a curious pupil peeps around a door to see her, while her friends look through the open door to the classroom to catch a glimpse. The artist has gone to great lengths with the painting, such as the highly detailed Dutch tiles on the bottom right of the picture or the window above the door in the background. O'Neil often painted works with several doorways leading off and giving a sense of depth to the work. The use of light and shadow is also cleverly depicted across the work, one light source arrives from where the viewer stands filling the room and the new teacher with light, while the other window above the door in the background also gives a warm glow. George Bernard O'Neill was born on 17th July 1828 in Dublin the ninth of fifteen children of Bernard and Sarah O...

Breton Fisherfolk on the Shore French School, early 1900's signed with initials HB oil on canvas, unframed canvas: 15.5 x 20 inches provenance: private collection, France condition: ...

Henry Calvert (1798-1869) The 15th (The King's) Hussars: two chargers, one with an officer up, in a landscape, a camp beyond Oil on canvas Canvas Size - 32 x 36 in Framed Size - 37 x...

Watermill Cottage at Bettswyscoed, Wales signed oil on board, framed Framed: 14 x 17 inches Board: 9 x 12 inches Provenance: private collection Condition: very good condition; the an...

This charming mid-19th-century oil painting attributed to English artist Edward John Cobbett (1815-1899) depicts a seated girl carrying a wicker basket within rolling scenery. Cobbett was a skilled English painter of landscapes and genre who exhibited regularly at London’s Royal Academy. This piece from around 1860 is emblematic of his rose-tinted escapism and celebrates the honest endeavours of rural life. The details are rendered skilfully, particularly the hands, skin tones and head. While the composition, with the horizon line crossing just beneath the shoulders, creates interest and permanence. He fathered twelve children, including eight daughters, so it’s plausible that some of them appeared in his portraits. The girl bears some resemblance to his depiction of ‘The Crofter's Daughter’. Born in Westminster, London, Cobbett was initially trained as a wood carver, probably by his father, who was a skilled ‘carver and gilder’. Evidently, the young man adopted the trade with considerable vigour, as some of his early carvings can be seen at York Minster. Around the age of 20, he began to pursue a career as an artist, and it's presumably at this point that he undertook formal tuition with the landscape painter Joseph William Allen (1803-1852). Allen was a founding member of the Society of British Artists, and his influence is evident. Following his 1833 debut at London’s Royal Academy, he matured into an artist of considerable merit, particularly popular among the rising middle classes. He was known by the Victorian press as one of the last great ‘bohemians’, thus associating him with a social and cultural milieu of freedom-loving, anti-establishment creatives. As a member of London’s Savage Club, his circle was a most intriguing one and included writers, artists, and musicians who sought to live on the fringes of society. This liberal sense of ‘joie de vivre’ translated through his work into depictions of ebullient country folk undertaking wholesome daily activities. Via his numerous rustic characters, he celebrated a simpler, albeit idealised, working-class utopia. The urban-dwelling bourgeois lapped it up, escaping into the abundance of an imagined moor, and vanishing into a community unplagued by formal rigour. Aside from the Royal Academy, his works were also shown at the British Institution, Liverpool Academy, and the Society of British Artists, where he was elected a member in 1856. He’s known to have collaborated with both William Shayer (1787-1879) and George Cole (1810-1883). He’s represented in numerous public collections, including at Glasgow Museum, the Walker Art Gallery, Worcester City Art Gallery, and York Art Gallery. Provenance: Private collection, UK. Artist’s auction maximum: £20,052 for ‘Rural Idyll (1859)’, Oil on canvas, De Veres...

This charming mid-19th-century oil painting attributed to English artist William Traies (1789-1872) depicts a picturesque river view with cascade, figures and cattle. Traies was an a...

"After the Rain, Glencoe" Pearl Patterson (British, dated 2003) signed lower corner inscribed verso oil on board, framed framed: 16.5 x 20.5 inches board: 14 x 18 inches provenance: ...

Set of Four (4) Hunting Scenes British School, 20th century signed Hallard 4 x oil on board, framed inscribed verso each framed: 8.5 x 6.5 inches each board: 7.5 x 5.5 inches proven...

This artwork "Crashing Waves on Rock"" circa 1978 is an oil painting on hard board by noted California artist Robert Wee, 1927-2021. It is signed at the lower right corner by the art...

'Echsen I' Lizards - chromolithograph from a German natural history series. Key to lizards below the image. Gustav Mutzel was a German artist famous ...

Tantallon Castle, Scotland *see notes below by William Anslow Thornely (British, 1847-1907) signed oil painting on panel, framed framed: 14.5 x 18.5 inches panel: 8 x 12 inches Provenance: private collection, England Condition: overall very good condition William Anslow Thornley (1847–1907) was a British maritime and landscape painter known for his atmospheric seascapes and coastal scenes. He worked primarily in oils and watercolors, often depicting harbors, ships, and the changing moods of the sea. Thornley was skilled at capturing the effects of light and weather, particularly in twilight and moonlit settings, which added a romantic and serene quality to his works. Although not much is widely known about his personal life, Thornley's style reflects the influence of British Romanticism and the Victorian...

Description: "Day Dreams" is a captivating painting by the English artist Richard Willes Maddox. The artwork depicts a young woman seated thoughtfully on a blue wooden bench, set aga...

Oil on canvas, signed and dated lower right 1882 Image size: 36 x 29 inches (92 x 74 cm) Gilt Watts frame LITERATURE The Life and Work of Frank Holl, Ada ...

Paul JONES Oil on canvas These paintings are signed Paul Jones on the bottom left. Canvas size: 20 x 25cm (8 x 10") Outside frame size: 36 x 41cm (14 x 16") Flourished 1855 – 1888 ...

Well painted 19th-century portrait of a young boy possible in a School Uniform. With the label on the reverse being from Scottish panel makers, we bel...

'Nazareth', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s producing wa...

'New York Tribune' Chromolithograph. 1902. Vanity Fair portrait of Whitelaw Reid who was a US politician and newspaper editor. 395mm by 265mm (sheet)

'R.A.M' Chromolithograph. 1904. Vanity Fair musician portrait of Sir Alexander Campbell Mackenzie (1847 - 1935) who was a Scottish composer, conductor and teacher best known for h...

'Eduard Strauss' Chromolithograph, 1895. Vanity Fair musician portrait of Eduard Strauss (1835 – 1916) the Austrian composer. 400mm by 270mm (sheet)

Harbor at Sunset English School, indistinctly signed & dated oil on board, framed framed: 13 x 20 inches board : 11 x 18 inches Provenance: private collection Condition: very good co...

'Rade et Ville De Jame's Town' Jamestown, St Helena Tinted lithograph by Eduardo Laplante (1818 - 1860) after Jean-Baptiste Henri Durand-Brager (1814-1879). 1844. 295mm by 450mm ...

'Convent of the Terra Santa, Nazareth', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in...

Chromolithograph, 1878. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with st...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

'Entrance to the Temple of Amun, Thebes', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA. David Roberts (1796-1864) traveled throughout Egypt and the Holy Land ...

William Mellor. English ( b.1851 - d.1931 ). Waterfall And Stone Bridge On The River Llugwy, Near Capel Curig, Wales. Watercolor. Signed Lower Right. Image size 18.3 inches x 16 in...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came t...

Eagles Wood-engraving with original colouring. 1879. 160mm by 245mm (sheet). Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.

French School, indistinctly signed/ inscribed dated 1890's oil on canvas, framed framed: 23 x 30 inches canvas: 15 x 22 inches provenance: private collection, France the painting is ...

'Shooting - Plate II', engraving from George Stubb's famous set of four shooting engravings. Copper-line engraving with later hand-colouring by William...

Artist: James Sowerby (English, 1757-1822) Title: "Glaucium Violaccum (Violet Horned-Poppy)" (Vol. 3, Plate 201) Portfolio: English Botany; or, Coloured Figures of British Plants Year: 1794 (First edition) Medium: Original Hand-Colored Engraving on cream wove paper Limited edition: Unknown Printer: J. Davis...

Artist/ School: F. E. Jamieson (British 1895-1950), signed Title: Mountainous river landscape with a watermill Medium: signed oil painting on canvas, framed painting: 18 x 22.25 ...

This little gem of a compact artwork was executed in the Arts and Crafts style for an interior illustration for "The Wise Book," J.M. Dent & Co, London, 1906. "You can't eat your ca...