Antique Creamware

Set of twelve Paris Exhibition plates. Twelve Sarraguemines creamware souvenir plates from the

“Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints

Green, pink and blue floral banded plate. Antique creamware plate with jewel-tone floral banding

Green, pink and blue floral banded soup plate. Antique creamware soup plate with jewel-tone floral

Set of twelve French military plates. Twelve unique and individual French creamware military scene

Mocha Pottery Earthworm Jug, circa 1820 The mocha pottery jug has two wide ocher bands each with an earthworm design. The top with a looping design and the lower one with a wavy ...

Ceramic creamware platter in the shape of a lily pad over a basketweave pattern decorated with

An assembled pair of Wedgwood cress or strawberry dishes, Two Piece; Footed Pierced Dish with Stand. Late 18th c. This would have been used to serve watercress or strawberries after ...

Hand-picked by buyers at Ann-Morris Inc.

This antique American pitcher, dating to circa 1830, is a rare example of slip-decorated creamware

Liverpool Pearlware Plates decorated with Ships, Pair, Circa 1800. The Liverpool pottery pearlware plates with black rim are each printed with the image of a naval engagement. Diam...

18th Century Whieldon-type Tortoise-shell Teapot and Cover, Circa 1765 The tortoise-shell molded teapot and cover is decorated with a molded design of grapes and leaves issuing from...

Pair blue and white swan sauce boats. . Neoclassical cream-ware lidded sauce boats with under-plates and original ladle, all with blue and white borders, bovine head handles and swan...

period of the factory and, underneath the agate slip, feature a delicate creamware body, the material for

almost feel her shivering. She is cold! In contrast, Autumn is made of creamware, with warmer, earthier

Rare antique English Yorkshire or Staffordshire creamware pierced basket with intricate reticulated

Early 20th century American Art Deco earthenware or yellow ware pottery nesting bowl set. The mixing bowls’ pattern is called the picket fence design because the decoration around th...

Black ceramic Art Nouveau style jardinière with green distressed finish. Inside is flamed glaze and outside is natural finish. Minor chipping/scuffs. (See pics). Signed Italy.

Set of seven Wedgwood Apprey celadon saucers. Seven saucers/small plates in the rare Apprey pattern of the early 20th century in pale celadon featuring a charming juggling chinoiseri...

Wedgwood Apprey celadon place-setting plates. Set of three pale celadon pieces for a single place-setting in the rare and charming chinoiserie pattern including a dinner plate, lunch...

Wedgwood celadon Apprey chinoiserie tea set. Charming and rare individual tea set with one serving lidded teapot, small plate/underplate, handle-less cup and saucer in the Apprey pat...

Wedgwood Chinoiserie charger plate. Wedgwood chinoiserie shallow-bowled plate with lobed peach slip edge. Fantastical rose apricot, peach and pale yellow and green decoration with fa...

This mochaware bowl measures 11.25 inches in diameter and was produced in Staffordshire, England in the early 19th century. Bowls of this scale are uncommon, and examples combining e...

Agnus Dei Porcelain Easter Lamb. Antique Naples creamware lamb’s head mask centered on silver

flowers and a ‘faux bois’ handle. A creamware ground with sponged decoration throughout which really

the sleek musculature of the lioness. The use of pearlware—a refinement of creamware with a whiter

known as pearled creamware. Blue enamel was applied for decoration, and the pearlware was then glazed

. They also look great filled with flowers (see image #2) The creamware body was pearled with a lovely

to the sides, modeled after European silver or creamware shapes of the period, demonstrating the

wildly popular creamware, or ‘Queen’s ware.’ The glaze, named “Pearl White” by Wedgwood and his partner

characteristic of the major Staffordshire potteries during the transition from Creamware to Pearlware. Makers

perfectly illustrates the transition in English pottery from traditional Delftware to the refined creamware

by its whiter, more refined body compared to traditional creamware, achieved by adding a small amount

employing English potters, they introduced the technique of transfer printing on a creamware type pottery

the yellowish tint of earlier creamware, resulting in a whiter, slightly blue-toned body that was the

: Creamware Earthenware with Mottled/Splashed Glaze Dimensions: 5 1/2 inches high x 8 1/2 inches long x 4

creamware type pottery, in 19th Century France. Impressed CREIL and showing the pattern numbers, along with

of pearl-glazed creamware. The pattern is printed in brown with overglaze enamel in orange, yellow

Set of six vintage creamware dinner plates, beautifully decorated with a red transferware print of

Set of six vintage creamware dinner plates, beautifully decorated with a red transferware print of

Set of six vintage creamware dinner plates, beautifully decorated with a red transferware print of

A fine pair of 19th-century creamware bi-color pierced baskets represents a pinnacle of ceramic

and eliminate the yellowish cast of earlier Creamware, making the white relief work pop against

toward the lighter, whiter creamware, which Greatbatch also produced in volume

. The gilt and exquisite colors jump from the clean white ground of the pearled creamware. Dimensions

Lambeth being the main producing centers. After that, creamware pottery began to replace Delft as the

3 Wedgwood creamware serving bowls with matching platters. The pierced rim bowl with a molded weave

creamware open fruit basket with basket pattern plate. Dated with the 3 characters, used between 1907 and

, titled "How Creamware Got the Blues: The Origins of China Glaze and Pearlware)

Large porcelain/creamware vase / urn made by Swedish porcelain gigant Rörstrand circa 1910. It has

Silver) and the interior is lucky to retain the original creamware liner still in excellent condition

others..." The production of Delft reached its high point in the mid-1700s. After that, creamware pottery

produced in English from the 1790s thru much of the 19th century. Creamware body decorated with Roman ruins

" transfer pattern. Creamware was invented during the second half of the 18th century and reached its height

, creamware pottery began to replace Delft as the useful pottery of the English middle class. See Caiger-Smith

point in the mid-1700s. After that, creamware pottery began to replace Delft as the useful pottery of

, these decorative pitchers feature rich cobalt blue and deep red Asian aesthetic designs on creamware