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The Workshop - Picasso - Etching and Aquatint - 1927
The Workshop - Picasso - Etching and Aquatint - 1927

The Workshop - Picasso - Etching and Aquatint - 1927

By Pablo Picasso

Located in London, GB

Technique: Original Hand Signed and Numbered Etching on Wove Paper Paper size: 47.5 x 59.8 cm. / 18.7 x

Category

1920s Cubist Antique Etching Signed

Materials

Etching

The Crow Wood - Etching by Joseph Banks - 1837

The Crow Wood - Etching by Joseph Banks - 1837

Located in Roma, IT

The Crow Wood is an artwork, realized by the artist Joseph Banks in 1837. Colored etching, titled

Category

1830s Modern Antique Etching Signed

Materials

Etching

The Hangsman Bank - Etching by Joseph Banks - 1837

The Hangsman Bank - Etching by Joseph Banks - 1837

Located in Roma, IT

The Hangsman  Bank is an artwork, realized by the artist Joseph Banks in 1837. Colored etching

Category

1830s Modern Antique Etching Signed

Materials

Etching

La Leçon de Musique - Etching on Paper
La Leçon de Musique - Etching on Paper

La Leçon de Musique - Etching on Paper

Located in Roma, IT

1892. Etching on paper. Signed on the plate on the lower-left corner; Hand-signed in pencil by the

Category

1890s Modern Antique Etching Signed

Materials

Etching

Mabel Oliver Rae, etching of Tom Tower, Oxford
Mabel Oliver Rae, etching of Tom Tower, Oxford

Mabel Oliver Rae, etching of Tom Tower, Oxford

Located in London, GB

cannot find the view you want. Mabel Oliver Rae (1868-1956) Tom Tower, Oxford c.1920 Etching 12 x 9 cm

Category

Early 20th Century Modern Antique Etching Signed

Materials

Etching

Antique Cathedral Etching
Antique Cathedral Etching

Antique Cathedral Etching

$404

H 29.73 in W 23.04 in D 0.99 in

Antique Cathedral Etching

By James Brewer

Located in Ongar, GB

An original etching by James Alphege Brewer. Signed bottom right. This is part of the war

Category

1910s French Antique Etching Signed

Materials

Parchment Paper

Landslide  from Intermezzi - Etching by Max Klinger - 1881

Max KlingerLandslide from Intermezzi - Etching by Max Klinger - 1881, 1881

$829Sale Price|30% Off

H 24.41 in W 17.72 in D 0.08 in

Landslide from Intermezzi - Etching by Max Klinger - 1881

By Max Klinger

Located in Roma, IT

, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the plate Good conditions. Dedicated

Category

1880s Symbolist Antique Etching Signed

Materials

Etching

Seaside from Intermezzi - Etching by Max Klinger - 1881

Max KlingerSeaside from Intermezzi - Etching by Max Klinger - 1881, 1881

$995Sale Price|30% Off

H 17.72 in W 24.41 in D 0.08 in

Seaside from Intermezzi - Etching by Max Klinger - 1881

By Max Klinger

Located in Roma, IT

, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the plate Good conditions. Dedicated

Category

1880s Symbolist Antique Etching Signed

Materials

Etching

Simplicius' Writing Lesson - Etching by Max Klinger - 1881

Max KlingerSimplicius' Writing Lesson - Etching by Max Klinger - 1881, 1881

$995Sale Price|30% Off

H 24.41 in W 17.72 in D 0.08 in

Simplicius' Writing Lesson - Etching by Max Klinger - 1881

By Max Klinger

Located in Roma, IT

called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper

Category

1880s Symbolist Antique Etching Signed

Materials

Etching

After Dinner Scene, Flemish Etching by F Schweitzer
After Dinner Scene, Flemish Etching by F Schweitzer

After Dinner Scene, Flemish Etching by F Schweitzer

Located in Long Island City, NY

After Dinner Scene F. Schweitzer Etching on laid paper, signed in pencil Image Size: 9.25 x 7.5

Category

Late 18th Century Flemish School Antique Etching Signed

Materials

Etching

La Tombe du Père - Etching by Marc Chagall - 1923
La Tombe du Père - Etching by Marc Chagall - 1923

La Tombe du Père - Etching by Marc Chagall - 1923

By Marc Chagall

Located in Roma, IT

La Tombe du Pére or The Father's Grave is a rare etching and dry-point, hand-signed in pencil in

Category

1920s Surrealist Antique Etching Signed

Materials

Drypoint, Etching

Fallen Rider from Intermezzi  - Etching by Max Klinger - 1881

Fallen Rider from Intermezzi - Etching by Max Klinger - 1881

By Max Klinger

Located in Roma, IT

Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the plate Good conditions

Category

1880s Symbolist Antique Etching Signed

Materials

Etching

Moonlit Night from Intermezzi - Etching by Max Klinger - 1881

Max KlingerMoonlit Night from Intermezzi - Etching by Max Klinger - 1881, 1881

$829Sale Price|30% Off

H 24.41 in W 17.72 in D 0.08 in

Moonlit Night from Intermezzi - Etching by Max Klinger - 1881

By Max Klinger

Located in Roma, IT

Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed on the plate Good conditions

Category

1880s Symbolist Antique Etching Signed

Materials

Etching

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Antique Etching Signed For Sale on 1stDibs

Find many varieties of an authentic antique etching signed available at 1stDibs. Each antique etching signed for sale was constructed with extraordinary care, often using paper, glass and wood. There are many kinds of the antique etching signed you’re looking for, from those produced as long ago as the 18th Century to those made as recently as the 20th Century. An antique etching signed is a generally popular piece of furniture, but those created in Art Deco and Victorian styles are sought with frequency. A well-made antique etching signed has long been a part of the offerings for many furniture designers and manufacturers, but those produced by Louis Icart are consistently popular.

How Much is a Antique Etching Signed?

An antique etching signed can differ in price owing to various characteristics — the average selling price 1stDibs is $1,365, while the lowest priced sells for $115 and the highest can go for as much as $2,177.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.