Bon A Tirer

paper 22.5 x 42 in. Series number: BAT (Bon a Tirer) Unframed

Rigoberto Mena (Cuba, 1961) "Parece que fue ayer" (Seems was yesterday), 2010 Series: Bon a Tirer

. (119 x 210 cm.) Edition of 30 Series # available: B.A.T. (Bon a Tirer) Unframed Ref: HER-221

Rarely found on the market, this lithograph is annotated "Bon a Tirer" (B.A.T.)- which literally

Sergio Hernandez (Mexico, 1957) Untilted, 2011 woodcut on paper 28.6 x 21.7 in. (72.5 x 55 cm.) Excellent condition, unframed Edition of 30 Ref: HER-107

Sergio Hernández (Mexico, 1957) 'Lluvia de estrellas II', 2011 woodcut on paper Guarro biblos 270 g. 30 x 44.1 in. (76 x 112 cm.) ID: HER-156

Rigoberto Mena (Cuba, 1961) 'El Jueves puede ser un gran día' (Thusday could be a great day), 2010 engraving, mixed media, chine colle on paper Guarro Super Alpha 250g. 15.8 x 15.8 i...

annotated “bon à tirer” impression on Arches paper, heavily annotated by Chagall. Paper Size: 19.812" x

Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper BAT(Bon A Tirer) 30 x 44.1 in

Edition: Bon à Tirer; 125, plus proofs Size: 24.75 x 32.25 inches Condition: Excellent Inscription: Signed

and numbered in pencil, Edition: Bon a Tirer, Image Size: 36 x 26.5 inches, Size: 38 x 28.5 in

125.5 x 135.5 cms (49.41 x 53.35 ins) Edition of 58 Signed in pencil, inscribed 'Bon a tirer

, titled and numbered in pencil, Edition: Bon A Tirer, Size: 29 x 22 in. (73.66 x 55.88 cm), Printer

State, published by Petersburgh Press. The Bon A Tirer proof before the edition of 30, plus 11 artist's

Pierre Alechinsky (1927) - Lino-Litho, Planche VII Lithograph from 1970. The edition Bon à tirer

Pierre Alechinsky (1927) - Lino-Litho, Planche VI Lithograph from 1970. The edition Bon à tirer

right bottom and marked Bon à tirer (BAT = "Ready for press") on the left Size : 32 x 24 cm (c. 12,6 x

, Edition: Bon a Tirer, Image Size: 13 x 9.75 inches, Size: 22.25 x 15 in. (56.52 x 38.1 cm), Description

proofs Fabriano Rosaspina paper Signed in pencil, inscribed 'Bon a tirer'. Published by 2RC Edizioni

Institute in the mid-1960s. It is annotated Bon a Tirer print, which means "ready to print" - a unique

: Etching in Sanguine, Edition: Bon a Tirer, Image Size: 9.75 x 7.75 inches, Size: 12.5 x 8.75 in. (31.75 x

Pierre Alechinsky (1927) - La vie comme elle tourne, bleu Etching from 1978. BAT (bon à tirer

Antoni Tapies (1923-2012) - Variations sur un thème musical Lithograph from 1987. Edition Bon a

paper. Passepartout included (cm 32.5 x 50). Artist Proof after Eugène Delacroix. Bon à tirer. The

Salvador DALI Height Deadly Sins : Dalinean Original etching and aquatint Rare Bon-a-tirer proof

illustrated book "Into the Night Life" (published in 1947 by Miller himself and by Bezazel Schatz). Bon à

right margin. This print representing a sitting woman, is an artist proof "bon à tirer", with an

Artist: Jacques Villon Title: Ajournement II Year: 1959 Medium: Etching Edition: Inscribed Bon A

Artist: Jacques Villon Title: Ajournement I Year: 1959 Medium: Etching Edition: Inscribed Bon A

illustrated book "Into the Night Life" (published in 1947 by Miller himself and by Bezazel Schatz). Bon à

Bon A Tirer (Trial Proof) in pencil Paper: Wove Image size: 6 x 5 inches Signature: Hand signed in

Etching "bon à tiré" (good to print) hand signed and noted. Dimension Matted: 56.5x36 cm. A rare

. Bon à tirer. Perfect conditions. Very fresh artwork representing a French rural landscape with a

size: 61cm x 52cm Detailed Condition: Excellent condition Signature: Inscribed “Bon à tirer” and

a Master Printer; it is a progressive proof in the effort to reach a final "Bon a Tirer" (Good to

paper with full margins Signed in pencil and annotated BAT ("Bon a Tirer") on the front "Bon A Tirer

Auvergne and three on Japon ancien, one of which is marked bon a tirer. In additional 10 proofs were

published by The New Sheet under the supervision of Hans Richer, who signed for each " bon à tirer " before

each " bon à tirer " before his death, which took place in Locarno on 1 February 1976. Due to the

each " bon à tirer " before his death, which took place in Locarno on 1 February 1976. Due to the

each " bon à tirer " before his death, which took place in Locarno on 1 February 1976. Due to the

14 inches, plus full margins. There are " Bon a Tirer" and artist's proofs, aside from the regular

14 inches, plus full margins. There are " Bon a Tirer" and artist's proofs, aside from the regular

14 inches, plus full margins. There are " Bon a Tirer" and artist's proofs, aside from the regular

14 inches, plus full margins. There are " Bon a Tirer" and artist's proofs, aside from the regular

14 inches, plus full margins. There are " Bon a Tirer" and artist's proofs, aside from the regular

14 inches, plus full margins. There are " Bon a Tirer" and artist's proofs, aside from the regular

size is 18 x 14 inches, plus full margins. There are " Bon a Tirer" and artist's proofs, aside from

14 inches, plus full margins. There are " Bon a Tirer" and artist's proofs, aside from the regular

14 inches, plus full margins. There are " Bon a Tirer" and artist's proofs, aside from the regular

14 inches, plus full margins. There are " Bon a Tirer" and artist's proofs, aside from the regular

supervision of Hans Richer, who signed for each one the "bon à tirer" before his death, which took place in

the supervision of Hans Richer, who signed for each one the "bon à tirer" before his death, which took

(98 cm) Signed: Lower left, Cuevas 72, Bon a Tirer, To Ernest de Soto Edition: Artist's proof

right and left margins, hand signed in pencil by Moshe Castel, inscribed B.A.T. July 1981 (Bon à Tirer

signed and labeled “B.A.T.” (Bon à Tirer) in pencil by Fischl, indicating it as the artist's approved

Titled, signed, dated, and numbered "bon a tirer" in pencil, lower left BAT proof 22.5"H 29"W (work