Loetz Chine

Best known to collectors for their magnificent Marmoriertes and Phänomen glass creations, the Loetz Glass company was a leading Art Nouveau producer of fine glass vases, bowls and other decorative objects through the mid-19th and early 20th centuries.

Shortly before his death in 1855, attorney Frank Gerstner transferred sole ownership of his glassworks company to his wife Susanne. The company, which was founded in what is now the Czech Republic in 1836 by Johann Eisner, was renamed Johann Loetz Witwe by Susanne Gerstner as a tribute to her late husband who preceded Gerstner, a glassmaker named Johann Loetz (Loetz was also known as Johann Lötz). 

For 20 years, Gerstner led the company, expanding its manufacturing and distribution capacity. It proved profitable, but the glassworks' popularity didn't start gaining significant momentum until after Gerstner transferred sole ownership to her grandson Maximilian von Spaun in 1879. 

Von Spaun and designer Eduard Prochaska developed innovative techniques and solutions for reproducing historical styles of decorative glass objects, such as the very popular marbled Marmoriertes glass — a technique that lends glass an appearance that is similar to semi-precious stones such as onyx or malachite. Under von Spaun’s leadership, the firm’s works garnered them success in Brussels, Vienna and Munich, and Johann Loetz Witwe won awards at the Paris World Exposition in 1889. In 1897 von Spaun first saw Favrile glass in Bohemia and Vienna. 

The work in Favrile glass, a type of iridescent art glass that had recently been developed and patented by Louis Comfort Tiffany, founder of iconic American multimedia decorative-arts manufactory Tiffany Studios, inspired von Spaun to explore the era’s burgeoning Art Nouveau style — or, as the firm was established in a German-speaking region, the Jugendstil style.

The company partnered with designers Hans Bolek, Franz Hofstötter and Marie Kirschner and thrived until von Spaun passed it down to his son, Maximilian Robert. 

With the Art Deco style taking shape around the world, the company was unable or unwilling to adapt to change. Loetz Glass collaborated with influential names in architecture and design, including the likes of Josef Hoffmann, a central figure in the evolution of modern design and a founder of the Vienna Secession. Unfortunately, the glassworks’ partnerships did them little good, and the company’s mounting financial problems proved difficult to navigate. Two World Wars and several major fires at the glassworks took their toll on the firm, and in 1947 the Loetz Glass Company closed its doors for good. 

Today the exquisite glass produced by Loetz Glass Company remains prized by collectors and enthusiasts alike.

On 1stDibs, find antique Loetz Glass Company glassware, decorative objects and lighting.

In its sinuous lines and flamboyant curves inspired by the natural world, antique Art Nouveau furniture reflects a desire for freedom from the stuffy social and artistic strictures of the Victorian era. The Art Nouveau movement developed in the decorative arts in France and Britain in the early 1880s and quickly became a dominant aesthetic style in Western Europe and the United States.

ORIGINS OF ART NOUVEAU FURNITURE DESIGN

• Emerged during the late 19th century
• Popularity of this modernizing style declined in the early 20th century
• Originated in France and Britain but variants materialized elsewhere
• Informed by Rococo, Pre-Raphaelite art, Japanese art (and Japonisme), Arts and Crafts; influenced modernism, Bauhaus

CHARACTERISTICS OF ART NOUVEAU FURNITURE DESIGN

• Sinuous, organic and flowing lines
• Forms that mimic flowers and plant life
• Decorative inlays and ornate carvings of natural-world motifs such as insects and animals 
• Use of hardwoods such as oak, mahogany and rosewood

ART NOUVEAU FURNITURE DESIGNERS TO KNOW

• Charles Rennie Mackintosh
• Louis Majorelle
• Émile Gallé
• Antoni Gaudí
• Tiffany Studios

ANTIQUE ART NOUVEAU FURNITURE ON 1STDIBS

Art Nouveau — which spanned furniture, architecture, jewelry and graphic design — can be easily identified by its lush, flowing forms suggested by flowers and plants, as well as the lissome tendrils of sea life. Although Art Deco and Art Nouveau were both in the forefront of turn-of-the-20th-century design, they are very different styles — Art Deco is marked by bold, geometric shapes while Art Nouveau incorporates dreamlike, floral motifs. The latter’s signature motif is the "whiplash" curve — a deep, narrow, dynamic parabola that appears as an element in everything from chair arms to cabinetry and mirror frames.

The visual vocabulary of Art Nouveau was particularly influenced by the soft colors and abstract images of nature seen in Japanese art prints, which arrived in large numbers in the West after open trade was forced upon Japan in the 1860s. Impressionist artists were moved by the artistic tradition of Japanese woodblock printmaking, and Japonisme — a term used to describe the appetite for Japanese art and culture in Europe at the time — greatly informed Art Nouveau. 

The Art Nouveau style quickly reached a wide audience in Europe via advertising posters, book covers, illustrations and other work by such artists as Aubrey Beardsley, Henri de Toulouse-Lautrec and Alphonse Mucha. While all Art Nouveau designs share common formal elements, different countries and regions produced their own variants.

In Scotland, the architect Charles Rennie Mackintosh developed a singular, restrained look based on scale rather than ornament; a style best known from his narrow chairs with exceedingly tall backs, designed for Glasgow tea rooms. Meanwhile in France, Hector Guimard — whose iconic 1896 entry arches for the Paris Metro are still in use — and Louis Majorelle produced chairs, desks, bed frames and cabinets with sweeping lines and rich veneers. 

The Art Nouveau movement was known as Jugendstil ("Youth Style") in Germany, and in Austria the designers of the Vienna Secession group — notably Koloman Moser, Josef Hoffmann and Joseph Maria Olbrich — produced a relatively austere iteration of the Art Nouveau style, which mixed curving and geometric elements.

Art Nouveau revitalized all of the applied arts. Ceramists such as Ernest Chaplet and Edmond Lachenal created new forms covered in novel and rediscovered glazes that produced thick, foam-like finishes. Bold vases, bowls and lighting designs in acid-etched and marquetry cameo glass by Émile Gallé and the Daum Freres appeared in France, while in New York the glass workshop-cum-laboratory of Louis Comfort Tiffany — the core of what eventually became a multimedia decorative-arts manufactory called Tiffany Studios — brought out buoyant pieces in opalescent favrile glass. 

Jewelry design was revolutionized, as settings, for the first time, were emphasized as much as, or more than, gemstones. A favorite Art Nouveau jewelry motif was insects (think of Tiffany, in his famed Dragonflies glass lampshade).

Like a mayfly, Art Nouveau was short-lived. The sensuous, languorous style fell out of favor early in the 20th century, deemed perhaps too light and insubstantial for European tastes in the aftermath of World War I. But as the designs on 1stDibs demonstrate, Art Nouveau retains its power to fascinate and seduce.

There are ways to tastefully integrate a touch of Art Nouveau into even the most modern interior — browse an extraordinary collection of original antique Art Nouveau furniture on 1stDibs, which includes decorative objects, seating, tables, garden elements and more.

Your dining room table is a place where stories are shared and personalities shine — why not treat yourself and your guests to the finest antique and vintage glass, silver, ceramics and serveware for your meals?

Just like the people who sit around your table, your serveware has its own stories and will help you create new memories with your friends and loved ones. From ceramic pottery to glass vases, set your table with serving pieces that add even more personality, color and texture to your dining experience.

Invite serveware from around the world to join your table settings. For special occasions, dress up your plates with a striking Imari charger from 19th-century Japan or incorporate Richard Ginori’s Italian porcelain plates into your dining experience. Celebrate the English ritual of afternoon tea with a Japanese tea set and an antique Victorian kettle. No matter how big or small your dining area is, there is room for the stories of many cultures and varied histories, and there are plenty of ways to add pizzazz to your meals.

Add different textures and colors to your table with dinner plates and pitchers of ceramic and silver or a porcelain lidded tureen, a serving dish with side handles that is often used for soups. Although porcelain and ceramic are both made in a kiln, porcelain is made with more refined clay and is more durable than ceramic because it is denser. The latter is ideal for statement pieces — your tall mid-century modern ceramic vase is a guaranteed conversation starter. And while your earthenware or stoneware is maybe better suited to everyday lunches as opposed to the fine bone china you’ve reserved for a holiday meal, handcrafted studio pottery coffee mugs can still be a rich expression of your personal style.

“My motto is ‘Have fun with it,’” says author and celebrated hostess Stephanie Booth Shafran. “It’s yin and yang, high and low, Crate & Barrel with Christofle silver. I like to mix it up — sometimes in the dining room, sometimes on the kitchen banquette, sometimes in the loggia. It transports your guests and makes them feel more comfortable and relaxed.”

Introduce elegance at supper with silver, such as a platter from celebrated Massachusetts silversmith manufacturer Reed and Barton or a regal copper-finish flatware set designed by International Silver Company, another New England company that was incorporated in Meriden, Connecticut, in 1898. By then, Meriden had already earned the nickname “Silver City” for its position as a major hub of silver manufacturing.

At the bar, try a vintage wine cooler to keep bottles cool before serving or an Art Deco decanter and whiskey set for after-dinner drinks — there are many possibilities and no wrong answers for tableware, barware and serveware. Explore an expansive collection of antique and vintage glass, ceramics, silver and serveware today on 1stDibs.