Collagraph Print

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons.

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting; subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Printmaking processes I use include relief printmaking, monoprint and collagraph (a print from a collage). My circular prints refer to planets, moons and natural phenomena; they are...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting; subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

She is most excited by the multi-dimensional aspects of printmaking, and has created prints from collagraphs, woodblocks, intaglio, plates and stencils.

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

She is most excited by the multi-dimensional aspects of printmaking, and has created prints from collagraphs, woodblocks, intaglio, plates and stencils.

She is most excited by the multi-dimensional aspects of printmaking, and has created prints from collagraphs, woodblocks, intaglio, plates and stencils.

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

She is most excited by the multi-dimensional aspects of printmaking, and has created prints from collagraphs, woodblocks, intaglio, plates and stencils.

She is most excited by the multi-dimensional aspects of printmaking, and has created prints from collagraphs, woodblocks, intaglio, plates and stencils.

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

She is most excited by the multi-dimensional aspects of printmaking, and has created prints from collagraphs, woodblocks, intaglio, plates and stencils.

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-st...

The pieces in this submission are collagraph prints on Japanese Kozo paper, and inspired by doilies, a household use item.

FeO(OH), Tower, 2017 collagraph print, variable edition, framed and unframed Rust is both an indicator of decay and the passage of time.

FeO(OH), Submarine, 2017 collagraph print, variable edition, framed and unframed Rust is both an indicator of decay and the passage of time.

FeO(OH), Silo, 2017 collagraph print, variable edition, framed and unframed Rust is both an indicator of decay and the passage of time.

FeO(OH), Propeller, 2017 collagraph print, variable edition, framed and unframed Rust is both an indicator of decay and the passage of time.

FeO(OH), Propane, 2017 collagraph print, variable edition, framed and unframed Rust is both an indicator of decay and the passage of time.

These editioned collagraphs on paper stem from Silvia’s interest in the relationships between shapes, volumes, colours and textures and their resulting presence. Inspiration may come...

These editioned collagraphs on paper stem from Silvia’s interest in the relationships between shapes, volumes, colours and textures and their resulting presence. Inspiration may come...

." - Sabra Booth Exhibited at the 2019 Artist-in-Residence, Unesco World Heritage Site: Missions National Historical Park, San Antonio, Texas. Collagraph printed from Central Texas...

Beautiful collagraph print by Marylyn Dintenfass in electric red orange atop a purple wash.

Beautiful collagraph print by Marylyn Dintenfass in dazzling yellow and electric red orange.

Beautiful collagraph print by Marylyn Dintenfass in saturated hues including ultramarine and sky blue accented by deep green and electric red .

The pieces in this submission are collagraph prints on Japanese Kozo paper, and inspired by doilies, a household use item.

Hand cut and collaged linocut monotype and collagraph prints create this teal and golden orange abstract botanical original.

Hand cut and collaged linocut monotype and collagraph prints create this teal black and white abstract botanical original.