English Etching

Etching in brownish black ink on cream laid paper, 8 1/4 x 4 1/4 inches (209 x 111 mm), full

London: c 1750. Steel engraving on cream wove paper, 5 3/8 x 6 3/8 inches (sheet) (142 x 162 mm), margins trimmed inside the platemark. Scattered handling wear, creasing and edge nic...

etc. &c London: S.W. Fores, 1798. Etching on white wove paper, 9 1/2 x 15 3/4 inches (241 x 40 inches

London: Fine Art Trade Guild, c1900. Etching with drypoint on cream laid paper with a deckle edge

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: Scatcherd & Whitaker, 1784. Etching with hand coloring in watercolor on cream wove paper, 7

Etching on cream wove paper, 8 1/8 x 9 3/4 inches (205 x 246 mm), full margins. Signed in pencil

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x

Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches

Etching with drypoint printed in sepia ink on cream laid paper bearing an indiscernible watermark

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: printed for J. Taylor, 1844. Etching with aquatint and engraving with hand coloring in

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper

Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival

Paris: Gazette de Beaux Arts, 1907. Etching with aquatint on cream wove paper, 8 7/8 x 11 1/2

Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria

Essex: c1899. Etching with aquatint on cream wove paper, 7 1/2 x 12 1/4 inches (190 x 310 mm), full

London: Thomas Holloway, 1794. Engraving on cream laid paper, 9 3/4 x 8 inches (246 x 201 mm), full margins. In good condition with some light discoloration throughout the sheet. As...

Etching in black ink on cream laid Japon paper, 9 1/16 × 7 1/16 inches (229 x 178 mm), full margins

: Rudoloph Ackermann, 1801. Etching and engraving with hand coloring in watercolor, 11 5/16 × 13 7/8 inches

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on

, Son of King George III). London: George Humphrey, 1825. Etching and engraving with hand coloring in

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches

Hockney, David (English, born 1937). CELIA OBSERVING. Etching and aquatint in colors, 1976. Not

of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at

(who realized two etchings for Lavater's English edition of his Essay). Lavater was convinced that he

the English countryside. Born in Hitchin, Hertfordshire, in 1876, he trained at the Slade School of

preserving traditional English architecture. His etchings remain celebrated for their poetic detail and

and etchings of English country life. He won a gold medal at the Barcelona International Exhibition

and delicate drypoint etchings. She does not edition her prints because each one is hand-pulled and

and delicate drypoint etchings. She does not edition her prints because each one is hand-pulled and

Untold Stories III, No 5, 2016, Hand-painted etching with collage, 31 1/2 × 23 3/5 in, 80 × 60 cm

A dry-point etching of an English Setter and Gordon Setter waiting by a tree waiting besides bag of

Part of a series of etchings published in 1768, following Thomas Worlidge's death, by his pupils

Vintage 1960 Maurice R. Bebbs (1891-1985) aquatint etching on paper. Signed, titled English Oaks

English after Titian. Josiah English (ca. 1630-1717) was an amateur-etcher, who resided at Mortlake.

Dog and Animal Paintings English Setter Etching, 10 ½ x 8 inches Framed: 17 3/4 x 15½ inches

---------------------------------------------------------- Karl Alexander Gerich (English, 23.4.1956 - 4.1.2016) - Etching - Transformation, No. 37, 1993 - Sheet

Silvered bronze chandelier, Georgian Style, English, six light, detailed etching on elements of

English etching artist proof. The bottom reads as follows: Printed by Henry

English early restrike of etching titled "The Thames Police", from The Thames Set (Catalogue

Contemporary etching by English artist Oliver Gaiger. Matted and framed.

Contemporary etching by English artist Oliver Gaiger. Matted and framed.

Contemporary English artist Oliver Gaiger black, grey and white etchings in black/gold frames. Two