Fine Art Lithograph

Red abstract shapes on a green and blue field by Patricia Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. Presented in a ...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Southey's formal training includes two years at the Brighton College of Art in Sussex, England. He taught art at Brigham Young University through 1977.

The Metropolitan Museum of Art, Pierre Bonnard: The Graphic Art The lithograph also illustrates a fundamental Nabi principle: art need not reproduce nature literally.

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

She was a long-time member of the Peninsula Serigraphers, frequently exhibiting her work at art festivals and local galleries. In 1968 she received an M.A. in English Literature at S...

TECHNICAL INFORMATION Josef Albers White Line Squares (Series II), XVI Lithograph 20 3/4 x 20 3/4 in. Edition of 125 Initialed in pencil, dated, numbered and titled Accompanied wi...

In California de Diego’s continued to impact the world of fine art as he produced interpretive representations of current events in an assortment of techniques.

He was only 18 when, during a stay in Paris, he discovered the new trends in modern art, which he tried to synthesize with his admiration for ancient statues (Etruscan and Roman).

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

In 1932, he was co-founder of the Stone City Art Colony and Art School. He was director of the Public Works Art Project in Iowa as well as an Associate Professor of Fine Arts at the ...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Gorgeous teal mesh and rods collagraph by Patricia A. Pearce (American, b. 1948). Unsigned. Purchased as part of larger collection. No frame. Image size: 23.75"H x 35.75"W Patricia ...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Lobsterman's Cove, Winter Harbor, Maine Lithograph, 1941 Signed in pencil lower right (see photo) Edition 50 Impressions are in the collection of the Pennsylvania Academy of the Fine...

Medium: Etching Year: 1985 Edition of 60 Image Size: 16 x 24 inches A powerful, intimate etching/drypoint of a nude male by Trevor Southey titled "Heartcry." Rendered with lively, e...

Image size: 29.75”H x 10.5”W Patricia Pearce is a California artist who attended San Francisco State and UC Irvine and is the adjunct Professor of Fine Art at the College of San Mat...

Robert Kipniss is represented in the permanent collections of the institutions above, among many others, as well as the Philadelphia Museum of Art; New York Public Library; Museum of...

Winzenreid 'Henry Winzenreid': An American etcher, lithographer and woodcut artist, Henry E. Winzenreid studied art at the Detroit Institute of Fine Arts and in St.

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Chihuly has exhibited widely and with success since 1967 including at the Whitney Museum, Musée des Arts Décoratifs, Rockefeller Center, Seattle Art Museum, Tacoma Art Museum, Sydney...

Powerful Tern Sylochelidon Strenuus illustrated by John Gould (1804-1841) for his book 'The Birds of Australia'. Printed for publication by Hullmandel & Walton. Smartly housed in a f...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Mat: 16"H x 12"W Paper: 10 1/2"H x 8"W Image:9 1/4"H x 6 1/2"W Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academ...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

This delightful 1902 original poster by the celebrated French illustrator Eugène Ogé promotes Fine Armagnac with wit, theatrical flair, and unmistakable Belle Époque charm. The scene...

Elegant calla lilies emerge with luminous clarity against a rich, textured maroon background. The geometric lines and faint mathematical notations etched into the composition suggest...

She was an instructor of 2D Fine Art at the College of San Mateo for 39 years.