Fine Art Lithograph

In California de Diego’s continued to impact the world of fine art as he produced interpretive representations of current events in an assortment of techniques.

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Red abstract shapes on a green and blue field by Patricia Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. Presented in a ...

TECHNICAL INFORMATION Josef Albers White Line Squares (Series II), XVI Lithograph 20 3/4 x 20 3/4 in. Edition of 125 Initialed in pencil, dated, numbered and titled Accompanied wi...

Provenance: Bobbie Greenfield Gallery Private Collection Heather James Fine Art

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

The Viennese art historian Karl Swoboda organised concerts in his home in 1920.

He was only 18 when, during a stay in Paris, he discovered the new trends in modern art, which he tried to synthesize with his admiration for ancient statues (Etruscan and Roman).

In 1932, he was co-founder of the Stone City Art Colony and Art School. He was director of the Public Works Art Project in Iowa as well as an Associate Professor of Fine Arts at the ...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Lobsterman's Cove, Winter Harbor, Maine Lithograph, 1941 Signed in pencil lower right (see photo) Edition 50 Impressions are in the collection of the Pennsylvania Academy of the Fine...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

David Hockney Hockney's Alphabet, 1991 26 color lithographs in Fine Art Cartridge paper bound in quarter vellum with handmade Fabriano Roma paper sides, housed in matching box; signe...

Medium: Etching Year: 1985 Edition of 60 Image Size: 16 x 24 inches A powerful, intimate etching/drypoint of a nude male by Trevor Southey titled "Heartcry." Rendered with lively, e...

Robert Kipniss is represented in the permanent collections of the institutions above, among many others, as well as the Philadelphia Museum of Art; New York Public Library; Museum of...

She then received her B.A. degree from Scripps College, and her B.F.A. and M.F.A. degrees in fine arts from Otis Art Institute. She worked as an artist (primarily charcoal drawings) ...

Image size: 29.75”H x 10.5”W Patricia Pearce is a California artist who attended San Francisco State and UC Irvine and is the adjunct Professor of Fine Art at the College of San Mat...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Winzenreid 'Henry Winzenreid': An American etcher, lithographer and woodcut artist, Henry E. Winzenreid studied art at the Detroit Institute of Fine Arts and in St.

Gorgeous teal mesh and rods collagraph by Patricia A. Pearce (American, b. 1948). Unsigned. Purchased as part of larger collection. No frame. Image size: 23.75"H x 35.75"W Patricia ...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Powerful Tern Sylochelidon Strenuus illustrated by John Gould (1804-1841) for his book 'The Birds of Australia'. Printed for publication by Hullmandel & Walton. Smartly housed in a f...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Public collections holding Crabb's work include the Brooklyn Museum in New York, Wichita Art Museum in Kansas, the Redding Art Museum, the Crocker Museum, and the Fine Arts Museums o...

Mat: 16"H x 12"W Paper: 10 1/2"H x 8"W Image:9 1/4"H x 6 1/2"W Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academ...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launc...

She was an instructor of 2D Fine Art at the College of San Mateo for 39 years.

His art is in the collections of the Library of Congress, the National Gallery of Art, the New York Public Library, the Museum of Modern Art and the Whitney Museum in New York, the P...

Born in Hitchin, Hertfordshire, in 1876, he trained at the Slade School of Fine Art in London before working as an illustrator for The Highways and Byways book series.

Historical Print entitled "Bennett: Bowling Green, New York" 1826 as noted in bottom Left Corner It was published by Rudolf Leach Fine Arts, Inc., 225 Fifth Avenue, New York City ...

Poster. Measures 22.5 x 17.5 inches and is Unframed. Good/Fair Condition-signs of wear consistent with age and handling. Exhibited at Sterling & Francine Clark Art Institute, Massac...