Driven by his belief that beautiful surroundings can heighten the enjoyment of even mundane everyday rituals, Italian architect and industrial designer Antonio Citterio creates furniture that combines sophisticated form with functionality. Citterio’s timeless neoclassical-inspired chairs, outdoor furniture, desks and other pieces have earned him a place among the most influential furniture designers working in his native country.
Born in 1950 in Meda, Citterio grew up just a stone's throw away from the artistic hub of Milan. In 1972, at just 22 years old, he opened his first design studio and designed a chair for the La Rinascente department store while completing his studies in architecture at the Polytechnic University of Milan. Citterio established a partnership with famed furniture designer Terry Dwan, and the pair worked together during the 1980s and 1990s, designing striking buildings in European cities as well as Japan. He is currently chairperson at an interior design and architecture firm with fellow architect Patricia Viel and eight other partners.
Citterio taught at the Università della Svizzera Italiana in Mendrisio, Switzerland, from 2006 to 2016. He holds art director roles for high-end furniture manufacturers Maxalto, Arclinea and Azucena, and today, Citterio lounge chairs, sofas and other furnishings are in hotels all over the world. Citterio’s work is synonymous with luxury, and has yielded collaborations with reputable brands such as Kartell, Knoll, Flexform, Vitra and B&B Italia. His Sity seating collection for the latter and kitchen furnishings for Arclinea are among his best-known innovations.
Citterio has received many awards and accolades for his design work, including the Compasso d’Oro. He was also given the title of “Royal Designer for Industry” by the Royal Society for the Encouragement of Arts in 2008.
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The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”
Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.
Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.
It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.
Vintage couches and antique sofas have anchored living rooms for generations. The pieces most sought after today carry the deep-buttoned tufting of a Chesterfield or the low, sculptural ease of mid-century modern and Hollywood Regency design.
Styles to Know
Rolled arms and tufted backs point to Mid-Century Modern or Hollywood Regency pieces, while tight backs and turned legs skew more traditional. Velvet is enjoying a renewed moment across most of these silhouettes; see our velvet chesterfield sofa trend report for examples. A mid-century modern coffee table within reach and a vintage mirror nearby round out the seating area.
How to Choose the Right Vintage Sofa
A sofa's frame and upholstery history can be difficult to judge from photographs alone. Ask a seller for more information when a listing doesn't show the fabric or joinery clearly, and confirm whether the upholstery is original or has been redone. Each piece comes from a vetted 1stDibs seller, with era, designer and condition detailed, and the 1stDibs Promise stands behind every purchase.