The Bauhaus was a progressive German art and design school founded by the architect Walter Gropius that operated from 1919 to 1933. Authentic Bauhaus furniture — sofas, dining chairs, tables and more — and the school’s followers married industrial and natural materials in simple, geometric forms. The goal of the Bauhaus was to erase the distinction between art and craft while embracing the use of new technologies and materials.
ORIGINS OF BAUHAUS FURNITURE DESIGN
CHARACTERISTICS OF BAUHAUS FURNITURE DESIGN
- Emphasis on craft
- Simplicity, order, clarity and a prioritization of functionalism
- Incorporation of geometric shapes
- Minimalist and refined, little to no ornamentation
- Use of industrial materials such as tubular chrome, steel and plastic as well as leather, cane and molded plywood in furniture and other products
BAUHAUS FURNITURE DESIGNERS YOU SHOULD KNOW
AUTHENTIC BAUHAUS FURNITURE ON 1STDIBS
The name Bauhaus is derived from the German verb bauen, “to build.” Under the school’s innovative curriculum, students were taught the fine arts, such as painting and sculpture, as well as practical skills like carpentry and metalworking.
The school moved from Weimar in 1925 to the city of Dessau, where it enjoyed its heyday under Gropius, then Hannes Meyer and Ludwig Mies van der Rohe. The period from 1932 to 1933 when it operated in Berlin under Mies was its final chapter. Despite its brief existence, the Bauhaus has had an enduring impact on art and design in the United States and elsewhere, and is regarded by many as the 20th century’s chief crucible of modernism.
The faculty roster at the Bauhaus reads like a who’s who of modernist creative genius — it included such artists as Paul Klee, Wassily Kandinsky and László Moholy-Nagy along with architects and designers like Mies and Marcel Breuer, who became known for his muscular brutalist-style concrete buildings in the postwar years. In 1925, while he was head of the Bauhaus carpentry workshop, Breuer gave form to his signature innovation: the use of lightweight tubular-steel frames for chairs, side tables and sofas — a technique soon adopted by Mies and others. Breuer’s Cesca chair was the first-ever tubular steel frame chair with a caned seat to be mass produced, while the inspiration for his legendary Wassily chair, a timeless design and part of the collection crafted to furnish the Dessau school, was the bike he rode around campus.
Bauhaus design style reflects the tenets by which these creators worked: simplicity, clarity and function. They disdained superfluous ornament in favor of precise construction. Seating pieces such as side chairs, armchairs or club chairs for example, were made with tubular metal or molded plywood frames, and upholstery was made from leather or cane. Above all, designs in the Bauhaus style offer aesthetic flexibility. They can be the elements of a wholly spare, minimalist space, the quiet foundation of an environment in which color and pattern come from one’s own collection of art and artifacts.
Today, from textiles to typefaces, architecture, furniture and decorative objects for the home, Bauhaus creations continue to have an outsize influence on modern design.
Find a collection of authentic Bauhaus furniture on 1stDibs.
An antique or vintage sideboard today is a sophisticated and stylish component in sumptuous dining rooms of every shape, size and decor scheme, as well as a statement of its own, showcased in art galleries and museums.
Once simply boards made of wood that were used to support ceremonial dining, sideboards have taken on much greater importance as case pieces since their modest first appearance. In Italy, the sideboard was basically a credenza, a solid furnishing with cabinet doors. It was initially intended as an integral piece of any dining room where the wealthy gathered for meals in the southern European country.
Later, in England and France, sideboards retained their utilitarian purpose — a place to keep hot water for rinsing silverware and from which to serve cold drinking water — but would evolve into double-bodied structures that allowed for the display of serveware and utensils on open shelves. We would likely call these buffets, as they’re taller than a sideboard. (Trust us — there is an order to all of this!)
The sideboard is often deemed a buffet in the United States, from the French buffet à deux corps, which referred to a storage and display case. However, a buffet technically possesses a tiered or shelved superstructure for displaying attractive kitchenware and certainly makes more sense in the context of buffet dining — abundant meals served for crowds of people.
Every imaginable iteration of the sideboard has taken shape over the years. Furniture maker and artist Paul Evans, whose work has been the subject of various celebrated museum exhibitions, created ornamented, welded and patinated sideboards for Directional Furniture, collections such as the Cityscape series that speak to his place in revolutionary brutalist furniture design as much as they echo the origins of these sturdy, functional structures centuries ago.
If mid-century modern sideboards or vintage Danish sideboards are more to your liking than an 18th-century mahogany sideboard with decorative inlays in the Hepplewhite style, the particularly elegant pieces crafted by designers Hans Wegner, Edward Wormley or Florence Knoll are often sought by today’s collectors.
Whether you have a specific era or style in mind or you’re open to browsing a vast collection to find the right fit, 1stDibs has a variety of antique and vintage sideboards to choose from.