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Tokyo Mon Amour - Lithograph by Sam Francis - 1963

Tokyo Mon Amour - Lithograph by Sam Francis - 1963

By Sam Francis

Located in Roma, IT

Tokyo Mon Amour is an artwork realized by Sam Francis (1923 San Mateo, California) in 1963. Color

Category

1960s Abstract Abstract Prints

Materials

Lithograph

Marc Chagall, The Acrobats, from Chagall Lithographer II, 1963
Marc Chagall, The Acrobats, from Chagall Lithographer II, 1963

Marc Chagall, The Acrobats, from Chagall Lithographer II, 1963

By Marc Chagall

Located in Southampton, NY

), from Chagall Lithographe II (Chagall Lithographer II), originates from the September 1963 issue

Category

1960s Expressionist Abstract Prints

Materials

Lithograph

Marc Chagall, The Acrobats, The Lithographs of Chagall, 1963
Marc Chagall, The Acrobats, The Lithographs of Chagall, 1963

Marc Chagall, The Acrobats, The Lithographs of Chagall, 1963

By Marc Chagall

Located in Southampton, NY

), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edition published by

Category

1960s Expressionist Figurative Prints

Materials

Lithograph

Green, orange and wine-red composition L58
Green, orange and wine-red composition L58

Green, orange and wine-red composition L58

By Serge Poliakoff

Located in Paris, FR

Lithograph, 1963 Handsigned by the artist in pencil and annotated EdA Artist proof Edition : /75

Category

1960s Abstract Abstract Prints

Materials

Lithograph

UNTITLED

Louise NevelsonUNTITLED, 1963

$4,500

H 38 in W 28 in

UNTITLED

By Louise Nevelson

Located in Portland, ME

Nevelson, Louise. UNTITLED. Baro 36. Tamarind Number 801. Lithograph, 1963. Edition of 20, plus 2

Category

1960s Abstract Abstract Prints

Materials

Lithograph

Untitled, 1963
Untitled, 1963

Sam FrancisUntitled, 1963, 1963

$9,000Sale Price|40% Off

H 22.25 in W 30 in

Untitled, 1963

By Sam Francis

Located in Palo Alto, CA

Created circa 1963, this color lithograph on Rives BFK paper is hand signed by Sam Francis in

Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

Nature Morte au Bouquet Lithograph, Modern Offset Print, 1963

Nature Morte au Bouquet Lithograph, Modern Offset Print, 1963

By Marc Chagall

Located in Brooklyn, NY

This is titled Nature Morte au Bouquet (Still Life with Bouquet) and is an original lithograph

Category

1960s Modern Prints and Multiples

Materials

Offset

Calder's Stabiles - Photolithograph - 1963

Calder's Stabiles - Photolithograph - 1963

By Alexander Calder

Located in Roma, IT

Photolithograph on paper, realized in 1963 for the french Art Review Derrière le Miroir. Not

Category

1960s Contemporary Figurative Prints

Materials

Lithograph

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Lithograph 1963 For Sale on 1stDibs

Find the exact lithograph 1963 you’re shopping for in the variety available on 1stDibs. You can easily find an example made in the Contemporary style, while we also have 15 Contemporary versions to choose from as well. If you’re looking for a lithograph 1963 from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 15th Century while another version may have been produced as recently as the 20th Century. Adding a lithograph 1963 to a room that is mostly decorated in warm neutral tones can yield a welcome change — find a piece on 1stDibs that incorporates elements of gray, beige, brown, black and more. Creating a lithograph 1963 has been a part of the legacy of many artists, but those crafted by Alexander Calder, Renzo Bussotti, Joan Miró, Marc Chagall and Georges Braque are consistently popular. These artworks were handmade with extraordinary care, with artists most often working in lithograph, paper and charcoal.

How Much is a Lithograph 1963?

The price for a lithograph 1963 in our collection starts at $12 and tops out at $11,711 with the average selling for $555.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.