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Sommeil d'hiver, Winter Sleeps
Sommeil d'hiver, Winter Sleeps

Sommeil d'hiver, Winter Sleeps

By Paul Klee

Located in Soquel, CA

coming. Miró, who had contributed L'été / Summer to this special number of "Verve" (Chagall

Category

1930s Art Deco Figurative Prints

Materials

Paper, Lithograph

L'Echelle De L'Evasion

L'Echelle De L'Evasion

By Joan Miró

Located in Palm Desert, CA

Fine print. Image size 17" x 14". Framed size 29" x 26" In the 1940s Miró executed a series of

Category

1950s Prints and Multiples

L'Equinoxe
L'Equinoxe

L'Equinoxe

By Joan Miró

Located in Palm Beach, FL

40 9/10 x 28 7/10 inches 104 x 73 cm Framed size: 122 x 91 cm YEAR 1967 Joan Miró rejected the

Category

1960s Surrealist Abstract Prints

Materials

Carbon Pencil, Etching, Aquatint

L'Etrangle

L'Etrangle

By Joan Miró

Located in Santa Monica, CA

L'Etrangle, 1974 Etching and aquatint Image: 45 x 29 1/8 inches Sheet: 54 x 37 3/4 inches

Category

1970s Modern Prints and Multiples

L'Enrage (The Angry One)

L'Enrage (The Angry One)

By Joan Miró

Located in San Francisco, CA

Hand-signed in pencil lower right center Miró. A superb impression of the definitive state. From the edition of 75, numbered in pencil lower left center.  Published by Maeght Éd...

Category

20th Century Abstract Abstract Prints

L’OISEAU DE NUIT (Night Bird)

L’OISEAU DE NUIT (Night Bird)

By Joan Miró

Located in San Francisco, CA

Hand-signed in pencil lower left Miró. A superb impression of the definitive state, from the edition of 50, numbered in pencil also lower left.  Published by Maeght Éditeur, Par...

Category

20th Century Abstract Abstract Prints

L'Oiseau Lune Jaune (The Yellow Moon Bird)

L'Oiseau Lune Jaune (The Yellow Moon Bird)

By Joan Miró

Located in Concord, MA

JOAN MIRO (1893-1983) L'Oiseau Lune Jaune, 1963 Aquatint in colors on vellum paper 22 x 31.1 inches

Category

1960s Abstract Abstract Prints

Materials

Aquatint

Miro a l’Encre II (Cramer 161)
Miro a l’Encre II (Cramer 161)

Miro a l’Encre II (Cramer 161)

By (after) Joan Miró

Located in Mount Vernon, NY

Date: 1972 Lithograph, signed in the plate Size: 14 x 10 in. (35.56 x 25.4 cm)

Category

1970s Abstract Prints

Materials

Lithograph

La Captive (The Captive)
La Captive (The Captive)

La Captive (The Captive)

By Joan Miró

Located in Palm Beach, FL

catalogue raisonné no. 489 on pg. 138. 2. Miró: l'œuvre graphique, Musée d'art Moderne de la Ville de Paris

Category

1960s Abstract Prints

Materials

Etching, Aquatint, Carbon Pigment

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Miro L For Sale on 1stDibs

You are likely to find exactly the miro l you’re looking for on 1stDibs, as there is a broad range for sale. You can easily find an example made in the Surrealist style, while we also have 429 Surrealist versions to choose from as well. You’re likely to find the perfect miro l among the distinctive items we have available, which includes versions made as long ago as the 19th Century as well as those made as recently as the 21st Century. When looking for the right miro l for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of gray, beige, black and brown. Finding an appealing miro l — no matter the origin — is easy, but Joan Miró, (after) Joan Miró, Mark Shaw, Ferjo, Fernando de Jesus Oliveira and Roman Loranc each produced popular versions that are worth a look. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in lithograph, etching and aquatint can add an especially memorable touch. If space is limited, you can find a small miro l measuring 2.82 high and 3.38 wide, while our inventory also includes works up to 387.67999 across to better suit those in the market for a large miro l.

How Much is a Miro L?

The price for a miro l in our collection starts at $75 and tops out at $150,000 with the average selling for $1,077.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.