"Schwabelweiss" original etching
By Otto Bacher
Located in Henderson, NV
Medium: original etching. Executed in 1879, this is one of the "Danube Set" of Otto Bacher's German compositions from his travels in Bavaria.
1870s Prints and Multiples
Etching
"Schwabelweiss" original etching
By Otto Bacher
Located in Henderson, NV
Medium: original etching. Executed in 1879, this is one of the "Danube Set" of Otto Bacher's German compositions from his travels in Bavaria.
Etching
"Auf Staufa Bruck" original etching
By Otto Bacher
Located in Henderson, NV
Medium: original etching. Executed in 1879, this is one of the "Danube Set" of Otto Bacher's German compositions from his travels in Bavaria.
Etching
"Laguna Veneta" Venice original etching
By Otto Bacher
Located in Henderson, NV
Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 4 1/2 x...
Etching
FONDAMENTA DEL TOLENTI
By Otto Bacher
Located in Portland, ME
Etching, 1880. Inscribed and signed "From yours truly Otto H.
Etching
FONDAMENTA DELLE ZATTERE (VIEW IN VENICE).
By Otto Bacher
Located in Portland, ME
Bacher, Otto. FONDAMENTA DELLE ZATTERE (VIEW IN VENICE).
Etching
Lido (Venice)
By Otto Henry Bacher
Located in Fairlawn, OH
Lido (Venice) Etching on chine collee, 1880 Part of the artist's "Venice Set" Signed upper right in plate :Otto H Bacher" (see photo) Signed with the estate stamp, Lugt 2002 recto lo...
Etching
"Venice from the Lido" original etching
By John Postle Heseltine
Located in Henderson, NV
Medium: original etching. This impression on cream laid paper was printed by Lienard and published in Paris by L'Art in 1879. The plate size is 7 3/4 x 11 3/4 inches (200 x 300 mm). ...
Etching
"Pinienhain" original etching
Located in Henderson, NV
Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the image size is ...
Etching
"Environs de Rix" original etching
By Adolphe APPIAN
Located in Henderson, NV
Medium: original etching. This impression on laid paper printed in 1868 for Philip Gilbert Hamerton's very scarce "Etching and Etchers". Plate size: 3 1/2 x 6 7/8 inches (88 x 175 mm...
Etching
Coenties Slip
By Charles Frederick William Mielatz
Located in Middletown, NY
Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...
Handmade Paper, Drypoint, Etching
Ponte dei Baratteri, Venice
By Edgar Chahine
Located in Middletown, NY
Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...
Handmade Paper, Drypoint, Etching
"Rio Ca Foscari, Venice" original etching
By Edgar Chahine
Located in Henderson, NV
Medium: original etching. Catalogue reference: Tabanelli 220. This impression on watermarked laid paper was printed in 1906 and published by Gazette des Beaux Arts. Plate size: 8 5/8...
Etching
"Les Trembles" original etching
By Félix Bracquemond
Located in Henderson, NV
Medium: original etching. Catalogue reference Beraldi 218. Published in Paris in 1884 by Gazette des Beaux-Arts. A lovely impression in brown ink on laid paper. Plate size: 4 x 5 7/8...
Etching
The Grand Canal, Venice
By Elias S. Mandel Grossman
Located in Middletown, NY
1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...
Handmade Paper, Etching
$231
H 10.44 in W 14.97 in
Fisherman Boats on the Scheldt - Original Etching
Located in Paris, IDF
Carel Nicolaas STORM VAN'S GRAVENSANDE Fisherman Boats on the Scheldt Original etching Printed signature in the plate On laid paper, 26,5 x 38 cm (c. 10,4 x 14,9 inch) Excellent co...
Etching
Canal aux Martiques
By Adolphe APPIAN
Located in Middletown, NY
Paris: 1872. Etching with drypoint on laid Japon paper, 4 1/2 x 8 1/8 inches (115 x 207); sheet 9 3/4 x 12 7/8 inches (248 x 327 mm), full margins. In good condition with some minor...
Handmade Paper, Engraving, Etching
"Vaine Pature" etching
By Theophile Narcisse Chauvel
Located in Henderson, NV
Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting). This impression on japon paper was printed by Francois Lienard in 1875 (before letters were added) ...
Etching
"Boat Horses" original etching
By Jules Jacques Veyrassat
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 i...
Etching
"Near Mattakeesett" original etching
By Edmund Henry Garrett
Located in Henderson, NV
Medium: original etching. Printed on laid paper and published in 1881 by the American Art Review. Plate size: 5 7/8 x 10 inches. Signed in the plate (not by hand). Condition: trimme...
Etching
$348
H 14.57 in W 11.82 in D 0.04 in
Landscape - Original Etching signed P. Ziliken - Early 20th Century
Located in Roma, IT
Landscape is an original etching on paper realized by P.Ziliken Hand-signed on the lower right. Image Dimensions: 25 x 18.5 cm The state of preservation of the artwork is good exc...
Etching
Une Moria À Bordiquier (Italie)
By Adolphe APPIAN
Located in Middletown, NY
Paris: Cadart, 1873. Etching with engraving on white wove paper, 9 1/4 x 12 1/2 inches (235 x 318 mm); sheet 10 3/4 x 14 3/4 inches (274 x 375 mm), full margins. In very good condi...
Handmade Paper, Engraving, Etching
$579
H 14.97 in W 10.63 in D 0.04 in
Landscape - Etching by Luigi Kasimir - Early 1900
By Luigi Kasimir
Located in Roma, IT
Landscape is an original etching on paper realized by the Austrian artist Luigi Kasimir (1881-1962),Hand-signed on the lower left. In very good conditions. Sheet dimension: 38 x 27...
Etching
Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.
Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.
Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.
Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.
Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.
“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.
Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.
For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)
Find fine art prints for sale on 1stDibs today.
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