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Van Diepenbeeck

Monseigneur le Marquis estant à cheval, pour Mônsrer la vraije assiette du Caval
Monseigneur le Marquis estant à cheval, pour Mônsrer la vraije assiette du Caval

Monseigneur le Marquis estant à cheval, pour Mônsrer la vraije assiette du Caval

Located in Bristol, CT

Fol. 14 from the book 'Methode et Invention Nouvelle de dresser les chevaux' Engraver: Lucas Emil I Vorsterman (1595–1675) Designer: Abraham van Diepenbeeck (1596–1675) Author of th...

Category

18th Century Prints and Multiples

Materials

Paper, Engraving

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle
1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

By William Cavendish

Located in Roswell, GA

Published in Antwerp, the plate dates to 1751 and was executed after designs by Flemish artist Abraham van Diepenbeeck (1596–1675), whose dynamic equestrian compositions were created...

Category

Mid-18th Century Figurative Prints

Materials

Laid Paper

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle
1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

By William Cavendish

Located in Roswell, GA

Published in Antwerp, the plate dates to 1751 and was executed after designs by Flemish artist Abraham van Diepenbeeck (1596–1675), whose dynamic equestrian compositions were created...

Category

Mid-18th Century Figurative Prints

Materials

Laid Paper

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle
1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

By William Cavendish

Located in Roswell, GA

Published in Antwerp, the plate dates to 1751 and was executed after designs by Flemish artist Abraham van Diepenbeeck (1596–1675), whose dynamic equestrian compositions were created...

Category

Mid-18th Century Figurative Prints

Materials

Laid Paper

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle
1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

By William Cavendish

Located in Roswell, GA

Published in Antwerp, the plate dates to 1751 and was executed after designs by Flemish artist Abraham van Diepenbeeck (1596–1675), whose dynamic equestrian compositions were created...

Category

Mid-18th Century Figurative Prints

Materials

Laid Paper

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle
1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

By William Cavendish

Located in Roswell, GA

Published in Antwerp, the plate dates to 1751 and was executed after designs by Flemish artist Abraham van Diepenbeeck (1596–1675), whose dynamic equestrian compositions were created...

Category

Mid-18th Century Figurative Prints

Materials

Laid Paper

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle
1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

By William Cavendish

Located in Roswell, GA

Published in Antwerp, the plate dates to 1751 and was executed after designs by Flemish artist Abraham van Diepenbeeck (1596–1675), whose dynamic equestrian compositions were created...

Category

Mid-18th Century Figurative Prints

Materials

Laid Paper

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle
1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

By William Cavendish

Located in Roswell, GA

Published in Antwerp, the plate dates to 1751 and was executed after designs by Flemish artist Abraham van Diepenbeeck (1596–1675), whose dynamic equestrian compositions were created...

Category

Mid-18th Century Figurative Prints

Materials

Laid Paper

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle
1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

By William Cavendish

Located in Roswell, GA

Published in Antwerp, the plate dates to 1751 and was executed after designs by Flemish artist Abraham van Diepenbeeck (1596–1675), whose dynamic equestrian compositions were created...

Category

Mid-18th Century Figurative Prints

Materials

Laid Paper

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle
1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

By William Cavendish

Located in Roswell, GA

Published in Antwerp, the plate dates to 1751 and was executed after designs by Flemish artist Abraham van Diepenbeeck (1596–1675), whose dynamic equestrian compositions were created...

Category

Mid-18th Century Figurative Prints

Materials

Laid Paper

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle
1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

By William Cavendish

Located in Roswell, GA

Published in Antwerp, the plate dates to 1751 and was executed after designs by Flemish artist Abraham van Diepenbeeck (1596–1675), whose dynamic equestrian compositions were created...

Category

Mid-18th Century Figurative Prints

Materials

Laid Paper

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle
1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

1751 Hand-Colored English Equestrian Engraving, 1st Duke of Newcastle

By William Cavendish

Located in Roswell, GA

Published in Antwerp, the plate dates to 1751 and was executed after designs by Flemish artist Abraham van Diepenbeeck (1596–1675), whose dynamic equestrian compositions were created...

Category

Mid-18th Century Figurative Prints

Materials

Laid Paper

Portrait of Carlos de Colonna, Marques de la Espinar

Portrait of Carlos de Colonna, Marques de la Espinar

By Paulus Pontius

Located in Middletown, NY

After the death of Rubens in 1640, Pontius embarked on a very successful career engraving reproductions of master works by artists including Rubens, Anthony van Dyck, Jacob Jordaens,...

Category

Mid-17th Century Old Masters Portrait Prints

Materials

Laid Paper, Engraving

Captain Mazin Rides, and the Marquis Gives the Lesson /// Equestrian Horse Art
Captain Mazin Rides, and the Marquis Gives the Lesson /// Equestrian Horse Art

Captain Mazin Rides, and the Marquis Gives the Lesson /// Equestrian Horse Art

By William Cavendish

Located in Saint Augustine, FL

It consists of 42 double-paged copperplate engravings executed by Dutch artists Pieter de Jode II or (the Younger) (1606-1674), Pieter Clouwet (1629-1670), Pieter van Lisebetten (163...

Category

1730s Old Masters Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Etching, Intaglio

Recent Sales

Les Poulins (The Foals) /// Equestrian Horse Animal Landscape Old Master Dutch
Les Poulins (The Foals) /// Equestrian Horse Animal Landscape Old Master Dutch

Les Poulins (The Foals) /// Equestrian Horse Animal Landscape Old Master Dutch

By William Cavendish

Located in Saint Augustine, FL

It consists of 42 double-paged copperplate engravings executed by Dutch artists Pieter de Jode II or (the Younger) (1606-1674), Pieter Clouwet (1629-1670), Pieter van Lisebetten (163...

Category

1730s Old Masters Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Etching, Intaglio

Le Chaos, from "Le Temple des Muses" - Original Etching by B. Picart

Le Chaos, from "Le Temple des Muses" - Original Etching by B. Picart

By Bernard Picart

Located in Roma, IT

The artists involved were Michel de Marolles, Bernard Picart, Jacques Favereau, Abraham van Diepenbeeck and Cornelis Bloemaert. A facsimile of the Dutch version was published in 1968.

Category

1740s Old Masters Figurative Prints

Materials

Etching

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Category

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Located in Madrid, ES

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Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.