Allison Chambers Abstract Paintings

Vintage signed American abstract landscape oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 24H.

Dorothy Heller "Little Sun" 1962 Oil on Canvas 22 1/2" x 17 3/4", Framed 24 1/2"x 19 1/2" Signed in paint lower right and on reverse Abstract expressionist painting by "the finest w...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Vintage signed abstract landscape painting by Gabriel Godard (Born 1933). Oil on canvas. Framed. Exhibited.

Very impressive and amazing mid 1900s abstract expressionist oil painting. Oil on canvas. No signature found. Framed.

This piece is a vibrant dance of colors and forms, mingling abstract and impressionistic touches with a dash of symbolism. Created with acrylics, oils, oil pastels, and colored penci...

An abstracted landscape of the artist's local pond.

Meeting the Shade is part of the Shadow Series that investigates the ubiquitous patterns of light, shadow and reflection that we all experience daily, but that we rarely stop to noti...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Embark on a visual journey through the waters of New York City...

A rare departure from Daniel Phill's abstract expressionist botanical paintings titled "Pool". Interior scene of an indoor pool painted with his saturated ...

An original oil on canvas by noted Scottish artist William Gear which dates to 1981. Entitled early Spring it is a vibrant and fresh art work with lovely colouring. Signed, dated and titled verso. Provenance. William Gear estate. Royal Birmingham Society of Artists 1981. Condition. Oil on canvas, 48 inches by 32 inches. Excellent condition. William Gear (1915-1997). Few British painters have played an active role in the modern abstract movement of post-war Europe. William Gear was the most passionate and committed exception. He continued the tradition of the Edinburgh-Paris axis established by J.D. Fergusson, Samuel Peploe and others, spending vital years between 1947 and 1950 living and working in Paris. Significantly, in recent years, he received the greatest acclaim in France, Germany and the Netherlands. He was born in 1915 in Methil, Fife, into a mining family; the particular landscape of "pitheads, the sea, rocks, castles, trees, storms and poverty" marked his earliest identity with a place and probably remained the most influential to his art. Years later he recalled as a schoolboy visiting the local art gallery in Kirkcaldy and seeing 12 colourful still-lifes by Peploe. Art-history lessons during student years at Edinburgh College of Art, in particular Byzantine classes under David Talbot Rice, also influenced his concern for structure. This had as much to do with the formal language of painting as sheer delight in the medium itself. Gear never missed an opportunity to show people the merits of a well-constructed painting. On a travelling scholarship in 1937, he chose to study with Fernand Leger, described by Gear as "a keystone for me, seldom abstract, rather a degree of abstraction". The Second World War interrupted these formative years and, by 1940, Gear had joined the Royal Corps of Signals. Dispatched to the Middle East, he still had the discipline to paint - mostly works on paper of damaged landscapes - with exhibitions in Jerusalem, Tel Aviv, Cairo as well as Siena and Florence. His naturally robust and tenacious temperament was profoundly affected by visiting Bergen-Belsen, and this certainly influenced the later experiments with the black armature. As the British officer in Celle, working for the Monuments, Fine Arts and Archives Section of the Control Commission, he focused on securing the safety of the Berlin Art Collection in Schloss Celle, and organised an important series of modern art exhibitions, including the rejected work of Karl Otto Gotz...

Incredible mid century abstract expressionist oil painting by Ken Munowitz. Oil on canvas. Framed.