Diego Rivera Art

Diego Rivera Art Watercolor Drawing warm brown signed Diego Rivera signature lower right no COA available Beautiful wood frame non reflective glass. Frame 22.75 h x 26.75 w x 2.75 d ...

An indigenous teacher, surrounded by her multi-generational students, sits at the edge of a field, open book in hand. In the distance, we see campesinos working the fields with their horses. A lone, armed horseman watches over the class, locating the lithograph in its historical setting, the aftermath of the Mexican Revolution...

Diego Rivera (1886–1957) was one of the founders of the Mexican muralist movement. After an extended stay in Europe, he returned to Mexico in 1921 and took on a full involvement in t...

Diego Rivera 1886-1957 Mexican Delfina y Dimas Signed and dated 1935 Tempera on masonite In the intimate masterwork Delfina y Dimas, the great Diego Rivera illustrates all of his...

Artist: Diego Rivera (Mexican; 1886-1957) Title: Nino Medium: Color pencils, charcoal, work on paper Year: 1934 Image size: 11.25" x 17.5" A framed drawing on paper by celebrated Mex...

Diego Rivera 1886-1957 Mexican Vendedora (Vendor) Signed and dated (lower right) Watercolor on rice paper Diego Rivera stands among the most important artists of the 20th century...

Diego Rivera 1886-1957 Mexican Niño Indígena con Pelota (Indigenous Boy with a Ball) Signed and dated Oil on board A rebel against the traditional school of painting, Diego River...

Diego Rivera 1886-1957 Mexican Tehuana con batea Signed “D Rivera” (lower right) Graphite on cream wove paper A rebel against the traditional school of painting, Diego Rivera is revered as one of the greatest and most influential artists of the 20th century. Tehuana con batea, completed by Rivera in 1922, represents a glimpse into the artist’s process through a powerful graphite-on-paper sketch. Rivera’s thoughtful marks outline a Tehuana — a woman from the isthmus of Tehuantepec and likely a descendant of the Zapotec indigenous peoples. The woman is rendered with a kind of totemic solidity, accented by the block-like forms of her clothing and the strength of her stance. Her arms reach upwards as she carries a basket atop her head. Although highly stylized, the work retains a narrative element that was important to the artist’s output — telling the stories of the native peoples of Mexico. Composed in 1922, this drawing dates from a pivotal moment in the artist’s career. It marked the painting of his first significant mural, Creation, in the Bolívar Auditorium of the National Preparatory School in Mexico City, the first of many government-sponsored murals he would undertake over the next three decades. Later in the year, Rivera founded the Revolutionary Union of Technical Workers, Painters and Sculptors, and joined the Mexican Communist Party. The public mural projects reflected his communist politics in historical contexts. Aside from the often-controversial reactions they received, these works focused on the working-class “everyman” of Mexico and reflected the folk ideals that were familiar and respected within the native community. In addition to the rarity of this plaque due to its unique perspective, Tehuana con batea has a notable provenance, having been owned by celebrated Museum of Modern Art staff member Patricia Dowd Whitman. Remembered fondly for building relationships with donors and artists including Dorothea Rockburne and Tom Otterness over her thirty-three years at the institution, she served as Director of the Contemporary Arts Council at MoMA from 1990 until her retirement in 2007. A remarkable drawing with provenance, Tehuana con batea is one-of-a-kind. Born in Guanajuato City, Mexico in 1886, Diego Rivera showed a talent for drawing at a very young age. He began his formal art education at the Academy of San Carlos in Mexico. When he moved to Paris in 1907 to live and work with the great gathering of artists in Montparnasse, he was exposed to the burgeoning of Cubism, and fully embraced this new school of thought. His works attracted the attention of the world’s most prestigious art patrons, including Nelson Rockefeller, for whom he painted a controversial mural in 1934. While both his personal and artistic lives were at times tumultuous, it is his artistic vision and compassion for his homeland and people that have formed the legacy of this incredible figure. Created 1922 Paper: 12 7/8" high x 8 3/8" wide Frame: 20 1/2" high x 15 3/8" wide x 1 3/8" deep Provenance: Mary-Anne Martin Fine...

DIEGO RIVERA (1886 – 1957) AUTORETRATO / SELF PORTRAIT, 1930 Lithograph. signed and numbered 14/100 by the artist in pencil. Image 15 x 11 ¼”. Full sheet 20 1/8 x 15” with deckle edges on all four sides. Very good condition save for an expertly repaired vertical tear at top of sheet and a small blue ink smudge on the verso. Rivera’s lithographs are scarce. He only produced 10. They were all published by Weyhe Gallery, NY, then led by Carl Zigrosser. Five were published in 1930 and five in 1932. This example is 1930. Beginning in 1930 Rivera produced a series of monumental mural...

Diego Rivera 1886-1957 Mexican Niño Signed and dated “Diego Rivera 1935” (lower left) Charcoal and sanguine on rice paper A rebel against the traditional school of painting, Diego Rivera is revered as one of the greatest and most influential artists of the 20th century. Niño, completed by Rivera in 1935, represents a masterwork within an important part of the artist’s output — his portraits of children. It is a touching work paying homage to both childhood innocence and the cultural identity of the Mexican people...

Paper Size: 35.75 x 25 inches ( 90.805 x 63.5 cm ) Image Size: 28.75 x 24 inches ( 73.025 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipp...

Paper Size: 23.5 x 17.5 inches ( 59.69 x 44.45 cm ) Image Size: 23.5 x 17.5 inches ( 59.69 x 44.45 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Ship...