Erik J. Erikson Abstract Sculptures

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

Mid Century modern vintage assemblage abstract wall sculpture by Mary Kremer.

"Last Light" Mary Merkel-Hess, paper, paper chord, 14” x 31” x 15”, 2018. This colorful contemporary textile sculpture was done by American fiber artist, Mary Merkel-Hess. Merkel-Hess' work is often reflective of the natural landscapes from her childhood in the Midwest. Her work, "Last Light", was specifically inspired by a line from Willa Cather...

Akiko Sugiyama (Japanese/American, B.1947) Collage, Lucite Shadow Box Painting, mixed media Japanese paper sculpture in plexiglass display box. titled "How does your garden grow" tw...

Alexander Calder rare Maeght sculpted holiday card, 1968 Hand made sculpted paper collage on paper with embossing Embossed artist's monogram 10 × 7 × 6 1/2 inches This rare, fold-ou...

Linda Stein, Phone Conversation 136 - Mixed Media Assemblage Contemporary Art Wall Sculpture Phone Conversation 136 is from artist Linda Stein's Brush Assemblage series, where she c...

The sculpture is attributed to Swedish artist Bob Pasterkamp (1952-) who has created similar pieces during the 1990s and early 2000s. An inspirational contemporary sculpture is composed of various metal objects such as an old bicycle...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such as Wonder Woman, Princess Mononoke...

“Salon (13)“ is a collection of 13 small-scale works by artist Heather Nicol. The installation of 13 assemblages is variable. The artist will personally consult with the buyer and can be on site for the installation. The 13 mixed media pieces include delicate lighting elements that shift and change via arduino electronic devices, or utilize picture lights throwing a soft roll of light across the artwork. These works are linked through their wiring, which is enveloped in a white umbilical cord-like fabric casing, creating an organic, unifying code of display. Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme park...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

"Construction 1982" Abstract Wall Sculpture Contemporary Mid 20th Century Modern Painted wood assemblage, 36 x 45 x 4 inches overall. Note the label states 3 foot diameter referring to circular portion. Exhibited, Seymour Fogel Constructions Paintings and Drawing, 1984, typed on Graham Modern label verso Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

Linda Stein, Brushes at Ease 119 - Mixed Media Assemblage Contemporary Art Wall Sculpture Brushes at Ease 119 is from artist Linda Stein's Brush Assemblage series, where she combine...