Jozef Wilkon Art

"Fawn" is an original ink, colored pencil, and gouache on paper artwork by Henry Hablak measuring 30"h x 22"w. Henry Hablak is a tattoo artist and illustrator based out of Philadel...

Early 20th century watercolour of a gentleman on horseback with other riders in the background apparently signed or titled 'Count A de Monthaus'. Signed or titled bottom left. Presented in fine period gilt frame under glass. The artist has captured a moment of pause, the gentlemen rider in his fine clothes and bowler hat regarding his surroundings as his fellow riders continue the chase behind him, possibly a 'point to point'. Monthaus has captured the stance of the standing horse as well as the movement of the other horses. He has used white to give light and definition to the costume of the rider and the background. A lovely atmospheric and dynamic watercolour very much of its period and in the spirit of equine portraiture made famous by the likes of Sir Alfred Munnings. Sir Alfred James Munnings, KCVO PRA RI (8 October 1878 – 17 July 1959) was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War...

Signed lower right, “Ch. Henrida” for Charles Henrida (French, 1854-1924) and painted circa 1900. Unframed and displayed in a beveled, ivory mat with gilt inner slip. Matted dimens...

"Liber Mystia XLIII" is an original artwork by Henry Hablak made of gouache, ink, and colored pencil on paper measuring 16.25"h x 12.25"w framed and 14"h x 11"w unframed. Henry Habl...

'Landscape with Man and Goats', gouache on paper, by Raymond Guerrier (circa 1960s). After the artist moved from Paris to the South of France, he started painting landscapes illumina...

Signed upper right, 'Anne Jenkins' (American, 1923-2023) and dated 1958. An elegant and psychologically penetrating study of a young boy, shown seated and holding a white cat. Born...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and presumptions of human control are upended. The text-like marks on white vertical rectangles are deliberate, but indecipherable. They appear as if a poem, written in an ancient language, that honors this eternal cycle of destruction and regeneration. Winifred McNeill...

Robert Konersman (American, 1889 - 1975) Signed: Konersman (Lower, Left) " Reading Before Bed " c. 1900-1920 Watercolor and Gouache on Paper Laid on Illustration Board Image Size...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

This charming mid-19th-century European watercolour depicts a young lady riding a grey mare before a view of Berg Perchtoldsdorf, Austria. During the 19th century, aristocratic wome...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Susuwatari, 2021, ink and watercolor on watercolor paper. Black and White, fluffy cat, figurative. Framed, frame size 11.25 x 9.25 x 1.25