Drawings and Watercolor Paintings

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Baobab N11 from the series: ‘Baobab. La sombra de África’ (‘Baobab. Africa’s shadow’), is a drawing by the contemporary Spanish artist, Calo Carratalá. This drawing is mounted on a w...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

Gestural abstract expressionist painting on canvas in colorful hues green, blue, and orange on a gold and silver background "Untitled Green", 2022 by Bruce Murphy 40.5 x 40.5 inches...

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

Indistinctly signed in Bengali, dated ‘79 Bangladesh/Indian Indistinctly signed in Bengali and dated ‘79 Untitled - Fishermen 1979 Watercolour on paper Paper size: 34 x 53 cm Frame Size: 46 x 62.5 cm Provenance: From a private UK family A fabulously evocative watercolour painting showing fisherman, struggling against the elements. This is Bangladesh, 1979, not long after Independence, when the focus was on the working classes, the everyday struggle to make a living and when the artists depicting these times were concurrently exploring and establishing a new aesthetic. The painting combines naturalism with the wash method of watercolour painting and a reduced palette which allows for a rich harmony of shadow and light. Although appearing to simply utilize monotone colours, closer inspection reveals splashes of quite vivid colours; the yellow on the horizon, a deep crimson on the trousers of one of the figures, blue in the nets etc. The colour is subtle but adds a richness to the overall composition implying that this artist has received an academic training; knowing how to get the most from the materials. Add to this the beautiful watery effect from the wash on the paper and we can immediately see references to Bengal school art techniques. It is not surprising that the artist employs this medium. Neuroarthistory points to the rich heritage of Bengal school painters and the fascination with wash technique emanating from their connection to the water which provides the backbone for the region. From supplying food; fish and seafood, to transportation, agriculture and festivities. Bengal and Bangladesh live and die with the water. Some of the leading protagonists of the mid 20th century Bengal school of painters were equally captivated by the same subject and ideology. D P Roy Choudhury was a leading figure in the academic art institutions in the first half of the 20th century. He was also a great experimenter of style. In the image shown,, we can see Choudhury’s treatment of the same subject and how he to chose the monotone palette. It is through observing the similarities and differences that we begin to learn more about the times these artists were painting in and in the case of the Bangladeshi artists how they were approaching the political traumas of the time. The label to the back of the frame tells its own story;. Saju Arts & Crafts, Dacca-12. “Saju was born in 1944 in Ramu, Cox's Bazar. At one point, he became friends with Shamsul Islam Nizami, one of the veteran painters of Bangladesh. At that time, Nizami was a teacher of the Institute of Fine Arts (now Faculty of Fine Arts, University of Dhaka). Nizami introduced Saju to all the notable painters in the contemporary art scenario -- from master painters like Zainul Abedin, Quamrul Hassan...

Title: Provence Countryside Olive Trees Pastel Landscape Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Pastel on thick paper, unframed Size (H x W): 19.75 x 25.75 inches ...

"Hypnos God of Sleep and Dreams", ink and acrylic on paper. Free shipping with 1stdibs code. Shipping from Europe, using DHL or FedEx, rolled in a tube. See drawing in different ligh...

Pastel Landscape by Irina Hale (British 1932-2022) pastel and pencil sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotsw...

The Garden View French School, early 20th century signed with initials lower corner watercolour painting on artist paper, framed Glass covering framed: 13 x 10.5 inches board: 10 x 8...

Paired Studies of Lions in Profile 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on brown artist paper stuck on A4 artist paper, unframed ove...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Title: Woman with Wine at Sunset French Modernist Watercolor Figure and Landscape Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 4 x 4.75 in...

Graphite and grayish ink wash on bluish wove paper, 7 x 10 1/2 inches (177 x 265 mm) (matrix). Scattered surface soiling, adhesive residue, dog-eared corners, and scattered edge tears along left margin, outside of image area. Paper is braced on the verso with two pages from a mid 19th century book with illustrations by C.Perrin. One image depicts a scene of a group of soldiers representing the Holy Roman Empire...

Title: Mid Century French Abstract Expressionist Black Ink Gestural Painting Medium: Black ink/ gouache painting on paper, unframed French, circa 1950's Size: 25.75 inches x 19.75 (h...

Title: Mid Century French Seated Female Nude Figure Pencil Drawing Study Medium: Graphite pencil on toned artist paper, unframed Size: 18 x 11 inches (height x width) Provenance: pri...

Set of Two Paired Studies 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on light brown artist paper stuck on A4 artist paper, unframed overal...

Paris café interior scene, watercolour (20th century) Watercolour on paper, unframed. Size: 14.75 x 12.25 inches (height x width) Unsigned. Condition: good vintage condition with vis...

The red fish is a symbol of confidence, stable good fortune, and abundance. It represents moving in one’s own rhythm, trusting intuition, and inner stability. The red color emphasize...

Sliced Venus. Original art, signed 100x70cm / 30x27in, ink, graphite, tempera on paper. large size, shipped rolled in a tube Drawing has on the back 2 white wood sticks, and it's rea...

An atmospheric landscape in the last glow of the evening sun by a rare 19th Century master , Auguste Delâtre. Delâtre (1822-1902) was a pioneering pri...

Centaur with Arch 100x70cm / 30x27in ink, graphite, tempera on paper large size, shipped rolled in a tube directly from the artist's studio. 1st Dibs offers free shipping up to $20...

Dog-tooth violet Flower English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: T...

Interior design paintings. The work was done with alcohol ink in grey-blue and beige color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a glass fac...

'Waiting for Supper' Wire Fox terrier puppies English School, indistinctly signed with monogram dated 1936 watercolour painting on artist paper, framed Glass covering framed: 13.5 x ...

This Gold Leaf and Oil on paper, named Benton Irises in Starry Night is a part of Le Bleu Series by award winning British artist Shizico Yi. She created the painting in her garden p...

Rosarian, 2026 (After Van Gogh) is Shizico Yi's latest work, inspired by the lost seventh painting from Vincent van Gogh's celebrated Sunflowers series, often referred to as Six Sunf...

'The Cabaret Dancer', crayon on art paper, by Kolomon Moore (circa 1930s). The Crazy Years (les Années Folles) of Paris in the 1920s hit an abrupt end in...

Expressive octopus illustration in blue and green marker (20th century) Felt-tip pen / marker on paper, unframed. Size: approximately 12.26 x 16.5 inches (height x width) Unsigned. C...

**Title:** White Animals Grazing Art Deco Modernist Landscape Gouache Painting **Artist:** British School / European School, 20th century **Medium:** Watercolour and gouache on pap...

Title: View of Châteauneuf Landscape Provence Watercolour French Post Impressionist Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W): ...

“Hon. George King, 1788” by John Russell (1745-1806) Regarded as Britain’s foremost pastellist, John Russell is well known for his portraits of the wealthy middle class. In particul...

Title: French Village Street Scene Ink Wash Architectural Drawing Bernard Labbe Artist: Bernard Labbe (French mid 20th century) Medium: Ink and wash on artists paper, unframed Size: ...

Mid Century Parisian Watercolor Scene - Opera Garnier and Cafe de la Paix Vintage watercolor painting showing the historic Palais Garnier Opera house and the Cafe de la Paix in Par...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

"The Sphinx" The Sphinx is a mythical creature with the head of a woman, the body of a lion, and the wings of an eagle. Part of "Neo Mythology" series. Original work on colored pape...

Ama Liyanage, a contemporary artist and printmaker, creates whimsical paintings from her home studio in Ontario, Canada. Each piece holds minuscule painted details waiting to be disc...

Artist Comments
A weathered wooden boathouse rests quietly above calm, gray water. A bright green bicycle leans against its side, hinting at the presence of someone who has ste...

Title: Reclining Female Figure Life Study Charcoal Drawing French Academic Paper Artist: French School (20th century) Medium: Charcoal drawing on artists paper, unframed Size: 10.75 ...

"Sensory Experience", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. Choose between express or standard shipping. This particular piece is in my studio in Fort Lauderdale, Florida. Other pieces are in my other studios in Europe, or in NY. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

Title: Mid Century French Geometric Abstract Starburst in Brown Blue and White by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

Title: Scottish Highland Cattle Bulls Country Landscape Watercolour 1936 Artist: L W Rowe, 20th century Medium: watercolour on paper, unframed Size: 7 x 9.75 height x width in inches Signature: signed lower left, L W Rowe Date: dated lower right, 21-10-36 Stamped verso: no stamp visible from the images provided Provenance: private collection Condition: fair to good vintage condition. The sheet shows age toning, foxing, surface marks, handling wear and visible edge wear. There are losses, tears and old adhesive / mount marks to the reverse, particularly around the edges and corners. The painted image remains attractive, clear and highly decorative. Description: A charming signed watercolour by L W Rowe, dated 21-10-36, depicting two Highland cattle standing in a rural landscape. The cattle are shown in profile beneath bare trees, with soft fields, a pale path and distant countryside beyond. Their long horns, shaggy coats and strong silhouettes make them immediately recognisable as Highland cattle, giving the work excellent decorative and collectable appeal. The painting is especially attractive for its earthy palette and gentle pastoral atmosphere. The artist uses warm browns, ochres and deep umber tones to describe the animals’ coats, contrasting them with soft greens, muted greys and pale blue washes in the surrounding landscape. The darker Highland bull to the right gives the composition weight, while the warmer russet animal to the left introduces richness and texture. The handling is loose but observant, with the cattle carefully placed within a quiet countryside setting. The trees and background are painted with light, atmospheric washes, allowing the animals to remain the clear focus of the work. The date of 1936 gives the piece additional period interest, while the signed lower-left inscription helps distinguish it from a purely anonymous animal study. Highland cattle remain a highly popular subject in British and Scottish art, particularly for collectors drawn to rural landscapes, country house interiors, animal paintings, farming scenes and traditional countryside subjects. This watercolour would work especially well in a country home, kitchen, hallway, study, boot room or gallery wall of animal and landscape works. The sheet has visible age-related wear, including toning, foxing, edge losses, tears and old adhesive marks to the reverse, all consistent with a vintage work on paper. Despite this, the painted image remains appealing and decorative. Unframed and ready for sympathetic mounting, this is a characterful 1930s Highland cattle watercolour...

Title: French Lakeside Landscape Ink and Watercolor Study by Bernard Labbe Artist: Bernard Labbe (French, mid 20th century) Medium: Ink and watercolor on paper, unframed Size: 8.75 x...

An Elegant, Stylish Gilded Age Themed Interior Scene / Set Design by notable stage set, costume and fashion designer, Andre Delfau (Fr./Am. 1914-2000). Artwork is gouache on paper, ...

Title: Historic Miniature Watercolor of Brandon Hill St Georges Church and Cabot Tower by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

An unfinished but spirited plein-air composition of what appears to be the Shenandoah or Potomac River valley with the Blue Ridge Mountains in the distance. Watercolor on board with...

Title: Original French Anatomical Pencil Study of a Horse Being Fitted with a Bridle Artist: Robert Ladou (French, 1929-2014) Medium: Pencil and Watercolor on Paper Size: 18.75 (Heig...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Title: Mid Century French Original Pastel Painting of a Lush Countryside Landscape Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19 (height) x ...

Title: Historic Miniature Watercolor of Chequers Inn Henham with Boat and Horse Riders by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's evening wear by Lilly Daché, Likely an illustration study for a print advertisement for the famed Chic...

Title: Winter River Landscape with Bare Tree Watercolor and Ink Signed 1985 Artist: Pierre Neveu (French b.1929) Medium: Watercolour on card, unframed Size (H x W): 6.5 x 7.25 inches...

Alex (Cuban, b.1949). Indigenous Mexican Woman, 1982. Pastel and charcoal on wove paper, sheet measures 23 x 33 inches. 31 x 40.5 inches on backing board...

Signed lower right, 'D. Putnam Brinley' for Daniel Putnam Brinley (American, 1879–1963) and dated 1932. Artist note, lower left, 'Scale 1'' - 1'. ' American muralist and painter Dan...

390 Artist: Artyom Abrahamyan, Work: Original Painting, Handmade artwork, One of a Kind Medium: Watercolor on Paper Year: 2024 Style: Classic Art Title: Hoopoe Size: 12 x 16 inch, ...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

This colourful contemporary pastel on paper in grid form is by Milly Ristvedt. The classic grid pattern becomes more than a ‘container’ for colour in the hands of master colourist M...

Emperor Jahangir in his harem surrounded by lotus blossoms; symbols of paradise itself. Circa 1690. Gouache and ink with gold heightening on cream laid paper, 8 1/2 x 6 1/4 inches (...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...