Nature Drawings and Watercolor Paintings

Unframed watercolor painting by Russian/New York artist David Burliuk (1882-1967) Beautiful vivid color, in excellent condition and signed lower left. Inscribed and dated 1947 on the...

Working the Land, Watercolour Over Pencil Painting by Edwin La Dell, 1953 Additional information: Medium: Watercolour over pencil 35 x 52 cm 13 3/4 x 20 1/2 in Signed and dated

This modern colorful expressive landscape artwork "Provence, always in my heart" is full of vivid colors which are my tools of expression to celebrate my love to the south of France....

Haystacks, Oil on Canvas Board by John Guthrie Spence Smith Additional information: Medium: Oil on Canvas Board 32 x 42 cm 12 5/8 x 16 1/2 in Signed

Early Morning, Tuscan Lake, Watercolour Over Pencil and Ink Painting, 1926 Additional information: Medium: Watercolour over pencil and ink 39 x 53 cm 15 3/8 x 20 7/8 in Signed with monogram and dated Charles March Gere RA RWS was an English painter, illustrator of books, and stained glass and embroidery designer associated with the Arts and Crafts movement. He painted his signal work in 1897 entitled The Lady of Grey Days.The painting was purchased in 1912 and given to Aurora Howard, a descendant of the Earl of Carlisle (of Castle Howard). It was last seen...

Original watercolor on archival paper of a Rocky Mountain Meadow by the well known American artist, Werner Drewes. Signed lower right. Titled and dated 1956 on verso of sheet. Con...

'Water lilies on the Novomilskyi Pond' Size 23 x 15 inches (57 x 38 cm). Original watercolor painting - painted on watercolor paper (Fabriano). Need a decorative frame. On the fron...

Gardener is a charcoal Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand-signed and titled on the lower margin. Good condition on a cream colored paper. Mino Maccari (Si...

Johannes Friedrich Heinrich Hänsch (1875-1945), Red blooming war landscape with dead soldier, 1918. Watercolor and gouache on paper, 15 x 24.5 cm (image), 27 x 37 cm (sheet size / frame), monogrammed and dated "19JH18" at lower left. - Paper slightly darkened About the artwork Despite the relatively small format, the watercolor with an internal frame depicts a panoramic view of a flat landscape stretching to the horizon. As far as the eye can see, the poppies bloom in flaming red. The flowers are not rendered individually, however, creating an almost cohesive red surface. The bright red is interspersed with vegetal green. A complementary contrast that creates an intense color effect. In this color contrast, a white area breaks through from the middle ground, widening towards the foreground and surrounding a brown hole. Next to it, in blue, is the actual protagonist of the painting, the first thing that catches the eye: a dead soldier. Next to him is his helmet, revealing the empty interior. The brown, hollow shape corresponds to the hole in the ground. A shell funnel is surrounded by bright ash, which, like the inverted helmet, becomes a sign of death. The soldier's arms point to the funnel, while the empty helmet paraphrases the calotte of the skull and, like the funnel, thematizes the empty darkness of death. The soldier's body, however, is intact and not - as in Otto Dix's triptych "The War" - a dismembered corpse. Instead, Johannes Hänsch activates the landscape, especially the color, to illustrate a blooming landscape of death that extends from the shell funnel in the foreground to the rising column of smoke on the horizon. If the soldier's body is intact, the tangle of barbed wire emblematically placed over the empty helmet also appears tattered. On the right side of the picture, the barbed wire even seems to stretch its arms to the sky in horror. Against the background of this allegory, the content of the bright red also becomes clear: the landscape is drenched in blood, literally a sea of blood, and the single unknown soldier stands pars pro toto for all those who died on the battlefield. Dying in war is not dying in community, but in solitude. In order to emphasize the isolation in death, Johannes Hänsch has set the blue of the soldier in the axis given by his body in the middle ground of the picture into the red sea. A master of landscape painting, Hänsch succeeds in creating a natural-looking landscape allegory that illustrates the horror and death of war, without depicting the brutality of war itself. This singular 'war memorial' of the unknown soldier is the opposite of heroization and yet the dignity of the deceased soldier is preserved through the integrity of his body. About the artist As the son of the sculptor Adolf Haensch, the young Johannes received his first artistic training in his father's Berlin studio. However, he eventually decided to become a painter, and in 1897 he entered the Berlin Academy of Arts. He initially studied under Paul Vorgang and Eugen Bracht, and was particularly influenced by Bracht's increasingly colourful landscape painting. In 1901 he moved to the class of Friedrich Kallmorgen, with whom he spent several weeks on excursions into nature. In 1905 he became a master pupil of Albert Hertel, who taught him watercolour painting. From 1903 to 1933 he exhibited annually at the Great Berlin Art Exhibition, the exhibitions of the Berlin Artists' Association and the Munich Glaspalast. In 1905 he was awarded the Carl Blechen...

Little Island is an original pastel drawing on paper by artist Cornelia Fitzroy. Cornelia FitzRoy ​is a Norfolk landscape plein air artist who uses co...

Peter Caledon Cameron (American, born Scotland, 1852-c. 1920) Absecon Island, New Jersey, 1894 Watercolor on paper, 17 1/2 x 27 inches (sight) FRAMED: 26 1/2 x 36 1/2 inches Signed and dated at lower left: "ABSECON.ISLAND./ N.J-U.S.A Cameron/1894" N.J-U.S.A Cameron/1894" Born in Perth, Scotland, Peter Caledon Cameron won awards for drawing and penmanship at a Glasgow public school. He claimed that at the age of fourteen his watercolors were already "in demand," and that before turning twenty he had "crossed every ocean in the world, sketching and painting as he went." He attended the Government School of Design in London and was certified as an art master in 1883. Cameron immigrated to the United States that year, settled in Philadelphia, and commenced work on large history paintings such as Niagara in Winter (unlocated) and Vesuvius in Grand Eruption (unlocated) that he exhibited in various northern cities. He exhibited one painting at the Pennsylvania Academy of the Fine Arts in 1902. Nothing is known of his activities later in life. In a lengthy inscription that accompanies this watercolor, Cameron noted that Absecon was "a piece of the best sand-dune region characteristic of the whole coast of New Jersey State from Sandy Hook point in the North to Cape May Point in the extreme south." This was one among a number of studies the artist made for a large oil painting titled "Captain Kidd Burying His Treasure" (unlocated). The famous Scottish privateer Captain William Kidd...

The loose hash marks come together in this colored pen and conte crayon drawing of the Tuscan countryside with a view into Siena with its fabulous Duomo. This piece is matted with a buttery hued mat and framed in a simple oak colored wooden frame measuring 15h x 18w inches. Christopher Ganz View of Siena with the Duomo colored pens & conte crayon 11h x 14w in 27.94h x 35.56w cm CG0052 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

"Our Model T Garage" - Watercolor Landscape on Paper A rust-red barn sits below an autumn canopy of trees with contrasting blue background. Cool hues cast deep, brooding shadows opp...

Original Oil Painting of the Mountainous West Coast of Ireland by Irish Artist, John Ginn Art measures 30 x 20 inches

Born on June 25 1911 - she died just before her 100th birthday, fond of drawing and painting from an early age, she did her first drawing when she was four years old. She later studi...

Original watercolor and gouache on archival Molvin arches paper by the well known American illustrator Fred Sweney. The scene depicts Central Park in New York City in a winter landscape with figures in conversation under an illuminated lamp post. Signed lower right. Titled verso in pencil with American Scene magazine #32 and page 30...

"Chilmark Pond", Martha's Vineyard Plein Air Coastal Island Pastel Landscape by Anne F. Cook A lovely plein air pastel landscape capturing the natural beauty of New England's coastal island sunset views, by Martha's Vineyard artist Anne F. Cook (American, b.1962). This 1995 pastel, titled "Chilmark Pond", transports the viewer to the beautiful island of Martha's Vineyard, to bask in the soft light of dusk as the sun sets over the view of the island's coastal ponds. Signed and dated "Cook 1995" lower right. Titled "Chilmark Pond" lower left. Photo of title has been slightly enhanced to appear more legible. Displayed in a decorative black and gilt-toned frame, with tan mat. Image size: 18.5"H x 24.5"W. Framed size: 26.25"H x 32.25"W x 1"D. Anne Cook...

Great example of the the artistic excellence of William J. Kayla and his mastery of the watercolor. Circa 1925. Signed lower left. Condition is very go...

Original watercolor on archival paper of Accabonac Harbor in East Hampton, Long Island by the regional artist Susan Deutscher. Signed lower left. Circa 1985. Condition is excellent. Professionally matted and framed in a thin natural birch wood frame. Overall framed measurements are 18 by 24...

Painting of Wild Yellow Flowers in Meadow Moorland Landscape by Contemporary British Artist, Angela Wakefield. Art measures 36 x 24 inches Frame measures 42 x 30 inches Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business, filmmaking and the media. PROVENANCE: Ascot Studios...

Leon Dolice (1892 - 1960) New York Harbor Skyline at Twilight (Searching), circa 1930-40 Pastel on paper 12 x 19 inches Signed lower left Provenance: Spanierman Gallery, New York T...

Lionel S. Reiss (1894 - 1988) Lobstermen in Gloucester, Massachusetts, circa 1943 Watercolor on paper Sight 17 1/2 x 23 inches Signed lower left Provenance: Private Collection, Las Vegas, Nevada In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

"A Norman Peasant's Home," (Near Caudebec -en-Caux, Seine, France); and also identified as, "Peasant's Doorway." by Hezekiah Anthony Dyer. This area would be considered Normandy hence the title. Watercolor and gouache on archival paper. Signed lower left by the artist. Condition is very good. Included with the purchase is dated 1925 correspondence between the artist and purchaser of the painting with apologies from the artist for the painting not being shipped from Newport on time. Recently professionally custom double matted and framed under glass. Overall framed measurements are 19.25 by 15.5 inches. Provenance: Rhode Island collector. H. A. Dyer 1872 - 1943 Historical Rhode Island artist Hezekiah Anthony Dyer, son of Elisha and Nancy Anthony Dyer , was born into a prominent Rhode Island family, having both his grandfather and father serve as governor of the state. A descendent of the Hoppin family, known for their own artistic inclination, Dyer inherited both an interest in the arts as well as his father’s interest in public affairs. He fulfilled his destiny by becoming a notable figure in Rhode Island politics and public service as well as an accomplished artist. Dyer attended boarding school at St. Paul’s Church in Concord, New Hampshire and then went on to attend Brown University. Following his graduation from Brown in 1894, Dyer became serious about pursuing an art career and made the decision to travel abroad to Holland, Italy and France where he focused on refining his watercolor technique. Following his initial trip to Europe, Dyer returned to Providence and attended classes at the Rhode Island School of Design. By 1919 he received an Honorary Masters of Arts Degree from Brown University. Throughout his life, Dyer traveled to Europe for several months of each year to paint. He had a particular affinity for European seascapes and landscapes, as well as for picturesque scenes of old European villages. Dyer’s travels took him throughout the continent including Belgium, Brittany, Normandy, England and both the Swiss and Italian Alpine regions. Hezekiah was heavily influenced by the English School of painting, and in the early years of his career as a painter, worked exclusively in a deliberately realistic style. During this time, Dyer also began showcasing his paintings in exhibits that consisted of only his own work and which were very successful. As his painting progressed, Dyer allowed himself to experiment more in the field of watercolor. He developed a technique of painting on grey or tan paper and would paint everything lighter than the paper using an opaque gouache, and everything darker than the paper in transparent washes of color. This technique allowed Dyer to represent a great deal of detail not usually found in watercolor paintings. It also resulted in wonderfully vibrant colors that would not fade when dry. H. A. Dyer was a prominent member of both the art community and of Rhode Island public life. While he never held an office, Dyer became very involved in politics and from 1916 to 1919 was president of the Republican Club of Rhode Island. At the beginning of the First World War, Hezekiah was made chairman of the speaker’s bureau for the Food Administration of Rhode Island, and was later made chairman of the speaker’s bureau for the Council of Defense. Dyer also became a chairman for a philanthropic organization called Rhode Island of the Fatherless Children of France. In 1922, France presented both Hezekiah Dyer...

Original watercolor on archival paper by the well known Massachusetts artist, John Cuthbert Hare. Signed lower right you the artist. Condition is excellent. The artwork is in its original gold leaf over wood frame. Circa 1950. Under glass. The scene is mostly likely the Cape Cod coast where Hare painted. Overall framed measurements are 16 by 20 inches. Provenance: Massachusetts estate. New England painter John Cuthbert Hare was born in Brooklyn, New York in 1908 and studied commercial art at the Pratt Institute in New York City and later at the Art Students League also in New York City. He also studied at the Grand Central School of Art in New York followed by employment with the Hearst Newspaper Corporation. For a number of years after his marriage in 1933, Hare and his wife traveled throughout the United States and Europe. Hare was a member of the Provincetown Art Colony, Cape Cod, Massachusetts and was to become known as the "Dean of Cape Cod Artists...

Here for your consideration is a very finely executed watercolor by the New England artist, John Cuthbert Hare of the dunes of Cape Cod, Massachusetts. Condit...

Early 1960s work on paper of a group of trees at Buckfast Abbey in Devon, England, by Alban Atkins. Signed bottom left, titled and dated to the reverse. There is also a collection or accession number to the backboard. Atkins has captured the sculptural nature of the tree trunks as they have grown in the landscape giving the work a feeling of living, writhing things as well as an abstract feel in the composition. Atkins was one of the group of important artists chosen and commissioned by Sir Kenneth Clark...

Beautiful late 19th-century watercolor landscape in the style of Elmer Wachtel (American, 1864-1929), by an unknown 19th-century artist. This small watercolor...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Unframed. Katherine Curci began this series of charcoal drawings, premiered in This...

The river. 1989, oil on cardboard, 46x60,5 cm Summer landscape by the river Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He pain...

'Barge on the River Seine', watercolour on paper, by Roland DuBuc (circa 1970s). The broad Parisian river Seine divides Paris into the left and right banks. This particular scene appears to be well down river beyond the city as the greenery along the banks points to. The Seine’s collection of lovely small towns happily graces its banks and proudly conveys French culture. Of course, the best way to experience all of these towns and villages is on a river cruise. The Seine is second only to the Loire River which is France's longest. It rises 18 miles (30 kilometres) northwest of Dijon and flows in a northwesterly direction through Paris before emptying into the English Channel at Le Havre. The artist Dubuc created many artworks with the Seine as backdrop. You can have this one right in your living room. In good overall condition, the piece is newly framed and glazed with anti-reflective glass. It is signed by the artist in the lower left hand. Upon request a video of the painting may be provided. About the Artist: Roland DuBuc (1924-1998), French artist, the sixth of 13 children and son of a construction worker. The very precariousness of the family's financial situation forced him to go to work at the age of 14. In extreme poverty, he moved to Rouen where he was lodged by the Salvation Army. During that time he struck up friendships with several artists who gave him advice and taught him techniques of drawing. He moved to other cities later where he met painters including, among others, Fred Pailhès...

Very well executed watercolor on Grumbacher watercolor board by the well known marine artist, Frederic Whitaker. Signed lower right. Circa 1955. Cond...

After the storm. Watercolor, paper, 70 x 96 cm Sea after the storm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collec...

After the rain. 2019. Watercolor, paper, 89 x 60 cm Harmony at the sea Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1...

Serene mid century watercolor seascape signed by unknown artist M. C. Schmidt. Signed in the lower left corner. Presented in a new buff mat with...

A delightful rustic scene from the Victorian period with figures chatting outside a thatched cottage English School, mid 19th Century Figures conversing by a cottage and stream Wat...

This is an exclusive handprinted limited edition cyanotype of a beautiful Palm Tree Leaf. Details: + Title: Palm Tree Leaf Over Blue Sky + Year: 2021 + Edition Size: 100 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

Colorful landscape of Moss Landing marshland (just north of Carmel, California by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed lower left c...

Beautiful watercolor painting of a quaint blue farmhouse surrounded by lush green trees by Lillie Esther (Hillman) Heebner (American, 1923-2016), a Watsonville, Monterey Bay area artist. Signed "L.E. Heebner" bottom right. Unframed. Image: 15"H x 23"W. Lillie (Lil) E. Heebner was guided through life by her creativity. Even at 92, she never felt old, and often said so. She met every situation in life—including death—with ingenuity. Although born in Richmond, Lillie lived in Watsonville all her life. Her father, Frederick H. Hillman, grew up on a strawberry ranch in Pajaro, graduated from Watsonville High School in 1916, and served in France during World War I. He later worked for Martinelli's Apple Cider plant and became foreman. Lillie's mother, Esther C. Hobson, moved as an infant from Bakersfield to Santa Cruz with her family in 1901, when they founded Hobson's Bath House at the Santa Cruz Boardwalk...

Liquid acrylic on archival paper, framed. "Settle In" (2019) by figurative wildlife artist, Gigi Chen. The square artwork measures 8 inches high by 8 ...

'A View of the Park in Menton', France, watercolour on art paper, by Tony Minartz (circa 1930s). This is a depiction of serenity in a painting. From the South of France, the artist p...

Original watercolor on archival paper of a rural homestead, most likely in North Smithfield, Rhode Island, home of the artist for 70 years. Signed lower left, “A. Pasquale”. The condition is very good with no issues. Framed in a silvered colored thin metal frame. Overall measurements are 22.25 by 28.25. Under glass. Provenance: Sarasota, Florida estate. Albert Pasquale was a member of the Providence Art...

Snowy landscape by Maine artist Fannie Mae Cunningham (American, 20th Century). Tags on verso from previous backing have been preserved. Presented in a new grey-blue mat...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Unframed. Katherine Curci began this series of charcoal drawings, premiered in This Land., at the start of the pan...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Framed. Katherine Curci began this series of charcoal drawings, premiered in This Land., at the start of the pande...

Wonderful original watercolor of a bucolic scene with a farm with geese and a man on his horse driven wagon as the sun sets in the English countryside. Signed lower left by the British artist, Henry Charles Fox...

Vibrant large-scale pastel landscape of colorful reflections rippling on a calm lake with three small ducks and a boat by an unknown artist (American, 20th Century). Signed with the ...

Beautiful watercolor landscape of the rocky Big Sur Coast by Santa Cruz artist Barbara Bailey-Porter (American, 20th Century). Signed lower left. Signed...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. From her "Irrepressible" series. Comes framed. Honolulu Cityscape, Honolulu, HI Katherine Curci began this series...

Colorful mountain river watercolor painting by Henry "Hank" Volle (American, 20th Century). Signed "Henry Volle" lower right. Artists bio on verso. Pre...

Plein air image of Yosemite's Bridal Veil Falls done in watercolor by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Anderson" lowe...

Colorful watercolor landscape of a lake surrounded by mountains by California artist Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey,...

Dramatic and vibrant coastal watercolor painting by California artist Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Un...

Finely executed watercolor and gouache landscape with figures by the Swiss artist, Louise Clauseau (Swiss). Signed under the mat by the artist and dated June, 1852. The watercolor ...

Oil Painting of Glaramara and Combe Ghyll in the English Lake District by Modern British Landscape Artist Arthur Terry Blamires (b. 1930) Art measures 20 x 16 inches Frame measure 2...

Scenic countryside landscape of a barn and cows in front of Mount Washington by Mark Henthorn (American, 1943-2018), 1980. Signed and dated "Henthorn '80" lower left. Displayed in rustic wood frame. Image size, 12"H x 16"L. Mark Henthorn was an American painter with a love of nature and strong respect for light. His work depicts a mood of peace and serenity seen in the spaciousness of the Western landscape. He spent over thirty years as an award-winning architect and illustrator. His art has been displayed in galleries in Idaho, Montana, Colorado, and in the Port Townsend...

Original Mid-Century Red Farmhouse Watercolor Landscape Painting Beautiful mid-century 1940's watercolor of a bucolic farmhouse scene - sunset, undul...

Verdant plein air landscape of Chena Hot Springs during summer in Alaska by unknown artist (American, 20th Century). Signed "Kiana" and titled "Chena Hot Springs" lower right. Unfram...

Landscape is an original drawing in watercolor realized by Simon Goldberg (1913-1985). with the stamp" Atelier Simon Goldberg" on the lower left. The state of preservation is good. ...