Nature Drawings and Watercolor Paintings

Ink on canvas

Lost and Found Again It has been a while since I wandered through the Hatert Meres (Hatertse Vennen). In 2014 to be precise. Hatert Meres 09 (2014) was my last pastel of that series...

-Painted on artist-quality acid-free 140 lb. watercolor paper. -Professional quality artists with watercolor paints. (Sennelier) -Acid-Free paper. -Size: 12" x 18" -Signature on the ...

Steeped in the centre of this dynamic landscape, artist Ian Grant has caught blanket green hills rippling down to an isolated valley farm. To finish off, a black pastel outline has b...

Acrylic on canvas

Acrylic on canvas

A fine watercolour study of barges at Brentford Creek by 20th century artist Ashton Cannell. Signed to the lower right. On watercolour paper.

Elizabeth Chalmers. Watercolour painting of cottages and gardens in the Cotswold village of Sherbourne. Size: H:29.00 cm x W:44.50 cm. Artist Bio: Elizabeth Chalmers was born in N...

Watercolor, Acrylic Painting and Charcoal on paper. Contemporary Painting, Seaside Work Title : Ecueils Artist : Fabien Granet (FR) The work is signed, titled and dated verso. Unique work. Size : H26xW21cm. Museum matting & backing included, framed in a 30x24 cm standard aluminium frame. Born in 1970 the artist lives and works in France. The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France. " The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing "dream worlds" but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real." Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures. The drawn "landscapes" are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real. In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making. Solo exhibitions : 2023 "GRAND ERRE" with Galerie Jean-Louis Ramand, Aix en provence / 2021 "Les Indestinés" (Drawing Now Art Fair) Galerie Jean-Louis Ramand - Paris / 2017 "mise-en-paysage" galerie Tokonoma - Paris / 2015 "Shiftings" galerie White Project - Paris / 2012 "Risée" galerie G&G - Paris / 2011 "Transistoires" galerie P&Z - Angoulême / 2010 "Tandis que? Group exhibitions (selection) : 2021 " SUMMER TALENTS " - Galerie Jean-Louis Ramand / 2019 " FEEL GOOD " Galerie Jean-Louis Ramand - Paris / 2019 " Naturalia " Mexico / 2019 " (re) mise-en-scène " Galerie Jean-Louis Ramand - Aix-en-Provence / 2019 " ScapeLand " Galerie Jean-Louis Ramand - Paris / 2019 " Blanc Ciel " espace d'art associatif La Perception - Creuse/ 2018 " Angle Mort " Ici. Gallery - Paris/ 2018 " Drawing in Gallery " Galerie ALB - Paris/ 2017 " Where form meets Art " Antwerp Art...

Chinese artist, signed Early 20th century watercolour on paper, unframed size: 6 x 19 inches private collection, England The painting is in overall ver...

Gouache work on paper New natural wooden Frame Total size with frame is 52,5 x 67,5 cm

"Our Model T Garage" - Watercolor Landscape on Paper A rust-red barn sits below an autumn canopy of trees with contrasting blue background. Cool hues cast deep, brooding shadows opp...

Antique Chinese artist, signed watercolour on paper, unframed size: 6 x 19 inches private collection, England The painting is in overall very good and ...

Summer day. 1994, oil on cardboard, 45x58 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seaso...

Yellow Song of Hope is a drawing realized by Iranian Painter and Poet Parimah Avani in 2023. China ink and acrylic on ivory-colored paper. Hand-signed a...

A lovely vibrant watercolour capturing a shimmering English river John Newberry (born 1934) Stream at Wytham, Oxford Signed Watercolour 4¼ x 5¾ inches unframed 9 x 11 inches with fr...

Philippines Environs She was broken up Into seven thousand One hundred seven pieces Of unproportionate sizes Mother Nature compensated her With the longest coastline In the whole world The deepest point On the planet That man can ever dive And the most biologically diverse Waters of Mother Earth More diverse than the clouds And stars above. She is as pure And beautiful As the Mother Pearl Lying in the heart Of the Orient Seas Her beauty captivated millions They want her Keep her As their very own. But her beauty Has its own curse Nature puts her On fire On the edges Of the largest ocean on Earth In the Pacific Ring Of Fire. She is as just big As the Mini Mouse Compared with the Giant Panda Its breadth and dimension Have been laid down Since time immemorial In accordance with the laws of men and God Anchored by the values Of equality and respect. Her territorial jurisdiction Is just enough for her children to settle And divide among themselves Yet super powers Of different colors want Her bluest seas Her whitest shores Her longest coastline Her deepest waters Her volcano which peak Claims the sky with the Most perfect cone in the whole world And the Philippine Eagle...

Untitled (Coastal New York) Pastel on paper 17 1/2 x 23 1/2 in. Framed: 24 1/2 x 30 in. Signed lower right

Red and Pink Song of Freedom is a drawing realized by Iranian Painter and Poet Parimah Avani in 2023. China ink and acrylic on ivory-colored paper. Hand...

Landscape 1967, paper/watercolor, 23x43.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military ...

The loose hash marks come together in this colored pen and conte crayon drawing of the Tuscan countryside with a view into Siena with its fabulous Duomo. This piece is matted with a buttery hued mat and framed in a simple oak colored wooden frame measuring 15h x 18w inches. Christopher Ganz View of Siena with the Duomo colored pens & conte crayon 11h x 14w in 27.94h x 35.56w cm CG0052 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

Watercolor on art paper framed and signed Total size with frame: 52x40 cm Albert Nyfeler (September 26, 1883 in Lünisberg, † June 14, 1969 in Burgdo...

Little Island is an original pastel drawing on paper by artist Cornelia Fitzroy. Cornelia FitzRoy ​is a Norfolk landscape plein air artist who uses co...

Song of Pink Warrior is a drawing realized by Iranian Painter and Poet Parimah Avani in 2023. China ink and acrylic on ivory-colored paper. Hand-signed and dated. Excellent conditions. Presented in a Solo exhibition of "Calligraphy of Bodies" in Luoghi Comuni Turin 2023. The artwork is expressively and poetically created, the well-applied dry and watery strokes represent gestural revolutionary figures in a minimalistic manner in a miniature style of composition. which makes this series unique: it is deeply behind the dynamic emotion of each gestural figure, four colors here have metaphorical features; pink as woman, yellow as hope, silvery as resistance, and red as blood. another aspect that stands out in this art is the vigorous and unbridled energy of brushstrokes. Her Series could be described as raw, spontaneous, and emotionally charged. Gestures are a powerful and thought-provoking commentary on social and political issues. The panoramic lines inspired by Persian calligraphy, here have an exclusive sense of narration harmoniously. The style of Persian calligraphy and knowledge of poetry let her make a visual poem in an expressionistic style, congruent with the poetic title, the use of space and maintaining an empty background and foreground intentionally have been made to emphasize the solitude and loneliness of gestural figures and at the same time connect to oriental calligraphy. Her artworks artwork has evident characteristics, firstly strongly inspired by Tachisme's “Abstraction lyrique" and artworks of Henri Michaux, and Hans Hurting secondly oriental Persian calligraphy of poems style is evident in her artworks, finally dynamic sensation of revolutionary art...

Kathleen Fitzgerald Untitled (Red Barn), c. Later 20th century Watercolor on paper Sight: 11 1/4 x 10 3/4 in. Framed: 16 x 15 x 3/4 in. Signed lower right: Kathy Fitzgerald "I am Ka...

Landscape 1967, paper/watercolor, 29.5x35.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many militar...

Drawing / Painting : Watercolour, Charcoal on archival paper. Work Title : "la petite greve" (series) Artist : Fabien Granet (FR) The work is signed and dated on the back of the work. Unique work. Size : H30cm X W40 cm. It will be delivered with Museum archival Mat. With-out frame, can be framed in a standard frame of dimensions 30x40 cm. Born in 1970 the artist lives and works in France. The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France. " The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing "dream worlds" but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real." Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures. The drawn "landscapes" are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real. In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making. Solo exhibitions : 2023 " GRAND ERRE " - Galerie Jean-Louis Ramand Aix en provence / 2021 "Les Indestinés" (Drawing Now Art Fair) Galerie Jean-Louis Ramand - Paris / 2017 "mise-en-paysage" galerie Tokonoma - Paris / 2015 "Shiftings" galerie White Project - Paris / 2012 "Risée" galerie G&G - Paris / 2011 "Transistoires" galerie P&Z - Angoulême / 2010 "Tandis que? Group exhibitions (selection) : 2021 " SUMMER TALENTS " - Galerie Jean-Louis Ramand / 2019 " FEEL GOOD " Galerie Jean-Louis Ramand - Paris / 2019 " Naturalia " Mexico / 2019 " (re) mise-en-scène " Galerie Jean-Louis Ramand - Aix-en-Provence / 2019 " ScapeLand " Galerie Jean-Louis Ramand - Paris / 2019 " Blanc Ciel " espace d'art associatif La Perception - Creuse/ 2018 " Angle Mort " Ici. Gallery - Paris/ 2018 " Drawing in Gallery " Galerie ALB - Paris/ 2017 " Where form meets Art " Antwerp Art...

Drawing / Painting : Watercolour, Charcoal on archival paper. Work Title : "Motif (s)" (series) Artist : Fabien Granet (FR) The work is signed and dated on the back of the work. Unique work. Size : H26cm X W20 cm. With archival Mat, framed in a 30 x 24cm. Born in 1970 the artist lives and works in France. The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France. " The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing "dream worlds" but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real." Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures. The drawn "landscapes" are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real. In his landscapes, Fabien Granet evokes a process of the mind, where shreds and fragments become entangled in a re-arrangement of of reality. Snippets of architecture and geometrical figures draw human and his gaze into it. The landscape is a human creation, but how does human try to perceive it, how does he understand its constructions? what is his mental image of it? Chaos and structure intersect in a paradox of our vision of the world: the artist picks out the sensitive elements in a reflection on the possibilities in the making. Solo exhibitions : 2021 "Les Indestinés" (Drawing Now Art Fair) Galerie Jean-Louis Ramand - Paris / 2017 "mise-en-paysage" galerie Tokonoma - Paris / 2015 "Shiftings" galerie White Project - Paris / 2012 "Risée" galerie G&G - Paris / 2011 "Transistoires" galerie P&Z - Angoulême / 2010 "Tandis que? Group exhibitions (selection) : 2021 " SUMMER TALENTS " - Galerie Jean-Louis Ramand / 2019 " FEEL GOOD " Galerie Jean-Louis Ramand - Paris / 2019 " Naturalia " Mexico / 2019 " (re) mise-en-scène " Galerie Jean-Louis Ramand - Aix-en-Provence / 2019 " ScapeLand " Galerie Jean-Louis Ramand - Paris / 2019 " Blanc Ciel " espace d'art associatif La Perception - Creuse/ 2018 " Angle Mort " Ici. Gallery - Paris/ 2018 " Drawing in Gallery " Galerie ALB - Paris/ 2017 " Where form meets Art " Antwerp Art...

Landscape with mountains 1965, paper/watercolor, 17.5x18.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian a...

Ice breaker 1965, paper/watercolor, 16x21 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military ...

Winter 1969, paper/watercolor, 29x40.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military cou...

At Baltic sea. Watercolor, paper, 63x94 cm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private ...

Winter landscape 1965, paper/watercolor., 20.5x27.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many...

Philippines Environs She was broken up Into seven thousand One hundred seven pieces Of unproportionate sizes Mother Nature compensated her With the longest coastline In the whole world The deepest point On the planet That man can ever dive And the most biologically diverse Waters of Mother Earth More diverse than the clouds And stars above. She is as pure And beautiful As the Mother Pearl Lying in the heart Of the Orient Seas Her beauty captivated millions They want her Keep her As their very own. But her beauty Has its own curse Nature puts her On fire On the edges Of the largest ocean on Earth In the Pacific Ring Of Fire. She is as just big As the Mini Mouse Compared with the Giant Panda Its breadth and dimension Have been laid down Since time immemorial In accordance with the laws of men and God Anchored by the values Of equality and respect. Her territorial jurisdiction Is just enough for her children to settle And divide among themselves Yet super powers Of different colors want Her bluest seas Her whitest shores Her longest coastline Her deepest waters Her volcano which peak Claims the sky with the Most perfect cone in the whole world And the Philippine Eagle...

Winter 1961, paper/watercolor, 26.5x35 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military courses. In 1933 he graduated from the Arts Academy of Latvia, Graphic workshop under the guidance of R. Zarins. He participated in the exhibition since 1924. He painted mostly military themes. And also painted landscapes and compositions with oriental motives in watercolors technique. He drew sketches for the plates painting to porcelain factory of Kuznetsova and faience factory. One of the first drawer of Latvian journeyman army in 1922. He i san author of Viesturs Order sign...

The village 1964, paper/watercolor., 20.5x29.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...

Cargo ship 1965. paper/watercolor., 8x22.3 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military...

Peter Caledon Cameron (American, born Scotland, 1852-c. 1920) Absecon Island, New Jersey, 1894 Watercolor on paper, 17 1/2 x 27 inches (sight) FRAMED: 26 1/2 x 36 1/2 inches Signed and dated at lower left: "ABSECON.ISLAND./ N.J-U.S.A Cameron/1894" N.J-U.S.A Cameron/1894" Born in Perth, Scotland, Peter Caledon Cameron won awards for drawing and penmanship at a Glasgow public school. He claimed that at the age of fourteen his watercolors were already "in demand," and that before turning twenty he had "crossed every ocean in the world, sketching and painting as he went." He attended the Government School of Design in London and was certified as an art master in 1883. Cameron immigrated to the United States that year, settled in Philadelphia, and commenced work on large history paintings such as Niagara in Winter (unlocated) and Vesuvius in Grand Eruption (unlocated) that he exhibited in various northern cities. He exhibited one painting at the Pennsylvania Academy of the Fine Arts in 1902. Nothing is known of his activities later in life. In a lengthy inscription that accompanies this watercolor, Cameron noted that Absecon was "a piece of the best sand-dune region characteristic of the whole coast of New Jersey State from Sandy Hook point in the North to Cape May Point in the extreme south." This was one among a number of studies the artist made for a large oil painting titled "Captain Kidd Burying His Treasure" (unlocated). The famous Scottish privateer Captain William Kidd...

This artwork titled " Forgotten Ranch House, Arizona" c.1950 is a watercolor on paper by California artist James March Phillips, 1896-1977. It is signed at...

Jurmala 1965, paper/watercolor, 19.5x35.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military courses. In 1933 he graduated from the Arts Academy of Latvia, Graphic workshop under the guidance of R. Zarins. He participated in the exhibition since 1924. He painted mostly military themes. And also painted landscapes and compositions with oriental motives in watercolors technique. He drew sketches for the plates painting to porcelain factory of Kuznetsova and faience factory. One of the first drawer of Latvian journeyman army in 1922. He i san author of Viesturs Order sign...

The coast 1969, watercolor on paper, 20.5x28.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...

This painting is inspired by the Baltic Sea in the famous artist village of Ahrenshoop where I spent a lot of time at the sea watching the light changing in the evenings and through ...

'Peace in the Garden' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and siz...

On our trip to Ireland, we stopped at the Power Court estate, which reminds me a bit of the architecture of St. Petersburg.I saw people playing golf near the park. The weather was cloudy and the environment was sinking in sfumato, I wanted to immerse the viewer in this environment. The transparency of the watercolor made it possible to realize my idea. Exhibition: 2009 Exhibition at the Game of Imagination Gallery in the Press Centre of the Izvestiya Publishing House, Moscow. 2012 “Visible Images”, personal exhibition at the exhibition hall of the Russian Auction House in Gostiny Dvor, Moscow. 2024 The exhibition "Tail-wind". Museum and exhibition complex "Academy of Watercolor and Fine Arts of Sergey Andriaka". (Moscow) Publication: Златоверховникова О.Н. Семён Кожин. – М.: Принт люкс, 2007. – 120 с. Page 45 Златоверховникова О.Н. Семён Кожин. – М.: Белый город, 2009. – 64 с. – (Мастера живописи. Русские художники). ISBN: 9785779317184 Page 34 Семён Кожин. Зримые образы: [каталог персональной выставки] / Российский аукционный дом. – СПб.: Рекламное агентство MCMG, 2012. – 32 с. Page 25

Work on watercolor paper Golden wooden frame with glass pane 46 x 56 x 1.3 cm

Landscape 1970., paper/watercolor., 25x30.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet S...

Hill 1969, paper/watercolor, 17.5x25 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School o...

Landscape in the winter 1969, paper/watercolor, 20x22.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and ...

Caucasus 1969, paper/watercolor, 29x40.5 Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School ...

Original pastel on archival paper by the well known Hudson River artist, George Douglas Brewerton. A Northern California scene near Mount Shasta. Signed lower left and dated 1876. Recently professionally matted and framed in new antique silver style gallery frame. Overall framed measurements are 27 by 36 inches. Under glass. Condition is excellent. Provenance: A Pennsylvania collector. George Douglas Brewerton received lessons in art from Prof. Robert W. Weir at West Point where his father was Superintendent. In 1874, he was detailed to San Francisco as an officer in the Stevenson Regiment. In 1848, he underwent many adventures in Western deserts and mountains with Kit Carson, who crossed the country with news of the California Gold Rush. After serving as an aide to Gen. Rufus Saxton during the Civil War, Brewerton called himself “Colonel,” although he never received an army commission...

Original watercolor on archival paper of a classic fisherman’s cottage on the water with a dory nearby.. Signed lower left and dated 1923. Condition is very good. The artwork is ho...

Original Oil Painting of the Mountainous West Coast of Ireland by Irish Artist, John Ginn Art measures 30 x 20 inches

In this work, the artist returns to a favorite spot in Alley Pond Park, Queens, to memorialize the ever-evolving carved names and glyphs in this majestic trunk. She is documenting no...

Work on paper Golden wooden frame with glass pane 42 x 32 x 2.5 cm

River in spring. 1993. Cardboard, oil, 23x32 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different se...

Beautiful original pastel on archival paper of Mount Shasta in Northern California by the well known Hudson River artist, George Douglas. Signed and dated 1874 lower right. Condition is excellent. Recently professionally matted and framed in a antique silver style gallery frame. Overall framed measurements are 27 by 36 inches. Under glass. Provenance: A Pennsylvania collector. George Douglas Brewerton received lessons in art from Prof. Robert W. Weir at West Point where his father was Superintendent. In 1874, he was detailed to San Francisco as an officer in the Stevenson Regiment. In 1848, he underwent many adventures in Western deserts and mountains with Kit Carson, who crossed the country with news of the California Gold Rush. After serving as an aide to Gen. Rufus Saxton during the Civil War, Brewerton called himself “Colonel,” although he never received an army commission...