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Nature Abstract Drawings and Watercolors

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Art Subject: Nature
Minimal Landscape, Original Pastel Drawing, Seascape, Sea, Beach
Located in AIX-EN-PROVENCE, FR
Work : Original Drawing, Unique Work, Handmade Artwork. The work has been treated with Archival Varnish with UV protection and it is not framed. Medium : Soft Pastel on archival pap...
Category

21st Century and Contemporary Contemporary Landscape Drawings and Waterc...

Materials

Pastel, Archival Paper

Three Ponds - Contemporary Expressive Landscape Oil Pastel Painting
Located in Salzburg, AT
Janusz Kokot was born in Kalisz in 1960. He studied at the Pedagogical University in Częstochowa at the Art Institute. He practices painting and drawing. In the years 1988 - 2020 he ...
Category

2010s Contemporary Landscape Paintings

Materials

Paper, Oil Pastel

Yellow Song of Hope - Drawing by Parimah Avani - 2023
Located in Roma, IT
Yellow Song of Hope is a drawing realized by Iranian Painter and Poet Parimah Avani in 2023. China ink and acrylic on ivory-colored paper. Hand-signed a...
Category

1990s Contemporary Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic

Red Monsters Of Revolutions - Drawing by Parimah Avani - 2022
Located in Roma, IT
Red and Pink Song of Freedom is a drawing realized by Iranian Painter and Poet Parimah Avani in 2023. China ink and acrylic on ivory-colored paper. Hand...
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Canvas, Oil

Song of Pink Warrior - Drawing by Parimah Avani - 2023
Located in Roma, IT
Song of Pink Warrior is a drawing realized by Iranian Painter and Poet Parimah Avani in 2023. China ink and acrylic on ivory-colored paper. Hand-signed and dated. Excellent conditions. Presented in a Solo exhibition of "Calligraphy of Bodies" in Luoghi Comuni Turin 2023. The artwork is expressively and poetically created, the well-applied dry and watery strokes represent gestural revolutionary figures in a minimalistic manner in a miniature style of composition. which makes this series unique: it is deeply behind the dynamic emotion of each gestural figure, four colors here have metaphorical features; pink as woman, yellow as hope, silvery as resistance, and red as blood. another aspect that stands out in this art is the vigorous and unbridled energy of brushstrokes. Her Series could be described as raw, spontaneous, and emotionally charged. Gestures are a powerful and thought-provoking commentary on social and political issues. The panoramic lines inspired by Persian calligraphy, here have an exclusive sense of narration harmoniously. The style of Persian calligraphy and knowledge of poetry let her make a visual poem in an expressionistic style, congruent with the poetic title, the use of space and maintaining an empty background and foreground intentionally have been made to emphasize the solitude and loneliness of gestural figures and at the same time connect to oriental calligraphy. Her artworks artwork has evident characteristics, firstly strongly inspired by Tachisme's “Abstraction lyrique" and artworks of Henri Michaux, and Hans Hurting secondly oriental Persian calligraphy of poems style is evident in her artworks, finally dynamic sensation of revolutionary art...
Category

1990s Contemporary Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic

Skyscapes Series - Large Scale Landscape in Pastel on Paper
Located in Soquel, CA
Skyscapes Series - Large Scale Landscape in Pastel on Paper Brightly colored Dry Pastel abstract landscape by Aleah Koury (American, b. 1959). ...
Category

1980s American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Pastel

March Song of Revolution - Drawing by Parimah Avani - 2022
Located in Roma, IT
March Song of Revolution is an original painting realized by Iranian Painter and Poet Parimah Avani in 2023. China ink and acrylic on ivory-colored paper...
Category

2010s Contemporary Abstract Drawings and Watercolors

Materials

Paper, Ink, Acrylic

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Llangorse Lake, Brecon Beacons, Wales, circa 1964. Welsh Landscape. Abstract.
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Roger Cecil. Welsh ( b.1942 - d.2015 ). Llangorse, Brecon Beacons Watercolor and pastel on paper. Signed. Image size 19.5 inches x 29.5 inches ( 49.5cm x 75cm ). Frame size 24.6 inches x 34.6 inches ( 62.5cm x 88cm ). Available for sale; this original painting is by the Welsh artist Roger Cecil and dates from around 1964. The watercolor and pastel work is presented and supplied in a sympathetic contemporary frame (our stock frame, which is shown in these photographs), mounted using conservation materials and behind glass. The original backboard has been reused but the artwork has been isolated from it using conservation barrier materials. This vintage artwork is in good condition, commensurate with its age. Previous cockling (rippling) of the paper has been eliminated by stretching and the use of a new mounting. Previous foxing and age marks have been mechanically removed and the coarse fiber of the paper has been made good in these areas. The painting is now ready to hang and display. The watercolor is signed lower left. Provenance: Previously with the Howard Roberts Gallery, Imperial Buildings, 69/74 St Mary Street, Cardiff. Roger Cecil was a reclusive painter, draughtsman and teacher who was born in Abertillery, Monmouthshire in 1942. He lived and worked in Wales for the last four decades of his life, much of it in the house where he was born and brought up. Cecil produced abstract work rich in imagery, poetry and color, which were drawn from his environment, the industrial valley towns and mountains. Prolific and obsessive, he was always a solitary artist, with no affiliations to any group or artistic movement. He worked for more than forty years, with an ever evolving and prolific creative output. His pictures capture the geology and the history of the places he knew so intimately, and the impact of man of that environment. Cecil studied Fine Art at Newport College of Art from 1959 to 1963, where his teachers included John Wright and Thomas Rathmell; in 1963 he gained the College’s highest award in the national diploma in design and a place at the Royal College London. In 1964 he won the David Murray Landscape Award from the RA. He took up his place at the Royal College of Art, but after just a few weeks he was unsatisfied and instead took up manual work in opencast mines and building sites. Cecil later spent some time teaching at Ebbw Vale. From 1995 to 1998 he did his MA, which he gained with distinction in communication design at St. Martin’s College of Art. The BBC made a television documentary on Cecil's work called The Gentle Rebel. For a long time Cecil did not exhibit, through choice, and it was friends who helped to promote him. He then had a series of exhibitions at Business Art Galleries from 1987, and in 1995 the Hill Court Gallery, Abergavenny, held a retrospective of his work. In 1998 Gordon Hepworth and Y Tabernacl both showed Cecil's pictures. Cecil’s works were also shown at the Oriel Myrddin Gallery in 2006 and 20011. The small book which takes the name of the earlier exhibition ”Cariad”; has an introduction by gallery manager Meg Anthony which states; “The magic of Roger Cecil’s work is in part down to the man, for he is enigmatic and surprising, diffident and proud. He has deliberately avoided the art establishment, remaining shy of its protocol and systems of exposure and recognition. He has consciously created the space to pursue his art, away from the pressures of publicity and celebrity...... paint is Roger’s passion.” Cecil’s methods were complex; he worked with a mixture of materials, including oil pastels, sandpaper, primer and plaster. He built up layers and then he rubbed and scratched them away. His work is textured and nuanced, and the color reverberates as if it has a life of its own. The paintings are abstract, but there are echoes of monumental shapes and undulations of the female form, the Valleys - the dark hills embracing the bowls of space and the rich, gritty textures of the industrial and post-industrial landscape, highlighted by intricate, personal marks. Sarah Bradford states: “Scale is an important feature of Roger Cecil’s work; he constantly shifts from near and the far off. He also moves his viewpoint from looking at, to looking down on to. This looking down, as though a bird, onto the world of the painting, comes from exploration of his surroundings and from the ordinance survey maps he takes with him when he walks. He has often said how he is inspired by the language of symbols and lines that are used in maps to delineate the landscape. It is easy to see the connection when looking at the networks of invented footpaths, waterways, and other pinpoint features that can be found in his work.” … Mary Lloyd...
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