Roy Lichtenstein Art

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Entablature IV" Portfolio: Entablature Series *Signed by Lichtenstein in pencil lower right Year: 1976 Medium: Original Screenprint and Collaged mat pink Metallic Foil with Embossing on Rives BFK paper Limited edition: 14/30. (There were also 9 artist's proofs) Printer: Tyler Graphics Ltd., Bedford Village, NY Publisher: Tyler Graphics Ltd., Bedford Village, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948-1997" - Corlett No. 141, page 144; PCN 7 (July-August 1976); "Tyler Graphics Catalogue Raisonne, 1974-1985" - Tyler No. 337:RL5, page 210 Framing: Framed in a contemporary white moulding with plexiglass, and matted with a custom hand-wrapped 8 ply linen mat Framed size: 39.5" x 55" Sheet size: 29.19" x 44.82" Image size: 20.19" x 38" Some light cosmetic wear to frame; presently no hanging wire. The artwork itself is in excellent condition Very rare Notes: Provenance: private company collection - Miami, FL, acquired directly from the publisher Tyler Graphics Ltd. in the 1970's. Numbered by Lichtenstein in pencil lower left. Comes from Lichtenstein's 1976 "Entablature Series" portfolio of 11 prints, (Corlett No. 138-148). Printed in 6 colours, in 7 runs, from 5 screens, and 1 embossing plate. Collaboration: Kenneth Tyler (project supervision, plate/screen preparation, proofing, collage, and embossing); Kim Halliday (screen preparation and processing, proofing, and edition printing); Betty Fiske (proofing and edition printing). Swan Engraving processed the magnesium plate. Tyler Graphics Ltd. chop mark/blind stamp lower right. Workshop number on verso in pencil lower left: "RL75-197". Comes with its original Tyler Graphics "Entablature Series" booklet. Between 1971 and 1976 Lichtenstein produced two series of "Entablature" paintings, using photographs of architectural ornament he had taken in New York as the starting point for his compositions (see Cowart [1981]). The first "Entablature" paintings (1971-72) were black and white. The second group used colour and were produced at roughly the same time the "Entablature" series of prints were in production at Tyler Graphics Ltd., 1974-76. The first discussions between Lichtenstein and Ken Tyler concerning the "Entablature" prints took place in May, 1974. As recorded in the Tyler catalogue raisonne, technical research for the project began in September 1974 and production was completed in April 1976. Lichtenstein produced one or more collages for each print in the series to serve as models for the plates and screens. Both the "Entablature" paintings and prints are intimately concerned with texture - the metallic paint and sand of the paintings, the foils and embossing/debossing techniques employed in the prints. The imagery itself - machined architectural ornament - takes technology as its subject. As Barbara Rose suggests, "That industrialism disrupted our notion of style as much as reproduction altered our conception of representation appears to be the subjects of Lichtenstein's "Entablatures". For each print in this series, the Tyler Graphics Ltd. catalogue raisonne gives exact method and press types, as well as the initials of the printers for each run. To complete certain phases of the project, Tyler employed the following companies: Drake Engineering, Danbury, CT (for machining of the metal die); Swan Engraving, Bridgeport, CT (for plate processing); Tallix Foundry, Beacon, NY (for bronze casting); and Tompkins Tooling, Gardena, CA (for machining of the metal die). The ten embossing plates for the series are now in the collection of the National Gallery, Canberra, Australia. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweller Laurence Graff from American investor Ronald O. Perelman. This was topped in November of 2015 by the sale of "Nurse" for 95.4 million dollars at Christie's auction. Subsequently, that was topped with the private sale of his 1962 painting...

Merton of the cinema, 1968 by Roy Lichtenstein. The work is a Silkscreen on silver paper, 76 × 51 × 0.2 cm, Edition 93/450. Literature: Co-published by Lincoln Centre/List Poster...

Roy Lichtenstein (1923-1997) was one of the most successful and influential artists of the 20th century, helping pioneer and define Pop Art in the 1960s. Lichtenstein's signature st...

Roy Lichtenstein (October 27, 1923 in Manhattan, New York City; † September 29, 1997 there) was an American teacher and painter of Pop Art. Next to Andy Warhol, he was probably the ...

Roy Lichtenstein, 'As I Opened Fire' (Triptych), offset lithograph, edition 3140, 1966. Each of the three sheets is signed with the artist’s name printed lower left, verso. All fine impressions, with vivid, fresh colours on heavy, off-white wove cover stock; each print with full margins, in excellent condition. Image size (each) 24.07 x 19.63 inches; sheet size 25.19 x 20.88 inches. Three sheets placed side by side 25.19 x 62.64 inches. Printed by Drukkerij Luii & Co. and published by the Stedelijk Museum, Amsterdam, Netherlands. Publisher's imprint "© S.M.A." printed on each sheet lower right within the image. Artwork and printing information printed in the lower left and lower right sheet corners, verso. The three images are offset reproductions of Lichtenstein's 1964 triptych painting "As I Opened Fire" which is held in the Stedelijk Museum's permanent collection. Literature: "The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948-1997" - Corlett App. 5, page 324; "Lichtenstein Posters" - Döring/Osten No. 14, page 114. ABOUT THE FIRST EDITION "As I Opened Fire Poster...

Artist: Roy Lichtenstein Title: Reflections on Conversation Medium: Lithograph, screenprint, relief and metalized PVC collage with embossing on mould-made Somerset paper Year: 1990 E...

WHAAM! poster (diptych) 1963/1982 50 2/5 × 59 in 127.9 × 149.9 cm Offset Lithograph Limited Edition of 3000

Roy Lichtenstein's 'Haystack #4' is a lithograph and screenprint in colours on Arjomari paper. It is signed, dated, and numbered 73/100 in pencil in the printed white border below th...

Published by Rosenthal, Germany in 1990, this exquisite glazed porcelain plate is from an image created by Roy Lichtenstein.  The brilliantly coloured plate, accompanied by its origi...

Roy Lichtenstein Next Wave Festival Poster (Hand signed and dated), 1983-1997 Offset lithograph (Hand signed and dated by Roy Lichtenstein) Signed and dated ''97 in black ink on the front Published by Next Wave Production for the Brooklyn Academy...

Numbered in pencil, signed and dated '71. Published by Roy Lichtenstein and Gemini G.EL. Los Angeles, for the Museum of Modern Art New York. 4 colours in 5 runs, from 4 aluminium pla...

Created by the Art Production Fund in conjunction with the Estate of Roy Lichtenstein in 2013, this original screenprinted glossy paper plate contains a label (verso), stamped by the...

Artist: Roy Lichtenstein Title: Haystack #6 Portfolio: Haystack Medium: Lithograph and screenprint on Rives BFK paper Year: 1969 Edition: 41/100 Sheet Size: 20 1/2" x 30 3/4" Image S...

Artist: Roy Lichtenstein Title: Haystack #1 Portfolio: Haystack Medium: Lithograph and screenprint on Rives BFK paper Year: 1969 Edition: 46/100 Sheet Size: 20 1/2" x 30 3/4" Image S...

Artist: Roy Lichtenstein Title: Haystack #2 Portfolio: Haystack Medium: Lithograph and screenprint on Rives BFK paper Year: 1969 Edition: 46/100 Frame Size: 25" x 35" Sheet Size: 20 ...

Artist: Roy Lichtenstein Title: Haystack #5 Portfolio: Haystack Medium: Lithograph and screenprint on Rives BFK paper Year: 1969 Edition: 31/100 Sheet Size: 20 1/2" x 30 3/4" Image S...

An iconic image, WHAAM!, by Roy Lichtenstein was created as a colour lithograph on two panels in 1982 (based on the painting created by the artist in 1963). Each panel measures 25 ¼...

This Roy Lichtenstein woodcut from the Seven Apple Woodcuts portfolio is an electric take on the humble still life. Striated black brushstrokes sketch the outline of an apple, filled with graphic ribbons of colour that fall in folds towards the viewer. The black and grey background is suggested by a gestural stroke, which loops briefly behind the fruit to indicate its position in the scene, while the apple's shadow is cast in burgundy zigzags. Roy Lichtenstein first began painting brushstroke still lifes with apples in 1980. Petersburg Press approached Lichtenstein with the idea of making woodcuts in the traditional Japanese style -- on Japanese paper, with water based ink applied and printed by hand. The artist's brush stroke still life paintings and collages formed a basis for the Seven Apple Woodcuts portfolio, undertaken in 1982. While Lichtenstein focused on contemporary images in his art, he drew from art history for inspiration. Lichtenstein's studies for the portfolio were painted in simple, calligraphic strokes on clear mylar, mimicking the ink paintings and flattened perspective of traditional Japanese art. The collaged still life...

This Roy Lichtenstein woodcut from the Seven Apple Woodcuts portfolio is an electric take on the humble still life. Striated black brushstrokes sketch the outline of two apples, filled with yellow and red from left to right in graphic ribbons of colour that fall in folds towards the viewer. The background is suggested by a gestural stroke of graphite grey, which loops briefly behind the fruit to indicate its position in the scene. Roy Lichtenstein first began painting brushstroke still lifes with apples in 1980. Petersburg Press approached Lichtenstein with the idea of making woodcuts in the traditional Japanese style -- on Japanese paper, with water based ink applied and printed by hand. The artist's brush stroke still life paintings and collages formed a basis for the Seven Apple Woodcuts portfolio, undertaken in 1982. While Lichtenstein focused on contemporary images in his art, he drew from art history for inspiration. Lichtenstein's studies for the portfolio were painted in simple, calligraphic strokes on clear mylar, mimicking the ink paintings and flattened perspective of traditional Japanese art. The collaged still life...

This Roy Lichtenstein woodcut from the Seven Apple Woodcuts portfolio is an electric take on the humble still life. Striated black brushstrokes sketch the outline of two apples, filled with graphic ribbons of colour that fall in folds towards the viewer. The black background is suggested by a gestural stroke, which loops briefly behind the fruit to indicate its position in the scene. Roy Lichtenstein first began painting brushstroke still lifes with apples in 1980. Petersburg Press approached Lichtenstein with the idea of making woodcuts in the traditional Japanese style -- on Japanese paper, with water based ink applied and printed by hand. The artist's brush stroke still life paintings and collages formed a basis for the Seven Apple Woodcuts portfolio, undertaken in 1982. While Lichtenstein focused on contemporary images in his art, he drew from art history for inspiration. Lichtenstein's studies for the portfolio were painted in simple, calligraphic strokes on clear mylar, mimicking the ink paintings and flattened perspective of traditional Japanese art. The collaged still life...

Artist: Roy Lichtenstein Medium: Lithograph on white wove paper Title: Spray Can Portfolio: 1963 1¢ Life Year: 1963 Edition: 2000 Framed Size: 20 1/4 x 19 1/4 inches Sheet Size: 16" ...

Spectacular engraving of the great pop creator Roy Lichtenstein. When Lichtenstein has to capture his idea of freedom, he resorts to the ancient world, symbolised by the columns on t...

The third panel from Roy Lichtenstein''s "As I Opened Fire" triptych. The poster was published by the Stedelijk Musem, Amsterdam circa 1990. As I Ope...

Artist: Roy Lichtenstein Title: Girl Portfolio: 1963 1¢ Life Medium: Lithograph on white wove paper Date: 1963 Edition: 2000 Frame Size: 20 3/4" x 18 5/8" Sheet Size: 11 1/4" x 16 1/...

Set of 3 colour offset lithographs. The last panel is signed in pencil. Printed by Drukkerij Luii & Co., Amsterdam. Published by the Stedelijk Museum, Amsterdam.

Roy Lichtenstein Kiss II, Reversible Beach Blanket/Towel, 2013 Cotton Terry 59 × 70 × 3/10 inches Edition of 1000 Unframed Signed in plate, sticker label, attached Benday dot designe...

Roy Lichtenstein, ''Paper Plate'', serigraph, 1969, edition unknown, Corlett III.45. Printed in dark blue ink verso, ''Roy Lichtenstein © On 1st Inc. 1969''. A fine impression, on wh...

Artist''s Studio - Look Mickey is an vintage colour lithographic poster with printed text on glossy wove paper. It was printed by Manifesti Di Electra, Florence, publisher for the ...

Artist: Roy Lichtenstein Title: Mirror #5 Medium: Lithograph and screenprint on Arjomari paper Date: 1972 Edition: 3/80 Sheet Size: 43 3/4" x 33 1/4" Image Size: 34 1/4" x 24 1/4" Si...

Roy Lichtenstein ''Sandwich and Soda'' 1964 Screenprint in red and blue This work is unsigned and unnumbered part of an edition of 500 image: 483 by 585mm 19 by 23in sheet: 509 by 61...

Colour screenprint on silk sateen shirt. With the artist''s signature and date screenprinted and numbered 3/100 in ink, on the label. Printed by the Fabric Workshop, Philadelphia. Pu...

Haystack #5 Colour lithograph and screen print, 1969 Signed and dated in pencil (see photo) From: Haystack Series (seven plates) see photo of entire portfolio Signed and dated in pencil Edition: 100 (74/100) Publisher: Gemini G.E.L., Los Angeles, CA, with their blaindstamp Reference: Paul Bianchini No. 33e Corlett and Fine 69 Condition: Excellent Fresh colours Small paper imperfection in bottom margin near the edge of the sheet Image size: 13 1/4 x 23 3/8 inches Sheet size: 20 ¾ x 30 ¾ inches Frame size: 23 ½ x 33 ¾ inches This is one of the finest images in the portfolio, inspired by Claude Monet''s famous series of Haystack paintings created in the early 1890''s. In 1968–9 Lichtenstein made a series of paintings paraphrasing Claude Monet''s ‘Haystacks’ and ‘Rouen Cathedral’ paintings...

Screenprint and collage with embossing, 1976, on Rives BFK paper, signed and dated in pencil, one of nine artist’s proof, aside from the standard edition of 16, printed and published...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Repeated Design" *Signed, dated, and annotated by Lichtenstein in pencil lower right Year: 1969 Medium: Original Lithograph on Arches paper Limited edition: HC (a rare hors commerce impression aside from the standard edition of 100) Printer: Atelier Mourlot, New York, NY Publisher: The artist Lichtenstein himself, New York, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948-1997" - Corlett No. 90, page 110; Bianchini (1971), Cat. No. 36; Zerner (1975), Cat No. 31 Framing: Framed in a contemporary silver metal frame with archival matting and plexiglass Frame size: 21.25" x 45.25" Sheet size: 16.82" x 40.75" Image size: 12.07" x 35.94" Condition: In mint condition Notes: Provenance: private collection - Detroit, MI, acquired from an art gallery in New York, NY; likely private collection - New York, NY, acquired from DeLind Fine Art Gallery, Milwaukee, WI retaining their original gallery label on verso. Printed in 2 colours: yellow and black. Collaboration: Michel Tabard (printing); Paul Valette (proofing). As Henri Zerner ((1975), 15) has indicated, this print is also known as "Modern Triptych" or "Modern Print I". - Corlett page 110. Art Dealer William DeLind operated DeLind Fine Art Gallery in downtown Milwaukee, WI since 1969 carrying local Wisconsin artists such as Arnold Alaniz...

Roy Lichtenstein Moonscape Silkscreen from Banner, 1969 Silkscreen on fold out card. WIth additional (removable) sleeve with greeting and text from the Roy Lichtenstein Foundation 9 ...

Roy Lichtenstein The Equestrians (with official COA from the 1984 Olympic Committee), 1982 Limited Edition Offset Lithograph on Parsons Diploma Parchment Paper. Pencil Signed. With COA from Olympic Committee 24 × 36 inches Edition of 750 Hand-signed by artist, signed in pencil lower right; unnumbered Published by: United States Olympic Committee and Knapp Communications, Inc. Make sure when you buy this edition, it is accompanied by the COA from the publisher and Olympic Committee, as is the present work. For the Pop Art loving equestrian: The Red Horsemen (also called "The Equestrians") is one of a stated edition of 750 hand signed lithographic posters - although only about 200 are said to remain- published in 1982 to celebrate the 1984 Los Angeles Olympics. Accompanied by a letter of authenticity from the publisher and the Olympic Committee. However, according to a former executive of the publisher, once the original series of about 200 were sold, the rest were destroyed and never made available - which is why authenticated hand signed editions of this print, like the present work, are rarely seen. The Olympic Committee commissioned 15 nationally known artists, including to create unique designs to promote the event. This was Roy Lichtenstein's contribution to the portfolio. excellent provenance as it was acquired as part of the complete portfolio of limited edition hand signed Olympic prints...

From the "Paintings" Series. Published by Gemini G.E.L., Los Angeles. Hand signed, dated ''84 and numbered in pencil lower right. 8 colours in 11 runs, from 2 aluminium plates, 3 Bal...

Roy Lichtenstein Mermaid Original lithograph on Arches paper from the estate of one of the original donors to the sculpture. 8 Colour litho on pa...

Numbered, signed rf Lichtenstein and dated ''81 in pencil lower right margin. Blindstamp lower left Washington University Printmaking Workshop chop. Printed by Washington University ...

First edition hoarding printed in France for the Museum of Modern Art in New York.

Temple is a vintage offset lithograph print realised in 1964. Published by Leo Castelli Gallery in 1964. Distributed as a print and as a mailer, folded twice and with the text on t...

Roy Lichtenstein The Solomon R. Guggenheim Museum Poster, 1969, C.83 is a bright and vivid screenprint with a circular composition. The poster features a limited colour palette of red, green, yellow, and black. Lichtenstein’s “comic-book” style and his use of Ben Day...

Roy Lichtenstein Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-si...

Roy Lichtenstein''s ''Shipboard Girl'' (C. II.6) is a 1965 lithograph in colours, signed on the lower right. This work comes from an numbered series of ...

Merton of the cinema is a rare vintage screen print on silver foil realised by Roy Lichtenstein in 1968. Co-published by Lincoln Centre/List Post...

Roy Lichtenstein Girl With Spray can, from the Deluxe Artists and Collaborators edition of 1 Cent Life Portfolio, 1964 Lithograph splayed across two sheets on wove paper (Hand signed by Roy Lichtenstein on the front; back is a separate lithograph, "My Dear White Skeleton" hand signed by Oyvind Fahlstrom Frame included Edition 85/100 Pencil signed by Roy Lichtenstein on the lower right front; numbered 85/100 on the portfolio colophon; also pencil signed by Oyvind Fahlstrom on his print verso The Roy Lichtenstein and Oyvind Fahlstrom prints are pencil signed by the artist but not numbered. The entire portfolio is numbered 85/100 on the colophon page. A copy of the colophon page has been affixed to the back of the frame. Authenticity unconditionally guaranteed as this is the first time the works have been removed from the original signed portfolio acquired from the Estate of Robert Indiana Published by E.W. Kornfeld, Germany, Written by Walasse Ting, Edited by Sam Francis Collectors, dealers, auction houses, writers and, well, just about everyone in this business uses the word "iconic" so frequently, that the adjective has become hackneyed and counter-productive. And just like the fable of the boy who cried wolf, when a truly iconic work of art appears - like this hand signed Roy Lichtenstein...

Shipboard Girl is an offset lithograph printed in colours on wove paper, 1965, signed in pencil, from the edition of unknown size. This beautiful print is hand-signed by Roy Lichtenstein (New York, 1923 - New York, 1997) on the lower right margin. Published by Castelli Gallery, New York. The artwork represents the typical blonde American beauty that we commonly found in mass-produced comic books and mass media. The artwork is named for the beautiful girl aboard a luxury liner ship. The limited colour scheme of bold primary colours (red, yellow and black) and thick black lines allude to the mechanical production of commercial comic book imagery aimed at mass audiences. Reference : - CORLETT II.6. - Matera Universo Pop. Keith Haring, Robert Indiana, Roy Lichtenstein, Robert Rauschenberg, Andy Warhol...

Original "I LOVE LIBERTY"; Artist: Roy Lichtenstein. Size: 24" x 39" Roy Lichtenstein, I Love Liberty is an original vintage authentic 1982 post...

Original vintage exhibition poster for American Screenprints from the collection of Reba and Dave Williams held 30 January to 17 April 1993 at the Hunterian Art Gallery : University ...

This classic triptych by Roy Lichtenstein "As I Opened Fire" is beautifully printed onto 3 separate panels. There are many fakes and replicas of this ...

Screenprint, 1973, on wove paper, stamped initialled by Roy Lichtenstein, from the edition of 380, published by Galerie Beyeler, 40.5 x 25 cm. (16 x 10 in).

Roy Lichtenstein''s ''Morton A. Mort'' is a 1980 woodcut in colours with embossing on Arches Cover. Signed, dated and numbered to lower right ‘29/50 Roy Lichtenstein ''80’. This wor...

From Interior Series. Lithograph, woodcut, and screen print in colours on Museum Board. Hand signed, dated and numbered by Roy Lichtenstein. Published by Gemini G.E.L., Los Angeles...

Paper Size: 32.75 x 23.5 inches ( 83.185 x 59.69 cm ) Image Size: 23 x 20 inches ( 58.42 x 50.8 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

From Bonjour Max Ernst portfolio. Screen print in colours on Arches 88 paper. Hand signed, dated and numbered by Roy Lichtenstein. Printed by Tyler Graphics, New York. Published by Les Éditions Georges Visat, Paris. C. 137. Numbered 35/100 (there were also 12 artist''s proofs). Image size: 21.125 x 15.575 inches. Paper size: 26 x 21.575 inches All reasonable offers will be considered. About the Artist: Roy Lichtenstein (American, 1923–1997) was an artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben-Day dots—the method used by newspapers and comic strips to denote gradients and texture—Lichtenstein’s work mimicked the mechanical technique with his own hand on a much larger scale. He was a leading figure in establishing the Pop Art movement, along with Claes Oldenburg, Andy Warhol, and Jasper Johns. “I take a cliché and try to organise its forms to make it monumental. The difference is often not great, but it is crucial,” he once said of his work. Born on October 27, 1923 in New York, NY, he studied painting under Reginald Marsh at the Art Students League of New York after graduating from high school. Drafted by the US Army during World War II, while stationed in France, he notably encountered the works of European masters and contemporary artists. After the war, he returned to America and completed his degree at Ohio State University, producing paintings in the vein of Abstract Expressionism. Lichtenstein began teaching art at Rutgers University during the late 1950s, meeting fellow staff members involved in the New York art scene, including the performance artist Allan Kaprow. By the early 1960s, he had begun showing with Leo Castelli gallery in New York, and made major breakthroughs with works such as Drowning Girl...

Original vintage advertising poster for Merton of the Movies George S. Kaufman Marc Connelly Minnesota Theatre Company Tyrone Guthrie Theatre featuring a stunning design by the notab...

Numbered and signed rf Lichtenstein and dated ''75 in pencil lower right by the artist. Blindstamp Styria Studio chop lower right. From the America: The Third Century Portfolio. Publ...

Screen print in colours on Coventry Rag paper. Hand signed, dated and numbered by Roy Lichtenstein. Co-published by the artist and Ronald Feldman Fine Arts, Inc., New York. Corlett...