Bronze Sculptures

AN ORIENTALIST COLD-PAINTED BRONZE SCULPTURE OF A SNAKE CHARMER, FRANZ XAVER BERGMAN, 20TH CENTURY The central figure is portrayed in traditional robes and a turban, playing a flute...

French Art Deco bronze figure of reclining dog (German Shepard) on white onyx rectangular base (signed CHIPARUS) (1st quarter 20th Cent.)

This exquisite late 19th-century cold-painted bronze sculpture by Franz Bergman captures a moment of intimate revelation. The piece features a lady, adorned with intricate jewelry an...

Sculpture Tendences Bronze with all structure in solid bronze in brown finish. Base dimensions: L24xD20x0,5cm.

This delightful vintage sculpture by Victor Salmones is from the 80's. It sits on a black and white vintage variegated original marble base and the sculpture head is bronze while the bubble is chrome. The sculptors life span was from 1937-1989. The original worn felt remains on the bottom as well as the provenance sticker from Stair galleries...

Large bronze sculpture of a Ballerina, 180 cm high. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL Scultura di grande Balleri...

Elegant pair of Grand Tour oval gilt metal medallions featuring finely detailed classical profiles — one male and one female — in high relief. Executed with refined modeling characte...

An excellent early 20th Century Art Deco cold painted bronze figure of a young boy in shorts holding a book under his arm with his hands in his pockets. The bronze has excellent cold painted gilt colour and is raised on a rectangular shaped black marble base, signed F Preiss & with original Foundry label. This is the large version of this popular and sought after subject ADDITIONAL INFORMATION Height: 32.5 cm Width: 17 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Ivory Book Ref Ferdinand Preiss by Alberto Shayo Page No 130 SKU: 9274 ABOUT Sonny Boy...

Sculpture of St. Michael the Archangel in gilded bronze, 20th century. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL. Indicative shipping costs in Italy: 140€ and Europe: 240€. Tags: San Michele Arcangelo. San Miguel Arcángel...

Two Asian gilt bronze Teppanom kneeling Thai sacred angels. Bronze gilded temple guardians in a sitting position. These temple guardians were made in Th...

Bronze Burmese Buddhist statue lost wax casting Mandalay period (Burma) Myanmar. Beautiful example of Burmese Mandalay period bronze casting. Fluid gra...

Pierre Le Faguays (1892-1962) An Impressive and very large 43" high French Art Deco bronze figure of a young athletic man, adorned in scanty attire, almost nude, standing proudly atop a lofty and stylized rocky plinth. His stance exudes strength and confidence as he balances himself gracefully. With arms outstretched in a fluid movement, the sculptor portrays a sense of dynamic energy and prowess. Beautifully cast in a dark green, brown /black variegated patina. In his elevated grasp, the man holds a laurel wreath, raised high above his head. This symbol of victory and triumph represents the pinnacle of achievement. Through the artists eyes, it further conveys the athlete's exceptional skill and dedication to his craft. The artist's attention to detail and skillful execution breathe life into the sculpture, capturing the essence of athleticism and the human form. This remarkable bronze figure epitomizes the grace, power, and triumphant spirit of Olympic competition. It stands as a testament to the artistic brilliance and mastery of Pierre Le Faguays and serves as a timeless tribute to the pursuit of excellence in art as well as in sports. Bibliography : Bronzes, sculptors and founders by H. Berman, Abage, Vol 11, pg 425 Art Deco and other figures,by Bryan Catley,pgs 192-201 Art Deco sculpture by Victor Arwas, Academy Editions, 1992 pgs.121-127 Art Deco sculpture by Victor Arwas, Academy Editions,1975 pg. 38 Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs” by E. Benezit. Gründ 1999, pg 426 The dictionary of sculptors in bronze” by James Mackay, Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, by Jean Charles Hachet. --------------------------- Pierre Le Faguays, born 1892 in Nantes, France, gained renown for his innovative approach to sculpting dancers, drawing inspiration from the Tanagra statues. In 1927, he received a prestigious medal of honor for his exceptional work. A close companion of Max Le Verrier, Pierre collaborated extensively with the Le Verrier foundry, which produced numerous pieces of his art. In addition to his given name, he also employed two pseudonyms, Fayral and Guerbe, which were derived from the surnames of his mother and wife respectively. As a leading sculptor, Pierre's creations earned consistent praise for their exceptional craftsmanship and meticulous attention to anatomical precision. His artistic endeavors extended beyond sculpture, as he also designed pieces for Goldscheider in Paris, working under the label "La Stele." Pierre's versatility encompassed various mediums, including ivory, bronze, spelter, stone, wood, alabaster, and ceramics. Notably, he received artistic education alongside his friend Max Le Verrier, studying together at the Beaux Arts in Geneva. Throughout their lives, Pierre maintained strong friendships with both Marcel Bouraine and Max Le Verrier, with the latter's foundry being instrumental in producing many of Le Faguays' statues. The bond formed...

Pair of sculptures by unknown artist. Probably produced in Sweden. Signed “MR 66 15/20” and the other “MR 66 17/20”.

This sophisticated pair of Italian greyhound sculptures from the 1950s is crafted in green patinated bronze, showcasing the elegance and grace of these iconic dogs. The statues are i...

This artwork was created by the artist Jiro Sugawara, the title is "Male horizon" Jiro Sugawara is a post-war artist and he was born in Japon in 1941. He...

Bronze and marble abstract sculpture by jeweler and sculptor William De Lillo. These works (we have several by De Lillo) were done in Paris in the late 70’s.

This bronze sculpture in the taste of Rembrandt Bugatti is a expressive example of 20th-century animal art. This sculpture portrays a seated stork with elongated legs and a poised, c...

A 19th century French silver patinated bronze borzoi on a cream marble base. A beautiful depiction of this sleek handsome dog. In very good condition wit...

The elongated cast bronze sculpture of abstracted figures in a deep patinated brown show jagged figures together but separated in the conversation of life. They look away from each i...

Maitland Smith Victorian Style 19" Bronze Boy Bust Head Sculpture on Marble Base. Item features marble pedestal base, cast bronze figure, very nice details, great style and form, App...

Gaston Hauchecorne (1880-1945, France) : "The confidants" Lost wax cats dark nuanced green-brown patinated bronze sculpture showing two chinese woman wearing traditional costumes a...

Antique bronze sculpture of man reading a letter or proclamation. Marble base, 19th century. Unsigned.

Visionary architect and artist Paolo Soleri is well known for his experimental Community Arcosanti and the cast wind bells that were created to help fund it. Far more rare are unique...

Contemporary hand-forged bronze Brutalist-inspired figural sculpture depicting an obscure human figure in a supportive pose finished in an ebonized patina (PRICED EACH). (\"THE PILLA...

This bronze is a bust that depicts a pious Buddhist . Its wonderfully made and cast in a thick, heavy bronze. The piece has a very nice patina.

Art Deco bronze lamb bookends. Paul Silvestre. Marked: Silvestre, foundry mark, Susse Frères, Paris. Literature: This model is illustrated in "Animals in ...

An enigmatic late 19th Century bronze study of a seated female nude leaning on her knees, hiding her face, on integral naturalistic canted rectangular base, signed to one side DALOU above the cracked mirror (facing to the rear), the opposing side marked Susse Fres Edts the rear with Susse Freres pastille flanked by the letters H P and S. The title of this subject translates as 'The Truth Revealed' and refers to the young woman inconsolable having seen her true reflection in a mirror, which she has dropped and lies broken on the hard floor. ADDITIONAL INFORMATION Height: 14 cm Width: 12 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1890 Foundry: Susse Frères Paris Materials: Bronze SKU: 8790 ABOUT Aimé-Jules Dalou...

Art Deco Jacques Cartier horse bookends bronze sculpture. c 1925 France. A stunning pair of art deco stylized bookends. Silvered plated bronze Ar...

A large and quite lovely bronze by the noted French artist Anne Marie Paul (1949-2005). This piece is signed AM Paul and numbered 5/99 with a foundry m...

This is an interesting multiple artwork signed by the author Vanni Viviani, a well known artist of years 80' in Italy. This is a multiple of a numbered ...

Sculpture Dedication Bronze with all structure in solid bronze in brown finish. Base dimensions: L52xD12x01cm.

A cast bronze bust of a woman, signed by the artist and bearing the foundry mark Cire M. Pastori Perdue. Dating to the mid-20th century, the sculpture rises 19 inches high, its head ...

Exceptional pair of signed French bronze sculptures dating from the first half of the 20th century, depicting King Louis XIV of France and the Dauphin, both portrayed in magnificent ...

This bronze bust is inspired by the German avant-garde of the early 20th century. This unique piece combines art and history. The bust represents distinctive portrait style, known fo...

Wonderfully large "LOUIS XV VALET DE CHASSE" Bronze Sculpture by PJ Mene, Signed and dated in cast 1869. This is a large sculpture made of solid bronze, which weighs over 175 lbs....

Thoscene: Thoughts creating your forms We are all unique in our forms and expressions. Thoscene was created to celebrate our individuality and connectedness. We have a fascination with the impact of new technologies on design, architecture and consciousness. We are at the forefront of the parametric computational design processes and 3D fabrication techniques. For the past 8 years, we have been focused on how to develop and leverage these innovations to pave the way for the first truly personalized design experience. We created the Thoscene customization platform to help people connect more deeply with themselves. Thoscene is the generation engine of these forms inspired by you. Through the Thoscene platform, customers can order one of a kind art pieces that are based on personal inputs such as time, date and location of birth. Thoscene exists for clients to connect more deeply and have a truly personal virtual experience by tapping into the spirit of design oriented users. Thoscene stands to represent an emergence of the timeless with the infinite. Using your astrological data, natural patterns, and sacred geometries, This Thoscene sculpture reveals the relationship between form and our unique human experience.  Thoscene uses this data along with parametric modeling tools to bring people a truly personalized design experience. Through the Thoscene platform, cleints can order one of a kind art pieces that are based on personal inputs such as time, date and location of birth, or a mixture of your families data.  Thoscene stands to represent an emergence of the timeless and eternal with a singular goal to honor our connectedness and individuality. How It Works: 1.Choose the type and size 2.Let us know your month, day, and location of birth 4.We create and render your 3D based on your personal attributes   Thoscene uses your date of birth and forms an experience design, based ones propensity towards different character traits (based on your astrological and vedic data).   If someone’s chart shows that the person is more prone towards being more expressive or extroverted, the design will become more extroverted to the degree at which the expression exists.   The designs are expressed in six unique series, Fabri, Orthofract, Verahedra, Morphogen, and Spherical are based on natural geometries and phenomenology. Their combined forms coalesce into Singularity, whose theme reflects the inseparable relationship of the part to the whole.   These designs reflect the inner strength and boldness of every individual, inspiring a way of living...

French bronze 19th Century figure of woman wearing hat and holding umbrella on marble base (signed H. MULLER)

La Paesana bronze statuette Neapolitan school, early 1900.

Pair of figurative female bronze sculptures by listed Chicago sculptor Robert Winslow, circa 1970s. The small piece measures 3.75"W x 2.75"D x 5.5"H and...

Patinated bronze equestrian sculpture of a Jockey on a Horse in the manner of Isidore Bonheur. This is an unsigned rendition likely of an original French work created in the late 19...

This beautiful marble sculpture by Emile Gilioli is made of rose veined marble (white/pink). The sculpture is signed and dated on wooden base. "Emile Gilioli was born to a family on Italian shoemakers who had settled beside the Canal Saint-Martin. After the first World War, the family moved back towards Italy, settling in Nice. In 1932, Gilioli took courses at the Ecole des Arts Decoratifs de Nice, notably with the future artist Marie Raymond. During the Second World War, Gilioli was mobilized in Grenoble where he passed the remainder of the conflict. He made the acquaintance of Andry Fracy, a conservationist at the Grenoble Musee des baux-arts and led him to discover cubism. After the war, Gilioli settled in Saint-Martin-de-La-Cluze near Grenoble, where he sculpted in his workshop. His art was associated in a certain way with the deeds of the French Renaissance. He became friendly with Thomas Gleb...

A lovely brooch in gilt cast bronze made by French Parisian art jeweler Line Vautrin (1913-1997) circa 1940s. The brooch belongs to a collection called "The moon and the starts in th...

Decorate a shelf or desk with this fine antique bronze sculpture. Created in France circa 1880 and built of bronze, the farm animal stands on a flat brass base and depicts a sow snif...

Wonderful bronze by Jean François Injalbert c 1882.

Superb bronze sculpture with green patina hues by Gaston Hauchecorne, France 1920s. Representation of a Malay pirate holding on to the railing of a ship with on hand and to the steering with the other. Beautiful detailing in the hands, muscles and face. In very good condition. Dimensions in cm ( H x L x l ) : 18.5 x 36 x 12.5 Secure shipping. Hauchecome was the brother of the French consul in Imperial China, Armand Hauchecorne. At the turn of the century, he was a professor at Peking University. In the literature, he is also mentioned as the managing director of the consulate in Chongqing, as an interpreter in Beijing (1911) or as a "diplomat" in France (1940), who had "spent a large part of his working life in China". Hauchecome produced numerous sculptures with Chinese motifs in terracotta and bronze, some with a humorous undertone. He exhibited his works at the Exposition nationale coloniale de Marseille in 1922 and at several salons of the Société nationale des beaux-arts in the 1920s. Some of Hauchecome's bronzes were crafted by the Parisian sculpture...

After the original Benin bronzes, this statue depicts a large standing leopard with an upturned tail and unusually long legs, from the mid-20th century made in the same casting metho...

Pair of 21st century bronze sculptures, height: 240 cm French-style with a gilded finish, depicting a female figure holding a cup, often used as a lamp. Good condition

A wonderfully animated solid bronze leaping frog fountain sculpture, capturing the animal at the precise moment it launches towards the water. The frog is modelled in a dramatic ex...

Designed by marble atelier on•entropy, Green Pepe is a sculptural, glowing table lamp from the Holy Luz collection. It draws inspiration from the bioluminescence of Mycena chlorophos...

A wonderful French 19th century Louis XVI st. Ormolu, Patinated Bronze, and Black Belgian marble statue of 'La Fortuna'. Fortuna is raised on a mottled black Belgian marble pedestal ...

Multicolor marble mantel clock Clock movement from Le Roux Lion sculpture made of bronze, chromed, original patina Original Art Deco, France 1930s Dime...

A Chinese vintage bronze statuette depicting a scholar standing on a turtle. This Chinese bronze statuette, exquisitely crafted to depict an old ...

"Sferaperta" is part of a series of bronzes, 2 out of 8 made in 2003 the diameter of the bronze is 10 cm Placed on a black Belgium base measuring 8x8x4h cm The total height on base ...

A wonderful Grand Tour Neoclssical souvenir bronze after the famous 16th century bronze by Giambologna titled the Abduction of the Sabine woman. The bronze a=has has its original pat...

American Mid-century artist Harry Bertoia would spend his daylight hours working on the monumental public projects for which he is so well known. In the evenings though, after dinner...

A large massive bronze by the noted German born Israeli artist Tolla Inbar. Titled “Ambition” signed and dated 1998. It is numbered 5/9 although were not quite sure how many in this ...

Maitland Smith Bronze Monkey Elephant Palm Tree Sculpture Candle Holder - a Pair. Item features a large impressive size, cast bronze figur...

Graceful even when standing still the Bronze Sequined Dancing Woman on Marble Base is a striking addition to any setting. Using traditional lost wax casting methods the Bronze Dancin...

Dancer by Demétre Chiparus (1886 - 1947) Large chrysoelephantine sculpture in gilt bronze Marble base. Signed "D. H. Chiparus". Measures: 52 cms. alt. total and 17 cms. diam. base...

A French 19th century bronze and marble bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Circa: 1890-1900. Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honor in town halls and law courts. She is depicted in the Triumph of the Republic, a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression. Other national symbols of Republican France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, the national anthem "La Marseillaise", the coat of arms, and the official Great Seal of France. Marianne also wore a Cockade and a red Phrygian cap symbolizing Liberty. Minerva and its pendant bust of Mars evoke the classicizing subjects, bust-length formats, and style that originated in France during the reign of Louis XIV (1643–1715) and that concurrently was popularized across Europe. The busts' simple forms, stiff poses, and solemn facial types are consistent with the late Baroque sculptures that were carved in Flanders during this period. In Flanders, especially in Antwerp and Brussels, sculpture and architectural decoration traditionally was carved using combinations of native black marble (noir belge), mottled red marble (rouge belge), and white marble or alabaster. The use of these stones in colorful counterpoint speaks most strongly to the busts’ Flemish origins. The veneration of ideal heroes and heroines in ancient costume and arms took on extravagant form in the 17th century, with countless variations. Within this imaginative tradition, the identification of the pair as Minerva and Mars cannot be certain. The female bust, for example, could be identified as Bellona, Roman goddess of war, who is depicted in 17th and 18th century French paintings wearing flamboyantly plumed helmets and low-cut cuirasses that expose her breasts. Whatever their identities, the female and male warriors are portrayed as calm rather than bellicose beings. The sovereign pair does...