Steel Sculptures

Assemblage No.04 is a captivating statement piece. Heavy, Rough and impenetrable, this sculpture is a testament to Jim Rose's work. Meticulously crafted, artist Jim Rose was a master...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure No. 245 repurposed painted steel 6.50h x 8w x 3d in 16.51h x 20.32w x 7.62d cm JR0333 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This deer sculpture by Laster, signed and dated 1982, combines formal rigor and power, unfolding an almost devotional space around it At night with the light the shadows of the scul...

COAT RACK J.M. Szymanski d. 2017 This unique coat stand is contemporary sculpture. A solid cast sphere supports a slender stand, which can hold between 5-...

Vessel No 4. J.M. Szymanski d. 2024 Blackened and waxed iron This is a unique architectural object made entirely of iron. J.M. Szymanski uses a unique process of metal sculpting to ...

This stunning Brutalist Steel Sculpture in Oil and Waxed Finish is by the artist Jan Van Deckter and originates from the United States, Circa 1970. Features a towering composition in...

Sonic sculpture of torch-cut and polychromed steel, fused bronze, solvent dyes, and glass enamel. An elongated version of "Meteor Storm" that can serve as a screen or divider. A 2019...

Exceptional African wood carving ,mounted on custom-made steel base of women graciously looking forward, beautiful facial expression, and very ni...

James Bearden monumental floor sculpture "Figure with Red" Cathedral Series 2010. This piece has never been on the market. Obtained directly from the artist in 2010 and has remained in the private collection of Rod Parks, owner of Retro Inferno...

"Multi-Level Dwelling," a sculpture of blackened, textured steel, by Des Moines artist James Anthony Bearden (1964). Part of his cathedral series. With a certificate of authenticity ...

Painted steel fire screen of a flower girl with a basket in one hand and a flower in the other. The arms and legs articulate and the figure can be positioned in different poses. Moun...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has welded together various metal pieces to...

Masterfully handcrafted in Italy, Kazimir is not only a perfect divider for a Minimalist or Classic rooms, but also a symbolic bridge, linking design to art, functionality to decorat...

This round stone disc originated in Shanxi province as an early 20th-century threshing wheel. Secured to a wooden axel that ran through the center, the stone was rolled across stalks...

Large scale welded chromium-plated steel salvaged car parts sculpture by artist Jason Seley (1919-1983). Signed by the artist. Rectangular base measures roughly 18" x 10".

All our TOTEM sculptures are hand carved in Southern Africa from sustainable alien timber by a group of Zimbabwean artists who set their own prices, thus making them fair trade. We t...

Toro Steel Measures: 36 x 12 x 14 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon...

Man and Woman welded steel Measures: 2 x 24 x 14 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure #168 found steel with natural rust patina and paint 6h x 4.50w x 2.50d in 15.24h x 11.43w x 6.35d cm Jim Rose b. 1966 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery...

This composition of the artist Franck Cota is a pure creation of Brutalist design, whose balance is achieved through its verticality. The sculpture is made of metal elements, some of...

Whimsical abstract steel trivet by New York artist Albert Leon Wilson 1977 Nude figure cut from steel and titled "Weight Lifter" Designed for use as a trivet with a stand alone scul...

Very unusual sculpture of a leopard, painstakingly formed by welding stock steel washers into its exquisite seated pose, having a gilded finish. ...

“Mystical Galaxy Chimes,” a kinetic sounding sculpture in patinated and gold gilded steel, and glass enamel, with a reference to Gustav Klimt. From the Cathedral series by American artist James Bearden, 2017. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine...

Impressive freestanding Brutalist sculpture in the manner of Jere, Evans, unsigned. The piece has an organic form top (10 inch in diameter,) which stands on metal rods, which are att...

Candelabra of blackened and 24-karat gold gilded steel, with the aspect of an extra-terrestrial or futuristic cityscape. By American artist James Bearden. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine...

Represented by Tuleste Factory Alma 2019 by CEU L 74.8" x H 72" Aged wood sculpture with steel base. One of a kind. Shipping is not included....

Late 1960s Brutalist steel sculpture depicting abstracted figures by Arizona artist Agnese Udinotti.

SALE ONE WEEK ONLY UNTITLED is an abstract blackened steel sculpture that has a continuous lively movement. The positioning of the heavy metal is suggestive of dance. There are similarities to the sculptors, Robert Sestok and Tony Smith, who both worked in bronze and painted steel with similar cut out pieces and abstract designs. Untitled has a joyous aura and its small size makes it a charming intimate piece. It might have been a maquette for a much larger piece. The design works in this 14" height as it would in a 14' height. There is a Letter of Certification that will accompany the sculpture. Tony Rosenthal (1914 - 2009) is best known for creating a staggering list of monumental public art sculptures. For over seven decades Tony Rosenthal created an arc of sculpture in a variety of sizes, styles and media, including wood, steel, bronze, brass, cement and aluminum. Every day millions see, enjoy and interact with art created by Rosenthal in cities around the world. In New York City alone, five Rosenthal public art sculptures have been beloved and visible 24/7 for over four decades, yet Rosenthal is not a household name. Art dealer Joseph K. Levene, told The New York Times, Tony Rosenthal "reminds me of a character actor. You know the face but not the name. With him, you know the art." Tony Rosenthal dedicated his life to creating art and actively created sculpture everyday in his Southampton, New York studio until he passed away at the age of 94, July 28, 2009. At nine Rosenthal learned the fundamentals of carving sculpture when his mother, an opera singer enrolled him in children's classes at the Art Institute of Chicago where he learned how to carve sculptures in soap. In 1936 Rosenthal earned a B.F.A. from the University of Michigan, and in 1952 became the first instructor of sculpture at the University of California, Los Angeles. In 1950 Rosenthal was recipient of the San Francisco Museum of Modern Art’s sculpture award; in 1967, Rosenthal received the outstanding achievement award from the University of Michigan and in 1963 a Ford Foundation Grant. 
After graduating from the University of Michigan, Rosenthal became studio assistant to Alexander Archipenko, the figurative master sculptor, casting bronzes in exchange for sculpture lessons; at night, Rosenthal taught evening classes in drawing and sculpture. In 1939, Rosenthal enrolled at Cranbrook Academy of Art, studying with Carl Milles, Cranbrook's sculptor in residence; there, Rosenthal forged friendships with husband and wife designers Charles Eames and Ray Eames and the sculptor Lilian Swann Saarinen the wife of architect, Eero Saarinen.   Decades later Rosenthal acknowledged his gratitude to Cranbrook by donating his archives to them. The Cranbrook Cube, 1984, a 90" painted aluminum cube is in the Cranbrook Museum collection. In 1942, Rosenthal was drafted into the U.S. Army; while stationed in Paris Rosenthal forged friendships with George Braque, Andre Derain, Le Corbusier and Constantin Brancusi, routinely organizing and accompanying groups of soldiers on studio visits. Through multiple visits to Brancusi's Paris studio, Rosenthal learned to create and forge metal sculpture...

Tree in the Jere Artisan house " raindrops " style . Many varying sizes of sheet metal discs welded to steel wire branches . On this tree the steel branches are attached to natural ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here, a beautifully rusted tobacco box, a steel egg...

Jim Rose Standing found industrial objects 41h x 10w x 10d in 104.14h x 25.40w x 25.40d cm JR0355 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

Using entirely found and collected steel objects, this sculpture shows the beauty of repurposed steel. Meticulously crafted, artist Jim Rose was a master welder as well as artistic c...

Studio made artist signed Brutalist cut steel abstract standing sculpture standing on 14 x 17" square metal base plate. Paul Evans Erwine &...

Sheet metal, spot-welded cactus sculpture in the perfect state of rust + paint, de-evolution…faded to the softest blue/green…beaten and battered by the natural elements and ready to ...

A wonderful large kinetic sculpture by the noted Minnesota artist Bruce Stillman. We've been fortunate to own quite a few of Mr. Stillman's works over the years and have always enjoy...

Prismania room divider by Elise Luttik Limited Edition Dimensions: D 21 x W 70 x H 165 cm Materials: Acrylic with dichroic film. The screen is topped by arches. To Elise Luttik the arches embody a door to a different world. The transparent screen shows engraving inspired by antique crystal glasses...

Totem N°3, monumental sculpture by Michel Lucotte. Unique piece. Bears M Lucotte’s “L” stamp. Dated 1975 on the underside. Welded and fire-blackened steel. Sold with certificate. H...

Huge, one of a kind acrylic resin skull. Mounted to a light box and base with handles for moving. There is a cavity inside the skull in which a light can ...

"Pod Box on Stand," a sculptural work in patinated steel and fused bronze by Des Moines, Iowa artist James Bearden. The hinged and abstractly naturalistic...

City welded steel Measures: 18 x 22 x 14-1/2 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon...

Larry Mohr (American / New York 1921-2013), "Marquette" 2005, metal and chrome abstract geometric sculpture, signed, numbered 3/8. and dated to lower edge of base. Larry Mohr (1921-...

Vintage wire spray table sculpture in the manner of Harry Bertoia circa 1970s Executed in fine steel wires with fluid kinetic movement on a rare black marble base Unmarked 29 inch...

Circa 1970. We offer this Sergio Bustamante style mixed metal Peacock sculpture. With his graphic design of curled metal going in different directions around his body this sculpture ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has taken heavy gauge wire and formed it into a simple dog and placed it upon a salvaged steel cylinder. These repurposed items combine to form this small simple sculpture that will sure to bring a smile to its owner. Jim Rose Objects No. 04 Found and Collected Objects 6.50h x 6w x 10.50d in 16.51h x 15.24w x 26.67d cm JR0291 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2023 Jim Rose CODA, Gallery Victor, Chicago, IL 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2023 Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor, Metropolitan Pavilion, New York, NY 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Stunning 1970's Mid-Century Modern large floor steel Brutalist sculpture designed by Silas Seandel, in vintage original condition with some wear and patina due to age and use.

Table No. 14 - side table J.M. Szymanski d. 2021 An abstract form moves organically through this unique work of art. The form ends in legs that “drip” to the floor. Solid 3/8” ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, found steel objects are welded together to ...

Succession welded steel Measures: 6-1/4 x 13-1/2 x 5-1/2 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The Industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is Primitive. It exists because it is sacred. Biography: Scott Gordon...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn...

"Biblio John"; steel bookcase by Stephane Ducatteau, signed by artist, France, 2011 This bookcase rejects the idea that books and magazines should either ...

Stunning oversize 1960s welded steel modernist sculpture. In vintage original condition with some wear and patina.

Metal Art of a Tank c1970 Introducing a stunning piece of artisan craftsmanship that transcends mere decoration: a handmade scrap metal tank from the 1970s, skill-fully assembled fro...

This is an amazing abstract freeform natural organic teak wood sculpture. A very impressive and large piece of art. Mounted to a wood base.

An Exceptional Calder Style Mobile Sculpture, Great Scale And Color. In the style of Alexander Calder. This piece also appears to be inspired by the works of contemporary American s...

This round stone disc originated in Shanxi province as an early 20th-century threshing wheel. Secured to a wooden axel that ran through the center, the stone was rolled across stalks...

Period French Empire Bronze Doré and Patinated Clock Depicting Atlas with original gilt edged and velvet lined case. Atlas son of Titan, from Greek mythology is holding the clock on ...

Miguel Ortiz Berrocal Sculpture Astronaut (Homage a Jules Verne) 1979-1980 Offered for sale is a mechanical puzzle sculpture by Spanish artist Miguel Ortiz Berrocal (1933-2006) tit...

Multi-plane sculpture by Harry Bertoia made of steel and molten brass. This was a working model for a large commission installation of ten sculptures ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

Rare Del Filardi Wall Art Sculpture in welded Cor-Ten steel, signed and dated. Del Filardi owned and operated with her partner Harriet Rubin Blue Heron ...

Tensegrity System Structure #46 by Guillaume Chausse 2015 Limited Edition, No. 1 of 8 Signed & Dated by Guillaume Chausse Steel & Wire

Caravan welded steel Measures: 8 x 16 x 15 in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imp...

This uncommon Jere sculpture is comprised of chromed steel 'spores' that together form an urchin or pom-pom figure at the top. A combination of brass and chromed steel rods with stee...

Assemblage No.02 is a captivating statement piece. Heavy, Rough and impenetrable, this sculpture is a testament to Jim Rose's work. Meticulously crafted, artist Jim Rose was a master...

Vintage vice powder-coated in bright yellow. Just look at this antique vice which has been painted in "bright sunshine yellow". The tool vice is made in ...

Rare welded steel sculpture with two bowl forms and coil detail, signed Ann Sperry. Ann Sperry's (1934-2009) distinctive style blends industrial materials with organic, abstract fo...

Original artwork. One-of-a-kind. Found in the wild. Welded steel bars with new powder coated paint. It has a Frank Lloyd Wright / Bruce Goff design influence. It was found with some surface rust / pitting at the base (please see before after...

Pair of antelope bookends: the antelopes are in bronze, the bases are in bronze colour patinated steel  Art Deco Wear of time on the patina Height 24 cm 14.5 x 9.5cm

An exceptional and large work that demands attention. The abstract sculpture features a large and heavy mounted piece of exotic wood. Unmarked, circa 1970s In the style of Wendell...

Really cool and unique abstract solid steel with brass welded rods wall sculpture can be hung in many positions. it can be used as a wine rack.

Mocap (moonwalk) Illusionistic wall clock Design: JAN PAUL “Time is an illusion” Most wall-clocks have the same basic shape: round. Also the...

Nice and rare sculpture by Curtis Jere, circa 1990 signed and dated, solid raw steel with original patina and oxidation, sitting on solid marble cylinder base.

Mounted Specimen: Apophyllite, Stilbite, Chalcedony #L9W Dimensions: 6 x 8.5 x 2.5 in. / 15 x 22 x 6 cm Height on custom display stand: 9 in. / 23 c...