Steel Sculptures

A striking vintage Coastal original steel sculpture. A monumental lobster in a torch cut metal. A brilliant gold finish on a gorgeous wood plinth. Acquired from a Palm Beach estate.

Very nice iron sculpture designed by Theo Niermeijer (1940-2005) Amsterdam, 1970. This large and heavy sculpture is made of oxidized metal, cut and welded into this abstract modern s...

Beautiful 1980s Polish stainless steel and black powder coated steel sculpture. The stainless steel cylinders are all different sizes and are arr...

Cloud sculpture is conceived, designed and created by award-winning artist and architectural designer Michael Olshefski of Primal Modern. Inspired by the ethereal beauty of clouds, t...

A large antique patent clay tile of the Meeting of Ulysses by R. Davies & Co. The perfect decorative piece for a period property looking to add eleganc...

This is an important Welded Steel Wire Brush Sculpture (bundled wire), executed by Harry Bertoia ca. 1965. Bertoia personally developed this method of ...

Steel boy and girl figures "Guild on Innocence created by Sonja Oudendijk ( the Netherlands 1958)." These sculptures were commissioned by Manifes...

Metal rings were used to create the unusual stepped sculpture, shown here, from Italy c. 1970s. Arranged in ascending and descending order, ...

This collection of early 20th-century English theatre spotlight lenses, mounted on bespoke steel frames, captures the essence of dramatic lighting. Avail...

A mounted antique carved wooden mould from the Tucker collection. This is one of many moulds we are selling from this vast collection assembled by British make-up artist, Christopher...

This antique terracotta brick was reputedly found in the garden of a Tudor manor house in Surrey near London. It details a pair of Tudor style...

Patinated steel Sculpture by Robert Couturier (1905-2008) made as Homage to Rodin. It depicts a man facing a woman. Signed "Couturier 2/3." Robert...

A mounted antique carved wooden mould from the Tucker collection. This is one of many moulds we are selling from this vast collection assembled by British make-up artist, Christopher Tucker. Dating from the late 18th to mid 19th centuries, this wooden mould has been exceptionally hand carved by talented Victorian artisans, these elaborate details originally used to cast details in composition for the frames of pictures and paintings. This mould is inscribed with design number 4968 to the front and features a beautiful design deeply carved into the wood. This results in a highly ornate and precise compo embellishment that appears as though it has been carved rather than cast. The wooden mould comes with an accompanying custom-made steel display stand. Christopher Tucker Christopher Tucker (1941-2022) was an award-winning British make-up artist, specialising in prosthetics for theatre and film. Over his vast career, Tucker worked on a number of famous film and theatrical sets, creating prosthetics for the likes of The Phantom of the Opera, Star Wars and The Company of Wolves as well as the spectacular transformation of John Hurt into The Elephant Man. Following Tucker’s death in 2022, his expansive collection of film memorabilia...

Nautilus sculpture by award-winning artist Michael Olshefski of Primal Modern. Michael brings to life the lines and patterns of an old-world map illustra...

Two arches enclose and enhance stacks of books gently suspended from a light and resistant structure. Designed by Enrico Girotti LateB is a sculptural bookcase available in a paint...

Thomas Lollar earned his BFA and MA at Western Michigan University, and has been teaching ceramics and sculpture since 1975. A master sculptor, his subjects are rendered in both fron...

Very rare Brutalist steel sculpture by Pal Kepenyes. Signed on base. A sculptor from Hungary who was nationalized Mexican, Pal Kepenyes resi...

A unique standing sculpture made of steel rods with projecting, formed angled shapes and protrusions.  

Sculpture designed by artist Ignacio Hornillos and made of pink marble with metallic appliqué. BIO: Ignacio Hornillos Cárdenas is a PhD architect born in Madrid in 1985, with a Mas...

"Horselaugh" by Debbie Korbel Hand-Made Stainless Steel Sculpture Mounted on A Black Steel Post The Horse Is Welded To The Steel Stand, And Free-Standing Wire Tail One of A Kind...

Abstract Chromed Steel Sculpture by Thibaud Weisz, France, c. 1950 Graphic, minimalist sculpture, reminiscent of a skyscraper.

Sculpture made of steel forge.

Vintage Thomas C. Hicks Jr. Steel and Stone Sculpture About The Artwork Born in Amarillo, TX in 1927, Tommy graduated from West Texas State University in 1952. When he was 45 year...

Vissio is delighted to announce the launch of 2B1G, a new series of limited-edition works produced in collaboration by: Héctor Esrawe, Emiliano Godoy, and Brian Thoreen. 2B1G (2 ...

Very nice iron sculpture designed by Theo Niermeijer (1940-2005) Amsterdam, 1970. This large and heavy sculpture is made of oxidized metal, bent and welded into this abstract modern ...

Tiles like these have decorated the floors of notable English buildings for centuries. But while many have become steadily worn and weathered away by footfall, these four armorial tiles are a rare find, having remained in beautiful condition for more than 150 years. Dating from the mid 19th century, these four reclaimed tiles are mounted on a bespoke steel...

With this captivating white marble sculpture, Cesare Arduini has continued his masterful exploration of space, his play of the balance between positive and negative space. Unique ...

Ibaiadar Unique steel sculpture, signed "Akixo" Pays Basque, 2012.

This is for a set of three steel oxidated cubes designed and made by Anne Rose Regenboog, Den Haag 2015. These cubes are made of steel and are finished with oxidation to provoke the ...

This 20th century antique style plaster plaque depicts a bucranium in striking high relief. Symbolic of Greek and Roman architecture, a bucranium is a decorative motif of an ox or bull skull among swags and garlands of foliage. This embellishment was commonly used in classical architecture and Doric temples of ancient Rome and later during a neoclassical revival in the late Georgian period. This 20th century plaster depiction is an intricate example of the bucranium, modelled in plaster in high relief and mounted on a bespoke steel stand for display...

Claude Viseux est un peintre, sculpteur et graveur aquafortiste et lithographe français né le 3 juillet 1927 à Champagne-sur-Oise et mort le 9 novembre 2008 à Anglet. 'est dans les années 1959-1960 que la sculpture de Claude Viseux, qualifiée de « protéiforme, onirique, fantastique » — ami de Max Ernst, Man Ray, Francis Ponge et Henri Michaux, il ne désavoue pas une parenté avec le Surréalisme9 — se substitue à la peinture, ses premières réalisations étant les objets trouvés en bord de mer qu'il pétrifie dans la cire10 d'une part, les empreintes de pierres et d'algues coulées en bronze d'autre part. En 1960, il signe le Manifeste des 121 titré « Déclaration sur le droit à l’insoumission dans la guerre d’Algérie ». En 1961, ses expérimentations s'orientent vers les corps organiques, notamment avec sa série Ostéales constituée d'assemblages d'os fossilisés qu'il patine ou au contraire décape, qu'il visse, scie, assemble et plastifie. Les Concrétudes ou Coulées directes qui suivent en 1961-1962 sont obtenues à partir de coulées de métal en fusion dans le sable, générant des reliefs qu'il soude sur des plaques d'acier. Il va cependant adopter rapidement l'acier inoxydable — qu'il est avec Pol Bury parmi les premiers à employer en sculpture — comme matériau de prédilection. « Il assemble divers rebus industriels — tuyaux, écrous, boulons, cuves… — pour créer des sculptures à mi-chemin du mécanique et du biologique » restitue ainsi Sophie Serra11. Claude Viseux, qui fréquente alors Jean Tinguely, Piotr Kowalski, Michel Guino, Takis et César, confirme : « Ma récupération de l'élément industriel s'élargit vers les aciers spéciaux, avec un essai de vocabulaire formel : des barres, des profilés, des sphères, des rotules, des fonds de cuves, des chambres à combustion de Boeing, des tubulures, des soupapes de navire »9. « L'artiste entre au cœur de la réalité industrielle, prospecte dans les chaînes de montage de Renault et rôde dans les terrains vaques autour des usines », restitue donc l'encyclopédie Les Muses : « il récupère ferrailles, pièces détachées, débris de voitures, vieux châssis, toute une série d'éléments devenus inutiles. Ils les assemblent, tels quels, sans les modifier. Des créatures agressives ou pathétiques vont surgir de ce combat physique et dialectique que l'artiste livre avec la matière et entrer dans le domaine d'une poétique étrange, surnaturelle5 ». Dans les années 1967-1970, Les « structures actives » en acier inoxydable procèdent ainsi de la production industrielle de série. Elles se répartissent en familles de formes combinatoires composées par addition, soustraction, multiplication, division. Il confirme : « le monde industriel est ma nature, mon bouillon de culture, où je cherche des corps, des familles de corps, des genres, des espèces, dans un aller-retour de l'artificiel au naturel pour confondre les règnes, pour en inventer d'autres selon une géométrie organique qui féconde les différents types de structures, qui aménage la forme concernée par la forme à venir »9. En 1968, Claude Viseux s'installe à la villa Baudran à Arcueil, atelier qu'il conservera jusqu'en 1992. Si des corps imaginaires naissent ainsi des pièces mécaniques que Claude Viseux emprunte à l'automobile, à l'avion et au bateau, en 1972, « la symétrie de ces formes pures en inox », constate Lydia Harambourg, « l'amène à s'interroger sur la notion d'équilibre instable »12. Ses Instables sont de la sorte exposés à la Biennale de Venise en 1972 où, rappelle encore Lydia Harambourg, une salle entière est consacrée « aux dessins qui reprennent son vocabulaire mécanique identitaire de sphères, toupies, hélices, anneaux, astrolabes et balanciers »12. Les Instables sont de même, en 1973, présentés à la galerie Le Point cardinal à Paris où Claude Viseux avait déjà exposé en 1968 avec Henri Michaux et Joaquin Ferrer...

O/5003 - Unusual and elegant tree shaped Table led lamp, one of the first led lamp, created by the young artist Salih Mehci, very famous in France for his incredible huge lightwe...

This antique mosaic on stand is a fragment from history. It was reclaimed from a building in the southeast of England and includes a bespoke steel stand ...

Rare and unique clasped hands sculpture on a marble base. The hands are executed in nickel over steel and have the presence of a great sculpture and the ...

Large light made into a star by Stella McCartney. This incredible piece gives off a huge amount of light. Made with 30 fluorescent tubes, each tube easily replaces when needed. A rea...

Though corbels are conventionally used as an architectural fixture, this pair of antique corbels are too beautiful to simply sit on a wall or ceiling. Instead, they have been repurposed as sculpture, brought to life on bespoke steel stands to allow the intricacy of their design to be enjoyed and observed up close on a table, shelf or column. Dating from the late 19th century, these large corbels...

Skulpture Natur by Markus Friedrich Staab One of a Kind Dimensions: D 8 x W 22 x H 47 cm. Materials: Wood, paint, steel. Wood connections from Estonia, steel bars, and wood base pai...

Antique Armorial door Escutcheon plate. A white metal armorial door escutcheon plate with engraved detail, featuring the City of Londons lion cre...

Large Acacia sculpture on metal plinth. This stunning slice of Acacia arrives from the Philippines from a fallen tree, so as not to cause any deforestation or upset the natural or...

19th Century Mounted York Stone Finial. An antique York stone finial mounted on a modern lacquered steel stand. Additional Dimensions Base 15 cm x 15 cm

A three-dimensional sculpture of a flock of geese flying in front of the Moon, Mercury, and Mars.

WAGASA COLLECTION In flowing water the gold, strand of brightness and history, at the birth of the new world in motion. In infinite movement, protection meets gold, the rich Asia...

Antique carved walnut figural relief. A carved walnut figural relief depicting a lady swathed in drapery with flowers, possibly Flemish.

SCULPTURE SERIES RECONTO “Happiest will be the one who hears the poet sing love in the square of the reunion.” Junior A. Magrafil Through the squares of the interior of Minas Gerai...

Sculpture designed by Lars Erik Falk, Sweden, 1990s. Lacquered steel. Signed. Measures: H: 18 cm / 7'' W: 55 cm / 21 3/4'' Provenance: From the artist's estate.

Contemporary American ceramic artists Richard Hirsch and Ken Baskin Ladle Presentation Sculpture was created in 2011. This piece is made of soda fired stoneware, saggar fired brick and steel. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer, Ken Baskin said; "Working collaboratively is based upon a spirit of dedication and generosity, excellent communication, similar levels of ability and an alignment of passion and vision. Most importantly, the group must have mutual trust and respect. Without question, we all hold each other in the highest esteem. I have the utmost respect for everyone involved in The Crucible Project." This sculpture is signed by both artists and ships directly from the Crucible Show inventory located in Montevello, Al. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "Outside In, Collaboration" pgs. 106 - 121 / "Ladle Presentation" pictured on pg. 119) Richard Hirsch Brief Bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics. Frequently his work appears in book and magazine publications, such as; Overseas Contemporary Ceramic Art Classics by Baiming, China; Raku Investigations into Fire by David Jones, England; The History of American Ceramics from 1607 to the Present by Elaine Levin, New York; World Contemporary Ceramics by Baiming, China; and Firing, Philosophies within Contemporary Ceramic Practice by David Jones, England. Several museums have included his work for their permanent collections. These include; The Carnegie Museum of Art, Pittsburgh; The Renwick Gallery, Smithsonian Institute, Washington DC; The High Museum of Art, Atlanta; The Everson Museum of Art, Syracuse; The Nelson-Atkins Museum of Art, Kansas City, Missouri; The Taipei County Yinko Ceramics Museum, Taipei, Taiwan; and the George R. Gardiner Museum of Ceramic Art, Toronto, Canada. In 1984, Hirsch was elected as a permanent member of The International Ceramics Academy, a worldwide organization headquartered in Geneva, Switzerland. A recipient of a William J. Fulbright Research Scholar Award in 2002, Hirsch has also received several Individual Artists Grants. Most recently he was honored by The Rochester Institute of Technology, with the Board of Trustees' Outstanding Scholarship Award. Recently Hirsch collaborated with Dr. Scott Meyer on his biography, the book is entitled With Fire: Richard Hirsch and is published by The Cary Graphic Arts Press at RIT, ISBN-13: 978-1-933360-97-3. Amid the ever-shifting sands of change and new trends that is prevalent in contemporary ceramics, Richard Hirsch has maintained his steadfast personal aesthetic and continues to make a significant contribution to his field. Ken Baskin Brief Bio: Kenneth Baskin received his BFA from College for Creative Studies in Detroit, Michigan and earned his MFA from University of South Carolina. Presently he holds the position of Associate Professor of Art/Ceramics at McNeese State University in Lake Charles, Louisiana. In 2007 Baskin was honored as one of the recipients of one of the National Council on Education in the Ceramic Arts (NCECA) Emerging Artist Awards. Recently he was honored by being selected for a solo exhibition of his ceramic sculptures at the Taipei County Yingge Ceramics Museum, Taipei, Taiwan; in conjunction with this exhibition he was also invited as a visiting artist, workshop instructor and lecturer at: Tainan National University of the Arts in Tainan, Taiwan and National Taiwan University of the Arts in Taipei. Baskin’s work has also been included in numerous group and solo exhibitions both nationally and internationally. Baskin’s creative research was the topic for an essay titled “20th Century...

Steel and ceramic sculpture

A statuette awarded in the 2013 edition of the Baja International Film Festival in Los Cabos, México. This is a patinated steel sculpture by Mexican artist Gabriel Macotela. The sculpture is signed on the base and the silver plastic plaque under it. Gabriel Macotela was born in Guadalajara, Jalisco in 1954. He is a painter, sculptor, engraver, scenographer, book editor and musician. He attended the National School of Plastic Arts (Academia de San Carlos), where he studied under Gilberto Aceves...

A concrete bridge sculpture by Mexican artist Víktor Martínez. The sculpture features interesting graffiti art. Signed and dated 2013.

For its premiere collection, exhibited at the 2011 Milan furniture fair, Oeuffice proposed “totems for living”, a series of monolithic objects that dominate the habitat, yet remain e...

One pair of charming wooden shoe moulds mounted as bookends, comes with four leather bound books. Feel free to call with further questions.

Toys Berlin Perception Untitled II Table Sculpture by Vaust Edition of 3 + 1 a.p. Dimensions: D 32 x H 44 cm Materials: steel, foam, Kara black marble, leather covered MDF, latex ...

Triton tray by Rodrigo Lobato Yáñes Dimensions: W 32.7 x D 13 x H 14 cm Materials: Aluminum Platalea studio was born out of a passion for both art and design. We love how both a...

Handmade Bench #1 by Henry D'ath Dimensions:D200 x W60 x H195 cm Materials:Wood, Steel, Calligraphy Ink Piece is handmade by artist. Henry d’ath...

Small quartz vase by Aver Dimensions: D 16 x H 20 cm Materials: Quartz, Steel, Polyvinyl chloride, Resin.  

Set of 3 White Matt Pin Wall Decor by Zieta Dimensions: Diameter 10, 12, 14 cm Material: Carbon steel. Finish: Powder-coated. Matt finish. Available in colors: Beige Grey, Graphite...

Set of 6 Moss grey pin wall decor by Zieta Dimensions: Diameter 10, 12, 14 cm Material: Stainless steel. Finish: Polished. Available powder-coated in colors: Beige grey, graphite, ...

A large antique ceramic wall plaque depicting European military figures, sourced from an ex British private collection. This unusual cera...