Steel Sculptures

Aluminum Paper Mixing Blade Sculpture Model 1. Complete set of three available. Aluminum on steel base. Measures: 52" in height, 19" in width, 14" in depth. Base is 14...

Kalman takes steel and torch-cuts it, then contours it for a Brutalist effect. Signed base Gabor Kalman '68. This item is currently on view in our NYC Greenwich Street Location.

A cut steel form of a coiled rattlesnake, circa 1970. Difficult to make out the full signature but it looks like a last name of DEAN 70'. Sculpture measures 18" diameter and 9" high....

Wood, patinated steel and iron sculpture by Rick Lussier, circa early 1980s. This unusual example mixes different elements seamlessly and is striking from every angle.

An almost six foot tall die cut steel figure of Uncle Sam with original paint on a stand that allows it to fully revolve. A great image with striking facial fe...

Incredible Brutalist torch-cut wall mountable sculpture by artist Gene Montez Flores. Designed to hang as shown. Produced during in the early 1960s ...

This great little table designed by Florence Knoll perfectly exhibits her highly refined design sensibility and the quality of vintage Knoll production. The round teak top is support...

An Exquisite Antique French Period Empire Neoclassical gilt bronze figural clock embellished with figure of a neoclassical woman and bird.

Hand-carved sculptural leaf made from one piece of reclaimed mahogany wood. Burnt three times, sanded and sealed for this dramatic finish. Set on a modern black steel base. The Trip...

A rare piece to come up for sale. It appears to be a maquette done by Carl Nesjar for Picasso. The photo example shown is of another one from the book "The sculpture of Picasso...

Born in Winnipeg Canada, Michael Sectors work and craftmanship has been praised as remarkable. He brings contemporary techology to serve his art directing the fabrication of his work...

A wall mounted sculpture of a large serpent made of welded steel pipe and other steel parts.

A powerful piece with terrific presence, this large mixed media sculpture by American artist Thomas A. Bartel (b. 1949) shows a myriad of inspirations and influences. There are forms...

Prestini sculpture, this is one of the biggest I-beam examples. Can be shown with or without artist designed pedestal base, shown, image 7. Signed [PRESTINI 191].

Aluminum Paper Mixing Blade Sculpture Model II. Complete set of three available. Aluminum on steel base. Measures: 52" in height, 19" in width, 14" in depth. Base is 14" x 14".

Born in Edinburgh, David Begbie studied at the capital`s art school from which he emerged with a unique sculptural technique and the beginnings of a new visual language using steel-m...

Sold as prop, or as wall sculpture, hanging mobile. Dia: 30 X H: 8 In.

Large light made into a star by Stella McCartney. This incredible piece gives off a huge amount of light. Made with 30 fluorescent tubes, each tube easily replaces when needed. A rea...

Rare and unique clasped hands sculpture on a marble base. The hands are executed in nickel over steel and have the presence of a great sculpture and the ...

One pair of charming wooden shoe moulds mounted as bookends, comes with four leather bound books. Feel free to call with further questions.

Albert Paley Studio, sculptural vase formed, forged, and fabricated of steel with a stainless steel insert. The work has been published in The Art of Albert Paley and in numerous cat...

Original metal sculptor of man holding eagle mounted on wood base by renown Texas artist and sculptor, Bob Fowler (1931-2010). Engraved on top of base initials "BF". Stamped on botto...

Large Acacia sculpture on metal plinth. This stunning slice of Acacia arrives from the Philippines from a fallen tree, so as not to cause any deforestation or upset the natural or...

Steel bank vault handle on custom stand. Beautiful architectural decorative design on a custom base we designed. Measures: Wheel is 24" diameter. Base is 1...

Beautifully Mid Century textured bronze plate sculptures mounted on custom iron stands. Finely crafted and ready to place. Perfect for a mantel, in front of a fireplace, or tabletop....

Amazing Memphis sculpture. This wonderful example of the Memphis period consist of a three leg all steel frame with different shapes and angles creating the illusion of movement wi...

Patinated steel Sculpture by Robert Couturier (1905-2008) made as Homage to Rodin. It depicts a man facing a woman. Signed "Couturier 2/3." Robert...

1980s steel and polished stainless metal sculpture signed by Rosette Bir. Base diameter: 13 cm.

This was John Brevard's first bronze sculpture that he created in 2008. The piece was inspired by non-dual states of consciousness. This stunning bronze piece measures: 10' x 24"wi...

Large vintage Brutalist steel sculpture of fishes fashioned from old pliers and a sheet metal snip. In the manner of Marcello Fantoni. The steel has been drizzled with solder to give...

A dramatically oversized patinated forged steel wrench beautifully mounted on a circular base.

This amazing illuminated sculpture is made of stainless steel, copper, amethyst, rose quartz and molded glass. The free-form has a graceful presence and elegance. Note: The piece r...

Outstanding large signed brutalist sculpture of 3 dancers. It has a signature on the base which I believe is the initials "FM". The twisted torsos have great movement and is very ...

A three-dimensional sculpture of a flock of geese flying in front of the Moon, Mercury, and Mars.

‘Cedar’ is a light designed in one very clean stroke, like calligraphy in space. Its sculptural steel spirals are functionally evocative of the symbol of Lebanon, where Charles Kalpakian was born in 1982. With a good grounding in street culture, Charles Kalpakian has retained the physical posture of graph to design this limited edition floor lamp. He offers here a reinterpretation of an iconic motif from Lebanese...

Wonderfully carved falcon or hawk, mounted on a carved wood hand. Silver talons and beak. All surmounted on a C-shaped chrome steel bracket and black acr...

A unique standing sculpture made of steel rods with projecting, formed angled shapes and protrusions.  

We are fortunate to have the opportunity to represent a new and emerging talent, Ivan Palmer. He has worked with some of the art world's great luminaries a...

Geometric abstract sculpture by Alex Andre.

Steel and ceramic sculpture

Found in the tombs of ancient Chinese emperors and aristocrats, bi discs such as this have a mysterious and spiritual history, and their function and significance remain uncertain. T...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 05, 2021 found industrial objects 4.50h x 10.75w x 10.75d in 11.43h x 27.30w x 27.30d cm JR0299 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds, Fairfield Center for Contemporary Art, Sturgeon Bay, WI 2006 27th Annual Contemporary Crafts, Mesa Contemporary Arts, Mesa, AZ 2006 Containers of All Dimensions, Mesa Contemporary Arts, Mesa, AZ 2005 Transformation 5: Contemporary Works in Found Materials, Society for Contemporary Craft, Pittsburgh, PA 2004 Right at Home: American Studio Furniture, Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. 2004 American Collections, Milwaukee Art Museum, Milwaukee, WI 2004 More Than Drawers-Wisconsin Cabinets, Leigh Yawkey Woodson Art Museum, Wausau, WI 2004 Objects of Wonder, John Michael Kohler Arts Center, Sheboygan, WI 2003 Planting, Potting and Pruning, Wustum Museum of Fine Art, Racine, WI 2003 Men at Work, Miller Art Museum, Sturgeon Bay, WI 2002 Case Pieces: Contemporary Studio Furniture, Elvehjem Museum of Art, Univ of WI-Madison 2002 Sitting Pretty: Contemporary Wisconsin Chairs, Leigh Yawkey Woodson Art Museum, Wausau, WI 2001 Anything with a Drawer - Award Recipient, Mesa Arts Center, Mesa, AZ 2001 23rd Annual Contemporary Crafts - Award Recipient, Mesa Arts Center, Mesa, AZ 2000 New Talent in Craft, Wustum Museum of Fine Art, Racine, Wisconsin 2000 Who Knows Where or When, Wustum Museum of Fine Art, Racine, Wisconsin 1999 The End is Near! Artists look at the 20th Century, Wustum Museum of Fine Art, Racine, WI Selected collections Renwick Gallery, Smithsonian American Art Museum, Washington, D.C. Racine Art Museum, Racine, Wisconsin Mesa Contemporary Arts, Mesa, Arizona The Museum of Arts and Design, New York, New York John Michael Kohler Art Center, Sheboygan, Wisconsin Kohler Company, Kohler, Wisconsin Milwaukee Art Museum, Milwaukee, Wisconsin Society for Contemporary Craft, Pittsburgh, Pennsylvania Arkansas Arts Center, Little Rock, Arkansas Carnegie Museum of Art, Pittsburgh, Pennsylvania Indiana State Museum and Historic Sites, Indianapolis, Indiana The Chipstone Foundation, Fox Point, Wisconsin Museum of Wisconsin Art, West Bend, Wisconsin Publications “Selected Artists of Door County” Stonehill Publishing, 2016 “Galvanized Chest” Door County Living Magazine, Autumn 2012 “100 Artists of the Midwest” Schiffer Books, 2012 “Piecework” American Craft Magazine, February 2012 “Hiding Places, Memory in the Arts” John Michael Kohler Arts Center, June 2011 “Second Lives, Remixing the Ordinary” Museum of Arts and Design, NY, August 2008 “Studio Furniture” Renwick Gallery, Smithsonian American Art Museum, DC, May 2008 “Discoveries by Designers” Architectural Digest, December 2005 “Contemporary Metal Furniture” Metalsmith Magazine, Winter 2003 “Studio Case Furniture: The Inside Story” American Craft Magazine, October 2002 “Contemporary Studio Case Furniture: The Inside Story” Elvehjem Museum of Art, 2002 “Chicago Style...

This is a very early and rare abstract Brutalist wall sculpture by the Paul Evans of Belgium, Jules De Waele. Jules is the founder of the Pia Manu studio. Thi...

Brutalist Cast and Torch Cut Steel Female Nude Sculpture. A curvaceous "Rubenesque" armless and headless nude. The tactile hourglass body is hollow cast steel. Circa 1960-70. Unsigne...

Set of two Mid-Century Modern Italian metal sculptures designed by Marcel Breuer, candle holders produced by Gavina with decomposable elements in chromed steel. The candle holder is...

Exceptional wall art sculpture attributed to C. Jere. 3 dimensional torch cut brass, copper and chromed steel "drops" arranged perfectly and welded to a copper frame. Four rear h...

'The Return of History' is a unique artwork by the American and Swiss artists, Philip Baldwin and Monica Guggisberg. Combining Scandinavian and Venetian glass making techniques, their sculptural boat centrepieces are made from smaller blown and cut glass components nestled (in sand) inside a metallic hull. ''We are migratory creatures; the history of our species is about journeys, departures, leaving and arriving, starting over. And none more so than ourselves. Our new work is both culturally and personally inclined. An autobiographical touch in civilizational reflection. Wherever man goes he builds, laying down cultural lines which gradually transform into relics and artefacts over time''s inevitable march. Urban landscapes and complex designs grow and expand, deteriorate and decay. And on again we move, taking the memories of our exploits with us to use in the next story.'' B&G Baldwin (1947, New York) and Guggisberg (1955, Bern) have been a collaborative team for over forty years. They share an instinctive appreciation for the subtle blending of art and design, functionality and abstract expression, combined with a love of material – especially glass. The list of museums and collections which have acquired their works is long and impressive. Individual showings, as well as participation in group shows, have given them opportunities to present their works at leading galleries and in major museums in Europe, Japan and the United States and their works rank among the best to be found in the international glass art scene. Working freelance, they have also designed successful products for international glass manufacturers since 1985. Their clients have included renowned firms like Rosenthal, Steuben, Corning and Venini. Over time their work has developed its own distinctive signature, based in Italian cold-working (battuto) combined with the Swedish overlay process for layering colours. They have been pioneers in adapting these techniques and in creating a distinct expression of their own. Colour, light, texture, pattern, and shape together reveal an undercurrent of meaning and value, adhering to the simplest of forms and clear lines. Over the years they have become more sculptural in focus, while seeking to imbue their work with a deep connection to archetypal forms and shapes, and striving for the highest level of craftsmanship. They address eternal symbols of human culture and history, while embracing contemporary evolution in form and meaning. In recent years large installations and major exhibitions in public spaces, such as Canterbury Cathedral...

Wonderful masterpiece of the famous Italian Artist Marcello Fantoni made in light brown and gold glazed ceramic and based on a cube steel base in form of an abstract fish sculpture...

This beautiful, carved, driftwood sculpture was made from part of single large tree. This important reclaimed tree root has a bleached natural finish and sits on a natural wood base ...

Stunning white and black Art Deco porcelain penny scale by Navco. Amazing design, reminiscent of a womans cloaked silouette, retains original key...

With this captivating blue Belgian stone sculpture, Cesare Arduini has continued his masterful exploration of space, his play of the balance between positive and negative space. U...

Huge 52" long bent steel decorative clothing Hanger Art. Hanger weighs 16 pounds and is constructed of solid steel metal which is separated in the midd...

Edition number 1 of 8. Marino di Teana originally trained as an architect and sustained an eclectic array of passions throughout his long career as ...

Is a playground restoring bounce and primal spirit of male and female.  

Brutalist cut steel "stalactite" sculpture by Sue Taves, circa 1992, Classic modernist design, manner of Paul Evans.

Marino di Teana originally trained as an architect and sustained an eclectic array of passions throughout his long career as an artist. Disciplines lik...

Examples of this patinated steel sculpture have been exhibited throughout Europe since the early 1980s, most notably as a tribute to the artist in 2008 in his birthplace and childhoo...

The giraluna is a spectral plant entity from Leo Lionni's Classic alternate universe  textbook Parallel Botany.  About the Sculpture: The Giraluna This elusive and capricious plant is the Dream Queen of parallel botany. Hydendorp, quite rightly, does not hesitate to define it as the "most parallel of plants, most plantlike of the parallels," and in so doing he stresses not so much its physiognomic oddnesses as the disconcerting normality of its shape. "If we were in the jungle," he writes, "and we found one blocking our way, we would not for an instant hesitate to hack it down with our machetes."1 But it will not be our good fortune to encounter it. If in reconstructions the Giraluna displays considerable plantness of form and an exact and convincing solidity, in its natural environment it can be perceived only as a nebulous interplay of glimmerings and empty spaces which alternate in the darkness and vaguely suggest where its outlines might be. (pl. XXIV) Its nocturnal presence, in fact, is manifested almost entirely in terms of the equivocal O'-factor of the moonbeams, which was discovered and measured a few years ago by Dennis Dobkin of the Point Paradise Observatory. This factor changes the light-shade ratio which normally defines volumes into a subtle interplay of lucencies and opacities, so that our perceptions, our basic sensorial habits conditioned by thousands of years of daytime life in the "solar key," would need complete readjustment and indeed reversal in order to come to terms with it. Daylight isolates objects, bestowing a noisy Meaning on all the odds and ends in the world. But night takes everything away except the very soul of things: a black light, a transparent darkness, a secret we cannot grasp. During the long night of the Erocene era man caught a glimpse of the Giraluna rising mysteriously in its barren landscape. Presolar man imagined himself the child of the Moon. In her lap he had known the comfort of the life, silent torpor of the night, and by her light he had seen silver pearls lie weightlessly upon the coronas of the first great flowers. But he left us only a few enigmatic signs of all this: the Feisenburg cave, the petrified bones in the Ahmenstadt tumulus, the Boergen Cup. Paradoxically enough, all that we do in fact know of his presence in that landscape comes to us from our study of his nocturnal vegetation, Around the middle of the Erocene era, when the flowers of night were fading away in the light of a new dawn, man saw that outlines and colors were slowly hardening. Thus he discovered the stone-hard world of day, and learned to be the child of both Sun and Moon, of Amnes and Ra, of Disarm and Karak, of Nemsa and Taor. The "crawling stones" of Yorkshire, the stele of Tapur, the graffiti of Klagenstadt, these have preserved for us the nearly obliterated images of the two divinities who from the center of their temples drew the design of the universe. But the Sun was not long in attaining absolute power over everything in the world. "O Ra, o Amno Ra our benefactor, glowing and flaming! Gods and men bow down before you, for you are their creator and their only Lord." Such was the prayer of Amresh, High Priest of Egypt. And a new vegetation, outspoken and exuberant, appeared on the earth, and made the bright leaves dance in the morning breeze. Night soon became no more than a dark corridor joining one day to another, a place of visions and memories, a storehouse of words and images. It became a secret refuge where the vanished flowers could once more flaunt their coronas to the Moon. And thousands of years later the black flowers of that distant night-Giraluna, Lunaspora, Solea argentea-were born from seeds hidden deep in a soil rich with legends and stories. If our knowledge of the Giraluna is today reasonably complete and detailed this is due to the industry and scholarship of Professor Johannes Hydendorp of the University of Honingen, who has collected and collated all known facts and kept his records abreast of the latest developments. Our historical and geographical information comes from the most varied sources: legends and folk tales handed down from generation to generation, accounts given by explorers, anthropologists, and paleontologists, and of course the more recent testimony of botanists such as Heinz Hornemann and Pierre Maessens. Source: Sivatherium. narod .edu About Sculpture: Leo Lionni is best known today for his children's books: Little Blue and Little Yellow; Frederick—the one about the mouse who gathers poems while his family is harvesting seeds for the winter—Swimmy the Fish. Of course the children don't remember his name, but to parents and grandparents, the ones who actually do the reading, he is something of a celebrity. Most people don't realize that Lionni is also one of the 20th-century's most influential graphic designers. Within that field, he is a legend. In fact, he didn't start doing children's books until he had left the world of advertising, teaching, and design to allow more time for contemplation and for art. Little Blue and Little Yellow (1959) began as an improvised entertainment for bored grandchildren. What can you do with a few scraps of colored paper and a lot of imagination ? Make the first best-selling children's book illustrated with abstract art. Before that his work as design director for Olivetti Corporation of America and the art director of Fortune magazine, the co-founder of the Aspen...