Neoclassical Decorative Objects

A striking French 19th century Neo-Classical st. patinated bronze and ormolu statue of Mercury, possibly by F. Barbedienne. The statue is raised on i...

A striking and high quality pair of Continental 19th century neo-classical st. patinated bronze and Rouge Griotte marble statues, signed J. Feiffer. Each statue is raised by a fine t...

A stunning pair of Italian 19th century Neo-Classical st. granite lidded urns. Each urn is raised by a circular mottled base and socle pedestal. The body displays an elegant shape an...

A striking French 19th century neo-classical st. Vert Patricia marble and ormolu clock, signed Jollet & Cie. The clock is raised by a square stepped base with a finely chased pierced...

This exquisite pair of ceramic candle holders, signed "Lancel Paris Made in Italy" on the base, embodies refined craftsmanship and delicate artistry. Designed in the shape of bloomin...

English gilt metal mounted tortoise shell box with oil painting of Julias Caesar.

Lucius Verus was Co-Emperor with Marcus Aurelius during the first nine years of Marcus’ reign. A handsome guy, his image became popular during and after his imperial days. This bust ...

A striking and very high quality pair of French 19th century neo-classical st. patinated bronze and ormolu statues. The statues depict hunter gatherers/explorers and are each raised by an elegant octagonal and mottled base. The statue to the left depicts a handsome male...

A beautiful and high quality pair of French 19th century neo-classical patinated bronze, marble and ormolu urns attributed to Barbedienne. Each urn is raised by a square Black Belgia...

A sensational and richly carved Italian neo-classical st. mid 19th century Rosso Antico marble lidded urn. The urn is raised by a circular bullnose ...

An exquisite pair of French 19th century neo-classical st. ormolu, patinated bronze and white Carrara marble candlesticks. The pair are each raised by a circular base with a moulded ...

A remarkable and high quality pair of Continental 19th century Neo-Classical st. patinated bronze and Rouge Griotte marble statues, attributed to J. Feiffer. Each statue is raised by...

An impressive Italian 19th century Neo-Classical st. Scagliola and ormolu urn. The urn is raised by a square base below the mottled socle shaped pedestal su...

A handsome pair of French 19th century Neo-Classical st. patinated bronze and Rouge Royale marble urns. Each urn is raised by a circular Rouge Royal marble base with a Fine mottled b...

A collection of table ornaments, cut crystal gilt bronze 19th and 20th century, priced per item. Height of tallest 20 1/4 inches.

A male portrait bust in the Roman manner by Lawrence MacDonald (1799-1878) Carved in Carrara marble, rising from a round socle supporting a waisted column, the bust having resemblances to Arthur Wellesley, the Duke of Wellington as a young man. Signed by the artist, 'L. MacDonald, Romae, 1847'. Dated 1847 Dimensions: H: 26 in / 65 cm W: 19.5 in / 49 cm D: 10 in / 26 cm Lawrence MacDonald (1799-1878) Macdonald worked as an ornamental sculptor for the architect James Gillespie Graham before entering the Trustees' Academy, Edinburgh, in 1822. In Rome, in 1823 he was one of the founders of the British Academy of Art. He returned to Edinburgh in 1826 and became a member of the Royal Scottish Academy in 1829. Four years later he settled in Rome, and from 1844 he worked in Bertel Thorvaldsen's former studio. He became the city's most fashionable portrait sculptor and, according to the Art Journal, his studio was filled with 'the peerage done into marble, a plaster galaxy of rank and fashion'. His sitters included the essayist Henry Taylor...

This fine pair of French, silver, allegorical tazzas are tortoiseshelled. They include detailed wreaths on the walls of the base. A finely dressed woman holds each dish proudly above...

This medallion bears the signature of Charles Filleul. It is a piece originating from the artist’s studio, executed with a fine hand and solid technique, typical of Charles Filleul’s...

Handsome 19th Century Bronze and Marble Neoclassical Bust, Great Color & Patina. Pristine Condition.

Collection Of Four Mandolins, Some With Inlay Tortoiseshelle, Satin Wood. Great Pieces For Art Work. Sizes Vary. Property from the Estate of Fred and Estelle Spector, Chicago, Illino...

A pair of patinated bronze vases cast after the antique. Each vase is of krater form with elaborate scrolling volute handles with swan heads a...

A tobacco box made during the 18th-19th century in Sweden. From gray lime stone in a temple shape. Neoclassical.   

Candlestick with chain. Silver. Francesc P. Arquer, Barcelona, Spain, circa 1825. With contrast, derisive and proprietary (AS) marks. Silver candlestick in its color with an openwo...

The fountain. Polychrome terracotta. 20th century, following models of CARRIER-BELLEUSE, AlbertErnest (Aisne, 1824-Sèvres, 1887). The figure shows a boy, lying down and almost totally naked, with his head enhanced by a golden leaf crown. It is shown with a shell (with touches in gold), taking water from a pitcher next to it, thus recalling the allegories of the rivers or of the birth of the same of Ancient Rome. It is necessary to compare the present work with the one entitled “La Source” by Albert-Ernest Carrier-Belleuse, preserved, for example, at the Art Institute of Chicago or the Portland Museum of Art (of which there are a number of variants, changing the characters and the material used). Albert-Ernest Carrier-Belleuse was a French sculptor and draftsman trained with David d'Angers and at the School of Fine Arts in Paris. He achieved international recognition from his participation in the Salon of the French Artists of 1861 (Third Medal), reaching outstanding works such as various busts of...

Pair of sculptural "violeteros" (flower vases) made in calamine, Rococo inspired. The vessels have a sinuous profile, and are entirely covered with embossed rock decorations. The fig...

Small oval box with etched glass base and lid hinge closure made, the latter combining enamel and metal. The bottom has a bucolic landscape with a series of h...

Charming gilt bronze bust of a woman, spectacular gilt finish. Would look lovely in an office or library

19th century pair of fine French candelabrum Each candelabrum in the form of a patinated bronze Bacchante holding aloft a gilt-bronze standard issu...

A reclaimed 8-inch clay tile by Minton Hollins & Co. (stamped to reverse) illustrated with a scene from Shakespeare’s 1593 poem ‘Venus and Adonis’. Inspired by Greek mythology, the ...

A highly decorative antique 6-inch dust-pressed porcelain tile by Minton & Co. (stamped), glazed and hand painted with a roundel depicting a leopard pouncing on a deer in vibrant blu...

Drip-proof glass saucers for candlesticks or chandelier. In ancient times they were used to collect dripping was, now it is above all an ornament that completes a chandelier. ref. ...

An elegant and most decorative pair of French 19th century Neo-Classical st. Ormolu and Crystal candlesticks. Each charming candlestick is raised on foliate Ormolu bun feet below a l...

Fourth quarter 19th century, in the neoclassical taste, the baluster-form standards decorated with acanthus leaves and fitted with flaring drip pans and pricket candle holders, raise...

19th Century Vintage Porcelain Jars and Platters Beautiful set of 4 purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Beautiful marble color with the finest dore bronze casting. Bacchus head motif. Lids are attached.

A very good quality 19th century bronze statue of a female nude statue playing the pipes, mounted on a marble plinth.

This graceful three-piece clock set is designed in a refined neoclassical style, which was fashionable in France in the 19th century. The set has been crafted from finely cut clear g...

a beautifully modeled antique terra cotta sculpture after the bronze by Pierre-Jean David d'Angers (French, 1788-1856) depicting Louis II of Bourbon, Prince of Condé (1621-1686), kn...

A stunning pair of French 19th century neo-classical st. silvered bronze and ormolu decorative ewers. Each ewer is raised on an ormolu circular raised ...

A striking and high quality pair of French 19th century Neo-Classical st. ‘Grand Tour’, silvered bronze vases. Each is raised by an impressive moulded step black Belgium marble base,...

A unique and very decorative pair of Italian 19th century Neo-Classical st. ebonized Fruitwood, giltwood, and gilt metal candelabras. Each five arm candelabra is raised by a stepped ...

A pair of late 18th century Italian giltwood candleholders. Central carved urn form flanked by Greek key forms. Made to fit against the wall, late 18th century, Italy.

A remarkable true pair of French 19th century neo-Classical st. ormolu, patinated bronze and Vert de Patricia marble lamps. Each three arm candelabra lamp is raised by a rectangular Vert de Patricia base with a fine mottled border below the ormolu pedestal shaped support with a Coeur de Rai band and impressive family crest with axes and spears amidst oak and laurel branches. Above and to the left is a handsome patinated bronze Roman soldier...

A handsome and extremely decorative pair of Italian 18th century Neo-Classical st. patinated, giltwood, and faux painted Porphyry Torchières candlesticks. Each impressive Torchière is raised by three lightly curved legs and handsomely carved paw feet with foliate gilt accents. Each leg is separated by a wonderfully executed tapered faux painted porphyry plaque...

An exceptional pair of French 19th century neo-classical st. Brèche Verte d'Egypte marble and ormolu lidded urns. Each urn is raised by richly chased ormolu paw feet with acanthus le...

A handsome and unique pair of French 19th century Neo-Classical st. patinated bronze and Sienna marble candelabras. Each three arm candelabra ...

Fine 19th century white carved marble bust of a gentleman with mustache wearing a Toga. Signed: Randolph Rogers, Rome. Randolph John Rogers (July 6, 1825, Waterloo, New York – January 15, 1892, Rome, Italy) was an American Neoclassical sculptor. An expatriate who lived most of his life in Italy, his works ranged from popular subjects to major commissions, including the Columbus Doors at the U.S. Capitol and American Civil War monuments. Born in Waterloo, New York, he spent most of his childhood in Ann Arbor, Michigan. He developed an interest in wood cuts and wood engraving, and moved to New York City about 1847, but was unsuccessful in finding employment as an engraver. While working as a clerk in a dry-goods store, his employers discovered his native talent as a sculptor and provided funds for him to travel to Italy. He began study in Florence in 1848, where he studied briefly under Lorenzo Bartolini. He then opened a studio in Rome in 1851. He resided in that city until his death in 1892. He began his career carving statues of children and portrait busts of tourists. He was not happy working with marble consequently all his marble statues were copied in his studio by Italian artisans under his supervision, from an original produced by him in another material. This also enabled him to profit from his popular works. His first large-scale work was Ruth Gleaning...

This outstanding pair of French Second Empire candelabra exemplifies the grandeur and exuberance of this decorative era. Expertly crafted of doré bronze and white marble, these light...