Art Nouveau Vases and Vessels

An exquisite early twentieth-century Art Nouveau vase by renowned French artist Émile Gallé. This stunning piece, crafted from sand-polished glass, showcases Gallé’s signature revere...

Antique Art Nouveau Austrian Loetz cobalt blue "Papillon" art glass vase, circa 1900. This wonderful Loetz mouthblown art glass vase made of irridescent glass and the pattern named Papillion after the French word for butterfly, as the glass resembles the color & pattern of a butterfly's wings. The vase of bottle shaped form with a flared circular mouth and a tall neck rising from a 'mallet' shaped base with four dimples, the vase is mouthblown and has a ground pontil mark to the base where the vase was removed from the glassblowers pipe. Condition is excellent, this is a very fine example of an antique Loetz Papillon...

This tall vase of baluster form is made of silver-plated pewter and it is the embodiment of the charm, allure, and sophistication of the French Art Nouveau style. The vase is made an...

French purple Majolica Cache Pot Jerome Massier Fils, circa 1890. Height / 5.8 inches. Diameter / 6 inches.

Rare Majolica morning glory vase Jerome Massier, circa 1900. The Massier family are known for the quality of their unique enamels and paintings. They produced an incredible whole ra...

French Majolica purple parrot tulip Jardiniere Delphin Massier, Circa 1890.

Known for their luxurious designs in crystal, Baccarat has created some of the most highly sought after pieces in the world. This Art Nouveau, 5-pc. toiletry set reflects all the a...

Palme koenig vase around 1908 in the 2nd picture you can see that part of the decoration is chipped. but there is no crack and no danger of breaking the vase

Daum Nancy Landscape Vase, France, circa 1910 A very rare vase by Daum Frères, cameo glass, enameled, in unusual shape. An etched spring landscape with trees and shrubs in transparen...

Emile Gallé Solifleur Vase A rare shaped vase by Emile Galle dating from 1904, with a decor of branches with cyclamens flowers and leaves. Double gourde vase made of cameo glass with...

An excellent French Art Nouveau Vase in a classic banjo shape, with a deep red flowering landscape etched and acid cut against a yellow background, with fine color and detail. Rare ...

A fine pair of vintage American art glass bud vases. By Steuben. In the 'Pomona' green glass pattern. Model no. 6548. Each in a mushroom form and a polished pontil base. Simply...

Monumental Antique Art Nouveau Andre Delatte Cameo Glass Vase

Stylish Bohemian Silberiris Candia iridescent glass vase with brown handles by Johann Loetz Witwe and dating from around 1900. The simply shaped vase ref PN 85/5151 in the Loetz cata...

A fine antique art glass miniature vase or salt cellar. By Tiffany. Of a petite squat form with serpentine nodes and a greenish gold iridescent finish. Marked L.C.T. to the foot. ...

Majestic amphora in glazed majolica, handmade and hand painted in central Italy. On the amphora are represented, in great detail, the four seasons personified by graceful women surro...

This early 20th century Art Nouveau porcelain vase was designed by Paul Dachsel for Riessner, Stellmacher & Kessel Amphora of Turn-Teplitz, Bohemia. The piece has an organic squash-like form and features Dachsel's distinctive ribbed mouth design at the top. The body of the vase is flanked by two delicate arched arms with reticulated detail. This ivory porcelain vase has a blush colored body with gilt accents at the foot and handles. The front and back piece have been hand-painted with a floral motif in a Japanese style and feature the images of gilt accented purple orchids with long green leaves. The ribbed mouth is finished in a matte green that echoes the color of the foliage and also has gilt highlights. An example of this shape with similar decoration can be seen on page 66 of Richard L. Scott's 'Ceramics From The House Of Amphora 1890-1915. The vase is in excellent condition with no chips, cracks or repairs. As an antique item, the piece shows appropriate signs of age consisting of wear to the gilded decoration. The vase stands just over 6" tall and is 2" as measured from the furthest points of the mouth. The foot is just over 2" in diameter and bears the RStK burnt in mark reading "RStK TURN Teplitz...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Iridescent orange and pink glass vase by Loetz, made in the 1950s. Ø cm 10 h cm 11 Loetz is a name that immediately evokes images of extraordinarily beautiful and refined blown gla...

Émile Gallé long neck Cameo vase, Art Nouveau, 1904-1906 Émile Gallé (Nancy, 1846 –1904) was a French glassmaker and furniture designer Émile Gallé 30 cm high long neck Cameo vase m...

French Art Nouveau vase by François-Théodore LEGRAS, Cristallerie de Saint-Denis, France, 1890s. Blown glass vase ribbed inside. Clear glass becoming more and more purple towards the...

Rare Small Majolica Tulip Jardiniere Delphin Massier, circa 1890 6.3 by 3 inches , H / 3 inches.

A stunning Bohemian Art Nouveau iridescent art glass vase with a textured finish attributed to Rindskopf or Kralik and dating from around 1900. This stylish hand-blown vase stands on...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

This exquisite Art Nouveau set of 3 soliflore vases by LeGras and Galle are statement pieces in the room. Signed "Legrass" and "E Gallé" An acid etched 'cut back' technique has been...

Large Majolica cache pot in two parts decorated with orchids Fives Lille, circa 1890. H / 9.5 inches , D / 10.5 inches. Rare size.

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A pink and grey-glazed ceramic vase produced by Rörstrand, c. 1920s. Dimensions: 5.875” H x 7” Diameter Diameter of opening: 3.25”

French Art Nouveau vase by François-Théodore LEGRAS, France, Early 1900s. Square Diabolo soliflore vase with opaque base in och and red. Enameled winter decor. Height : 7.3"(18.5cm),...

Antique drip glazed ceramic bud vase in rich earth tones. A classic example of Art Nouveau earthenware. Controlled drip has a lovely ombre effect that graduates from mohagany, to pale peach, and into aubergine with a dark finish at the bottom. Attributed to Faiencerie Thulin...

This striking amphora Art Nouveau vase was made in the Turn-Teplitz region of Bohemia by Riessner, Stellmacher & Kessel, established in 1892. The vase has an ovoid form with a thick molded floral and foliate band located at the neck. The body of the vase rests upon a raised pedestal foot decorated with a series of intertwined stylized roots. The neck and foot have been glazed in a matte green color with burnished gold highlights. The body of the vase is flanked by a pair of arched gilded handles made in the form of naturalistic woody branches. The body of the vase has been finished in a mottled matte glaze executed in a dull gold color enabling the cream color beneath to show through. The center of the vase transitions to a violet hue which is covered by a high glaze iridescent band having pink and purple undertones. The iridescent band features an armorial crest executed in black accented with gilded details. The crest itself consists of a checkerboard shield surmounted by a trio of stylized flowers with a spade motif, all of which are flanked by lions rampant. The design includes a series of large dots arrayed in a symmetrical manner. The opposite side of the vase echoes the motif found on the front and has a checkerboard shield, nine spade-shaped flowers and several dots. The vase is in excellent condition with no chips, cracks or repairs. As an antique item, the piece shows minor signs of age and use consisting of wear to the gilded decoration. The vase stands 11.75" tall and is 2.25" across the mouth. The foot is just over 5" in diameter and bears impressed marks including a circular ''Imperial Amphora Turn...

A beautiful Art Nouveau Iridescent Glass Vase in Blue, Green and Amethyst with Gilt decorated Pulled Feather decoration. The vase is of a lovely form, the perfect height for a decora...

Large French Majolica tulip Cache Pot Jérôme Massier Circa 1890 Height / 7 inches. Diameter / 10 inches.

A Rare Art Nouveau Cameo Glass Vase with Convolvulus Decor, by Émile Gallé Nancy, circa 1900s. A Gourde Vase made of colorless glass with milky white and orange overlay. High and dee...

Acid-etched and enameled glass paste vase with iris decoration. Signed À.Delatte. In perfect condition. Diameter: 11,5 cm Height: 14 cm Weight: 600 G

Gorgeous Muller Frères Vase, Art Nouveau Cameo Glass with a Rare Anemone Decor, circa 1920. Art Nouveau Cameo Glass Anemone Vase by Muller Frères, c...

A beautiful and fairly large ceramic vase in dark blue, green and brown glazed surface designed by Herman Kähler and manufactured by Herman Kähler ceramics. The vase is in very good ...

1990s Lalique Clairefontaine lily of the valley perfume. Clear glass body with frosted glass flower stopper. Signed Lalique in the underside.

Blue Bohemian glass perfume bottle. Frosted glass body with cut glass stopper. No makes mark or brand stamp.

This stunningly rendered Sumida Gawa Pottery Vase in Vermillion Red Glaze W/Clustered Sculptural Primates originates from Japan, Circa 1890. Features a vermillion red glaze with a vi...

Delicate soliflore vase with berries and leaves decor. Multi-layered glass, with a decor intricately cleared with acid through vivid crimson red against a deep yellow glass ground. T...

Impressive Art Nouveau Emile Galle Cameo landscape vase, 7 1/2 inches tall, in a variety browns and yellows with a hint of opal, signed in came...

Large Art Nouveau Cameo Vase after Emile Galle 14 inches height.In the style of French Art Nouveau, Galle Cameo glass vase, several layers with tones of browns, beige overlaid in tur...

Large ceramic planter from the Danish ceramic studio Lauritz Hjorth. Manufactured ca 1910s to 1920s. The planter is made from stoneware and features a hand painted abstract onrmenta...

Antique Art Nouveau Daum Nancy Pedestal Vase

This exquisite perfume bottle is a stunning example of early 20th-century French art glass, created by the renowned artist Daum. The rectangular frosted glass base features a finely ...

Pair of French vases from the mid-20th century. Beautifully sized glass objects with chiseled metal decorations (copper tint) in Art Nouveau style and pleasant decor. Vases for antiq...

Late 19th Century Bohemian Gilt Decorated Glass Vase with Portrait Medallion. This beautiful gilt decorated green glass vase is centered by a raised medallion decorated in painted ov...

Art Nouveau pewter vase, Germany C.1895 by Kayserzinn. The slender tapered bulbous vase on circular base, the body with a surround of stylised ...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase «Pavots » circa 1910 Multi-layered glass Triple overlay, green, red and yellow glass Acid-etched cameo decoration of poppi...

An exceptional quality Art Nouveau miniature iridescent glass vase, possibly Loetz and dating from the early 20th century. This heavily made amethyst glass vase is exquisitely decora...

19th-century small square Majolica floral jardinière Onnaing. Sand background.

A very beautiful contemporary art glass vase in the Art Nouveau style, by artist Robert Eickholt, circa 1980s. Vase is signed "Eickholt" and dated "1988" on bottom as shown in last t...

Émile Gallé small Cameo vase, Art Nouveau, ca 1900 Émile Gallé (Nancy, 1846 –1904) was a French glassmaker and furniture designer Émile Gallé 20 cm hig...

An exceptional and large pair Moser amethyst glass vases with gilded chinoiserie patterns dating from around 1910. These tall glass vases Stand on...

1970s art glass iridescent swirl small perfume bottle. Illegibly singed on the underside.

An exceptional French Art Nouveau Daum Frères Violets miniature cameo glass vase wheel cut with raised designs in colored enamels on an etched ground dating from around 1900. The tal...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Daum Cameo Glass Bowl, France, circa 1910. A rare Art Nouveau Daum cameo glass vitrified Monnaies du Pape round coupe (Honesty). Very finely acid etched, wheel carved decor of Honest...

Purple ceramic cachepot Perfect condiction.

A Rare Art Nouveau Cameo Glass Vase with Orchids, by Emile Gallé, Nancy, 1920s. French Art Nouveau Emile Gallé Orchids Vase, Nancy, 1920s. Baluster-shaped vase, multilayer cased glas...

WMF centrepiece with Art Nouveau floral decoration and the original clear glass liner and silver plate. The Dish on acanthus foliate supports, curvilin...

Eos, known as the goddess of dawn in Greek mythology, inspires this exquisite vase. Just as Eos paints the sky with soft hues of pink and blue, this vase embodies the delicate balance of these colors, creating a serene and enchanting atmosphere in any setting. The Eos vase is entirely handcrafted from ceramic and meticulously designed by Busra Ozdemir...

This exceptional 33.5cm tall piece, dating from the early 20th century, captures the timeless form of a calabash and boasts a stunning turquoise glaze reminiscent of Chinese porcelai...

A large and impressive Boehmian Art Nouveau pulled feather iridescent art glass vase dating from around 1900. The tall hand-blown vase stands on a flat round base with a polished cen...

Antique 1890s pair of Victoria Austria vase. Comprising Austrian porcelain vases with hand-painted decorated scenes of cattle watering. Measure: Heigh...

Designed and originally manufactured for the early showrooms of the Wiener Werkstaette in Vienna VII, Neustiftgasse 32-34 - Model# M 0182 The diameter of the pots is 16cm Punched i...

Antique 1890s Victoria Austria Vase. Comprising Austrian porcelain vases with hand-painted decorated scenes of cattle watering. Measure: Height 14 inc...

A typical work from the early period of the Wiener Werkstatte. Punched iron sheet, white lacquered. See similar items - Wiener Werkstatte pattern books as displayed. No signature.

Cylindrical handbag perfume holder in 925/1000 sterling Silver gold plated with screwed cap and fine manual engraving of peach blossom shoots, fire enamelled with various colours, in...

A fine old or antique Sevres type porcelain vase. With rich gilding and handpainted flower baskets & ribbons throughout. Marked to the based with a blue Sevres type interlaced...

A stunning and very rare cameo glass vase etched and enameled with a fabulous landscape of silver birch trees blown in the wind and the rain, exhibiting excellent colors of deep pink...

Fantastic Loetz Witwe glass vase with the decoration Crete Phaenomen 6893 made in the famous workshops in Klostermuehle/ Bohemia, circa 1898. This rare exe...