Art Nouveau Vases and Vessels

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

A French wheel certainly carved this cameo and martelé glass "Crocus" vase by Daum Nancy. The base of this remarkable vase is colored in deep, swampy purples, against which darker-hu...

Glass vase with enameled decor small bells blue and green. 1910 Wiener Werkstätte Austrian vase with polychrome Enameled decoration. Probably a creatio...

This antique miniature vase from Meissen is a remarkable example of fine porcelain craftsmanship. Crafted from pristine white porcelain, it f...

Austrian Jugendstil glass vase "Cytisus Lemon Yellow" decoration Johann Loetz Witwe yellow green blue circa 1902 The “Cytisus” decoration is certainly one of the most exquisite decor variations created by the Loetz glassworks. With its shimmering gold particles, it reflects the secessionist ornamentation of turn-of-the-century Vienna. In this way, Max Ritter von Spaun and his collaborators proved that they had their finger on the artistic and aesthetic pulse of the times. Executed in the form of a reduced flower calyx with five indentations in the wall and a five-pass distorted mouth, this vase fits into the style of production around 1902. The fused crumbled dots seem to float on the vase like lightweight gold particles. The complex decoration as well as the technically elaborate glass body are evidence of the great mastery of the glassblowers in Klostermühle and show why the Johann Loetz Witwe glass manufactory was one of the leading producers of precious luxury glass in Vienna 1900. Bib.: J. Lnenickova, “Loetz – Series II Paper Patterns for Glass from 1900...

Early 20th Century Opalescent Glass "Ondines Bowl" by René Lalique A highly visual and attractive Art Deco glass bowl with a decorative pattern of swirling sea nymphs exhibiting excellent deep sky blue opalescence and complimented with fine hand finished detail, signed Lalique Ondines Catalogue Number: 380 Signature identification: “ Lalique ” etched to base Date introduced: August, 1921 Dimensions: 20.8 cm Diam Felix Marchilac Catalogue Raisonné Page 292 ADDITIONAL INFORMATION Diameter: 20.8 cm Condition: Excellent Original Condition Circa: 1925 Materials: Opalescent Glass Book Ref: R.Lalique – Catalogue Raisonné by Felix Marcilhac Page No. 292 SKU: 6216 ABOUT Lalique Ondines Bowl...

Majolica white swan jardinière Nimy, circa 1900. A real treasure for the ceramics' collector. Small chip to top rim not visible during use see photo. Please don't hesitate to get i...

This beautiful piece of functional art is a gorgeous reflection of the Art Nouveau era from which it came. Used primarily as a perfume bottle, this stunning work of art was created b...

Vase in the form of a baluster: Flush foot, high, bulbous body with set off, short neck on gently sloping shoulders. Colorless glass with light blue color powder inclusions, burgundy...

Conical vase, colourless glass with flaky white, yellow, greenish and reddish powder inclusions, white and green enamel melts, highly etched and delicately painted with coloured enam...

While there may have been no love lost for his early paintings, Eckmann had an endless fascination for the decorative potential of undulating water. The open spaces created by the me...

WMF centrepiece with Art Nouveau floral decoration and the original clear glass liner and silver plate. The Dish on acanthus foliate supports, curvilin...

"Paysage de Printemps" by Daum Frères A stunning late 19th Century French cameo glass vase etched and enamelled with a vibrant spring landscape, exhibiting excellent colour and de...

Muller Frères vase is a decorative object realized in the 1920s by Muller Frères Made in France Body, narrow neck with flared muzzle, colorless gl...

Spectacular Majolica rose vase signed Delphin Massier, circa 1890. The Massier family are known for the quality of their unique enamels and paintings. ...

A Daum Cameo Glass Vase, of square form with repeating enameled gilt fleur-de-lis decoration, on a textured green ground, etched Daum Nancy with the Cross of Lorraine. A museum piece...

French Art Nouveau centerpiece planter by Victor SAGLIER, 12 rue d'Enghien , Paris, France, ca.1890. Silverplate metal. Black patina in the hollows to accentuate the reliefs. Height ...

Rare large sculptural brass vase with handles is decorated with enameled dark blue, green, and white abstract Art Deco or Jugendstil style desi...

Stylish Bohemian Vesuvian Candia iridescent glass vase with tadpoles by Johann Loetz Witwe and dating from around 1901. The simply shaped wide v...

A rare and exquisite pair of antique Loetz iridescent glass vases, made in Bohemia around 1900 during the height of the Art Nouveau movement. Crafted in a lush emerald green glass, t...

Model-blown egg-shaped body made of marbled glass with irregularly elongated tips, three pairs of melted branches 'Asteln' made of green glass with orange-opal beads starting from th...

A stunning French Art Nouveau pair of large vases with female figures of the era, circa 1910.

A stunning Art Nouveau green iridescent glass vase by Kralik applied with fan designs in opaque golden iridescent glass. The rounded squat ...

Antique Art Nouveau chalice shaped art glass vase created by the Loetz glassworks company, which was active during the late 19th and early 20th centuries, this vase represents a prime example of their artistic mastery. The vase features a cobalt blue ground that adds depth and richness to its overall appearance. Its surface showcases a captivating iridescent wave pattern, which adds a mesmerizing shimmer and dynamic quality to the glass. This iridescence is a hallmark of Loetz glassware and is achieved through the application of special techniques during the glassblowing process. The chalice-form of the vase gives it an elegant and graceful silhouette. This design creates a harmonious balance between the visually striking upper portion and the sturdy base. Loetz glasswares are renowned for their exceptional artistry and their ability to capture and play with light. The Phaenomen Genre 6893 vase, with its dark blue color and iridescent wave pattern, is no exception. When light interacts with the glass, it reveals a captivating range of colors and reflections, making it a visually stunning and attention-grabbing piece. As an antique Loetz glass vase...

Very rare unique 19th century Majolica orchid cache pot signed Delphin Massier, the three sides have different colors. The Massier family are known for the quality of their unique e...

Model #3771 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Large French Majolica Carnation Cache Pot Jérôme Massier Fils , Circa 1890 Height / 9.3 inches. Diameter / 12 inches.

Keller & Guerin-Luneville pair of vases signed Handwritten signature: KG Luneville France Ne Art Nouveau shape Lys hand-painted Decor iris amid Umbelliferae...

ROYAL BONN - FRANZ ANTON MEHLEM - Art Nouveau hand painted and gilded vase - featuring branches of pink and soft purple floral blossoms with thorns to the front and back (likely Flow...

An attractive late 19th Century French cameo glass vase decorated with deep red and burgundy flowers against a variegating yellow field. Exhibiting excellent detail and colour, signe...

19th Century French Majolica Egg shaped Vase Delphin Massier. Decorated with flowers a daisy ,a pansy and a wild rose. H / 4.3 inches. The Massier family are known for the quality of...

This exceptional ceramic Art Nouveau vase was created by the esteemed Austrian potter Robert Hanke circa 1900. It features a cylindrical body with a cinch...

Rare Large Majolica Pansy Cache Pot signed Delphin Massier Circa 1890.

A wonderful and early glass design by René Lalique from 1914 for a perfume bottle for the perfume company D'Orsay. "Roses d’Orsay" is an iconic design with the stopper playing the ma...

A gorgeous antique Art Nouveau iridescent art glass bud vase By H. Copillet Et Cie (signed to the underside) France, Circa 1900 Measures: 4"W x 4"D x 4.75"H. Very good original v...

Galle cameo glass Hydrangea vase C1905. Unusual shaped pedestal vase decorated with stylised hydrangeas.The vase is built up with five layers of glass a...

A gorgeous Art Nouveau period iridescent art glass vase By Loetz Austria, Early 20th Century Measures: 5"W x 5"D x 7.25"H. Good original vintage condition.

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A truly one-of-a-kind stunning antique porcelain urn vase/jar, featuring a beautiful 24k gold gilt handle. Marked with the SILESIA porcelain ma...

Vintage cased tango orange glass vase with black accent features elegant, minimal shape and eye-catching color palette. Deep, jewel-toned, coral orange color dominates the design; t...

Antique drip glazed ceramic bud vase in rich earth tones. A classic example of Art Nouveau earthenware. Controlled drip has a lovely ombre effect that graduates from mohagany, to pale peach, and into aubergine with a dark finish at the bottom. Attributed to Faiencerie Thulin...

An attractive early 20th Century cameo pillow glass vase etched and enamelled with flowering poppies in a deep green and yellow landscape. Signed Daum Nancy and with the Cross of Lor...

Daum Nancy Louis Majorelle Glass mold blown and Cast iron Cache pot or planter Bowl Circa: 1910 Nancy, France Condition: Excellent Diameter: 13.5 Inches Height: 4.8 inches A lovely...

Very Impressive and decorative Art nouveau ceramic vase Gouda Zuid Holland factory established in 1898. Unique Art Nouveau vase in glazed ceramic with hand-painted design of stylize...

Large French Art Nouveau vase by DAUM (Nancy), France, 1910-1915. Rosehip flowers. Large double-blown glass vase in the shape of a baluster shouldered with an open neck, decorated wi...

Model #3356 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Longwy, Maurice Paul Chevallier for Faiences de Longwy Decorated with flowers leaves and birds. Great enameled important large vase, with the artist signature and maker stamp. Marked...

Tiffany Studios 10.5" pine needles pattern Fernery jardinière planter in bronze. Interior copper insert has some dents. No cracks or chips to the glass. Produced between 1899-1918. V...

A elegant Art Nouveau Vase in porcelain by Nils Emil Lundström (1865-1960) for Rörstrands Porslinsfabrik in Sweden. Made in early 20th Century. The vase is decorated with flowers and...

Superb bucket, pot, Etruscan-shaped vase, from the Art Nouveau period. Circa 1880. French work in the style of the famous Legras glass and crystal workshops. This Pretty Cookie Buck...

This stunning Tiffany Studios gold vase is decorated & dates from the early 1900’s. The hand blown vase is accented with five elongated green feather “tips” from “feathers” that orig...

A very stylish and elegant Hungarian porcelain vase hand painted with Islamic influence floral designs by renowned maker Zsolnay and dating from...

Rare small majolica daisy cache pot signed Delphin Massier, circa 1890.

A beautiful art nouveau vase with amazing glaze. Made by Charles Gréber in his studio in Beauvais, France in early 20th Century. Great condition. Signed by the artist. Reputed ce...

Beautiful, antique, early Venetian / Murano hand blown pink, blue and gold flecks Italian art glass flower vase. Created in the manner of the Salviati and Fratelli Toso companies. Th...

This Bohemian crystal glass vase was crafted in the late 19th century by Fredrich Egermann manufactory. This splendid glass vase has been finely engraved with the grindstone to depic...

An antique Victorian painted Royal Bonn vase by Franz Anton Mehlem, made in Bonn, Germany. Features an elegant painted lady draped in a blue gown. Ornate gold laurel leaves surround ...

Vintage art glass bud vase features multicolored fused glass decor with iridescent finish. Strong, graphic abstract pattern flows along the lines of minimally shaped cylindrical vase...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Pair of large liberty terracotta vases finely decorated with birds and bamboo plants Timeless decoration for your interior or garden.