Art Nouveau Vases and Vessels

Galle cameo glass Hydrangea vase C1905. Unusual shaped pedestal vase decorated with stylised hydrangeas.The vase is built up with five layers of glass a...

Austrian Art Nouveau Three Rooster Diminutive Vase with Talon Legs Austria, Circa 1890s, Franz Bergmann School, Unmarked This rare and striking Art Nouveau vase exemplifies the o...

Antique American Art Nouveau Rookwood three handled vellum vase, Lorinda Epply, 1915. The blue vase of reversed bell shaped with three elongated handles, around the wide mouth of the...

Popular classic pulled feather design art glass vase, made by Lundberg Studios of California, signed. Iridescent finish and inspired by Tiffany designs.

Pure Jugendstil jardiniere, made in the beginning of the century 1900, in Austria by the famous gold-silver-smith Moritz Hacker. The object consists of two pieces. The outside, mad...

Fine French Majolica pink rose vase signed Delphin Massier, circa 1880. The Massier family are known for the quality of their unique enamels and painti...

Otto Prutscher has designed several flower-stands for Thonet, this special design is extremely rare. Literature: J. Ulihr, Semper Sursum, Olmütz 2003, ill p124.

Model #3356 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

1900s Art Nouveau bulbous frosted soufflé glass vase with trees and birds by Muller Frères Lunéville, France By: Muller Frères Lunéville, Emile Gallé (i...

Henri-Laurent DESROUSSEAUX (1862-1906), L'Isle Adam: Art Nouveau vase in terracotta with an enamel finish, featuring a relief decoration of branches and hazel leaves with a bronze pa...

Vase Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who traine...

Austrian Loetz iridescent art glass vase in papillon finish with sterling silver applied overlay. Art Nouveau style in a dimpled form shades of green ...

A vase, Johann Lötz Witwe, Klostermühle, c. 1900 Decoration: Candia mimoza; clear glass with opaque silver-yellow powder melts, craquellé; iridescent...

Perfume bottle “Rosace Figurines” made in frosted glass with sepia patina by René Lalique. Molded signature. Perfect condition. Rare model and exceptional patina. Félix Marci...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

A baluster cabinet vase made in France. Beautiful decorative baluster vase created in France in the beginning of the 20th century. The cabinet vase has been crafted in porcelain and...

A beautiful French enameled glass vase from the Art Nouveau period, circa 1930. Intricately detailed work is by François-Théodore Legras. T...

Large 24" Tall Burmantofts Blue Glaze Terracotta Ceramic Urn Style Vase w/ Lid

Bulbous shoulder vase on a flush stand, short neck piece with silver mount as a ring in a smooth, slightly flared design, on the outside opposite two fully sculptural branch and cone bundles, colourless glass with white powder meltings, overlay in blue-violet and green, meadow flower decoration etched in various stages, matt etched inside and outside. Cameo signature 'Gallé' with star on the wall between the plants. Silver mount hallmarked 'Minerve casquée' for 950 silver, France, and master's mark. Hand-made Cameo Glass: Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels were already being made in antiquity; at the end of the 19th century, Émile Gallé further developed this glass art, created Art Nouveau designs and employed a large factory in Nancy...

Trendy Green & Gold vases Intricately detailed pair of French Art Deco porcelain vases manufactured by Sarreguemines. These fine quality vas...

Pair of wonderful figural patinated bronze vases by Louis Auguste Mathurin Moreau (1855-1919). Each "Love Vase" with two cupid figures in different poses surrounded by roses and vin...

Pair of brass or bronze Bohemian or Art Nouveau style urn shape double handled vases.

1900's Two Hand-Crafted Danish Hand-Crafted Art Nouveau Vases by P. Ipsens Enke The hand-crafted Danish art nouveau Lybian styled vases by P. Ipsens Enke were designed in 1875 and ...

Exceptional set of two vases, so-called basket vases, made from 1910 - 20, by the famous Amphora factory in Bohemia. The vases have a round base and taper towards the top. They have...

A large and impressive original Art Nouveau Emile Gallé cameo glass vase. colourless glass with a degrading amber layer overlaid in brown blue and green, e...

A very handsome Art Nouveau faience pottery jardiniere and Stand, Burmantofts Pottery, circa 1895. The jardiniere and stand having multi-color glaze and Art Nouveau floral decoratio...

French Art Nouveau pewter vase, ca 1900 A French Art Nouveau vase, made of pewter in beautiful Art Nouveau scene of flowers, raised on 4 legs. A tapered, but rounded model with two ...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Antique Art Nouveau Rookwood Olga Geneva Reed pot or bowl featuring round form with sea green matte glaze. Circa 1908. Shape 622. Size C. Signed OGA - Olga Geneve Reed. Dimensio...

Vintage Art Nouveau style clear and frosted glass perfume bottle (LOVE'ME by MELBA) with an embossed design of a nude woman on one side and the name "Melba" on the other, and a frost...

A ca. 1920's French Art Nouveau "Epinettes" cameo glass vase by La Verre Français. The acid engraved yellow and maroon glass shows "epinettes", flowers resemb...

Beautiful pink and white acid etched vase with decorations of maple leaf and samara seeds by the French 1900s Art Nouveau Manufacture Legras. Signed in the vase. Very good condition...

A stunning late 19th Century French Art Nouveau soufflé glass vase of spherical form, exquisitely decorated with blooming blue flowers set against a warm yellow ground. The piece sho...

Brilliant Handmade Majolica Hand-glazed Art Nouveau planter jardinière, 1920. Stamp Imperiale Royale, WESSEL Handmade and hand-glazed in brilliant details. Made in Germany Art Nouv...

Art Nouveau glass vase with engraved silver overlay by historic Loetz, ca 1900. Baluster with silver meandering leafing branch. Glass iridescent gold and purple with vertical oleagin...

Beautiful antique Murano hand blown millefiori flower mosaic Italian art glass decorative double handle cabinet vase. Documented to the Fratelli Toso Company, circa 1900-1920. The va...

French purple Majolica Cache Pot Jerome Massier Fils, circa 1890. Height / 3.8 inches. Diameter / 5.8 inches.

Muller Frères vase is a decorative object realized in the 1920s by Muller Frères Made in France Body, narrow neck with flared muzzle, colorless gl...

Antique 1890s pair of Victoria Austria vase. Comprising Austrian porcelain vases with hand-painted decorated scenes of cattle watering. Measure: Heigh...

molded amber obelisk-shaped bottle realized in France b J. Lanier in 1930s. Stopper with losses and minor chips, otherwise excellent condition.

Small 19th century French Majolica Iris Jardiniere Onnaing.

French Art Nouveau Olive-Green Planter Jardinière 13 h x 14.5 diameter Original vintage preowned Refer to images

2 Vases WMF Signs: WMF G: Introduces on the 1 st June 1910, in the interests of improved legibility, especially of the very small marks. The company´s choice of an ostrich as a tr...

Cristallerie de Pantin Early Acid Cameo Vase with Silver Mounts, c1890 Additional information: Date : c1890 Origin : Paris, France Bowl Features : Tall, slender plants with four-pe...

Dimensions: Height 5 1/2 inches Maximum width 3 1/2 inches Bottom diameter 2 7/8 inches. Both, the neck and the top cover of the lid are stamped with a full set of French hallmarks, half-erased due to long-term use and therefore illegible. The repose bouquet of Irises on the cover is stamped with an essayist' hallmark, containing artist initials "RD". Fine and unusual French antique perfume bottle of a superb quality and workmanship; can also function as a body lotion or bath salt...

A very stylish and elegant Hungarian porcelain vase hand painted with Islamic influence floral designs by renowned maker Zsolnay and dating from...

Meiji period, Large Satsuma Porcelain vase, decorated with dragon and floral pattern.  

Add elegant warmth, sophistication, and deep rich color to any space with this stunning antique Moser Bohemian parcel gilt emerald green glass decanter. circa 1900 Born in Bohemia (...

Vintage art glass bud vase features multicolored fused glass decor with iridescent finish. Strong, graphic abstract pattern flows along the lines of minimally shaped cylindrical vase...

"Boy with Sledge and Dog" is carved wooden brush pot with hand painting in oils in post - impressionist manner performed by a famous master: Elisaveta Merkuryevna Bem or Boehm or Böhm (1843–1914). Very beautiful vase that will decorate any interior. Antique wooden vases...

This exquisite antique German cast iron Christmas tree stand features a charming holly and berry motif, beautifully hand-painted in green and red with...

Stunning Arts & Crafts / Art Nouveau Planter / Hammed vase ,attributed to Lakeside Craft Shops,, Amazing design, Age appropriate wear, The Lakeside Craft Shops of Sheboygan, Wisconsin was founded by Fred Dennett in 1912 when he was 61 years of age. Dennett had already made his fortune as founder of the Wisconsin Chair Company...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Beautiful antique Murano hand blown blue, green and white Millefiori Murrina flower mosaic Italian art glass decorative vase. Documented to the Fratelli Toso Company, circa 1900-1920...

Large French Art Nouveau vase by DAUM (Nancy), France, 1910-1915. Rosehip flowers. Large double-blown glass vase in the shape of a baluster shouldered with an open neck, decorated wi...

Vase in the shape of a drum on an oval, short base, slightly tapering towards the top in depth, at the top as an opening an arcuate cutout with a slight beaded edge. Colorless glass ...

Fantastic Loetz Witwe glass vase out of the famous workshops in Klostermuehle/ Bohemia, circa 1899. The beautifully shaped glass vase was artful...

Bronze vase with feathered morises, patented, made in the early 20th century. Ø 25 cm Ø 13 cm h 16 cm

A very fine and elegant Hungarian porcelain twin handled vase with floral reticulated designs and contrasting blue glazed panelling by renowned maker Zsolnay and dating from around 1...

Beautiful antique Murano hand blown white with blue rim Italian art glass fan shaped flower vase. The vase is made with layered white net Zanfirico ribbons. Each ribbon has an intric...