Inlay Serveware, Ceramics, Silver and Glass

A Large Victorian period George III style Inlaid Mahogany two handle galleried oval tray. Solid brass handles. Good antique condition with patina. Measures 26" in width, 16.25" in d...

Set of 4 coasters in white Carrara marble with brass inlay. Thanks to their shape and size they can be used as exclusive presentation plates for finger food. Material: White Carrara ...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by skilled artisans, ultimately making each piece unique, designed in Paris and produced in the Philippines. The Kifu Paris geometric coaster...

Edwardian Period, Sheraton style, sterling silver-mounted gallery tray, American, Ca. 1915. Beautiful marquetry work. Measures 22 inches wide x 15 1/4 inches deep x 2 1/2 inches high...

An English George III Mahogany Gallery and Inlay Serving tray with brass handles. Measures 25"W, 14.75" in depth and 2.5" in height.

A dramatic and rare set of 12 hand blown TALL crystal goblets with red marquetry "balloons" or "cherries" with engraved decoration. The elegant stems are panel cut, giving a wonderfu...

Beautiful antique Murano hand blown millefiori flower mosaic Italian art glass teapot, sugar bowl, with teacup and saucer set. Documented to the Fratelli Toso Company, circa 1910-193...

This traditional silver Kavkaz belt from early 20th century Russia featuring a niello design is a highly valuable and culturally significant piece. The Kavkaz region, encompassing th...

Beautiful 19th Century Victorian Inlaid Hardwood, Amboyna & Silver Tantalus With Three Cut Glass Decanters That Have Solid Silver Lids & Trims ...

Large, rectangular tray by Couroc of Monterey, California with an inlaid sailboat and lighthouse design (circa 1960s). Composed of a black lacquer phenolic resin (water, burn, stain,...

Circa 1770 George III period cellarette on stand, English. Octagonal form with molded base edge over intergral base. Solid mahogany with line inlay edging of boxwood; the top with ex...

A classic 1970's Mexican hardwood parquetery serving tray by American designer Don S. Shoemaker. The rectangular tray's parquetery is composed by a chevron pattern. Don S. Shoemaker...

Trish DeMasi Lamella Bowl, 2022 Glazed speckled ceramic with glass inlay Measures: 11 x 13 x 5.5 in.

A contemporary handcrafted tray composed of a handmade mosaic Moroccan zellige surface, a walnut frame and polished elegant brass handles. Designed by J...

19th Century wonderful quality Georgian mahogany tray with a scalloped gallery surrounding a beautifully inlaid central music design with crosse...

Mid-20th century posies vase by Jean Gerbino, Vallauris, France. Executed in his signature mosaic technique with finely assembled clay segments in soft tones of brown, cream, and blu...

Circa 1960. We offer this mid-century Mexican silver plated cups set in the style of Los Castilllo in great vintage condition and fantastic patina.

A contemporary handcrafted tray composed of a handmade zellige mosaic blue surface, a walnut frame and polished elegant brass handles. Designed by Jonathan Amar at his atelier in Ra...

Murano Art Glass Bottle Stopper, Hand-Blown Venetian Millefiori & Gold Aventurine An exceptional and highly decorative Murano art glass bottle stopper, masterfully hand-blown in Venice, Italy, showcasing a vibrant fusion of millefiori, abstract canes, and shimmering gold aventurine inclusions. This striking piece embodies the timeless artistry and innovation of Murano glassmaking, renowned worldwide for its craftsmanship and rich colour palette. The sculptural stopper features a beautifully polished chrome base with rubber seal rings for practical use, crowned by an organic, freeform glass top bursting with colour—deep reds, luminous greens, ivory tones, and intricate patterned canes, all enhanced by radiant gold flecks. Each element is individually applied, making this a one-of-a-kind decorative object. Perfect as both a functional wine accessory and a collectible art piece, this stopper elevates any barware collection, luxury dining setting, or interior display. Its bold artistic presence also makes it an ideal gift for collectors of Murano glass, Venetian art, and mid-century decorative objects. Presented in excellent condition and housed in a fitted presentation box, it is ready for both display and use. Key Features: Authentic Murano hand-blown glass Millefiori and aventurine technique Unique abstract design – no two pieces alike Chrome stopper with secure rubber seal Presented in original-style box Condition: Excellent Murano glass stopper, Venetian art glass, millefiori glass, Murano bottle stopper...

Superb quality antique Victorian mahogany inlaid cheval mirror, having a superb quality mahogany inlaid swan neck pediment above a bevelled edge adjustable mirror in a beautiful maho...

Large rectangular geometric patterned wood and white bone inlaid serving tray. Made of wood and then tessellated with dozen of sustainably sourced...

American Federal walnut hinged bottle box on stand with central oval and corner patera inlays, exposed dovetails, original interior bottle dividers, lower single drawer with oval aco...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Circa 1960. We offer this beautiful handmade Silver Plated Dish by Los Castillo with Malachite Inlays , includes Los castillo marked and numbered with the piece 250. Los Castillo is...

19th century mahogany tray from England inlaid in a lovely pattern with leaves and acorns.. Around the central lozenge of leaves and acorns, there is a scalloped pattern which border...

We offer this Rare Midcentury Mexican dish in Peace Dove Form by Los Castillo in silver plated and stone inlay includes marked brand and serial number #332.

A wonderful tessellated plate / bowl with fish details. At 18.25" the piece is a very large shallow bowl with tessellated fossil stone and or onyx detai...

A French Napoleon III liquor tantalus box. This is a fantastic liquor tantalus cased-box for liquors created in Paris France during the Napoleon III period, back in middle of 1860. ...

Art Deco Wooden Tray with Geometric Marquetry – France, 1940s Description: This is an elegant Art Deco tray, crafted in wood marquetry, dating from the 1930s. The surface is decorat...

Graceful mahogany tray with brass handles, all over inlay in satinwood and other exotic woods. The tray measures 26 inches wide handle to handle, 16 inches deep. The finish is smoo...

A rosewood serving tray by Don Shoemaker for his company Señal in the 1960s. The surface of the tray has a repeating geometric marquetry pattern in a gradient of local Mexican hardwo...

Mid-20th century ceramic vase by Jean Gerbino, Vallauris, France. Made in his signature mosaic technique with finely assembled clay pieces in shades of blue, cream, and brown. The de...

English mahogany wine cellarette with inlaid Satinwood conch shell, hinged top revealing a compartmentalized fitted interior, and terminating on the original turned legs with brass c...

A fine 19th century French Napoleon III tantalus, or cave à liqueur, in the style of Charles-Guillaume Diehl. Serpentine form marquetry case is skillfully crafted with mother-of-pea...

Moroccan copper charger with silver inlay, circa 1900. This large scale, heavy gauge copper tray with a raised scalloped 'pie crust' edge is a top quality example of this type. With ...

Designed by the legendary Aldo Londi, this stunning ceramic centerpiece, also known as a cigar ashtray, is a rare masterpiece of Italian craftsmanship. Meticulously crafted by Bitoss...

A Unique Silver and Wedgewood Jasperware Torah Pointer made by Daniel Blumberg in Pennsylvania in 1959. Most Torah pointers are usually made with a single constant metal. While there are some exceptions where two materials are mixed to make a unique item, this is the first time we have seen a Torah pointer made with Silver and inlaid Wedgewood Jasperware. This distinctive Torah pointer was created by attaching a foliate-designed silver crown affixed with a long silver chain to the tip of the blue-colored Wedgewood Jasperware handle. The handle is adorned with inlaid white flowers and flowing acanthus leaves on the upper handle. Decorated with a gilded ring embellished with pearl-colored stones as the handle tapers smoothly down to the shaped vintage sleeve...

Serving tray and stand by Don Shoemaker for Senal of Mexico. The tray has a dark rosewood frame with integrated handles at either end, and the tray surface has a repeating geometric ...

Elixir Bar Box by Procreo is the most show stopping piece to add to your interior and transform your drinking ritual. A unique combination of most exotic and vibrant natural wood ha...

Hand carved serviette rings from Carrara marble with brass inlay. Set of 4 pieces in White Carrara Marble, polished brass. Dimensions: D 7.5, H 1.5 cm....

An exceedingly rare and important pair of George III-period mahogany knife boxes of exceptional quality and condition. The boxes are of serpentine form with refined crossbanded and c...

Trish DeMasi Moderno Vessel, Gae, 2021 Inlaid stoneware with metallic glaze 5 x 12.25 x 19 in Named after Gae Aulenti, modernist Italian architect and designer.

Antique Arabesque steel plate with gold and silver inlay. Continental, 19th century Dimensions: Height 2cm, diameter 32.5cm Beautifully crafted from steel with gold and silver damascening, this fine 19th century plate is profusely decorated with scrolling arabesque detailing. Around the rim of the plate, scrolling foliate vines and flowers are interspersed with four grotesque masks. The centre is similarly decorated, with intertwining scrolls, acanthus leaves, dolphin heads, and swans. There are also two coats of arms to the centre, which feature crowns and gold bows above. On one of the shields, the top half features a bird with its wings spread wide, with a church building to the bottom half. The other has an angel figure to the left and a double headed eagle to the right. The joining of two coats of arms in this manner often symbolizes the joining of two noble families in marriage, so the present plate could have been produced in celebration of a noble wedding. This manner of decoration is similar to that of Spanish metalworker Plácido Zuloaga...

This is a superb quality antique English Edwardian mahogany oval tray, incorporating walnut, satinwood and olivewood classical marquetry inlay design. The oval plateau features a rai...

Yaakov Davidoff is the top 21st century Silversmith and creating Judaica, This Binding is absolutely remarkable. A truly unique and beautiful .925 L...

Bring modernism with an unexpected twist to your decor! A true work of art, contemporary Murano glass centerpiece, a creation signed by Paolo Birello, the shape surprisingly perforat...

A large and very rare silver-inlaid antique Judaica tray Jerusalem, c.1900 Height 2.5cm, diameter 62cm This large and remarkable work is a copper and silver-inlaid antique Jewish tray, featuring meticulous and exceptional metalwork, and was made in Jerusalem around the turn of the twentieth century. It features a twelve-fold repeating pictorial decoration, which is set between two circles, that of the central ring in which a large menorah...

Super cool brand new / old stock inlaid wood "flora" tray handcrafted by Couroc California, circa 1970s. The tray is in brand new condition in original packaging with original brochu...

Narrow tray by Don Shoemaker for Señal, Mexico, c.1960s. The tray has a Cocobolo frame with integrated handles and features an inlaid striped pattern of rosewood. Retains original ma...

19th Century pair of mahogany and satinwood knife boxes with one later converted into a box for storing bottles and the other for storing drinking glasses. Featuring satinwood border...

Wheel Thrown Flower Stamped Buncheong Vase by Jason Fox American Contemporary Ceramic Artist Jason Fox shows his love of Korean Pottery and Buncheong Ware with this Flower Stamped...

Mid-20th century ceramic vase by Jean Gerbino, Vallauris, France. Crafted in his distinctive mosaic technique with carefully assembled clay pieces in tones of blue, green, cream, and...

A beautiful mid-20th century ceramic jug by Jean Gerbino, produced by Vallauris, France. This sculptural piece showcases Gerbino’s signature intricate mosaic technique, composed of f...

A rare and unique wooden tray with cut out handles and a wonderfully intricate inlay wood / marquetry perimeter with meticulous detailed collage of positioned Butterfly wing details ...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

A large vintage and elegant tray from the 70s. The wood inlays shows Australia and the distribution areas of its most important types of wood: Walnut, Black Bean, Cedar, Red Gum, Map...

A French "Cave à Liqueur" liqueur cabinet with antique crystal carafes and glasses. The cabinet contains four crystal carafes and ten glasses,...

Quality antique Edwardian mahogany inlaid oval tea tray having a quality mahogany inlaid tea tray with quality inlaid detail to the centre of the tray with a gallery edge and the ori...

A round pished Egyptian tray in this style serves both as a functional item for serving drinks with grace and style, and as an exquisite decorative piece to adorn homes, showcasing the artistry and ctural heritage of Egypt and its surrounding regions. It is a testimony to the enduring beauty and craftsmanship that has been cherished for centuries, a legacy that continues to inspire and captivate admirers around the world. A pished North African Egyptian pished brass tray is a stunning piece of traditional craftsmanship that showcases the rich artistic heritage of the country. It is meticously handcrafted by skilled artisans who specialize in metalwork and imbue each tray with intricate designs and meticous attention to detail, inlaid with copper and silver metal with some Arabic writing. The tray typically features a circar or rectangar shape, with a slightly raised rim to prevent items from sliding off. The brass material is carefly worked to achieve a smooth and shiny surface, which is then pished to a lustrous finish, enhancing the natural beauty of the metal. One of the distinguishing features of a pished Middle Eastern Egyptian brass tray is its exquisite engraving and inlay work. The artisans skillfly carve intricate patterns, geometric motifs, or elaborate floral designs onto the surface of the tray. These designs are often inspired by traditional Egyptian architecture, Islamic art, or nature, and reflect the ctural and artistic influences of the region. A round pished Islamic metalwork, is a breathtaking example of the exquisite craftsmanship and artistic heritage of the region. Handcrafted with skillf precision, this tray showcases a harmonious blend of ctural influences, resting in a piece that is both visually captivating and historically significant.About Islamic Metalwork. Arabesques, a hallmark of Islamic art, are gracefly interwoven patterns that symbize the infinite and the interconnectedness of all creation. Calligraphy, featuring verses from the Quran or other religious or poetic texts, adds an element of spirituality and ctural significance to the design. Islamic brass metalwork, including brass trays, is an intricate and beautif form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particar, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various ctures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays invves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques invved: 1) Design: A skilled artist or calligrapher creates the design for the brass tray. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The tray is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the shallow depression of the tray. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the tray is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tos to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree invves shaping thin wires of brass into delicate patterns and sdering them onto the tray's surface. Inlay work, on the other hand, invves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like pishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. Throughout history, Islamic brass trays...