Ormolu Case Pieces and Storage Cabinets

A stunning antique French marble top painted cabinet. This was made in France, it dates from around the 1920-30’s. It is of superb quality, this is a useful size and has a gorgeous ...

French Empire style mahogany vanity / dressing table with gilt bronze mounted design and oval attached mirror, front pulling drawer and side pair of candelabra. The vanity / dressing...

A very fine pair of 18th century antique French Lois XV marquetry inlaid and ormolu mounted rosewood, walnut and fruitwood, tambour front side cabinets, circa 1780. This very elegan...

This is a beautiful antique Victorian amboyna and ebonised pier cabinet, circa 1850 in date. The rectangular amboyna top with an elegant brass gallery above a frieze inset with a  "...

Louis XV style ormolu mounted Vernis Martin and parquetry vitrine French, c.1880 Height 197cm, width 102cm, depth 49cm This remarkable work is a Louis XV style, Vernis Martin, parqu...

Napoleon III solid oak cabinet with ebony veneer and carved black marble top. The facade is framed with gilt bronze mounts of caryatids, and two doors are decorated with silver medal...

A stunning 19th century Louis XVI style side cabinet, the cabinet is surmounted by a white rectangular marble top with canted corners below an ormolu mounted frieze, The centre to th...

Introducing a stunning and rare piece of furniture that embodies the elegance and sophistication of 18th century French design - the early 18th century French Commode with Rosewood I...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A fine French 19th century Louis XVI style ormolu-mounted mahogany, fruitwood and sycamore marquetry and parquetry commode with a Brèche Violette marble-top, after the model by Jean-Henri Riesener (1734-1806), circa 1880. The finely detailed commode with rounded sides three apron drawers with wreath ormolu pulls and an acanthus plate...

A stunning French Louis XV bombe marble-top chest of drawers commode from the 19th century, styled in the manner of Charles Cressent (France, 1685–1768), finished in luxurious Rocco ...

A handsome Louis XV style commode from France, circa 1800 or earlier. The fantastic charcoal marble top has a serpentine molded edge, conforming to the gentle undulations on the draw...

A fine French 19th-20th century Louis XV style gilt bronze mounted satinwood and tulipwood Bois Satiné and Bois de Bout floral Marquetry two-drawer commode of bombé serpentine form, ...

With a rectangular grey and white marble top over a drawer and glass cabinet door flanked by columns, enclosing three shelves. Has key.

The overhanging foliate cornice above a frieze with reliefs of female and male figures surmounted by ribbon ties and flanked by foliage and laurel leaves, above two pairs of glazed doors divided...

Antique Italian Pietra Dura Hardstone Wood Ormolu Cabinet on Stand Italian, Late 19th Century Height 227cm, width 141cm, depth 46cm Rich in detail and craftsmanship, this magnific...

A Pair Of Louis XVI Style Gilt-Bronze Mounted Mahogany Demi-Lune Shaped Petite Commodes or Bedside Cabinets. Each with 'D'-shaped brèche de Benou Jaune marble top with three-quarte...

Large Empire chest of drawers Paris Mahogany Early 19th century Dimensions: H x W x D: 97 x 136 x 68 cm Description: The architecturally designed front of the chest of drawers is divided into three zones. A plinth connected to the floor forms the lower section, on which two sturdy columns rest, supporting the upper section, which houses a large drawer. Three further drawers are housed in the centre section of the chest of drawers, which recedes behind the columns. A black granite top forms the upper end. The drawers, the back panel and the body are made of oak, except for the panels in the side walls. The top section with the ledge drawer is connected to the body with wooden wedges and can be removed for transport. This detail can be clearly seen in one of the photos. Exquisitely beautiful mahogany veneer, horizontally mirrored on the drawers at the height of the key entrances, enlivens the smooth surfaces on which the lavishly gilded bronzes unfold their effect. Some of the very finely crafted fittings can also be found on Empire furniture by Jacob...

This is a beautiful PAIR of antique Bedside Cabinets, having three drawers per cabinet and made from kingwood that has floral marquetry inlaid decoration and with marble tops, all in...

A Rare Pair of Belle Epoque Gilt-Bronze Mounted Marble Top Commodes by François Linke. Linke Index Number: 245, signed ‘Linke’ to the right-hand espagnolettes, the locks stamped ...

A fabulous pair of 20th Century richly patinated, well figured mahogany and kingwood marquetry inlaid marble top bedside chests of exceptional quality. This stunning pair are finely...

An elegant early 20th century Louis XV Style Chinoiserie Commode designed in the mid 18th century style with marble topped ebonized ...

Mid 19th century inlaid walnut breakfront credenza sideboard circa 1850 We are pleased to offer this stunning profusely inlaid sideboard. Breakfront shaped and offering 3 glazed doo...

1900s Italian Empire mahogany chest of drawers with gilt bronze ormolu, keys and black marble top.

A Napoleon III Ormolu-Mounted Marquetry Meuble d'Appui Of bow fronted arc-en-arbalette outline, the cabinet constructed using several fine woods including birds' eye maple, tulipwoo...

A very fine French ormolu-mounted chinoserie black and gold lacquer pewter-inlaid ebony side cabinet of very neat proportions, with a rectangular black marble top above a decorated o...

A fine quality late 19th Century French marble topped side cabinet, with radiating veneers, floral marquetry inlay, gilded ormolu mounts, two doors opening to reveal shelves within. ...

A Louis XVI Style Gilt-Bronze, Vernis Martin And Satinwood Parquetry Side Cabinet, Attributed to François Linke. Of trapezoid outshape with an inset brocatelle d'Espagne marble top...

A Late 19th Century Louis XV Style Ormolu Mounted, Parquetry Tulipwood and Kingwood with Tooled Brown Leather Inset Top Lady's Bureau Avec Cartonnier made out of 6 top drawers flabk...

An outstanding Louis XV-style mahogany bureau plat after a model by Jacques B. Dubois, from the estate of Phyllis McGuire, the shaped leather-inset top...

A spectacular French 19th century Louis XIV st. ebony, brass and ormolu cabinet, in the manner of A.C. Boulle. The exquisite cabinet is raised by elegant arched shaped supports with ...

An exquisite Rococo-revival bombé kingwood commode / chest of drawers, dating to circa 1880, Paris, France. An exceptional piece in the Louis XV style, crafted with remarkable finess...

Kingwood, Vernis Martin and Gilt-Bronze mounted side cabinet by Linke French, Late 19th Century Height 127cm, width 147cm, depth 50cm Made in the late-nineteenth century in the height of the French Belle Époque, this exceptional ormolu, kingwood, and Vernis Martin cabinet...

This is an exceptional quality antique Victorian ormolu mounted burr walnut  and marquetry inlaid serpentine credenza, circa 1870 in date. The entire piece highlights the unique and...

Elegant Louis XV Style Flat Desk – Black Lacquered with Gilded Bronze Decoration This exceptional Louis XV-style Flat Desk is a refined example of classic craftsmanship and French e...

A sensational and extremely high quality French 19th Century Napoleon III Period ebony, brass and ormolu Cabinet à Hauteur d'Appui, attributed to Befort Jeune. The Boulle cabinet is ...

A Louis XIV Style Gilt-Bronze Mounted Mahogany Bureau Plat, By Cueunières, Paris. After the Model by Charles Cressent. Stamped to underside 'L. CUEUNIERES JNE / ÉBÉNISTE' The orig...

This stunning antique French, ormolu and Sèvres Porcelain-Inset Meuble d`Appui pier cabinet dates from circa 1880. The demi lune white Carrara marble top has a pierced brass gallery...

This monumental Boulle commode was crafted by Robert Blake, one of the finest and most important English cabinetmakers of his time. It is modeled after the legendary pair of commodes...

An exceptional French 19th century Empire St. three door armoire in satinwood and mahogany with beveled mirrors. All highly decorated with fire-gilded ormolu mounts. Inside lays fift...

This totally refurbished Louis XV-style features an ormolu-mounted top inset with a glass panel. The lockable top opens on three hinges, revealing a sumptuous interior lined with pi...

A palatial and superb early 20th century gilt bronze Mounted Louis XVI style Mahogany Vitrine by François Linke François Linke The arched top with scrolled corners and centered by a laurel wreath and crossed acanthus branches, above a central large door at top by a lyre on drapery-covered plinth, flanked by scrolling acanthus, with a smaller door to each side hung with floral swags and with central oval plate, the divides cast with a slender flower-filled vase, the interior with adjustable shelves and drawers to the bottom, on shaped foliate-cast plinth and acanthus-capped tapering feet. Inscribed F. Linke to the top right bronze mount and stamped “C LINKE” on the back of the locks. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

A Fine Pair of French 19th-Century Louis XV-style Marquetry and Gilt-Bronze Mounted Meuble d'Appui Side-Cabinets with marble tops. Each single-door satinwood veneer side cabinet is c...

Pair of French Regency book matched mahogany foliage urn ormolu commodes with flanking brass knob single drawers, brass handle cabinets with interior shelf, and resting on squared br...

A high quality French 19th century Louis XVI st. Mahogany, Ormolu desk, signed Linke. The three drawer rectangular desk with pullouts on either side is raised by four slender square ...

A Magnificent Rococo Style Gilt-Bronze, Bois Satiné and Mahogany Commode. By Rosel, Brussels, After The Celebrated Model By Johann Melchoir Kambli. Of curvaceous bombé form surmoun...

Hardstone, ormolu and Boulle mounted ebonised wood sideboard French, Late 19th Century Height 114cm, width 178cm, depth 50cm This splendid sideboard, carved from ebonised wood, stan...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

A stunning and high quality French 19th century Napoleon III Period Louis XVI st. Ebony, Ormolu, Giltwood and Rouge Griotte marble cabinet. This exquisite two door single drawer cabi...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Antique Louis XVI Style Mahogany, Glass & Ormolu Round Display Vitrine C1910 Measures - 42"H x 21"W...

Napoleon III Ebonised & Marble Topped Side Cabinet, mid-19th century, with central relief decorated oval plaque, decorated with gilt metal mounts, with a shaped apron and stepped fee...

A sensational and most impressive French 19th century Louis XVI st. Ebony and Ormolu Boulle vitrine. This stunning four door vitrine is raised on a rectangular plinth centered by an ...

An Exceptional Matched Pair of Late 19th Century Gilt Bronze Mounted Louis XVI Style Parquetry Commodes/Night Stands By Maison Millet Theodore Millet after Jean-Francois Leleu The ...

Louis XVI style Ormolu mounted kingwood Vitrine, Paris, circa 1900, Beautiful quality, with lift top beveled glass top, the case fitted with fo...

Dating from around 1850, this is a wonderful antique French Rococo Revival Secretaire a Abattant featuring ormolu mounted mahogany, gonzalo alves and marquetry. A Secretaire a abatt...

A late 20th Century Neoclassical Partial Gilt Decorated Fruitwood and Faux Marble Top Console Cabinet. One adjustable height shelf. Measures 32.75" in width, 12.5" in depth and 34" i...

A most impressive and large scale French 20th century Transitional st. Tulipwood, Kingwood, Ormolu and marble commode, by Linke and Bieder. This stunning commode was made by the Fran...

A Magnificent Pair Of Louis XVI Style Gilt-Bronze Mounted Mahogany Vitrine Cabinets-On-Stands, Attributed to Henry Dasson. Each ‘D’-shaped cabinet with three-quarter balustrade gal...

A pair of French Vernis Martin style painted commodes, each having marble tops over single doors with pained scenes framed by bronze mounts. Painting signed A Mancini and Kaufman. Su...

A remarkable ladies dressing table made by the Goldsmiths & Silversmiths Co. of London for his Highness Nawab Sir Sadiq Mohammed Khan Abbasi the V of Bahawalpur. Constructed in mahogany in the form of a kneehole desk with a modesty screen, rising from Chippendale style carved bracket feet, the banks of pedestals fitted with lockable faux drawers to the left, concealing a safe, and drawers to the right, fitted with ormolu chased swan neck handles; the lockable and hinged panelled top rising to reveal an adjustable triptych bevelled dressing mirror, with provisions for a pair of scallop shaded electrical lights, and having an enclosed body, fitted with an array of cut-glass unguent bottles, all with silver tops, Hall marked for 1929/30, enamelled with an Art Deco design, and bearing wonderfully detailed portraits of His Highness in regal dress...