Ormolu Case Pieces and Storage Cabinets

A very Fine French 19th-20th century Louis XVI style mahogany and ormolu-mounted four-door vitrine, with two central bombé glass doors and single bombé glass doors on each side, the fluted mahogany...

Antique French Louis XVI style ormolu-mounted commode after Benneman French, Early 20th Century Height 93cm, width 179cm, depth 69cm This outstanding commode à vanteaux is after a ...

An exceptional French antique Napoleon III inlaid ebonized & ormolu mounted marble top secretaire chest, circa 1860. This superb antique French secretaire abattant has a black & white veined marble top, with a reverse breakfront gilded bronze frieze below, the front of the secretaire is very finely inlaid with Mother-of-Pearl & gilt bronze 'rope twist' decoration. The chest has eight drawer fronts with gilded cast bronze garland decorated lock escutcheons, three of the drawers are dummy & form the fall front for the pull down secretary, which has the original blue velvet writing surface and engraved lock-plate. The interior is made of the finest flame grained satinwood and has two drawers with lozenge shaped inlay, the top of the chest with a pair of very finely cast gilt bronze caryatid brackets, the base with a corresponding pair of gilt bronze acanthus shaped brackets. The secretaire is raised on turned bun feet with gilt bronze mounts and a shaped skirt also with a gilt bronze mount, the sides of the chest with inlaid bronze stringing. Condition is excellent, this exceptional French antique secretary chest...

A very fine French Belle Époque 19th-20th century Louis XV style superb quality ormolu-mounted kingwood bombé commode with a Brêche d'Alep marble top, attributed to François Linke an...

Introducing a stunning and rare piece of furniture that embodies the elegance and sophistication of 18th century French design - the early 18th century French Commode with Rosewood I...

An exceptional French side cabinet from the late 19th century. Likely Parisian in origin, elegantly refined, finished in the luxurious and sophisticated Louis XV taste, presenting with the striking original decoratively shaped variegated specimen marble top with molded edge, atop the gravefully curvacious bombe form case, adorned with intricate geometric diamond parquetry, hand-crafted, of fine quality, craftsmanship and rich detailing throughout, the solid wooden chest fitted with two dovetailed drawers over a spacious single large cabinet door, all open to reveal luxurious rich mahogany finished interior, decorated with finely gilded chiseled and sculpted bronze ormolu fiolate motif mounts, original pull fittings, gilt brass running ornamentation accents the scalloped apron, flowing elegantly down the short cabriole legs, terminating in elaborate bronze sabots. As warm and attractive as it is useful, having the ideal proportions for a variety of different uses, including as a hall console, dry bar cart - liquor cabinet, side table, accent table, sideboard server, linen or towel storage...

A rare and stunning fine quality French Transitional Tulipwood, Kingwood, ormolu, Brocatelle Violette secrétaire bookcase by renowned Parisian cabinetmaker Maison Gouffé. circa 1925 ...

A French Louis XV style ormolu-mounted and end-cut floral and fruit marquetry two-drawer serpentine-shaped bombé commode by François Linke (1855-1946), Index number 720, the mounts d...

A monumental Danish chest of drawers commode from the 19th century. The magnificent, handcrafted Scandinavian antique having molded cornice, over case fitted with five drawers, all w...

This is an important antique, Victorian, ebonised, ormolu mounted, and Boulle cut brass marquetry serpentine credenza, circa 1870 in date. It is beautifully inlaid in cut brass, in ...

An authentic, signed Louis Majorelle (1859–1926) Art Nouveau desk, crafted in France circa 1900–1910. A masterwork of the École de Nancy, this piece reflects Majorelle’s distinctive ...

A fine French 19th-20th century Louis XV style gilt bronze mounted satinwood and tulipwood Bois Satiné and Bois de Bout floral Marquetry two-drawer commode of bombé serpentine form, ...

A Very Fine French Napoleon III Figural Ormolu and Porcelain (Probably Sevres) Mounted Tulipwood Meuble A Hauteur D'Appui, by Mathieu Befort, dit Befort Jeune. The rectangular shaped...

Antique Louis XVI style ormolu, marble and parquetry vitrine French, Late 19th Century Height 158cm, width 68cm, depth 40cm Crafted in late 19th century France, this splendid vi...

FRENCH EMPIRE MAHOGANY AND ORMOLU ARMOIRE France, circa 1820–1840 85" H x 21 1/2" D x 47" W Of architectural form, the projecting cornice above a single mirrored door framed by eng...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

A fine French palatial 19th-20th century Louis XVI style mahogany and ormolu-mounted "Marie Antoinette Style" medallion commode with a Fleur de Pêche marble top, after a model by Ben...

An exceptional pair of antique French walnut marble top bedside cabinets. They were made in France, they date from around the 1870–1890’s. The quality is incredible, they are probab...

A Late 19th Century Louis XV Style Ormolu Mounted, Parquetry Tulipwood and Kingwood with Tooled Brown Leather Inset Top Lady's Bureau Avec Cartonnier made out of 6 top drawers flabk...

The overhanging foliate cornice above a frieze with reliefs of female and male figures surmounted by ribbon ties and flanked by foliage and laurel leaves, above two pairs of glazed doors divided...

A beautiful antique French marble top chest. This was made in France and dates from around the 1950’s. It is of great quality and is a lovely size, perfect for use as a bedside ches...

A Fine and Large French 19th/20th Century Louis XV Style Mahogany and Gilt-Bronze Mounted Three-Corps Vitrine Cabinet. The converted three door display case with twin bombé (rounded)...

A stunning and most decorative French 18th century Régence Period Kingwood, Ormolu, and Rouge Royale marble Tombeau commode. This impressive five drawer commode is raised by elegantl...

Pair of Neoclassical style malachite and gilt bronze commodes French, 20th century Measures: Height 87cm, width 84cm, depth 38cm This superb p...

Rococo style gilt bronze and Vernis Martin vitrine cabinet French, 19th Century Height 194cm, width 120cm, depth 50cm This large and exquisite vitrine cabinet is a true statement pi...

A fine diminutive Louis XV three-drawer commode with Breche d’Alep marble conforming top in shades of pink and grey with molded edge and notched corners, surmounting a case with two ...

A handsome and most decorative French 19th century Louis XVI st. Mahogany, Ormolu, Japanese Lacquer and marble buffet. This elegant cabinet is raised on four circular tapered, and fl...

This is a beautiful antique French Louis Revival parquetry and ormolu mounted breakront vitrine, circa 1860 in date. This beautiful cabinet has exquisite parquetry and crossbanded ...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A very fine and large French 19th-20th century Louis XV style mahogany and ormolu-mounted Vitrine cabinet with its original Veined Mint green marble top, attributed to Georges-François Alix...

A Very Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Ormolu-Mounted Parquetry Three-Door Vitrine Commode 'Meuble d'appui with a Brêche Violette Marble Top, attributed to François Linke (1855-1946). The interior of the vitrine with three glass shelves, lined with a burgundy broque fabric and a mirror backing, flanked by a pair of side doors, each fitted with a pair of mahogany...

An Important Pair of Cabinets By Grohé Frères of Paris From a Noble Genoese Family Constructed primarily from matched tulipwood throughout, with purpleheart and bois de rose bandin...

Stunning 1800s Antique French Louis XV Style, Ormulu, Curved, Exceptional Vitrine!! 1800s Antique French Louis XV Style, Ormulu, Curved, Exceptional Vitrine. Exceptional French Louis XV style display cabinet, late 19th c., ormolu and marquetry...

An impressive and very high quality French 19th century Louis XV st. Mahogany, tulipwood and ormolu bureau plat desk. The three drawer desk is raised by elegant cabriole legs with ha...

Signed ‘Louis Majorelle’ Art Nouveau desk with the sinuous lines and curves typical of the style. Four curved-front drawers retaining their original ormol...

A Magnificent Rococo Style Gilt-Bronze, Bois Satiné and Mahogany Commode. By Rosel, Brussels, After The Celebrated Model By Johann Melchoir Kambli. Of curvaceous bombé form surmoun...

An Important Louis XVI Style Marquetry Inlaid Marble-Top Commode by Paul Sormani. Stamped twice beneath the marble top 'SORMANI Paris'. The lockplate engraved 'P. Sormani Paris 10 ...

A sensational and extremely high quality French 19th Century Napoleon III Period ebony, brass and ormolu Cabinet à Hauteur d'Appui, attributed to Befort Jeune. The Boulle cabinet is ...

This monumental Boulle commode was crafted by Robert Blake, one of the finest and most important English cabinetmakers of his time. It is modeled after the legendary pair of commodes...

This is a stunning antique French mahogany and ormolu-mounted display cabinet in the French Louis XV manner, circa 1870 in date. This beautiful cabinet has an abundance of exquisite...

A Magnificent Gilt-Bronze Mounted Parquetry Commode, After Antoine Gaudreaux's 'Commode Médallier'. The serpentine Vert Maurin marble top above a conforming case set with two cupbo...

Very fine Louis XVI style ormolu-mounted marquetry commode French, Early 20th Century Height 95cm, width 162cm, depth 59cm After an important model by Jean-Henri Riesener (French, 1734-1806), a highly renowned ebeniste of great standing, this exceptional commode is of outstanding quality, and fully embodies the quality of craftsmanship and great artistic style of the Louis XVI period and the original piece, which is currently housed in the Chateau de Fontainebleau, France. Riesener was a leading exponent and supplier of pieces in the Neoclassical Louis XVI style, and this design conveys the regal feel and presence of his manner, most notably in terms of the beautiful marquetry decorative panel to the front. It consists of a white marble top, above front facing drawers, with a lower door opening; curved sides that are extensively decorated with intricate geometric designs, and a central panel that depicts, in inlay...

A fine French 19th century Louis XVI style ormolu-mounted mahogany, fruitwood and sycamore marquetry and parquetry commode with a Brèche Violette marble-top, after the model by Jean-Henri Riesener (1734-1806), circa 1880. The finely detailed commode with rounded sides three apron drawers with wreath ormolu pulls and an acanthus plate...

A spectacular French 19th century Napoleon III Period Ebony, Ormolu and Hardstone cabinet vitrine. This impressive cabinet with Boulle inlays is raised on six bun feet with Ormolu ba...

An elegant and most impressive French 19th century Louis XVI st. flamed mahogany, ormolu and Brèche Violette marble buffet. The buffet is raised by four square tapered fluted feet wi...

A stunning Italian 19th century Baroque st. ebonized fruitwood, giltwood, ormolu and semi precious and hard stone Florentine cabinet. The cabinet is raised by a unique and most decor...

An elegant early 20th century Louis XV Style Chinoiserie Commode designed in the mid 18th century style with marble topped ebonized ...

A palatial and superb early 20th century gilt bronze Mounted Louis XVI style Mahogany Vitrine by François Linke François Linke The arched top with scrolled corners and centered by a laurel wreath and crossed acanthus branches, above a central large door at top by a lyre on drapery-covered plinth, flanked by scrolling acanthus, with a smaller door to each side hung with floral swags and with central oval plate, the divides cast with a slender flower-filled vase, the interior with adjustable shelves and drawers to the bottom, on shaped foliate-cast plinth and acanthus-capped tapering feet. Inscribed F. Linke to the top right bronze mount and stamped “C LINKE” on the back of the locks. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

An exceptional and most elegant French 19th century Louis XVI st. Mahogany and Ormolu buffet. The buffet is raised on lovely circular tapered fluted legs with fine mottled Ormolu sab...

An Exceptional Vernis Martin Cabinet-on-Stand In the Louis XVI Style By Henry Dasson Surmounted by its original double-moulded Brocatelle d’Espagne marble top and constructed from ...

An outstanding Louis XV-style mahogany bureau plat after a model by Jacques B. Dubois, from the estate of Phyllis McGuire, the shaped leather-inset top...

Palatial French 19th-Century Louis XV style figural gilt bronze mounted tulipwood marquetry three-drawer bureau-plat cartonnier with Dual clock-works by Lenoir, Paris, surmounted wit...

Early 19th century biedermeier ebonised birch escritoire circa 1820. We are pleased to offer this stunning austrian biedermeier period escritoire...

A Rare Louis XVI Style Gilt-Bronze Mounted Mahogany Cylinder Bureau. By François Linke, Paris. Index Number 100. France, Circa 1890. The top with three quarter pierced gallery. The cylinder front centred by a gilt-bronze foliate framed oval decorated with floral marquetry and a harp and books representing lyric poetry. Flanked by twin-light gilt-bronze candelabra. The roll-top enclosing an arrangement of four small drawers and five small compartments above a gilt-tooled green leather writing surface. The frieze fronted by a central drawer with spring-loaded secret release and faced with a relief-cast plaque of cloudborne putti representing the arts. The flanking drawers with gilt-bronze acanthus cast handles and fruiting cornucopia...

A Louis XV Style Satinwood Inlaid Mahogany Parquetry and Marquetry Corner Cabinet. Lock and key present and functional. Measures 28" in width, 23" in depth and 57" in height.

A fine gilt bronze mounted mahogany Empire library bookcase.

Russian Neoclassical (Early 19th Century) ormolu, & white marble mounted ebonized & mahogany secrétaire commode with top drawer desk and upper section.

This is a stunning antique French Gonçalo Alves Louis Revival commode, circa 1880 in date. This gorgeous commode features a serpentine Rouge Griotte marble top above three full wi...

Louis XVI style satinwood vitrine with neoclassical ormolu mounts French, 19th century Dimensions: Height 180cm, width 177cm, depth 45cm This ...

A stunning 19th century Louis XVI style side cabinet, the cabinet is surmounted by a white rectangular marble top with canted corners below an ormolu mounted frieze, The centre to th...