Empire Furniture

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

A good antique 19th century French Empire faux bamboo & white marble pine small sideboard /chest of drawer. The chest having the original veined white marble top above four drawers, ...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and ...

Important and very rare pair of micromosaic, malachite and walnut console tables Italian & Russian, early 19th century Measures: Height 89cm, width 106.5cm, depth 62cm These exceptionally beautiful antique console...

Fine Baccarat Empire Harcourt cocktail/water pitcher. The Empire Harcourt pattern is one of Baccarat's most sought after designs. A classic since 1841, it has graced the tables of n...

Pair of Paris Two Handled Vases in Gold and Cobalt Blue. Pair of early 19th century Paris baluster shaped porcelain vases. Elaborately painted on each side with the most intricate p...

An elegant late 20th century table lamp in neoclassical bouillotte style, made of high-quality gilt bronze with refined detailing and a beautifully polished finish. The craftsmanship...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Quality French Empire Style Mahogany Bow Front Large Chest Dresser w/ Bronze Paw Feet...

Antiques of London We are delighted to offer for sale this Stunning Pair Of French Empire-style bedside Nightstands. They exude opulence and sophistication. Crafted from beautif...

This charming Small Empire Chest of Drawers showcases the understated elegance and practical craftsmanship of the early 19th century. Crafted in warm-toned wood with a beautifully ag...

Introducing a stunning Brass Basket Empire Sac a Pearl Chandelier, an exquisite piece adorned with captivating crystals, reminiscent of the classical style of the Empire era. This is...

1930 Swedish Empire bronze chandelier with etched glass inset and crystals around

A very finely cast gilt bronze clock depicting Psyche at her toilet. The reflective mirror of polished bronze and that each element is cast separately then screwed on is an excellent...

Large Late 1700s 18-Light Empire Chandelier in Crystal and Gilt Brass, in perfect condition. A rare and antique Italian salon chandelier with a light balloon-like structure made of i...

Antique early 19th century French tole monteith or jardiniere cachepot decorated with gilt bands in the neoclassical taste. With removable zinc liner. The top opening measures 10 1/4...

A pair (2) of figural Empire candelabra candles. Paris, 1815s Gilt bronze. Recessed pedestal base with palmette and floral decoration on a square plinth. The pair, dressed in antiqu...

A magnificent early 19th-century French Empire trumeau mirror, elegantly patinated in a deep forest green and delicately accented with soft grey and gilded detailing. This exceptiona...

Circa 1920’s French Empire style small chandelier with swam’s heads. Original unique chains. 6 lights. Green body color

A Piece of History Recreated – Timeless Beauty, Faithfully Reborn Every now and then, you come across a piece that leaves a lasting impression. For me, it was this chandelier a stu...

Vintage French Empire Style Mahogany Pedestal Base Round Center Table with Brass Gallery. Item features a pierced brass gallery, pedestal base, gold gilt details, beautiful wood grai...

Superbly elegant and fancy French Empire style cast gilt and onyx round pedestal side table having gorgeous coloration, ornate dragon motif feet and scalloped base.

A French Empire style table lamp in sage green. A round central column is topped with an acanthus pressed brass capital beneath a matching sage green lampshade. The column sits above...

A pair of French Empire period toleware vases with black and gilt decoration the body with anthemion and patera decoration, standing on acanthus leave...

About This is a beautiful antique Spanish flame mahogany and marquetry wall mirror, circa 1840, 19th century. The mahogany frame is beautifully inlaid with a continuous marquetry...

A wonderful French Empire / neoclassical cut crystal and bronze ormolu mounted urn with lady figure handles centerpiece.  

A French Empire style bronze chandelier.

An Antique French Empire Style Neoclassical Gilt and Patina Bronze Multi-light Chandelier. The chandelier features a circular patinated bronze body of wide, tapering form, suspended by four elaborate reticulated gilt...

A handsome French round occasional table or gueridon in the Empire style, featuring a circular top of figured white marble surrounded by a low pierced brass gallery, set upon a tripo...

French 19th century brass candlesticks, Empire in taste, like miniature columns to add instant glamor to a mantel or table. Typical of the French Empire period, inspiration from anci...

Early 19th Century French Empire Mahogany Settee An Empire finely carved dark figured mahogany three seat settee, the back is surmounted by facing scrolls with strigilated flutes be...

In the French Empire (1804-1815) period, grandeur was often measured in gilt bronze—sphinxes, swags, laurel wreaths gilded to catch the light. But every so often, a piece turns up th...

19th century inlaid burr birch oval occasional table circa 1870. Good quality swedish burr birch center table that could be used for multiple purposes around the home.  Oval shape w...

Embark on a journey through time with this striking Antique French Napoleonic Boulle Marquetry Longcase Clock, crafted around the year 1800. This magnificent timepiece is a testament...

This mantle clock is by a well-respected Paris maker in a fashionable style. The oval base supports a vase shaped clock case in turn supported by winged dolphin heads and flanked by ...

A Piece of History Recreated – Timeless Beauty, Faithfully Reborn Every now and then, you come across a piece that leaves a lasting impression. For me, it was this chandelier a stu...

A refined pair of Art Nouveau Danish armchairs crafted in solid mahogany in the early 20th century. The design reflects the restrained elegance and fine craftsmanship characteristic ...

A very fine French 19th century Napoleon III Empire style mahogany and ormolu-mounted freestanding Cheval swiveling mirror. The oval framed mirror plate surmounted with Empire style ...

Extraordinary pair of French Empire style mahogany chairs featuring a tub or gondola form frame. Minimally decorated having a curved back,...

Spectacular mercury-gilt bronze mantel clock Early 19th century, Empire–Restoration period Dimensions: 56 cm high, 40 cm wide, and 15 cm deep. Paris movement with Brocot suspension ...

Early 19th century French tall chest of drawers with a black marble top, made from walnut. The case is lovely and has paneled sides and a single uppe...

A beautiful pair of French antique side tables in classic Empire style, not entirely identical, high-quality plant tables or pedestals, made from a hand-carved wooden base gilded wit...

This exceptional French 19th century Empire mahogany dressing table is complete with its original mercury glass mirror and white Carrara marble top. The oval mirror is framed with be...

Bronze, engraved and silvered. Three columns shafts with full-plastic, finely engraved swans. Funnel-shaped insert.

Direct from France: Direct from a private chateau near Paris, a stunning 184pc. gold plated sterling silver (vermeil) flatware set by internationally known French silversmiths "Societe Parisienne d'Orfevrerie" complete with original 6-drawer storage cabinet and 16 magnificent serving pieces, superb condition - circa 1911 and no monograms. The annals of 19th century French silverware bear witness to numerous illustrious workshops, yet few achieved the remarkable synthesis of technical mastery, artistic innovation, and aristocratic prestige as the Société Parisienne d'Orfèvrerie. Founded by Odiot during the flourishing years of the Second Empire, this distinguished Parisian firm carved its legacy through exceptional creations in gold-plated 950 sterling silver, known as vermeil, particularly in the realm of flatware. While maintaining its distinct identity, the firm's close association with the legendary Odiot dynasty - through shared master craftsmen, parallel design philosophies, and overlapping aristocratic patronage - positioned it among the foremost creators of luxury tableware in nineteenth-century Europe. The Early Years: The emergence of Société Parisienne d'Orfèvrerie coincided with a period of remarkable innovation in French decorative arts during the mid-nineteenth century. Though lacking the multi-generational heritage of the Odiot dynasty, which traced its origins to 1690, SPO rapidly ascended to prominence by adopting and adapting the exacting standards that had made Odiot synonymous with excellence in European silverware. This connection manifested most significantly through the migration of skilled artisans between workshops, as numerous master silversmiths who had trained in Odiot's ateliers brought their expertise to SPO's benches. These craftsmen carried with them not only technical knowledge but also the aesthetic sensibilities that defined French high silverwork during this golden age. What set Société Parisienne d'Orfèvrerie apart was its particular specialization in vermeil, the art of gold-plating sterling silver. While Odiot certainly produced vermeil pieces among its vast output, SPO made this technique a defining characteristic of its production, particularly in flatware. The process demanded extraordinary precision, involving the plating of 950 sterling silver - an alloy of exceptional purity containing 95% fine silver - with a substantial layer of 24-karat gold. This marriage of precious metals created tableware that combined the structural integrity and luminous quality of silver with the sumptuous warmth of gold, resulting in pieces that glowed with rich, deep radiance. The technical challenges of this process were considerable, requiring perfect preparation of the silver surface and meticulous control of the gilding bath to ensure even, durable coverage that would withstand generations of use. Master Craftsman in Vermeil: The foundation of SPO's flatware excellence lay in its uncompromising approach to materials and technique. In an era when many manufacturers had begun adopting the 925-sterling standard for economic reasons, SPO remained steadfast in its use of 950 silver, a purer alloy that offered superior workability and a distinctive luminous quality. This higher silver content not only enhanced the metal's natural brilliance but also provided greater resistance to the stresses of daily use, ensuring that pieces maintained their structural integrity over decades of service. The gold plating process itself represented a triumph of French electrochemical innovation, with SPO's craftsmen perfecting a technique that deposited a substantially thicker and more durable layer of gold than conventional gilding methods. Each component in an SPO flatware service represented countless hours of skilled labor, beginning with the careful forging of blanks that would be transformed through a series of specialized processes. Master chasers employed repoussé techniques to create intricate decorative motifs on handles, working from the reverse side to produce low-relief designs of floral arrangements, mythological scenes, or geometric patterns. Engravers then refined these elements, adding delicate details that brought the designs to life with astonishing realism. The functional elements of each piece received equal attention, with blades and bowls carefully balanced for optimal weight distribution and ergonomic comfort. A single place setting might require weeks of work from multiple specialists, each contributing their expertise to create a harmonious whole. The most elaborate commissions incorporated personalized elements that transformed functional tableware into bespoke works of art. Aristocratic clients frequently requested custom monograms or family crests, often executed in exquisite detail with additional embellishments of enamel or precious stones. These personalized touches not only demonstrated the owner's status but also served as a testament to SPO's ability to accommodate the most discerning tastes. The firm's workshops maintained extensive pattern books containing hundreds of design variations, allowing for nearly infinite customization while maintaining the cohesive aesthetic that defined SPO's output. A Favorite of European Royalty: Like its esteemed counterpart Odiot, Société Parisienne d'Orfèvrerie enjoyed considerable favor among European royalty and aristocracy, particularly during the reign of Napoleon III. The Second Empire court's appetite for lavish tableware created ideal conditions for SPO's ascent, with the firm's vermeil flatware becoming a particular favorite for state banquets and diplomatic gifts. The inherent qualities of vermeil - its resistance to tarnishing in humid conditions and its opulent visual appeal - made it especially desirable among the international elite who frequented Paris during this period of unprecedented luxury. Among SPO's most illustrious commissions was a comprehensive twelve-place vermeil service created for Empress Eugénie, wife of Napoleon III. This magnificent ensemble exemplified the rococo revival style favored by the imperial court, with each piece featuring elaborate rocaille scrollwork intertwined with naturalistic vine motifs. The service's attention to detail extended to its specialized pieces, including fish servers with delicately pierced blades and sauce ladles with perfectly balanced handles. Another significant patron, Tsar Alexander II of Russia, commissioned a vermeil flatware service featuring Cyrillic monograms and subtle references to traditional Russian decorative arts, demonstrating SPO's ability to adapt its designs to diverse cultural preferences. The firm's clientele extended beyond imperial courts to include the rising financial and industrial elites of the period. American magnates touring Europe, British aristocrats refreshing their country estates, and the newly wealthy bourgeoisie of Paris all sought SPO's creations as tangible symbols of their refined taste and social standing. This broad appeal stemmed from SPO's unique position at the intersection of traditional craftsmanship and innovative production techniques, allowing it to meet the exacting standards of old-world aristocracy while satisfying the practical demands of modern entertaining. Awards and Accolades: The excellence of Société Parisienne d'Orfèvrerie's creations received formal recognition at the great international exhibitions that served as showcases for industrial and artistic achievement throughout the nineteenth century. The 1855 Paris Exposition Universelle marked a watershed moment for the firm, where its exhibition of vermeil flatware earned a gold medal and lavish praise from the international jury. Contemporary accounts particularly noted the flawless execution of the gilding and the ergonomic perfection of each piece, with one critic remarking that the flatware seemed to "anticipate the hand's movements before being lifted." Subsequent appearances at the 1862 London International Exhibition and the 1867 Paris World's Fair further cemented SPO's reputation as a leader in luxury flatware...

A dark-brown, antique Baltic long bench with two pillows made of hand carved Mahogany, in good condition. The three seater sofa, settee is stand...

Montgolfière Style Chandelier - Empire Elegance with Customizability Introducing a new Montgolfière style chandelier that exudes the charm of the Empire era, reimagined with modern ...

Stunning Empire style toleware mirror. The gilded resin or plastic frame surrounds a glass mirror. Made in Italy, circa 1950s. Beautiful mirror for any room or your hall entry. Nice ...

A rare late 18th century Russian or possible Prussian neo-classical chandelier, having twelve arms around a central gilded bronze corona pierced with round cut crystals; the corona s...

Empire Style Ormolu and Cut Crystal Compote/Tazza  Made in Austria, circa 1920s An elegant Empire Style Ormolu and Cut Crystal Compote/Tazza made in Austria during the 1920s, present...

Good Condition, Original Design Modified.

Vintage French Empire Table Lamps with tartan lampshades Style: Vintage Antique, Empire, Napoleonic, Traditional, Classic, Baroque, Design: Traditional Napoleonic Column lamps in th...

French Candlesticks with Caryatids in Gilt and Dark-Patinated Bronze – Empire, 1820s A magnificent pair of French candlesticks in gilt and dark-patinated bronze, made during the he...

19th century Swedish empire birch chest of drawers circa 1870. Good quality Scandinavian chest of drawers very much in the empire taste. Rectangular top surface with stepped edge, ...

19th century hand carved mahogany center table circa 1880. Stunning quality center table from Scandinavia. Oval top which has been veneered in bookmark flame mahogany, fluted edge ...

Swedish 19th century tiger birch chest of drawers circa 1890. Beautiful quality chest of drawers made in tiger birch, which showcases the grain to allow a tiger like appearance. Re...

Magnificent Restored Solid Brass Chandelier with Cherub & Hand-Painted Porcelain Roses – 9 Lights A true masterpiece of classic lighting design, this opulent chandelier is crafted e...

Danish Empire bench in mahogany, circa 1810–1820. Frame made of mahogany with a simple, well-balanced form. The gently tapered legs and clean construction are characteristic of the ...

pair of circa 1930's French Opaline glass table lamps with gilt bronze fittings

Swedish late empire bookcase / display cabinet in black-polished birch. In 2 parts, upper case having mullioned glass front with cathedral arch cornice. Lower part with a pair of ...

Exquisite early coffee/mocha set, Tête-à-tête for two persons, comprising two small pots and two cups with saucers. Two white porcelain pots of different sizes with a cylindrical bod...