Canvas Wall Decorations

A large Maitland Smith Oil Hand Painted Canvas on Wood Panel. Measures 36" in with and 72" in height.

Alpine Landscape Oil Painting with Tyrolean Mountain Village A large landscape painting, framed in a gold-colored frame. Painted on canvas with oil paints. The painting shows a scen...

A countrycore Jung Koch Quentell pull-down wall chart showing the brown hair and the common rabbit. Used as teaching material in German schools. Colorful print on paper reinforced wi...

A mid-20th century French oil painting on canvas of three green apples in a fiery red bowl, the composition is a contemporary interpretation of a still-life arrangement. The four obj...

Original Jean-Charles Bouloc Mix Media Oil Painting on Canvas.

Stunning Michel Henry (1922-2022) French Impressionist, "Palm Beach Seaside" painting. Oil on canvas, signed lower right. Henry was a French painter known for abstract works reflect...

This superb Renaissance Italian painting, titled "Gallery with a View of Ancient Rome", is a masterpiece capturing the grandeur and artistic vision of ancient Rome’s architectural an...

Abstract Cubist Portrait Painting, after Russian Constructivist Artist Liubov Popova. Originally created by Popova in the 1910s - 1920s, this example was probably created by another...

A large and expressive floral composition by Lee Reynolds for Vanguard Studios, executed in a luminous palette of soft lavender, blush pink, pale yellow, blue, and white against a si...

Unknown artist. Oil on canvas. Abstract composition. Mid-20th century. The canvas measures: 61 x 38 cm. The frame measures: 5 cm. In excellent condition. Indistinctly signed.

Oil on canvas, 19th-century painting depicting a portrait of Queen Victoria. Painting, oil on canvas, depicting a portrait of Queen Victoria, from the 19th century, with a beautiful...

Beautifully rendered interior of a bathroom/ dressingroom in a striking color palette of orange and yellow. Signed Rogers lower left.

A compelling work by Valery Konevin, a notable Russian painter born in 1952, “Mapahta 2” painted in 1989 demonstrates the artist’s mastery in merging abstraction with subtle nods to ...

Early 20th century oil on canvas painting of a ship at sea under the moonlight signed J. Weiss 1908. Vincent Nicolas Francis Joseph Weiss (known as José Weiss) was born in Paris in 1...

This beautiful oil on canvas painting of "The Lagoon Venice", by Jane Vivian (Active 1869-1890), beautifully captures a delightful Venetian Scene. This beautiful landscape with it's...

JANOS P BAK (1913-1981) Well-known Hungarian artist. “Still Life with Flowers” Oil on canvas, signed lower right c. 1950s 19”h x 23”w x 23”h x 26”w (framed)

Antique Austrian painting from the first half of the 19th century. An oil-on-canvas painting depicting a female portrait—a young noblewoman in a pose—of high artistic quality. A nice...

A serene mid century coastal harbor scene signed Charles Richardson. The composition captures a quiet waterfront with moored sailboats, shoreline buildings, and glassy turquoise wat...

Scandinavian modernist. Oil on canvas. Abstract female portrait. Dated 1950. The canvas measures: 43 x 29 cm. The frame measures: 8 cm. In exc...

Antique Oil Painting Portrait of an Austrian Folksy Man, Vienna 1892 This painting depicts the portrait of a 19th-century Viennese man in his traditional costume. Shown in a three-q...

Small Still-life Flower Bouquet Oil Painting in Gilded Vintage Frame made by Danish Artist Emmy Thornam in the 1920s. * Still-life oil painting of a flower bouquet. Gilded vintage f...

A fabulous oil on canvas portrait of a distinguished gentleman in period attire, circa 1790. The historic age of the work is expressed as dark coloration and craquelure texture in th...

This is a beautiful oil on canvas painting of the view of the The Punta della Dogana by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right and verso, 'A...

An antique American or British oil on canvas still life painting. Signed L. Allinson lower right. Framed. Circa the late 19th century. Antique Still Life Paintings For Collectors. ...

Antique Italian painting from the second half of the 18th century. Oil on canvas artwork depicting a religious subject, Madonna and Child, of good pictorial quality. A beautifully si...

Original oil on canvas painting "Untitled" by internationally reknowned artist Isaac Maimon, circa 1995. The painting depicts a group of stylish Parisian woman at possibly a wedding or resturant. The piece measures 44" x 38" x 2.5" (the canvas is 30" x 24"); it is presented in its original gold gilt wood frame with cloth lining. It is signed, "Maimon" in the lower right corner and is numbered MAI1003 The painting was purchased for $3,400 from Contemporary Fine Arts Gallery in La Jolla, CA in 1995. #2525 Maimon has a distinct and recognizable style of painting which captures the energy of Parisian street scenes, with masterful lines and inspired strokes of color. Isaac Maimon was born in Israel in 1951 and has devoted the majority of his life pursuing a career in the arts. He attended the Avni Institute of Fine Art in Tel Aviv, Israel's most prestigious academy for the arts, where his initial interest in the Paris School of Art...

Olio su tela, antico ritratto di una nave risalente alla prima metà del XIX secolo di provenienza inglese; lo sfondo è arricchito da un’altra nave più piccola, da due piccole imbarca...

The Governor's Mansion in California Sacramento Acrylic on Canvas Painting, Douglas K. Gifford (American) American contemporary painter, Douglas K. Gifford, was born in Evanston, Illinois. He began painting in 1967 at which time he transferred from Bucknell University to The Ringling Art School. After graduating, cumulative awards and commissions led to one-artist shows in New York, Palm Beach, Nantucket, and Naples. A representational painter of architecture, an early influence was Edward Hopper. Then Gifford’s constructionist concept of space led to his invention of a three dimensional technique called Stereo Schema Realism. It is his alone. "The Governor" depicts an abbreviated version of one of San Francisco's more elaborate show places...

Impressionist New York City, a snowy winter day on 5th avenue. Cars fill the street and snow fills the air. The city that never sleeps gleaming with patriotic pride with the famous E...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by the master Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

Antique Italian painting from the mid-17th century. Oil on canvas artwork, first canvas, depicting a biblical episode of great charm, Herod's banquet, of excellent pictorial quality....

A large striking abstract landscape painting depicting Le Mont Saint Michel France by Jean-Marc David dated 1974. Minor restoration. Reframed.

This is a beautiful oil on canvas painting of the view of the The Grand Canal in Venice by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right, 'A Pollen...

Another stunning hand-painted oil on canvas work of religious art. This antique oil painting was first hand-painted on canvas and later mounted onto a zinc backplate .. a traditiona...

This is a beautiful oil on canvas painting of the view of the The Grand Canal in Venice by the renowned British artist Alfred Pollentine (1836-1890) and signed lower right 'A Pollentine, 19th century in date. This beautiful landscape captures a striking view of the Grand Canal, it features a busy canal scene with gondoliers in the foreground, in the distance the facades of Saint Mark's complete the painting. Housed in it's original and beautiful gilt gallery frame. Several examples of his work have sold at top auction...

This is a fine Italian school oil on board of the view of the harbour in Venice, dating from the mid 19th century. This finely painted painting captures striking views of a busy har...

British late twentieth century textured oil on canvas monotone abstract, signed verso Melrose 1993. Framed in black and gilt wooden frame.

A charming pair of Italian oil paintings by Aldo Grossi, dating to the early 20th century, depicting two iconic Venetian views. Executed in oil on board in a warm, atmospheric palett...

This is a rare Painting by Daniel Van der Putten of one of Ireland’s most famed landmarks, The Rock of Cashel in Tipperary. Van der Putten is Dutch born but resides and paints in the...

French circa 1890 portrait of a beautiful young woman in a fitted green blouse that complements her complexion, with pronounced red lips. The dark color palette of the work blends to...

A circa 1725 oil on canvas portrait of Louis George Simpert, as Hereditary Prince, the future Margrave of Baden-Baden (Deutsch: Ludwig Georg Simpert, Markgraf von Baden-Baden) portrayed one-quarter length in powdered wig and wearing ceremonial armor and crimson sash newly fitted in a period molded giltwood frame with bead-and-reel inner border from the Eli Wilner collection. Canvas measures 24.5" x 19.25". A related, but later portrait of circa 1735, attributed to the same unknown painter, is held in the collection of Lichtenthal Abbey, Baden-Baden. Biography: Louis George or Ludwig Georg Simpert, Margrave of Baden-Baden, born June 7, 1702 at Ettlingen Palace was the son of Louis William, Margrave of Baden-Baden and his wife, Princess Sibylle of Saxe-Lauenburg. Hereditary Prince of Baden-Baden from birth, at the death of his father in 1707, he succeeded as Margrave of Baden-Baden at the age of four. As such, his mother was regent of Baden-Baden until he reached his majority on 22 October 1727 at the age of 25. He married Maria Anna of Schwarzenberg April 8, 1721 at Český Krumlov Castle. The couple were the parents of four children, of whom only one survived infancy. After the death of the first Maria Anna in 1755, he married the Princess Maria Anna Josepha of Bavaria on July 10, 1755; the daughter of Charles VII, Holy Roman Emperor and his Austrian wife Archduchess Maria Amalia. The second marriage remained childless. Due to his passion for hunting instead of military service, he became known as "Jägerlouis", "hunter Louis", a play on his father's nickname of Türkenlouis ("Turk Louis") due to his famous heroics against the Turkish army at the Siege of Vienna...

Swedish hand embroidered wall tapestry with geometric pattern in wool including the variations on the Swedish flag. It is hand made circa 1960.

A large stunning painting from the legendary Amazonian artist Moacir Andrade "A Lenda Do Pacu" (The legend of the Pacu) Acrylic on canvas depicting a central Pacu which is a lar...

French painting of a giraffe by Etiennette Johan, 1930s Mixed-media painting on canvas depicting a giraffe in profile in the foreground against a yellow background, with a red frame....

Original oil on canvas laid on panel painting, Italian school. Unsigned. Possibly a religious composition with three putti in lower left. Condition: Age related craquelure, some abra...

19th century painting of a young boy sitting beside his goat and cart. Goat carts were very popular with children throughout the 19th and 20th centuries. The wicker goat carts we...

Classical standing nude by American artist Jane White. Painted in the 1950s and once owned by the Estate of Eva Gabor. There is no provenance.

A striking vintage equestrian oil painting, depicting a dark saddled horse surrounded by a lively group of hunting hounds within the atmospheric interior of a traditional stable. Th...

Robert Duffy (American, 1928-2015). Oil On Canvas "Robert “Bob” Duffy is a “Plein Air Artist” who paints primarily in New England. Frequently, he can be seen in Northern Vermont ar...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) Masterpiece "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

Oversized midcentury modern large scale original Lee Reynolds oil painting on canvas depicting a beach or ocean coastal scene with bird, flor...

Antique 18th-century Flemish painting. Oil on canvas artwork depicting a delightful bucolic landscape with animals and shepherds, beautifully painted. Finely carved, gilded, and chis...

Artwork by Enrico Baj, Italian artist, framed silkscreen print on tiled plastic Stunning framed serigraphy of Enrico Bay Enrico Baj (31 October 1924 – 16 June 2003)[1] was an Itali...

American School 19th Century A Very Nice Example of a Folk Art Hudson River Landscape signed lower left corner, G. M. Willis oil on canvas. Painting - 18" in., x 24" in., (45.8x 61c...

Olle Agnell (1923-2015), Sweden. Oil on canvas. Modernist landscape. Coastal scene, 1960s. The canvas measures: 66 x 41 cm. The frame measures: 5 cm. in excellent condition. Si...

A vintage oil on canvas painting, circa 1960, depicting a vibrant floral still life. This unsigned work captures a lush bouquet of roses and other blossoms arranged in a decorative v...

Large oil on canvas painting by Danish artist Hans Øllgaard (b. 1911, d. 1969) depicting a summer landscape ca. 1950s or 60s at the time of harvesting ha...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Monique Beucher (1934), French artist. Gouache on paper mounted on canvas. Abstract composition. Colorful palette. From the 1980s. In perfect condition. Exhibited at "La Galerie" 67 ...

For your consideration, a fabulous abstract mid-century art. Dated 1962. Oil on canvas board, signed. Dimensions: Frame 26.75" H x 32.5" W x .75" D. Art 20" H x 24.25" W. Delive...