Canvas Wall Decorations

George Hedley (British), 1855 Still Life with Fruit signed 'G. HEDLEY / 1855' (lower right) oil on canvas 55 x 55 cm (21 5/8 x 21 5/8 in). framed 74.5 x 74.5 x 4.5 cm. (29 1/3 x 29 1...

Step into a vivid flashback to the 1980s, where neon beats and sharp geometry ruled the scene. This dramatic, large-scale canvas, signed boldly “Dana” in playful pink, is a pure embo...

Italian painting from the second half of the 17th century. The painting, oil on canvas, is an interesting ancient replica of a very famous composition by Guido Reni depicting Saint J...

This 1930s large oil on canvas painting by Gregory Orloff, depicts a lovely aristocrat woman in a park setting. Signed in lower right corner. Original frame. Orloff (1890-1981) m...

Large-scale WPA Style Painting by Chicago Artist Amelia Helper Offered for sale is a very large and dramatic painting created in the WPA style. This overscale work is monochromatic ...

Miroslav Krofián - contemporary painting - czechia 1990s "L'abolition de la maison de l'éducation politique Measures : 74,5x50cm With frame 84x3,5cm H:60,5cm

Amazing and Charming Painting of a Jack Russell Puppy Terrier, Denmark, Signed AJ Nielsen 1911. This charming and cute oil painting is framed in a later vintage 1950's frame. The rea...

19th-century oil on canvas depicting two terriers in a rocky outdoor landscape. Unsigned. Canvas reverse bears the stenciled mark of W. Schaus, Print Seller & Artists' Colorma...

A striking example of mid-twentieth century German scientific pedagogy, this large-format zoological wall chart belongs to the celebrated Neue Zoologische Wandtafeln series published...

Fine 19th century English oil on canvas: Portrait of a dog, after Edwin Landseer. The verso photo documented, original canvas, Initialed W M May 1882. Based on a drawing of Landseer's Scottish deerhound...

Mid Century Post Modern Abstract Painting Framed Artwork oil on Canvas 8 Faces all facing the Right Layered. Bright colors with 7 different faces. Very presentable Painting. Oil pain...

A large antique religious oil painting executed in the Old Master tradition, depicting the Madonna and Child accompanied by a bearded s...

A rare screen printed canvas wall hanging by the respected British graphic artist Abram Games. He designed this whimsical horse as an advertisement for the Times of London in 1962. G...

Mid 20th Century Mixed Media Seascape with Yacht, inspired by Thomas Willis, circa 1960, comprising a three-dimensional painted portrait of a schooner-rigged yacht with wooden lifebo...

After the original 17th-century by the famed Flemish painter, David Teniers II (usually referred to as “David Teniers the Younger”, as his father David Teniers the Elder was also an accomplished painter), this fabulous painting depicts a vibrant scene, both in color and theme. Our version, which was painted in the 1700s, is by an unknown, but very talented artist. The painting is surrounded by a giltwood frame with two layers of beading. Both Teniers were known for developing the “peasant genre” or “tavern scene”, where members of the working class were shown actively celebrating life. The earthy tones of the interior of the inn (brown and beige) are offset by citizens in brightly colored attire consisting of green, red, black, and gray. The scene is divided into two rooms, with seven patrons (mostly men) gathered around a barrel table in front of a very large fireplace. Two of the men are playing cards and there are two tankards visible. The calmness of this group is a drastic difference from the 11 people gathered in the foreground. A man in blue stands on top of a wine barrel table...

Vintage Lee Reynolds for Vanguard Studios. A minimalist floral still life featuring tall, textured stems in a geometric-patterned vase against a grid-like background. This specific p...

A very large Art Deco style full length portrait of an elegantly dressed beautiful young woman. The woman in this painting is Millie Stokes. Oil on canvas in original silver gilt wood frame. Signed Frederic Tellander...

I.L. Jensen School, Danish Golden Age, 1840–1850 A beautiful and decorative oil painting depicting an arrangement of pink roses, lilies, and foliage. This unsigned work, painted by ...

This masterful oil on canvas, dated 1968, is a quintessential example of post-war European abstraction. Created by the artist Jo Rowland, the work is rooted in the Geometric Abstract...

Italian born Gio Colucci (1892-1974) was mainly a painter but he also worked in ceramics, glass, and even did book illustrations. He studied architecture at the Fine Art School in Pa...

Original Mid Century Modern Abstract Painting, unsigned, artist unknown, probably American, circa 1960s. It measures an impressive 28“w x 22.25“h and retains its original gilt frame.

This is an antique river landscape. An English, gilt framed oil on canvas picture, dating to the Edwardian period, circa 1907. Appealing example from the English School at the turn...

Coastal Minimalism: Robert Miller 'Near Tibet' Five-Panel Oil Painting Dated 1998 This spectacular, large-scale contemporary oil painting by Robert Miller consists of five individua...

A medium scale abstract still life painting on canvas. Retaining original painted wood frame. Circa. 1950-1960. Appears to depict a bowl of fruit on a table top. Organic and color p...

A gallery wall collection of original paintings, a hand-toned sepia photograph on watercolor paper and one framed shadowbox nautilus shell. The dimensions when hung as shown measure...

A large and stunning contemporary abstract painting by celebrated Australian Aboriginal artist Naata Nungurrayi (1932-2021), stretched and ready for display. A rare masterpiece of the museum quality dating from the peak of the artist's creative output in 2003. The canvas is singular in both the impressive size and tine quality, and it comes with full provenance and step by step photos (100 in total) recording the creation of this significant piece of work. The artist used fine dots as the sole element to compose a complex dreamtime landscape where Women's Ceremony took place in her ancestral time. The place is located at Marrapinti and its surrounds, where many water soakage holes were located. Dots in brilliant shifting and contrasting colors form ceremonial Tingari symbols performed by the women, black crawling tracks that may be associated with a site called Karilywarra (two carpet snakes) and mesmerizing Tali (sandhill) movements surrounding the canvas. The work is of the signature style of the artist, singular and easily recognizable. The fine quality of this work is exemplary. Medium: acrylic on Belgium Linen Cat no. NN200315 Provenance: Yanda Aboriginal Art, NT. The painting comes with a COA letter and an artist biograph issued by Yanda Aboriginal Art and a presentation album with 100 photos that documented the entire process of the creation of this large work of art. The edge of the painting bears name of the artist as well as the stamp of the gallery as shown. Reference and further reading: For a relevant work by the artist, See Plate 88 and Page 220-222 in the book "Past and Present Together: Fifty Years of Papunya Tula Artists" by Meyers and Skerritt. Another similar work is illustrated on plate 13 in "Pintupi" by Hamiltons. Artist's biography: Naata Nungurrayi (1932-2021) is an Australian Aboriginal artist who was born at the site of Kumil, west of the Pollock Hills in Western Australia. She is from the Pintupi group from Kintore, Northern Territory and is one of the senior elders of the Kintore women artist movement. Naata is the sister of George Tjungurrayi and Nancy Nungurrayi, and her son is Kenny Williams Tjampitjinpa...

Title: Tali-Sandhills Artist: Yukultji Napangat (1970s-) Medium: Acrylic on canvas Painted in early 2023. Provenance: Comes with Certificate of Authenticity from the Australia Dream ...

Capture the Bustle of Paris: Jean Ribout's Oil on Canvas Painting This vibrant oil painting by Jean Ribout immerses you in the heart of Paris, France capturing the bustling energy a...

Monumental Maritime Oil Painting: Sea Battle "Rampage in the Medway" 18th Century, Battle of Chatham Large, impressive oil painting, exquisitely painted. This painting depicts a se...

Small Still-life Flower Bouquet Oil Painting in Gilded Vintage Frame made by Danish Artist Emmy Thornam in the 1920s. * Still-life oil painting of a flower bouquet. Gilded vintage f...

Mid Century Modern Cubist Figure on Canvas by John Ross (1921-2017) Purchased in Paris housed in a 19th Century gilt frame. John Ross, painter, printmaker, author, and educator, wa...

This is a set of four embroidery panels. An English, framed quartet of limited edition needlepoint cookery ingredient pictures, dating to the late 20th century, circa 1993. A charmi...

18th-century painting depicting Saint Mary Magdalene renouncing the vanities of the world, after a celebrated composition by Charles Le Brun (1619–1690), first painter to King Louis ...

Fitger Hermann - Vase of Flowers with Fruit Measures: 32cm x 44cm - frame excluded 50cm x 62cm - with antique fir frame oil on canvas applied to cardboard - 1946 20th cen...

This fine old painting is a typical pastiche of the kind popular throughout Italy and the world in the 17th, 18th and 19th centuries. The most commonly associated artist who really m...

Modern abstract, oil on canvas painting; titled “Le Grand Bleu” by Michelle Hénault, a conceptual fine artist. Signed on front bottom right, also, signed...

Vintage Lee Reynolds, Vanguard Studios original signed textured abstract oil painting. Large Lee Reynolds abstract oil painting by Vanguard Studios. Gorgeous large-scale Lee Reynolds abstract painting, Mid-Century Modern. A vintage abstract painting composed of angled brush strokes in white, beige, blue, orange hues in varying intensities. The piece is signed Lee Reynolds in the lower right corner and is a production of his well known Vanguard Studios. Measures: Height: 48 inches; width: 60 inches. Circa 1960s. Lee Reynolds Lee Reynolds Burr (1936–2017) opened his Vanguard Studios in Beverly Hills, California, in 1964 to make oil paintings an attainable decoration for any American household. With seascapes, nautical scenes, still lifes, bullfights, cowboys, pastoral views, hot-air balloons, horse races and abstractions, there was a Vanguard Studios creation to match any taste and interior. Born in Los Angeles, Burr studied art at the University of Southern California. After graduating and a stint in the U.S. Army, he worked in a local studio as a painter before becoming a home decor entrepreneur with financial support from his mother. Only a fraction of the alleged hundreds of thousands of oil paintings produced by Vanguard were actually painted by Burr, even though they were signed “Lee Reynolds,” “Lee Burr...

This striking original abstract oil painting is a masterclass in texture and bold color, capturing the raw energy of the late-century Abstract Expressionist movement. The artist empl...

Exceptional oil painting on canvas by Haitian artist depicts lush green jungle with bright and vivid colorful parrots overlooking beautiful lush jungle, acrylic paint on canvas, with...

Superb Ammi Phillips American Folk Art Portrait painting, circa 1840 We are proud of our acquisition of this authentic masterpiece by Ammi Phillips (1788-1865). The finely rendered portrait depicts an attractive young girl in a delightful lifelike quality. The pretty face is a refreshing change from the stern expressions of most of the paintings showing mature female or male sitters. Phillips palette is dark with a strikingly dramatic use of light to her face. The painting, on its original stretchers, is in untouched condition. The frame is period. This painting is unsigned, as are most of his works, but bares the unmistakable characteristics of a Phillips painting. Portrait of a young girl holding a book and wearing a golden whistle. From the New England estate of the renowned Folk Art Collector and scholar, John Bauer...

The category Antique Paintings, Portraits Of Elegant Ladies offers a Large Oil Painting On Canvas Dell'800.  This is a portrait of a seated and elegantly dressed woman in a silk dre...

19th century American oil painting still life with fruit and grapes. Beautiful and masterfully executed still life oil painting depicting grapes and fruit against a blue sky. This work is monogrammed and dated ‘88 (1888). It was received in the manner of Severin Roesen...

Add a touch of post-war sophistication to your collection with this compelling vintage abstract oil painting. Displaying a strong influence from the abstract expressionist movement, ...

Small French abstract geometric painting. Oil on artist board original frame. Minor damage paint loss.

This panoramic wall mural is inspired by the 19th century and the Baroque style, reflecting the trompe-l’œil and large-scale panoramic decorations typical of bourgeois interiors. Pri...

Bernhard Keil was among the most distinctive genre painters active in Italy during the second half of the seventeenth century. Born in Helsingør, Denmark, he apprenticed under the Co...

Introducing the captivating "Oil on Canvas Painting" by the renowned artist Eddie Powel, also known as Tao Gaea. This exquisite piece of art is a true testament to the artist's ski...

This evocative portrait painting presents a male figure rendered in a dark, atmospheric style. The work is characterized by dramatic lighting and a rich background that shifts betwee...

A French framed oil on canvas still-life painting from the mid-19th century, depicting a colorful bouquet of flowers in a vase, set in a carved giltwood frame. Born in France at the ...

Roberson and Miller oil on canvas Woman walking in the fields, circa 1835-1838. In original giltwood frame with minor loses.    

Late 19th century Italian screen with a gorgeous oil painting of floral scene. The oil paint colors are vibrant and in good condition. The frame is made of canvas over a wooden frame...

Winter Landscape Snow Scene Country Road Painting Oil on Canvas Framed Argnegger . Late 19th-early 20th century winter landscape / snow scene, by...

Large painting by the French artist Alphonse Levy. The technic is oil on canvas and the piece is placed in its original frame. Very good condition, sig...

Original oil on canvas painting of dog. Signature in bottom right corner. Small puncture seen above nose. Photo of back reveals two old patches/repairs. Canvas will benefit from lig...

19th century Italian still life painting executed in oil on canvas. The composition features fruit, gourds, and a bird arranged in a traditional still life format. The painting shows...

A handsome and sophisticated mixed media on canvas by American artist John Rigsby. Found in a original state of preservation. His works are few and far between. The following biography was submitted by John David Rigsby, Jr., son of the artist. The author is Lisa Rigsby Peterson, daughter of the artist, and owner of the copyright of the biography. John David Rigsby was born on October 10, 1934, the seventh child of an Alabama Depression-era sharecropper's son. He and his family moved frequently, from one one-room structure to another, often with no running water, no plumbing, no heat but the stove. His father was killed in a car accident when Rigsby was just 9 years old. Life for the remaining eight family members proved tumultuous and difficult -- food wasn't plentiful, nor money. The family moved from place to place, following work -- Rigsby attended 30 different schools before graduating from high school. Despite living in poverty, Rigsby demonstrated academic and artistic aptitude at a young age. Two oil paintings on covers ripped off of old books that he painted when he was eight years old show the promise of an imaginative and gifted eye. Rigsby was drafted by the U.S. Army in 1953. As he later wrote, "When basic training at Fort Jackson, South Carolina, was over, I was told to go out and find a job. Jasper Johns was painting visual aids for the 28th Regimental Headquarters. He suggested the Band Training Unit." Rigsby played the clarinet in that unit, and after 2 years of service, he enrolled at the University of Alabama on the G.I. Bill to study art. After just two years, he left school and followed his mentor (and one of the greatest and longest-lasting influences on his art), Japanese artist and U of A art instructor Tatsu Heima, to New York City. Heima introduced him to Isamu Noguchi and suggested that Rigsby work as Noguchi's assistant. Instead, Rigsby chose a job as a guard at the Metropolitan Museum of Art, since "the notion of seeing all of that art appealed more to me than the boring task of studio assistant." The opportunity was a rich one for Rigsby. He had a chance to study the masters, and cited Rembrandt with his simplicity and elegance as another of the most important influences on his work. In the years between 1957 and 1963, when Rigsby eventually earned his BFA in sculpture, the artist traveled back and forth between New York and Tuscaloosa, alternating study with forays into the fertile New York art scene. Rigsby exhibited some of his early sculpture work in 1958 at a small New York gallery, which was also exhibiting the work of Willem and Elaine de Kooning and Theodore Stamos. Shortly thereafter, searching for an educational venue closer to New York City, Rigsby visited New Haven, Connecticut, and spent an afternoon speaking with Josef Albers at Yale. Albers agreed to accept Rigsby into the Yale program on the condition that he take freshman drawing all over again. A brilliant opportunity, but, in Rigsby's words, "When it was time to register, I was hitchhiking back to Alabama, looking for food and shelter." Rigsby had his first one-man show at the University of Alabama in 1959. A visiting critic from New York, J.F. Goosen, reviewed the show and wrote "here is a talent which produces art because that is the thing for a gifted person to do. In his effortless ease of conception and execution, he has already achieved a goal that eludes many artists for a lifetime." Finally, in 1963, Rigsby received his degree in sculpture, dissolved a short-lived marriage, visited his family, packed up his car and headed permanently for New York. That year, his work was included in a group show at the Delgado Museum in New Orleans - which led to a one-man exhibit at the Delgado in 1964. During 1964, Rigsby took drawing classes at Columbia University, and worked at the General Post Office at night. He met his future wife, Linda Palmieri, and married. In 1965, his daughter Lisa was born, followed in 1966 by the birth of his son, John David Jr. In 1966, Rigsby had a successful one-man show at the Pietrantonio Gallery in New York. Shortly thereafter, he and the family moved to Tunis, Tunisia at the suggestion of a colleague, who urged him to "come paint by the light of Klee." Rigsby worked for the United States Information Agency as a teacher, and he spent the next year and a half painting over ninety paintings inspired by the smells, light, and Phoenician and Roman art surrounding him. He also executed a number of character and landscape drawings, capturing the Tunisian way of life. During his time in Tunisia, Rigsby's work was shown there in two major exhibits. Upon the family's return to the U.S. in 1968, Rigsby once again exhibited at the Pietrantonio Gallery. Later that year, Rigsby enrolled in Southern Connecticut State College's Urban Studies program, earning a master's degree in 1970. During his time at SCSU, Rigsby worked as the city of Bridgeport's Curator of Exhibits, driving a mobile art gallery from schools to neighborhood fairs and housing projects. After completing his degree, Rigsby had an exhibit at the Telfair Museum in Savannah, Georgia. This exhibit caught the attention of a member of the search committee looking to hire an artist for a newly-developed program in neighboring South Carolina. In 1970, Rigsby was selected as the first Artist-in-Residence in the state of South Carolina for the National Endowment for the Arts Artists in Schools program. His work with the newly-integrated students at Beaufort (SC) High School over the term of his residency precluded substantial work on his own art. He did, however, set up a studio in downtown Beaufort, and was able to create a modest number of paintings, which were included in exhibits at the Columbia Museum in South Carolina in 1971 and Yale University in 1973. At the end of his residency in 1974, Rigsby was named the National Visual Arts Coordinator of the Artists in Schools program for the NEA, a post he held for two years. In this position, Rigsby traveled the country, reviewing grant applications, meeting with state leaders in government, education and the arts to promote program concepts and explore local opportunities. The message he repeated over and over again echoed that of one of the other major influences on Rigsby as an artist - Ruth Asawa Lanier, whose words taught him that all of the work that the artist does is the artist's work, not simply the paintings he creates. In his capacity as National Coordinator, as well as many times in the future, Rigsby stressed that artists function in the same way as any other person in society, and deserved the same respect and place for their work as did all other professions. After two years traveling the country, Rigsby was ready for a change, saying "for the first time in my adult life, there was not a body of paintings to show for the years put into my work." In 1976, a summer retreat to the mountain community of Central City, Colorado, led to a permanent relocation. Eventually settling in the small town of Evergreen, Rigsby followed his own advice about artists becoming actively involved in their communities, and he established the Evergreen Visual Arts Center. The Center provided working space for artists, classes for adults and children, and, most importantly, a place for Rigsby to create his own work. Buoyed by the opportunity to concentrate once again on his art, and inspired by his new surroundings, Rigsby entered an extremely prolific period in his career. In 1977, he organized a traveling exhibition of his paintings, which showed at the Kimball Arts Center in Utah, the Kennedy Center in Washington, D.C., and the Arvada Center in Colorado. 1978 brought more exhibits, notably in Aspen and Denver, as Rigsby's work continued. He took an extended trip to visit his mentor, Tatsu Heima, in Japan, where he climbed Mt. Fuji, followed by travels to Tehran, Delhi, and several European countries. He chronicled his impressions from his travels in a small collection of paintings upon his return to the U.S. - the beginning of a practice which would continue through the rest of his life. In 1979, Rigsby's marriage failed, and at the same time he lost the lease to his Evergreen studio to redevelopment plans. In response to the personal chaos around him, Rigsby began a series of what he called "hard-nosed process paintings," the watercolor paintings of dots which marked his work from this period. The paintings gained him an NEA Individual Artist grant in 1980, as well as a Yaddo fellowship in 1981. The polka dot paintings were followed by a series of cupcake-like images, again examining space and color. During the early 1980s, Rigsby lived in a suite of old dentists' offices in a rundown part of Denver, with a studio in an area that reminded him of the Bowery in New York. In 1984, Rigsby founded the Progreso Gallery in the building where he lived, using the space both to show his own work and also to mount shows of the work of many Colorado artists. The gallery also served as a focal point for Denver's local arts community, hosting weekly discussion groups and classes. In 1984, Rigsby traveled to the Baja Peninsula and then in 1985 to Yugoslavia. After each sojourn, Rigsby returned to create vibrant and explosive paintings based on his experiences, showing them at his Progreso gallery and another alternative gallery in Denver, the Edge Gallery. The economic recession of the mid-eighties hit the art market and Rigsby hard, however, and although he continued to create new works of art, major exhibitions were difficult to come by. In 1987, Rigsby decided to leave Denver and spent six months in Barcelona, Spain. It was an electrifying trip for him. Rigsby wrote of that time: "The streets alone are a visual feast, and the additions of museums from Saarinen, Picasso and Miro to 12th century icons produced artistic indigestion. My paintings are always about the way things look and feel. Barcelona was a time machine extending those sensory and emotional concerns back to the Middle Ages. I felt the need to reduce my work to essential elements of color, scale, drawing and format. The [resulting] color studies speak eloquently for themselves, and in doing so, redefine all of the work I've done in the past 35 years of painting." Rigsby completed over a hundred paintings while in Barcelona - color studies, street portraits of the characters he encountered on a daily basis, and a number of dark landscape paintings. He found time to run with the bulls in Pamplona, and began writing stories about his adventures that were later published. Upon his return to Denver in 1988, Rigsby continued to explore the alter egos of the color studies - he concentrated on a series of dark paintings, all prominently featuring back. He commented about these black paintings that he " decided it was time to explore the perception of the eye and physical space as defined by low -light conditions…I find these paintings elegant, joyous and light-filled, with no feeling of heaviness at all." In mid-1988, Rigsby moved permanently to Houston, Texas, where he would spend the last five years of his life. Once in Houston, Rigsby made a discovery that would serve as the inspiration and material for some of the last works of his career. In 1989, he discovered a salvage yard filled with scrap rubber, and he began working on black rubber sculptures, as well as paintings with rubber elements incorporated. He made strong connections in the Houston alternative arts scene, and became a regular contributor and art critic for a local weekly newspaper, The Public News. From 1989 through 1992, he exhibited his sculptures and paintings at Houston's Brent Gallery, Fountainhead Gallery, and Blaffer Gallery. He also produced an installation of his rubber sculptures on the roof of the Diverse Works Gallery in Houston. 1992 also marked Rigsby's return to Denver when he exhibited his sculptures at the Payton-Rule Gallery in Denver, leading to an Absolut Rigsby commission by Carillon Importers. The 1990s were a tremendous struggle for Rigsby, with financial crises compounded by physical trauma (he accidentally sawed off the top joint of the index finger of his left hand while working in his studio). Although his work was being shown, it wasn't selling, and the tremendous financial pressure he felt weighed heavily upon him. He spent an increasing proportion of his time going to flea markets and garage sales, rehabilitating and repairing the things he bought there, and then re-selling them simply to raise enough money to keep a roof over his head. He had little time to paint or sculpt, the things in life that had always, no matter what the circumstances, brought him joy. Rigsby's final works were a series of intricate paintings and drawings on used books that he purchased at the flea market. Most of these drawings, which he referred to as sculptural form drawings, were executed on page after page of science texts, music books, and a Korean bible and fill hundreds of pages. Additionally, Rigsby created an exquisite book he titled 28 de los Angeles, in which his twenty-eight simple and elegant drawings of angels resonated with the influence of Rembrandt he had so admired in his early days. In a sense, Rigsby's final works, art created on used books which were the only materials he could afford, brought his work and life full circle from his childhood days. Rigsby's life, though begun and ended in adversity, was nonetheless illuminated and enriched by the irresistible impulse he had to create art and beauty. John David Rigsby was killed in a one-car accident in Colorado in August, 1993. Biography from the Archives of askART Following is a review by Michael Paglia of the artist's July 2004 retrospective at the Denver Museum of Contemporary Art. It was submitted by John Rigsby, Jr., son of the artist. There's a magnificent retrospective at Denver's Museum of Contemporary Art devoted to the work of the late John David Rigsby, who was a major powerhouse in Colorado's art scene. "Dots, Blobs and Angels" surveys more than forty years' worth of the remarkable artist's paintings and sculptures. The year 1993 was strange, and by that I mean terrible. Many of the city's galleries closed because of bad economic times, and then the artists started dying. In a matter of a few months, Denver lost three significant artists: Rigsby, experimental photographer Wes Kennedy...

Large Fine Art Oil Painting by F. Wagner dated 1/72 Gilt Wood Frame with Acanthus Scroll decoration. Title is yellow Roses in vintage Vase, a classic Floral Still Life Painting in th...

Oversized Gabe Silverman 1980s Abstract Op Art Painting, Newly Framed Offered for sale is an oversized original Op Art painting recently discovered in a time capsule from the 1980s....

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning pair of enormous 7'9 feet tall Portraits of Sir James Fortescue Flannery and Lady Flannery by ...

A vintage portrait by Belgian artist Edmond Delescluze (1905-1993). The subject is a young woman with fair hair and skin, her classic Flemish profile set off by a red hat decorated w...