Canvas Wall Decorations

Pallet oil on canvas depicting a still life with a multi-colored floral bouquet in a vase on a red table top surface. Set against a molted background. Presented in a gilt frame, line...

Incredible oil on canvas abstract by Japanese artist, Yoshio Kono c1970s. Kono (1922-1999) was a Kyoto based artist. This amazing piece was one of his more uncommon abstracts. Beauti...

"Les bienfaits de la nature offerts au plus grand nombre" “Nature's Goodness offered to more people” An Impressive and Decorative Art Deco oil on canvas painting Original frame Signe...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Terrific oil painting on canvass signed R.Post. Abstract Expressionist color and movement with cubist style shapes created by intersecting straight and curved lines. Ochre, teal, bla...

A German genre painting depicting a doctor’s visit to a little girl, 19th century. canvas: 17 by 20 ¼ inches frame: 24 by 27 inches

We are delighted to present an exceptional and rare double-sided oil painting by the acclaimed Australian artist Bessie Gibson (1868-1961). This stunning piece, created during the 19...

19th Century Oil on Canvas Painting of The Immaculate Conception of Los Venerables, after Bartolome Esteban Murillo. Painting depicts the Virgin Mary dressed in vibrant white and blu...

This painting has heavily textured acrylics in shades of greys and white on canvas. The artist created the piece using multiple techniques like palette knife, brush and chalk. The bl...

Naïve Art Oil Painting, Countryside Landscape, Village and Farmers, France 1950s Signed "P.LEFEBRE" at the bottom right corner. This vibrant painting by French artist P. Lefebre is...

JOSEPH SZEGHY (American, 1923-2007) Abstract composition, oil / acrylic on canvas, signed and dated lower right. 37 1/4" x 21 1/2" OA. Dated 1965. Joseph Szeghy (1923-2007) was an a...

Unknown Scandinavian artist. Oil on canvas. Abstract composition. 1960s. The canvas measures: 80 x 60 cm. The frame measures: 6 cm. In excellen...

Oil on canvas "colored fish" - Signed lower right - Latin America - 1998

An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...

Albert Ferenz (1907-1994), Germany. Oil on canvas. Abstract composition. "Reflection". Dated 1974. The canvas measures: 90 x 74 cm. The frame measures:...

A captivating vintage Mexican folk art painting brimming with color, cultural richness, and a very unique story! While at a destination wedding in Puerto Vallarta, our driver passed ...

Aleksei Alekseevich Shovkunenko (Ukrainian, 1884-1974), Standing Nude Man, Oil on Canvas, signed lower left, signed "Olexiy Shovkunenko / 1884-1974" and in Cyrillic to verso, unframe...

The table is not included. This is a truly monumental, museum-worthy oil painting signed Henry Arthur Elkins. The painting is absolutely enormous ...

Original art work. Hand painted with carved lines, oil and black gesso on canvas with thin wood frame. The art + design continuum of color theory, form, space and texture.

This quiet vintage midcentury still life oil painting is framed and signed by B. Christiansson, well known Swedish artist. In muted shad...

19th century American oil on canvas painting of landscape in gold gilt frame. Scene depicts two people walking among trees next to a body...

Original oil on canvas, tonal-style landscape painting by listed, deceased, famous artist, William Keith (1838-1911). Painting features a group of majestic trees near a pond of water...

Vintage Mid-Century Decorative Wall Panel - Iconic Retro Art Elevate your interior with this striking vintage decorative wall panel that embodies the spirit of mid-century modern de...

Ignacio Burgos "El Abrazo(The Hug)" Mixed Media Painting, Spain Offered for sale is a mixed media on canvas titled "El Abrazo" which translates to "The Hug" from a series of the sa...

Large still life oil on canvas Painting Artwork. Unsigned, believed to be early 20th Century as judged by the frame. In good antique condition with minor knocks, marks, age related ...

Helge Ernst (1916-1991), listed Danish artist. Large painting. Oil on canvas. Abstract composition. 1970s. The canvas measures: 115 x 72 cm. The fram...

We were fortune enough to purchase a collection of Roland David’s oil paintings in France and although he is not known very well in the states, ...

Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

Framed signed Daude Vintage Mid-Century Oil Painting Cityscape French Girl with Black Hair Brown Eyes Green Coat. Circa 1960’s oil painting on canvas depicting a young girl with jet ...

We present you this wonderful late 17th-century circular portrait in the regency style of Louis XIV, rendered in oil on canvas. It represents a Fren...

A beautiful work done by Philadelphia Artist Jane Potash. All original work with signature on front and original frame. Not dated, probably created late 19...

Bring pastoral elegance and equestrian charm to your space with this vintage Boho oil painting on paper, featuring a stately horse and rider set against a sweeping countryside backdr...

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

"Remanso En El Tendido" Acrylic on canvas abstract artwork by Mexicasn artist Maricruz Hernandez Covarrubias 1947-2016 Painting measurements: Width 39.25 Height 33.25 Maricruz H. ...

Painting “Venice by Moonlight” by K. Nufer, Munich Late 19th Century Magnificent antique painting in oil on canvas. Painted by K. Nufer Munich in the late 19th century. The painting...

This collectible painting is by Mary Blair, legendary animator for Walt Disney Studios, is of a pair of dancing rabbits in coat tails. The unframed...

This is an absolutely incredible early 17th century oil on canvas painting representing Holy Family-Virgin Mary, St.Joseph, St. Elisabeth, John the Baptist and Baby Jesus. Sir Peter ...

Another stunning hand-painted oil on canvas work of religious art. This antique oil painting was first hand-painted on canvas and later mounted onto a zinc backplate .. a traditiona...

In good condition From a private collection Free international shipping Signed Nude Portrait Oil Painting

ANTIQUE ORIGINAL OIL PAINTING Depicting two young girls, probably sisters with rosy cheeks in matching blue dresses holding flowers in an interior setting in front of a regency/Will...

Geoffrey Bowman (1928-2009) "Black Diamond", Oil and Mixed Media on Canvas, 1984 Beautiful colorful and textural smaller scale painting by California artist Geoffrey Bowman. Measures 21-1/2" high, 21-1/2" wide as framed. Canvas measures 21" high, 21" wide. Signed and dated on reverse. Retains partial artist tag. Geoffrey Bowman was born in San Francisco on December 29, 1928. In 1946, he quit high school and joined the Navy and traveled to China, Korea, the Philippines, and Hawaii. In 1948 after being discharged from the Navy, Bowman earned his high school equivalency diploma. Five years later he met and married his first wife Mill, and graduated from San Francisco State University with a BA in Social Science. During this time he also became intensely interested in art and printmaking and began to study art formally. By 1957 Geoffrey had earned his graduate degree in art and began to teach art in San Quentin. In 1960 Bowman left his teaching job at San Quentin to spend more time working on his art and examining Asian philosophy at the American Academy of Asian Studies in San Francisco. During this time to support himself and his wife Geoffrey drove a taxi at night so that he could have his days free to work in the studio. In 1964 he joined the art faculty at San Jose State University and moved to San Jose and became a full professor in 1973. Geoffrey taught at SJSU for twenty-nine years, specializing in lithography and intaglio printmaking techniques. At the same time he was deeply involved in his own work and accumulated an impressive professional exhibition record and his work was exhibited regionally, nationally, and internationally. Bowman’s work is in several public permanent collections including the San Jose Museum of Art, San Francisco Museum of Art, Achenbach Foundation of Graphic Arts San Francisco, Lannan Foundation New York, and Crown Press Berkeley. After retiring from teaching in 1994 Geoffrey turned to painting as his primary medium of expression. Although there was a media shift he continued to focus on one subject: the consistency of change. This he accomplished in part with combinations of paint and an assortment of reflective materials such as metallic flake and leaves, glass beads, and light-refracting pigments. Bowman became quite private in his later years and had his last one-man public exhibition in 2001 at the Fredrick Spratt Gallery in San Jose. Bowman died in San Jose, California on October 9, 2009. Source: The Annex Galleries

Large French studio nude self-portrait, oil on canvas, signed and dated 1912. Jean-Gabriel Domergue was born on 4 March 1889 in Bordeaux. His father, a journalist and art critic, to...

English school, oil on canvas fishing boats alongside dock signed by English portrait and landscape painter Frederick Stead, (1863-1940). Antique wooden frame. Great subtle color and...

An exceptional large Mid-19th century American School Victorian Folk Art portrait. The painting features a young, well-dressed mother seated in a tufted balloon-back chair with her ...

Early 20th Century Oil on Canvas Matterhorn Artwork By unknown artist, from France In fair condition, with minor wear consistent of age and use, preserving a beautiful patina

S U P E R B ! MID CENTURY MODERN C I T Y S C A P E P A I N T I N G ! ICONIC HELLER MID CENTURY STYLE! OIL ON BOARD HUGE! Approx. 29 " x 53 " C I R ...

Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...

18th century old masters oil painting attributed to Claude Joseph Vernet, France. View of a Mediterranean port at sunset. Great pi...

Charming English oil on canvas depicting three Spaniels and a flying duck overhead. Signed P. Hargrove. Original gilt frame.

The Brendan Bass Estate Collection pays homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they ...

A fine oil on canvas painting in the manner of Georges Roualt's "le Vieux Roi or The Old King". This painting is marked on the back indicating that ...

"Port à Venise" by Lasson Oil on Canvas Signed This stunning oil painting, "Port à Venise", offers a vibrant and slightly impressionist portrayal of the Venetian harbour. The artis...

19th Century Alpine Landscape Oil Painting with Tyrolian Mountain Village The antique oil painting captures the charm of an Alpine landscape, featuring a picturesque Tyrolean mounta...

This is a mid century vintage modern abstract oil on canvas. This abstract oil on canvas has a heavy pallet knife impasto with deep tones of burgundy, Amber and gold On a cream backg...

Decorate a wall with this beautiful antique painting. Set in the original carved gilt wood frame, the artwork depicts Saint Francis of Assisi in meditation in a religious ecsatasy. T...

Debiève was a French artist who specialised in cubism and contemporary art work, often referred to as tapestries these pieces are actually screen prints on a variety of medium. ‘The Flight of the Flamingos’, or ‘Le vol de Flamants’ is screen printed on canvas mounted on board and brilliantly illustrates Debiève’s mastery of cubism. Producing only a few of these incredible, huge works of art, it is signed by the artist ‘R Debiève...

A very fine and large 19th century Louis XV style Whimsical Neoclassical Revival style Oil on Canvas "The Triumph of Flora" attributed to Ferdinand Wagner II (German, 1847-1927), school of François Boucher (French, 1703-1770). The impressive artwork depicting a semi-nude Flora hovering through the clouds surrounded by playful cupids, cherubs, love doves and a seated maiden, within white and grey clouds, offering her Spring flower bouquets and floral wreaths, within a banded giltwood frame. Note: Previously used as a ceiling painting. Unsigned, Circa 1870. Measures: Canvas height: 91 3/4 inches (233 cm) Canvas width: 59 inches (150 cm) Frame height: 61 3/8 inches (155.9 cm) Frame width: 93 1/2 inches (237.5 cm) Depth: 2 3/8 inches (6 cm) Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld...

Gorgeous ,Framed original x large painting of Venice canal in Italy with lots of colorful flowers and building. With wide black and gold fram...

1960s French abstract oil painting No 4 from a series of four from the same source and by the same hand, Pierre Havret (b.1913) These four oils were fram...