Canvas Wall Decorations

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Ludovico Trevisan (November 1401 Venice, Italy - 22nd of March 1465) was an Italian Catholic prelate, who was the Camerlengo of the Holy Roman Church, Patriarch of Aquileia and Capta...

Large oil on canvas depicting a white Lipizzaner (or Lipizzan) stallion horse with white coat after the original oil painting by William Skilling (Ameri...

A pink-white, antique French still life oil on canvas painting depicting a working table with a yellow teapot vase with flowers, painted by Eugène Henri ...

Vintage oil painting on canvas depicting a softly hued European city nestled in a lush hilly landscape off the coast. Carved giltwood frame with white linen border. Dimensions: 28....

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

Vintage Mid-Century Decorative Wall Panel - Iconic Retro Art Elevate your interior with this striking vintage decorative wall panel that embodies the spirit of mid-century modern de...

Framed Dutch Oil on Canvas Depicting a Landscape with a Windmill, 19th Century. Signed SC or CS

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Impressionist New York City, a snowy winter day on 42nd street. Cars fill the street and snow fills the air. The city that never sleeps gleaming with patriotic pride with the famous ...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

Monumental Sailboat Painting by Lee Reynolds of Vanguard studios. Minimalist design of sailboats in muted cream and brown tones. Framed in a gun metal colored frame. White glove ship...

Painting by Caxing, circa 1940. Oil on canvas. Handsigned. After the style of Georges Braque and Pablo Picasso. In original condition, with some visible signs of previous use and a...

Classical standing nude by American artist Jane White. Painted in the 1950s and once owned by the Estate of Eva Gabor. There is no provenance.

Vintage mid-century modern oil on canvas Seascape Painting. Painting features a calm tranquil coastal scene with sailboats docked in a marina. All in soft colors of blue, green and w...

Italian School, 18th century. A masterful example of 18th-century Italian School artistry, this Old Master landscape painting captures the sublime beauty of an idealized European co...

Stunning oil painting on canvas, probably created by a talented Florentine artist active in the 19th century. The work is clearly inspired by the famous painting by the famous painte...

After Jean Antoine Watteau (Valenciennes, 1684-Nogent-sur-Marne, 1721), Disembarkation for the Island of Cythera, Pastel drawing, Framed, 19th or 20th century.

Wonderful naive oil painting of a girl. Fabulous muted colors. The austerity of the image is matched by the simplicity of the antique bleached oak frame. I have chosen not to resto...

Vibrant and captivating abstract oil on canvas artwork by Dorothy Gillespie, an esteemed American painter and sculptor. Created in 1961, this colorful piece is framed in a silver lea...

Superb Ammi Phillips American Folk Art Portrait painting, circa 1840 We are proud of our acquisition of this authentic masterpiece by Ammi Phillips (1788-1865). The finely rendered portrait depicts an attractive young girl in a delightful lifelike quality. The pretty face is a refreshing change from the stern expressions of most of the paintings showing mature female or male sitters. Phillips palette is dark with a strikingly dramatic use of light to her face. The painting, on its original stretchers, is in untouched condition. The frame is period. This painting is unsigned, as are most of his works, but bares the unmistakable characteristics of a Phillips painting. Portrait of a young girl holding a book and wearing a golden whistle. From the New England estate of the renowned Folk Art Collector and scholar, John Bauer...

Title: Nature Morte A still life composition featuring vibrant flowers in a vase alongside a potted rubber plant. Oil on canvas, signed A.H. (1911-12). Exhibited at Ordrupgaard Museum, Denmark, in the "Astrid Holm...

Ralph Pallen Coleman (American 1892-1968) A Monumental Painting of "The Resurrection of Jesus Christ", circa 1940.   Measuring 102" high x 77" wide (framed), this massive oil on canv...

Beautiful oleograph of Mary and Jesus. Flowers on border. On bottom reads "Ave Maria". Embroidery still in great shape with gold thread. Original wonderful big tassels and bar on top...

An original impressionist oil on canvas, circa 1920, by listed Hungarian artist Witman Etelka Vizkeleti (1882-1962), signed lower right. Depicts a vibrant marketplace scene with two ...

Original Gilbert Stuart oil painting portrait of Henrietta Hillegas (Mrs. Joseph Anthony), ca. 1796 Exquisite portrait by the American painter Gilber...

19th century American oil on canvas painting of landscape in gold gilt frame. Scene depicts two people walking among trees next to a body...

Antique French painting from 18th century. Oil painting on canvas, depicting landscape with ruins and characters of good pictorial quality. Wood and plaster frame of the 20th century...

Beautiful reproduction Vermeer painting in a gilt frame. This piece is oil on canvas. Canvas is secured to a wood frame with nails. Craquelure throug...

Wooden produce sign found in England, circa 1920s. Wood foundation is covered in strips of canvas which have been hand painted by unknown artist.

This beautiful signed canvas painting is professionally framed and is Vintage mid Century modern style.This piece has nice patina and character. Vintage Condition as pictured. Listin...

Maxwell Mays (1918-2009) American painter and illustrator. Signed and dated 1983. This painting titled "Cascade Springs" is an intricate and lively depiction of a bustling Colorado town during its historical boom period. The painting illustrates the vibrant energy of the town with details of trains, trolleys, horse-drawn carriages, and pedestrians in a winter landscape. The scene captures the essence of Victorian and Edwardian architecture alongside the Rockies, representing a mix of rural charm and the burgeoning industrial presence with trains labeled "Atchison, Topeka & Santa Fe" and freight cars marked "Rock Island" and "DRG." The composition is filled with movement: people strolling on the sidewalks, horses pulling carts loaded with goods, and trains arriving and departing, indicating a hub of economic and social activity. The detailed rendering of buildings, including "William M. Baxter Hay & Grain" and market scenes, emphasizes the town's industry and commerce. The snowy mountains and rooftops in the background further ground the painting in the Colorado Springs region, showcasing the rugged, wintry landscape that frames the town. The palette of subdued winter tones, combined with bright pops of color in the trains and clothing of the figures, enhances the painting’s nostalgic and whimsical quality typical of Mays' work. The title plaque on the back provides historical context, describing how people came to Colorado Springs for both riches and health, symbolizing a new society born from the merging of the West with industrial advancement. This picturesque narrative combined with Mays’ folk art style makes it a remarkable piece evoking both history and community. Overall, "Cascade Springs" is a celebration of early American life in a rapidly modernizing town, capturing both its charm and progressiveness through Mays' detailed and stylized artistic lens. Dimensions: 45.5"w x 35"h x 1.5"d (sight) Condition: Good. No issues observed. Ready to hang. About the Artist" Maxwell Mays was born in Rhode Island in 1918, and focused his art on celebrating the landscapes of his home state. Known for their birds-eye perspectives and nostalgic style, Mays' prints have appeared multiple times on the cover of Yankee Magazine. His paintings hang in many establishments, including the University of Rhode Island, and are particular favorites of Rhode Island residents. Mays' artwork often depicts scenes from throughout Rhode Island and the surrounding areas of New England but he did produce works depicting communities from across America . Featuring town squares, farm lands, and harbors, Maxwell Mays' prints celebrate the Americana found in small towns. A graduate of RISD, he began painting seriously while serving in the US Air Force in Brazil during WWII. His first one-man commercial show was at the Ferargil Gallery in New York in 1948. In the ensuing years he became notable for a number of highly successful art shows and magazine covers, and was a highly sought-after speaker and storyteller. As a successful businessman, he was Treasurer of Mays Manufacturing Company, a family business until its sale in the mid-1980s. He was Past President and Director Emeritus of the Providence Art...

A lovely bucolic landscape depicting the Cotswold canal, which can be seen cutting through the landscape with a white horse grazing from the green grass flanking the canal. Adrian Pa...

Signed Oil on Canvas by Jean Hubert Gautier (1872-1930). Nice heavy impasto technique of a classic french riverscape. The composition includes heavy clouds with a basilica in the bac...

Magnificent Italian 17th century Portrait of Virgin Mary measures 52 x 68 cm without the frame. The colors are stunning and the paintin...

Late 19th century Italian screen with a gorgeous oil painting of floral scene. The oil paint colors are vibrant and in good condition. The frame is made of canvas over a wooden frame...

Signed Mid-Century Modern cityscape oil on canvas.

Gorgeous moody landscape by listed artist, Hermann Herzog, famous for his landscapes and seascapes as well as many views of Norway. Canvas sze 35 x 27.5 Beautiful giltwood frame. ...

An Incredible 19th Century Orientalist Oil on Canvas 'Prince and Princess in the Harem" signed by Antonio Rivas. Antonio Rivas (1845–1911) was a Spanish painter active in Rome, know...

A master-level painting surrounded by a thick and detailed gold leaf frame, this large oval oil on canvas has an impressive scale for a nature morte (still-life) painting. The painting, which dates to circa 1850, is by an unknown, yet extremely talented French artist. In stark contrast to the dark gray background, the subject of the painting is a brightly colored floral bouquet. The vibrant flowers (blue, red, yellow, pink, and white) reside in a brown woven basket that sits atop a stone baluster railing. A cluster of darkly colored grapes is strewn across the top of the railing, next to the basket, as two butterflies flutter above the bouquet. If you look closely, you will even see a third butterfly perched on one of the large green leaves that accompany the irises, carnations, and sunflowers. The equally impressive original frame is adorned with rings of beading, foliate rinceaux, and spiral fluting, with a deep convex molding carved with additional fluting. In 19th-century France, an entire school devoted to floral still-life paintings emerged, located in Lyon, which was the capital of floral design. Although originally still-life art was classified as unimportant, acceptance by art historians of the 20th century elevated the public opinion of nature mortes. A painting such as our large and striking oval floral...

18th century old masters oil painting attributed to Claude Joseph Vernet, France. View of a Mediterranean port at sunset. Great pi...

A very fine and large 19th century Louis XV style Whimsical Neoclassical Revival style Oil on Canvas "The Triumph of Flora" attributed to Ferdinand Wagner II (German, 1847-1927), school of François Boucher (French, 1703-1770). The impressive artwork depicting a semi-nude Flora hovering through the clouds surrounded by playful cupids, cherubs, love doves and a seated maiden, within white and grey clouds, offering her Spring flower bouquets and floral wreaths, within a banded giltwood frame. Note: Previously used as a ceiling painting. Unsigned, Circa 1870. Measures: Canvas height: 91 3/4 inches (233 cm) Canvas width: 59 inches (150 cm) Frame height: 61 3/8 inches (155.9 cm) Frame width: 93 1/2 inches (237.5 cm) Depth: 2 3/8 inches (6 cm) Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld...

Still life by Frederick Arthur Jessup entitled " Garden gourds ". Framed and signed work. Born in Victoria in 1920, Frederick Arthur JESSUP educated at East Sydney Tecnichal College ...

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

This is a superb quality painting of a tall sailing ship by James G. Tyler. This 19th century painting is masterfully done by the artist and the frame really adds to the quality of t...

A gorgeous Grand Tour style framed oil painting of an Italian Capriccio landscape with ruins Italy, Mid-20th Century Oil on canvas, gilt frame Measures: 9.5"W x 1"D x 9.5"H. Exce...

Italian painting from the middle of the 20th century. Oil on canvas framework depicting a particular still life trompe l'oeil with game, fruit, pottery and sculpture of excellent pic...

Alain Le Yaouanc (1931-2012) was a French painter and printmaker associated with the abstraction movement of the mid-twentieth century. He was known for his...

A beautiful original oil painting on canvas 'Sleeping Figure' 2024. Painted by a young artist Archie Francis who is currently studying at Camberwell College art, London. This pai...

A French oil on canvas animal painting signed Laroche from the late 19th century with giltwood frame. This French oil on canvas painting features two lovely kittens playing with a st...

Floral Still Life, Oil Painting in Gilded Oak Frame, Late 19th Century This oil painting on canvas, is dating from late 19th to early 20th century. A striking floral still life wit...

Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...

Untitled, Large Abstract by Mandy Wilkinson, British B. 1970 Mandy Wilkinson, British 1970 Oil on canvas, 49 inches wide by 36 inches high Giltwood Fra...

This is a large vintage oil on canvas of a Paris. An unsigned Parisian street scene in quality frame, dating to the late 20th century. Charmingly evocative street scene of a rain sl...

Sophisticated and fascinating original painting by Japanese artist Yoshio Minomura having abstract composition with hieroglyphic like scribbles. Minomura gained his diploma from t...

Decorate a wall with this beautiful antique painting. Set in the original carved gilt wood frame, the artwork depicts Saint Francis of Assisi in meditation in a religious ecsatasy. T...

Large Vintage French Style 58" x 70" Gold Frame Still Life Oil Painting with Bouquet of Flowers. Item features a large gold carved wood frame, oil on canvas, stately impressive size,...

A Portrait Of A Lady Of Quality, Oil On Canvas, 18th Century

This beautiful Painting titled “The Wren Song” by English Artist Alan M Hunt, early Twentieth Century. Complete with its original modern frame. Signed l...

18h Century, Four Italian Etching Allegory of the Four Seasons Allegory of the Four Seasons, engraved by Giovanni Volpato and drawn by Francesco Maggiotto...

Brilliant red and black abstract modernist painting on canvas from the 1970s. This original acrylic painting is an iconic example of mid-century modern art. The bold red color appli...

Wonderful work of the Danish artist Finn Pedersen (1944-2014) , born in 1944 in Bornholm. In 1966, he exhibited with artists from the CoBrA group such as...

This is a classic Italian late 17th century floral still life. Although the painting is not signed, it has all of the hallmarks of being created by a master painter. The painting and...

This oil-on-canvas portrait features an Oriental girl, likely from the mid-century period, depicted with a striking blend of realism and abstraction. Her face is softly illuminated, ...

Debiève was a French artist who specialised in cubism and contemporary art work, often referred to as tapestries these pieces are actually screen prints on a variety of medium. ‘The Flight of the Flamingos’, or ‘Le vol de Flamants’ is screen printed on canvas mounted on board and brilliantly illustrates Debiève’s mastery of cubism. Producing only a few of these incredible, huge works of art, it is signed by the artist ‘R Debiève...

Splendid oil portrait on canvas of a gentleman in uniform, identified as Professor Moses Bosisio, mayor of Monza, who died in 1846, as reported on a plaque on the back of the paintin...

Matteo Lovatti (Italian, 1861-1909) A Fine 19th-Century Oil on Canvas Titled 'Church V. State - The Fencing Lesson'. The finely detailed artwork depicting an interior tavern scene, f...

From the series e·the·re·al, this piece unfurls in deep, earthen hues that seem to pulse from within. A sepia core radiates outwards, dissolving into muted creams and soft shadows, l...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

Antique oil on canvas portrait of an unknown 19th Century Virginian Gentleman, beautifully framed to retain its sense of time and place. Rich brush strok...

A gorgeous pair of Grand Tour style framed oil paintings of an Italian Capriccio landscape with ruins Italy, Mid-20th Century Oil on canvas, gilt frame Measures: 9.5"W x 1"D x 9.5...

Ó/L “Peace and the arts are worth more than the brutal glory of weapons”, Philippe Swyncop, 1903 – Belgium, Flemish School Exquisite oil on canvas si...

Hand-picked by buyers at Ann-Morris Inc.