Canvas Wall Decorations

Beautiful oil painting on canvas depicting a gentleman belonging to the ancient chivalric order of Saints Maurice and Lazarus, founded in 1572 by the House of Savoy. The protagonist ...

Wonderful moody seascape painting stormy seas and 2 seagulls in flight. Dramatic presence with heavy dark natural wood frame. Artist signed.

A splendid 17th century Flemish painting. Oil on canvas artwork depicting a mythological subject of great charm, Meleager offers the boar's head to Atalanta. The Fates had predicted ...

Lovely atmospheric oil painting of tug boats on the River Thames with London Bridge in the background. This midcentury oil painting captures a dynamic and bustling scene of tugboats ...

A beautiful, vintage oil painting on canvas-board sourced in France. The painting features a somewhat diffuse still-life in soft pastel hues... pink, green, blue and white. Unfortuna...

Otto Ackermann - Summerly High Mountain Landscape ca. 1920s An impressionist oil painting depicting a high mountain landscape with pine trees in front of the mountains. Oil painting...

Ó/L “Peace and the arts are worth more than the brutal glory of weapons”, Philippe Swyncop, 1903 – Belgium, Flemish School Exquisite oil on canvas si...

Please note this the painting is dark as original photograph displays. This exceptional late 18th-century Neoclassical hand-painted panel, crafted on canvas and mounted to a board,...

A Late 17th Century Painting Depicting A Cavalry Battle Height: 115 cm Width: 75 cm Depth: 6 cm. Provenance: Private Australian Collection.

Framed Village Landscape with Houses, 1920's France. A beautiful Parisian painting on canvas depicting a peaceful village landscape with a row of houses on a street featuring a scene...

Executed in gorgeous shades of deep pink, dove gray and olive, this scene of two nude women perched on folding chairs was painted by Dorothy Van Loan, a celebrated modernist from Phi...

Large Early 20th century Oil on Canvas Painting of Civil War Scene by W. Smithson Broadhead (British, 1888-1960). Broadhead lived in United Kingdom ...

Abstract art offers us its mysteries, a prolific field of nuances and multitudes of interpretations. Through it, our perception is tested - a silent but intensely emotional dialogue occurs. This oil painting by Carlos...

"The Visual Experience of Art" delves into the intricate interplay between our eyes and the brain, exploring how our visual faculties engage with the diverse elements of various art ...

An early 18th century French 3-panel folding screen, oil-on-canvas, depicting village and maritime scenes in cartouches with other decoration.

Stunning oil painting on canvas of a European waterfront buildings. It look like a strip in the French Rivera. Framed with ornate wide gold frame. It had fresh air color and calm fe...

Vividly colorful and classically composed, yet loosely painted, this original still life oil on canvas painting of flowers in a vase on a table is a fine example of the work of famous, listed, deceased American Impressionist painter, Louis Ritman...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...

An offset lithograph with foil embossing depicting the Munich Olympics by Austrian artist Fredensreich Hundertwasser. Printed in 1982. Published by GmbH, 1971. Limited edition 1007/3...

This striking modernist painting combines abstract art with a touch of surrealism, creating a bold yet serene composition. Featuring vibrant colors, including golden ochre, verdant g...

Vittorio Matteo Corcos, Italian, (1859–1933) Original portrait of Anna Maria Borghese by Vittorio Matteo Corcos. Oil on canvas. Unsigned. Ex-Sot...

A fabulous 1960's portrait-oil on canvas by Charles Levier, aka Villard. Beautifully done, similar in style to Bernard Buffet. High quality frame made in Belgium.

This is a wonderful oil on canvas floral composition by Andres Segovia. Adding so much interest to this piece is the placement of the vase and the appeared wall in the background, dr...

Mid century Jacallo 'Architectural Landscape' Signed oil on canvas painting This piece measures: 40.25 wide x 1.75 deep x 28.5 inches high This Painting is in Excellent Vintage...

Oil portrait of an elegant young woman arranging flowers 19th century, initialed "J.M." Wonderful oil painting housed in a gilded frame. The painting shows a young woman arr...

Large Floral Still Life Oil on Canvas. Soft pastels with blue and gray , pink and white. Flowers are hydrangeas and tulips. Housed in a silver gray gesso frame. Perfect romantic piec...

Midcentury mixed-media Cubist still life oil on canvas, a fine composition with influences of Kurt Schwitters and George Braque. Signed "Gordon" Lower left center. Measures: Canvas 3...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas "Spring Beauties", depicting three young maidens picking flowers by a lake. The three young girls sitting, kneeling and laying on a grassy area of the forest, her wicker basket filled with the freshly picked flowers, the middle one wearing a bonnet and a straw-hat laying on the ground behind with butterflies flying by, within a gilt-wood and gesso carved frame. Signed (l/r): H. Zatzka. Circa: 1890-1900's, Hans Zatzka (Austrian, 1859-1945) was a well known and regarded Austrian fantasy artist whose most popular and valuable works depicted figures of young maidens with angels, floral and other cheerful and warm scenes, including Orientalist themes. In the past thirty years alone, the high quality and detail of his beautiful paintings has caught the attention of International collectors and art dealers alike, creating a highly sought after market and demand for his instantly recognizable body of work. In the late 19th and early 20th century, many of Zazka's charming works were photographed for commercial and collectable postcards. Though no information about his works being exhibited in museums is currently available, most of Zatzka's paintings are in private collections and, in the past century, very few of them have become available on the open market. At the young age of eighteen Zatzka joined Austria's Academy of Fine Arts under the leadership of Professor Blaas. For his fine early works, in 1880 he received The Golden Fügermedal award. Zatzka, like many other artists of the era, traveled around Europe working and selling his art and, in one of his many trips to Italy, he developed a special interest in Religious themes, decorating churches with frescos as well as painting several religious scenes of Madonna's and Child, Saints, Angels and others. In 1885 Zatzka was commissioned to paint "The Naiad of Baden" a ceiling fresco at Kurhaus Baden. Most of Zatzka's income came from his work in religious art and special church commissions. Numerous leading art dealers from around the world that specialize in late 19th and early 20th century European genre paintings have come to the conclusion that the painter signing his works Bernard Zatzka, Joseph Bernard or J. Bernard is almost certainly the artist Hans Zatzka. The consensus seems quite plausible when comparing works known to have been executed by Hans Zatzka together with similar works displaying the signature; Joseph Bernard, J. Bernard or Bernard Zatzka. Lohengrin refers to the knight of the swan, hero of German versions of a legend widely known in variant forms from the European Middle Ages onward. It seems to bear some relation to the northern European folktale of “The Seven Swans,” but its actual origin is uncertain. It is also a character in German Arthurian literature. The son of Parzival (Percival), he is a knight of the Holy Grail sent in a boat pulled by swans...

An original impressionist oil on canvas, circa 1920, by listed Hungarian artist Witman Etelka Vizkeleti (1882-1962), signed lower right. Depicts a vibrant marketplace scene with two ...

Fabulous abstract midcentury art 1962 oil on canvas board Frame 26.75 x 32.5 w .75 Art 20 x 24.25 Signed Original unrestored condition. Refer to images please

'Summer Landscape' by Beverly Myers Modern Painter, School of Wolf Kahn  USA, Post 2015 "Summer Landscape" is a stunning example of Beverly Myers' maste...

Exceptional large modern art acrylic painting by listed artist Jules Granowitter, circa 1950/1960. This impressive canvas features an allover abstract festival of color and exuberant...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

A French Napoléon III period framed architectural oil on canvas panel from the mid 19th century, with Allegory of the Arts and rinceaux motifs. Created in France at the beginning of ...

Unsigned. Ca. mid-19th c. portrait of a lovely seated lady wearing a black dress with a fine broad lace collar, a sign of her high status in socie...

HENRY SCOTT R.S.A. British, 1911-2005 "Down Easter 'Harvey Mills' in the Lower Inner Harbour, Boston, with Governors Island in the Distance Oil on canvas signed lower left titled...

Sharing similarities of a mid-17th-century Italian capriccio painting, this French oil painting from Provence depicts fantastical architecture set amongst the more realistic setting ...

1970's oil on canvas Fire Island Pines modern painting signed "J. Williams" in vintage original condition with some wear and patina due to age and use, there is some wear to the oil ...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

GORGEOUS! MID CENTURY MODERN CUBIST/BRUTALIST PAINTED MULTI-MEDIA WALL SCULPTURE In the manner of Picasso's Synthetic Cubist Period 50" wide by 17" high by 3" deep Magnifi...

This is a large and decorative oil on canvas painting of "Sonning-on-Thames" by the renowned British artist Vernon Howard (1840-1902), Circa 1880 in date, signed and inscribed on a p...

Fine danish expressive / abstract oilpainting 1930s-1950s. Oil on canvas. Signed back "P-Østergard".or " P-Ødtgård " Original frame. Incl frame: H. 80 cm / W. 70 cm / D. 4 cm pain...

Nice amateur painting, still life of a bunch of flowers, painted on canvas and framed in a gold-colored wooden frame, signed bottom right and dated 1970. In perfect vintage conditio...

Carlo Mismetti "Miscar" Oil on Canvas Painting 1972. Measures: Height 82cm Width 63 cm Oil on canvas In good conservative condition, present signs of time due to use and age....

Henri D'Anty 1910-1998, oil painting on canvas, still life of fruit and bottles on a tray table. Brass frame with umber linen liner; framed 24.5" H x 21" W x 1" D. He studied at t...

A small Mid Century decorative petit point wool tapestry in the style of Jean Picart Le Doux (1902-1982) entitled "Jardin de Soleils". RBC Tapisserie de Paris. Made in France. Staple...

Striking, dramatic and moody oil painting on canvas and wood frame. Deep red with shades of black. Light abstract texture throughout to catch addition light and create depth. Curbsi...

A beautiful oil painting by the Belgian artist Hubert Glansdorff. It is a portrait of a young child. The child wears a kimono and looks at the viewer...

This Italian oil on canvas painting of Venice was made in the early 19th century. Featuring one of the most striking Venetian scenes, the Grand Canal, the artist was probably near th...

Very sensual, large original oil on canvas of a beautiful reclining red headed nude woman, by famous deceased listed Dutch artist, Leo Jansen (1930-1980). T...

A Rare Parisian Gem: "Le Vert Galant" by Henri-Jean Pontoy This captivating oil painting by Henri-Jean Pontoy (1888-1968) offers a unique perspective on the famed Paris, France land...

Peruvian Cuzo School Oil on Canvas of the Archangel Raphael, 19th Century. The Cuzco or Cusco school was a Roman Catholic artistic tradition that began in the 1500's in Peru, foll...

Contemporary School (American, 20th c.), "Strata XVII', signed, titled and dated in pencil verso, unframed with canvas on wood stretchers. An abstract oil and wax work on linen. Dimensions: 70"h x 83"w x 2"d Condition: Good. No visible condition issues observed. About the Artist: Alfonse Borysewicz...

Large and expressive painting with a flower still life of sunflowers in a vase. Beautiful in impressionistic touch and thickly painted. A clear reference to the of Vincent van Gogh, ...

Marie Hvid Pørksen (b. 1971), Denmark. Oil on canvas. Fence with barb wire. Dated 2010. The canvas measures: 40 x 40 cm. In excellent condition. Signed ...

Pat Rini Rohrer is well established, West New York State based artist and gallery owner, who exhibited nationally in galleries and group exhibitions. She holds BA and MS in Art Educa...

This is an impressive oversized floral still life by Sarkis Sarkisian featuring tulips and Lillies in a vase. The mauve background is subtle enough to compliment the flowers and vas...

Original surrealist painting by self taught French artist from the city of Sete, France, named El Kalo. This interesting piece of artwork clearly depicts one wonderful painting by this brilliant artist which is inspired by Pablo Picasso and Herve Di Rosa...

Robert Berger, Detroit, Partial Illegible Gallery Label

Antique Oil On Canvas Laid On Board Portrait Of A Gentleman By Wheeler. Framed and signed in lower right corner, Early 19thC. Measures - 42.5"H x 35"W x 2.25"D