Canvas Wall Decorations

British artist Grace Watts (b. 1990) works on hand-stretched linen in her east London studio. With its expressive mark-making, this piece in oil and graphite is typical of her distin...

Our painting by Adolphe Pierre Francois Leofanti (1838-1890) depicts Roger freeing Angelica. Period ebonized frame with gilt border measures 74 7/8 by 64 1/8 inches, 163 by 190 cm. ...

Large landscape oil painting, circa 1890.

Fantastic large abstract informal painting with a poectic note in wonderful colors signed Danilo Picchiotti 1987. The original artist frame in red allows the artistic design to run into the frame or integrates the frame into the artwork Childhood and the French period Danilo Picchiotti was born in 1933. His childhood and youth are characterized by the restless search of an artistic expression for his own sensibility and perception, as well as his very strong sense of existence. This would eventually lead him to join an art club known as “I Pennelacci” (the Paintbrushes) in his hometown in Rome at the early age of 18. He then starts devoting himself exclusively and passionately to reading and painting. He moves to Paris in 1952. In Paris he explores the stimulating and innovativeenvironmentsrepresented by the local versions of Surrealism of the period. From that moment onwards, he allows his own existence to be overwhelmed by his art until he becomes his art’s main subject, firmly convinced that self-consciousness and stylistic research are closely linked. This immense labour will find the truest expression of his artistic and existential sensibility in Surrealism. From his early career to action painting. During the early 1970s, the artistic environment in Rome and his successful participation to several collective art exhibitions, especially with the “Pennellacci” club, leads him to his public debut and paves the way to a very important and busy period. Later on, after enormous intellectual labour, he approaches the gestural informal painting, also known as “Action Painting”. This art movement was mostly developed in the United States, and is also called Abstract Expressionism. The most celebrated artist of this movement is Jackson Pollock. In 1986 Danilo Picchiotti holds a number of exhibitions of works that are strongly influenced by this art movement (action painting). The latest works of the artist. In Europe, the French painter Jean Fautrier begins incorporating his paintings with plastic materials that burst out of the canvas, overcoming the boundary between two-dimensional images and plastic forms. This type of painting will be called “Matter Painting”; other painters will join this movement including Jean Dubuffet, Antoni Tápies and the Italian Alberto Burri. While some artists hide into the sign, others, including Picchiotti, emphasises the matter that identifies the work itself, by choosing any kind of material such as wood, fabric, glass, wall or even colour, which are arranged on the canvas, assuming their own physicality and are transformed, layer by layer, by using fire, water and other elements. Beginning from 2000, after several years of artistic inactivity due to health problems, Danilo Picchiotti, today more culturally open-minded than ever, returns to painting with determination, strength and energy giving birth to his new “GESTURAL MATTER” period. Major exhibitions and awards: a selection 1965 First Prize of the “Gatta d’oro” Award – Rome First Prize of the “Trevignano 1965” Award - Trevignano Art Exhibition at "Galleria Brandi" - Rome Art Exhibition at “Circolo Artistico” via Margutta – Rome Art Exhibition at “La Tozzella” Gallery – Avezzano First Prize of the “Riccio d’oro” Award, prize of Medaglia d’oro Award 1966 Art Exhibition at "La Saletta" Gallery- Frosinone Theatre and Painting exhibition at the "Piccolo Teatro" - Rome Figurative Art Exhibition at the "Piccolo Teatro" - Rome 18th Art Trade Show via Margutta – Rome International painting exhibition - Manziana 1967 International painting exhibition - Bracciano 1968 Exhibition at Geswind Villa at Meung sur Loire - France 1969 Art exhibition at the Hotel de Bordeaux Tours - France 1970 Art Exhibition at "Anfora" gallery - Paris Art Exhibition at "Hervè" gallery - Paris 1972 Art Exhibition at "Pencier" gallery - Paris Art Exhibition at "Bernier" gallery - Paris 1974 2nd prize of “IV edizione Cavalletto d'oro" Award - Florence 1975 Art Exhibition at "Galleria Facchetti” - Art Exhibition at "Daber" gallery - Paris 1977 Art Exibition at "Galerie Wolfang Gurlitt" - Munich 1978 Art Exhibition at "Galerie Ernest Fuchs...

Monumental Vintage Abstract Oil on Canvas Painting with Rich Colors Offered for sale is a very large abstract oil painting on canvas. The canvas is stretched on wood and has rich d...

Extraordinary Mid-Century Modern cityscape painting with brown and green skyline. The large scale (5 foot) cityscape painting is reminiscent...

Roman School, follower of Paolo Anesi, Roman Landscape with the Milvio Bridge, Half of the 18th Century Oil on canvas, measures: frame cm W 149 x H 112 x D...

"Dev-Lok #5" by Sumatimohan with handmade frame by artist. Oil painting made in USA, circa 1980. Sumatimohan was born in the village of Ghodiyal in India. His deeply spiritual wo...

This large antique oil on canvas was painted in France, circa 1850. This colorful painting illustrates a pastoral country scene with a shepherd courting a young girl, while attending...

Framed oil painting on canvas by Ewald Kreusch (1895-1960) is a delightful study of an old-growth forest with a footworn path leading on to adventures beyond the horizon. Kreusch has...

Henri Alphonse Barnoin (1882-1940) studied with Emile Charles Dameron at the Ecole des Beaux Arts in Paris. In 1912 he moved to the small community of Concarneau in Northwest France,...

Pair of Large Asian Inspired Painted Canvas Panels Floral Abstracts, 20th Century, unsigned, in ebonized frames overall, 80 by 29 in. Condition Report Good condition

This captivating pair of portrait paintings features a noble Dutch couple. Dr. Dirk de Vries Reilingh, a distuinigshed Dutch doctor born in 1...

A large early original oil painting by Gino Hollander in the Modigliani style. A very unusual and unique style for him. Known as an abstract expressionist. In collections of Jacqueline Kennedy, Norman Rockwell, Steve Mc Queen...

A stunning Italian 17th century oil on canvas still life, from Rome. The painting depicts a beautiful fruit bowl and grapes in the foreground and wonderfully executed bouquet of flow...

A very large antique reproduction oil painting after Eugéne Delacroix. Apty titled "The Barque of Dante (French: La Barque de Dante)" features an antiqued canvas. Frame: 166 cm (65....

The pair of vintage painted canvas panels, shown here, are notable for their beauty and condition. Depicting a bucolic outdoor scene, the imagery ...

18th Century, Italian painted with still Life by Francesco Lavagna. The fine and imposing painting, accompanied by a frame in carved and gilded wood, depicts a sumptuous composition...

About the artist. Born in 1970, Marc Le Rest is a French born artist who turned his back to a promising career within the Holy Church to dedicate himse...

A fantastic original oil on canvas by Naohiko Inukai. This is number forty in a series of colored scapes he created in the mid 1960's and is in excellent condition. This work is signed and dated on the reverse It's color changes subtly with the lighting, when properly lit it casts a beautiful warm orange tone throughout the room. Born in 1937 in Kurashiki-city Okayama,Japan. He came to the US around 1960 and returned to Japan around 1982 were he still resides. Education:Cooper Union School of Art and Architecture New York...

Royal House Antiques We are delighted to offer for sale this stunning original circa antique oil painting signed by A J Sticks A very good looking and...

Immerse your space in vibrant modernism with this stunning contemporary op art figurative painting. Rendered in bold acrylic on canvas, this artwork features a dynamic figure with st...

A distinguished set of two 19th century Continental oil on canvas portraits, depicting an important British military officer in full dress uniform and a refined lady posed in a forma...

A large aboriginal painting by Ningura Napurrula (1938-2013). Title: "Rockhole Site of Wirrulnga" Artists: Ningura Napurrula (Australian Aboriginal, c.1938-2013) Birthplace: Watul...

Abstract expressionist painting with geometric color fields of yellow, blue, white, and green. Signed along the lower right. Provenzano (American, 1923-1999) was a student of Hans Hoffmann...

Born in Flawinne (Namur) in 1947, he is a painter, watercolorist and decorator. He studied at the Brussels academy with Jean Ransy and Ernest De Bie. He will keep from his masters th...

A dreamlike masterpiece inspired by the old masters of the Romantic period. Finely embraced in a magnificent silver plated wooden frame with numerous rocaille applications. Oil on ca...

A striking pair of Italian 19th century Venetian oil on canvas paintings. Each painting is set within their original giltwood frame. The charming scenes d...

Large abstract acrylic painting by noted NYC artist Jules Granowitter. The painting is mainly executed in tones of blue with orange, purple, green, gray and red also visible. Nice b...

Nicolas Fasolino Realism Oil Painting on Canvas, Argentine Artist A still life composition executed in a realist medium by noted Argentine Artist Nicolas Fasolino signed lower right and dated '05. This oil on canvas depicts a candle-lit table...

A fabulous vintage Boho original oil painting on canvas. A chic Abstract composition in dark bold colors. Signed by the artist. Acquired from a Palm Beach estate.

Still life painting (Violin, Flowers), Oil on canvas, by Agnes Weinrich, Signed and dated "22", Unframed: 20" x 16", Framed 27.5 x 23". Agnes Weinrich (1873-1946) was an early female, American modernist artist at a time when there was little interest in Modern Art in the USA and when few women were artists. She was a ground breaker in modern art. The painting shown is an important example of her mature phase of her work. A biography from Wiki-pedia follows: Agnes Weinrich (1873–1946) was one of the first American artists to make works of art that were modernist, abstract, and influenced by the Cubist style. She was also an energetic and effective proponent of modernist art in America, joining with like-minded others to promote experimentation as an alternative to the generally conservative art of their time. Early years[edit] Agnes Weinrich was born in 1873 on a prosperous farm in south east Iowa. Both her father and mother were German immigrants and German was the language spoken at home. Following her mother's death in 1879 she was raised by her father, Christian Weinrich. In 1894, at the age of 59, he retired from farming and moved his household, including his three youngest children—Christian Jr. (24), Agnes (21), and Lena (17), to nearby Burlington, Iowa, where Agnes attended the Burlington Collegiate Institute from which she graduated in 1897.[1][2][3] Christian took Agnes and Lena with him on a trip to Germany in 1899 to reestablish links with their German relatives. When he returned home later that year, he left the two women in Berlin with some of these relatives, and when, soon after his return, he died, they inherited sufficient wealth to live independently for the rest of their lives. Either before or during their trip to Germany Lena had decided to become a musician and while in Berlin studied piano at the Stern Conservatory. On her part, Agnes had determined to be an artist and began studies toward that end at the same time.[1][4] In 1904 the two returned from Berlin and settled for two years in Springfield, Illinois, where Lena taught piano in public schools and Agnes painted in a rented studio. At this time Lena changed her name to Helen. In 1905 they moved to Chicago where Agnes studied at the School of the Art Institute of Chicago under John Vanderpoel, Nellie Walker, and others.[1] In 1909 Agnes and Helen returned to Berlin and traveled from there to Munich, where Agnes studied briefly under Julius Exter, and on to Rome, Florence, and Venice before returning to Chicago.[5] They traveled to Europe for the third, and last, time in 1913, spending a year in Paris. There, they made friends with American artists and musicians who had gathered there around the local art scene. Throughout this period, the work Agnes produced was skillful but unoriginal—drawings, etching, and paintings in the dominant academic and impressionist styles.[1] On her return from Europe in 1914, she continued to study art, during the warm months of the year in Provincetown, Massachusetts,[1] where she was a member of the Provincetown Printers art colony in Massachusetts,[6] and during the colder ones in New York City. In Provincetown she attended classes at Charles Hawthorne's Cape Cod School of Art and in New York, the Art Students League.[1] Drawing of an old woman by Agnes Weinrich, graphite on paper, 11.5 x 7.5 inches. Hawthorne and other artists established the Provincetown Art Association in 1914 and held the first of many juried exhibitions the following year. Weinrich contributed nine pictures to this show, all of them representational and somewhat conservative in style.[1] A pencil sketch made about 1915 shows a figure, probably one of the Portuguese women of Provincetown. Weinrich was a metculous draftsperson and this drawing is typical of the work she did in the academic style between 1914 and 1920. She also produced works more akin to the Impressionist favored by Hawthorne and many of his students. When in 1917 Weinrich showed paintings in a New York women's club, the MacDowell Club, the art critic for the Brooklyn Daily Eagle said they showed a "strong note of impressionism."[7] Broken Fence by Agnes Weinrich, a white-line woodblock made on or before 1917; at left: the woodblock itself; at right: a print pulled from the woodblook. In 1916 Weinrich joined a group of printmakers which had begun using the white-line technique pioneered by Provincetown artist B.J.O. Nordfelt. She and the others in the group, including Blanche Lazzell, Ethel Mars and Edna Boies Hopkins, worked together, exchanging ideas and solving problems.[1][8] A year later Weinrich showed one of her first white-line prints at an exhibition held by the Pennsylvania Academy of Fine Arts in Philadelphia.[9] Broken Fence, in its two states—the print and the woodblock from which she made it—show Weinrich to be moving away from realistic presentation, towards a style, which, while neither abstract, nor Cubist, brings the viewer's attention to the flat surface plane of the work with its juxtaposed shapes and blocks of contrasting colors. Cows Grazing in the Dunes near Provincetown by Agnes Weinrich, white-line woodcut, 10 x 10 1/2 inches When in 1920 the informal white-line printmakers' group organized its own exhibition, Weinrich showed a dozen works, including one called Cows Grazing in the Dunes near Provincetown. This print shows greater tendency to abstraction than eitherBroken Fence or the prints made by other Provincetown artists of the time. The cows and dunes are recognizable but not presented realistically. The white lines serve to emphasize the blocks of muted colors which are the print's main pictorial elements. Weinrich uses the texture of the wood surface to call attention to the two-dimensional plane—the paper on which she made the print—in contrast with the implicit depth of foreground and background of cows, dunes, and sky. While the work is not Cubist, it has a proto-Cubist feel in a way that is similar to some of the more abstract paintings of Paul Cézanne.[10] By 1919 or 1920, while still spending winters in Manhattan and summers on Cape Cod, the sisters came to consider Provincetown their formal place of residence.[1][11][12][13] By that time they had also met the painter, Karl Knaths. Like themselves a Midwesterner of German origin who had grown up in a household where German was spoken, he settled in Provincetown in 1919. Agnes and Knaths shared artistic leanings and mutually influenced each other's increasing use of abstraction in their work.[1][14] The sisters and Knaths became close companions. In 1922 Knaths married Helen and moved into the house which the sisters had rented. He was then 31, Helen 46, and Agnes 49 years old. When, two years later, the three decided to become year-round residents of Provincetown, Agnes and Helen used a part of their inheritance to buy land and materials for constructing a house and outbuildings for the three of them to share. Knaths himself acquired disused structures nearby as sources of lumber and, having once been employed as a set building for a theater company, he was able to build their new home.[15] Weinrich was somewhat in advance of Knaths in adopting a modernist style. She had seen avant-garde art while in Paris and met American artists who had begun to appreciate it. On her return to the United States she continued to discuss new theories and techniques with artists in New York and Provincetown, some of whom she had met in Paris. This loosely-knit group influenced one another as their individual styles evolved. In addition to Blance Lazzell, already mentioned, the group included Maude Squires, William Zorach, Oliver Chaffee, and Ambrose Webster. Some of them, including Lazzell and Flora Schofield had studied with influential modernists in Paris and most had read and discussed the influential Cubist and Futurist writings of Albert Gleizes and Gino Severini.[16][17] Mature style[edit] Woman with Flowers by Agnes Weinrich, circa 1920, oil on canvas, 34 x 30 1/4 inches, exhibited at the Provincetown Art Association exhibition of 1920, made available courtesy of the Association. Two of Weinrich's paintings, both produced about 1920, mark the emergence of her mature style. The first, Woman With Flowers, is similar to one by the French artist, Jean Metzinger called Le goûter (Tea Time) (1911).[18] Red Houses by Agnes Weinrich, circa 1921, oil on canvas on board, 24.25 x 25.5 inches; exhibited "Red Houses" at Fifth Annual Exhibition of the Society of Independent Artists. Like much of Metzinger's work, Le goûter was discussed in books and journals of the time—including one called Cubism co-authored by Metzinger himself.[19] Because the group with which Weinrich associated read about and discussed avant-garde art in general and Cubism in particular, it is reasonably likely that Weinrich was familiar with Metzinger's work before she began her own. The second painting, Red Houses, bears general similarity to landscapes by Cézanne and Braque. Both paintings are Cubist in style. However, with them Weinrich did not announce an abrupt conversion to Cubism, but rather marked a turning toward greater experimentation. In her later work she would not adopt a single style or stylistic tendency, but would produce both representative pictures and ones that were entirely abstract, always showing a strong sense of the two-dimensional plane of the picture's surface. After she made these two paintings neither her subject matter nor the media she used would dramatically change. She continued to employ subjects available to her in her Provincetown studio and the surrounding area to produce still lifes, village and pastoral scenes, portraits, and abstractions in oil on canvas and board; watercolor, pastel, crayon and graphite on paper; and woodblock prints.[20] Possessing an outgoing and engaging personality and an active, vigorous approach to life, Weinrich promoted her own work while also helping Karl Knaths to develop relationships with potential patrons, gallery owners, and people responsible for organizing exhibitions. With him, she put herself in the forefront of an informal movement toward experimentation in American art. Since, because of her independent means, she was not constrained to make her living by selling art, she was free to use exhibitions and her many contacts with artists and collectors to advance appreciation and understanding of works which did not conform to the still-conservative norm of the 1920s and 1930s.[1][21][22] Early in the 1920s, critics began to take notice of her work, recognizing her departure from the realism then prevailing in galleries and exhibitions. Paintings that she showed in 1922 drew the somewhat dry characterization of "individualistic.",[23] and in 1923 her work drew praise from a critic as "abstract, but at the same time not without emotion."[24] In 1925 Weinrich became a founding member of the New York Society of Women Artists. Other Provincetown members included Blanche Lazzell, Ellen Ravenscroft, Lucy L'Engle, and Marguerite Zorach. The membership was limited to 30 painters and sculptors all of whom could participate in the group's exhibitions, each getting the same space.[23][25][26] The group provided a platform for their members to distinguish themselves from the genteel and traditionalist art that women artists were at that time expected to show[27] and, by the account of a few critics, it appears their exhibitions achieved this goal.[1][28][29][30] In 1926 Weinrich joined with Knaths and other local artists in a rebellion against the "traditional" group that had dominated the Provincetown Art Association. For the next decade, 1927 through 1937, the association would mount two separate annual exhibitions, the one conservative in orientation and the other experimental, or, as it was said, radical.[31][32] Both Weinrich and Knaths participated on the jury that selected works for the first modernist exhibition.[11] Still Life by Agnes Weinrich, circa 1926, oil on canvas, 17 x 22 inches. Permission to use granted by Christine M. McCarthy, Executive Director, Provincetown Art Association and Museum. The painting was the gift of Warren Cresswell. Weinrich's painting, Still Life, made about 1926, may have been shown in the 1927 show. Representative of some aspects of her mature style, it is modernist but does not show Cubist influence. The objects pictured are entirely recognizable, but treated abstractly. Although fore- and background are distinguishable, the objects, as colored forms, make an interesting and visually satisfying surface design. In 1930 Weinrich put together a group show for modernists at the GRD Gallery in New York. The occasion was the first time a group of Provincetown artists exhibited together in New York. For it she selected works by Knaths, Charles Demuth, Oliver Chaffee, Margarite and William Zorach, Jack Tworkov, Janice Biala, Niles Spencer, E. Ambrose Webster, and others.[1][23] Later years[edit] Weinrich turned 60 on July 16, 1933. Although she had led a full and productive life devoted to development of her own art and to the advancement of modernism in art, she did not cease to work toward both objectives. She continued to work in oil on canvas and board, pastel and crayon on paper, and woodblock printing. Her output continued to vary in subject matter and treatment. For example, Still Life with Leaves, circa 1930 (oil on canvas, 18 x 24 inches) contains panels of contrasting colors with outlining similar to Knaths's style. Movement in C Minor, circa 1932 (oil on board, 9 x 12 inches) is entirely abstract. It too relates to Knaths's work, both in treatment (again, outlined panels of contrasting colors) and in its apparent relationship to music, something in which Knaths was also interested. Fish Shacks...

Pair of signed still life paintings oil on canvas Pair of early 20th century still life paintings of fruit. Finely painted, with lovely colour and line. Oil on canvas....

Antique oil painting on canvas by Ferdy Naulaerts (1922-2001) is a classic still life, a genre that has survived for eons with ...

Charles Stuart (British 1838-1907) "Their Mountain Home" from 1895-1897 is on oil on canvas and is signed as well as dated. This gorgeous highland landscape depicts a stag herd retreating down the mountain from the impending mists. Stuart captures the swirling movement and material quality of the fog, which obscures the towering mountains adding an element of mystery and magic to the painting. In juxtaposition, the foreground of the painting is rendered in precise detail from the rippling tides to the leaves of grass. Each stag is differentiated adding an element of naturalism. Charles Stuart, F. S. A. was a landscape painter active from 1881 to 1904. Born to a long line of painters, Stuart exhibited at the Royal Society of British Artists and the Royal Academy. He was a fellow of the Society of Antiquaries of London, and the prestigious Savage Club whose members included Charles Dickens. He was married to Jane Maria Bowkett...

Jose Manuel Giraldez Ramos Abstract Oil Painting, Cuban American Artist Offered for sale is a colorful oil on canvas painting by Cuban-American artist Jose Manuel Giraldez Ramos tit...

Kenny Nguyen creates what he calls “deconstructed paintings”, large, bold works that are comprised of hundreds of silk strips, which he cuts, paints, and meticulously applies onto ca...

French oil on canvas portrait of a man c. 1800. The bourgeois gent depicted here displays the cliched hand-in-waistcoat mannerism of the 18th and early 19th century. He’s wearing wha...

An Enduring Masterpiece: Oil on CanvasMarina with Venice Lagoon, 1877 Bring the elegance and beauty of the Venice Lagoon into your home with this spectacular 1877 oil on canvas. Thi...

Late 20th century oil on canvas painting "After Tiffany's Woman Greeting the Sun" - a painted recreation of one of Tiffany Studio's famous art nouveau stained glass windows. Depicts ...

A great painting of a classic mythology scene. Diana the goddess and the nymphs Uraniaand Calliope with a hunting dog. Very exactly drawn figures in the foreground, soft brush strok...

This Vintage Regency Original Floral Oil Painting on Canvas exudes timeless elegance and charm. Featuring meticulously detailed blooms in a soft, romantic palette, the artwork showca...

Sarah Leonard Krepp painting. Signed. Attached Resume... EDUCATION AND ACADEMIC EXPERIENCE Professor Emeritus and former Chair – Painting Program, School of Art and Design, University of Illinois at Urbana-Champaign Director, DIALOGUE CHICAGO, 2003-present Visiting Professor, Artist, School of the Art Institute of Chicago, Chicago, IL MFA – The School of the Art Institute of Chicago, Chicago, IL BS -- Skidmore College, Saratoga Springs, NY SELECTED SOLO AND TWO PERSON EXHIBITIONS “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Leedy-Voulkos Art Center, Kansas City, MO, (catalog essay by Jason Foumberg, curator Thoma Foundation, Chicago), 2021 “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Western Illinois University Gallery, Macomb, IL, 2021 “Tatting ↔︎ Tearing”, GSU Visual Arts Gallery, Governors State University, University Park, IL, 2020 “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Brauer Art Museum, Valparaiso, IN, 2019 “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Phipps Center for the Arts, Hudson, WI, 2018 "Deconstructing the American Landscape" (with Joel Ross), Rockford Art Museum, Rockford, IL, (catalogue essay by Lisa Wainwright, School of the Art Institute of Chicago, Dean of Faculty), 2016 - 2017 "BLOW-OUT II" (with Garry Noland), University of Northern Iowa Museum, Cedar Falls, IA, (catalogue essay by Lynne Warren, MCA Curator), 2015 “BLOW-OUT”, Chicago Cultural Center, Chicago, IL, 2012-2013 “The Walking Drawings”, Roy Boyd Gallery, Chicago, IL, 2012 “Sarah Krepp”, Gallery 175, Chicago, IL, 2011 “Sarah Krepp”, Roy Boyd Gallery, Chicago IL, 2012, 2009, 2005, 2002, 1998, 1994, 1990, 1988, 1985, 1982, 1980 “Sarah Krepp,” Indiana University Northwest, Gary, IN, 2009 Gallery K, Washington, DC, 2003 Betty Moody Gallery, Houston, TX, 1999 Hellenic American Institute, Athens, Greece, 1999 Locus Gallery, St. Louis, MO, 1997 I Space Gallery, Chicago, IL, 1996 Krannert Art Museum, Champaign, IL. 1994 Marvin Seline Gallery, Houston, TX, 1991 Lucy Berman Gallery, Palo Alto, CA, 1989 NAB Gallery, Chicago, IL, 1988 B. Z. Wagman Gallery, St. Louis, MO, 1986 ARC Gallery, Chicago, IL, 1985 Roy Boyd Gallery, Santa Monica, CA, 1983 SELECTED GROUP EXHIBITIONS “A Sense of Gravity”, Sarah Krepp, Cleveland Dean, Jesse Howard, Hofheimer Gallery, Chicago, IL 2019 “Dubque Art Museum Biennial", Dubuque Art Museum, Dubuque, IA 2017 (first prize) "Translation - Collage and Assemblage", Illinois State Museum, Chicago, IL (traveling - 3 yrs) 2015 "WHERE THE POWER GOES", visual collaboration with the Seldoms Dance Company, Museum of Contemporary Art, Chicago, IL, 2014-15 “Sarah Krepp and Firat Erdim”, Olympia Center, Chicago, IL 2013 “Wall Relief”, Roy Boyd Gallery, Chicago, IL, 2013 “Some DIALOGUE”, Illinois State Museum, Chicago, IL, 2013 “Ways of Making: Painting,” Visual Arts Gallery, Governors State University, University Park IL, 2012 “Art Chicago”, International Art Exposition, Chicago, IL (annually 1983-2011) “ Gallery Artists”, Roy Boyd Gallery, Chicago, IL (annually since 1979) “Viewing Program,” Drawing Center, New York City, NY, 2009 “Prints & Drawings: Works on Paper,” Lubeznik Center for the Arts, Michigan City, IN, 2009 “Dialogue 4: Mentoring Vision,” Metcap Bank, Chicago, IL, 2008-09 “Art Works Chicago: A Progressive Corporate Exhibition of Chicago Artists,” Metcap Bank, Chicago, IL 2007 “Icy/I See” (2-person show), Los Manos...

Vintage Art Deco Framed Oil on Canvas Painting Wall Art Wall Decor Cool large Art Deco painting in a silver frame. Signed

Exceptional surreal original oil painting signed by Mario Grimaldi, framed in a gold metal. Subject is a woman on a horse with gradient from white to red.

Pair of striking pink expressionistic diptych paintings by William Fred Arrowood. Pink base color with abstract rectangular small boxes of primary color, yellow, blue, white, black,...

Elevate your decor with this stunning Vintage Coastal Palm Tree original oil painting on canvas. Capturing the serene beauty of coastal landscapes, this piece embodies American style...

Beautiful oil on canvas "Moonlight Serenade" by Evelyn B. Wallace capturing a serene, moonlit seascape. The dominant hues of blue and pristine white dominate the canvas, creating a s...

A painted wood relief model of a three-mast ship 20th century With a plaque reading Oriol 1884, in a shadowbox frame. Measures: 26 1/2 x 13 1/2 inches (fra...

Hervé Maury, signed. Painting depicting bear cubs, in shades of orange. Mixed technique mounted on canvas. Contemporary craftsmanship.

Gabriel Godard. French, born 1933. Aux Chaise. Oil on canvas: 29 by 36 in. with frame 33 by 40 in. Signed lower left and dated 62. Gabriel Godard was born on April 28, 1933 in Delo...

This signed 18th Century painting showcases a beautiful scene of a loving man and woman and their loyal canine companion gathered around a charming fountain, executed in the Baroque ...

AMERICAN TONALIST Late 19th/early 20th century A Moonlit Nocturnal Landscape Oil on canvas Unsigned 20" H x 25 1/16" W x 7/8" D [frame] 15 1/4" H x 20 1/4" W [canvas] This late ...

A close-up oil on canvas painting of a white peony. It is one of four paintings of vividly colored and almost stylistic flowers. About the artist: Esther Hansen grew up in the...

Large vintage painting of a woman picking flowers, acrylic paint on canvas, signed Vanthomme on the bottom right, undated but estimated to be from the middle of the second half of th...

Large colorful oil painting by Studio AIK. The work is 121 by 101 cm. This work is inspired by Constructivism from Russia and Tachisme from France from the 1950s. Studio AIK seeks th...

Oil on canvas bucolic scene with elk. Artist signed and dated M.L. Tunner 1872. The canvas had been re-stretched and relined and is in excellent condition in a silver gold gilt more ...

Artist: William Shayer Senior (British) 1787 - 1879 Medium: Oil on canvas in original gilt frame Framed Size: H: 34 in / 86.3 cm ; W: 51 in / 129.5 cm Artists Biography: William Joseph Shayer senior was a self-taught artist, who began by painting decorations on rush-bottom chairs, and moved on to painting carriages in the town of Guildford, after which he started doing heraldic painting...

Exquisite oil painting on Canvas, painted and hand-signed by Henri in France. Titled ‘Life and Warmth’ and part of his ‘Life’ collection. Sophisticated and charming painting in beaut...

Lennart Lilja Oil on canvas Dimensions 62/72 Unframed work Lennart Lilja (1924-2008). He was a Swedish artist. Student of Isaac Gründewald and Otte Sköld. In the 1950s he wrote play...