Canvas Wall Decorations

Joan Thorne (born 1943) is a New York-based artist whose work is nationally and internationally recognized.  Measures: 83" x 68". Her work has been exhibited in galleries in New Y...

Beautiful oil on canvas by Curacao-based artist, Philippe Zanolino. Artist and painter, Philippe Zanolino, was born in 1960 in Périgueux and moved to Curaçao in 1986, where he embar...

A charming early 20th-century oil on canvas by Joseph Delvaille, signed and dated 1905, depicting two dogs in profile – a standing white terrier-type and a seated brown mastiff-type....

Riccardo Pellegrini (Milan 1863 - Crescenzago 1934) Spanish party before the bullfight Oil on canvas, 29 x 39 - with frame, 45 x 55 cm The painting, given the signature, is the ...

Infuse your space with charm and artistic spirit through this vintage boho oil painting featuring a whimsical bouquet of blooming florals. Hand-painted with rich texture and expressi...

Antique 19C American School portrait oil Painting of a Boy & His Dog. It is painted on canvas and later laid down on board.

Large nautical seascape oil on canvas painting by Charles Levier. Window to Corsican port featuring a bowl of fruit leading one's imagination that the artist was sitting at a table looking out the window while producing this magnificent work of art. This painting is a masterful work and is perfect for those who have an affinity for abstracts, post-impressionism, cubism, nature, and nautical works. Painted in the manner of some Bernard Buffet works of art. Professionally framed, circa 1965. Framed Measurements: 40" High x 1 1/2" Deep x 34 1/2" Wide This Charles Levier oil...

A wonderful and very striking large vintage watercolour painting by Bettina – titled: Hippy Lovers – 1973. This is beautifully executed and has a whimsical design, depicting colourf...

Domenick Capobianco (American, born 1928) abstract pop art acrylic on canvas depicting a black circle on white ground surrounded by a rainbow, apparently unsigned, "Studio Domenick Capobianco" stamp to verso, unframed. 10" H x 10" W. Provenance: Property from the estate of the artist. Note: Domenick Capobianco (American, b. 1928) artist, is a graduate of Washington University at St. Louis and a Rutgers Fellow (1979) , and a Guggeheim Fellow (1984/85). Capobianco taught for many years on the faculty at Rutgers University, N.J. His work is in the collections of the Academie des Beaux-Arts, Ljubjana, Slovenia; the Sammlung Albertina, Vienna, Austria ; L’Instituto per la Culturea e L’Arte, Catania, Italy; The Kharkiv Museum, Kharkiv, Ukraine; Le Musee d’Art Contemporain, Skopje, Macedonia; The M.V. Nesterov Museum, Ufa, Russia; The Newark Public Library, Newark, NJ; The Robert Blackburn Collection, Library of Congress, Washington, DC; and the Weatherspoon Museum, Greensboro, N.C., among many others in Europe, Asia, and the U.S. Long a regular exhibitor at the famed 55 Mercer Gallery...

Jay Milder (born 1934) is an American artist and a figurative Expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish...

XVIII century St. Francis receives the stigmata Oil on canvas, 97 x 75.5 cm.

Elevate your decor with this vibrant set of Postmodern Abstract Wall Art, featuring two teardrop-shaped canvases and a captivating pink section. Ea...

17th century Christ in chains Oil on canvas, 95 x 71 cm Frame 110 x 84 cm The figurative tradition representing Christ with chained hands can be traced back to the early Middle Ages, when an iconography of His pains spread widely. The need to translate the Passion into images aimed to raise awareness of the forgiveness that has occurred for all men, consequent to the Crucifixion. This painting depicts the moment before the audience before Pilate. Christ has not yet been cruelly mocked by the soldiers, despite the fact that he is already wearing the crown of thorns and the purple...

HENRY SCOTT R.S.A. British, 1911-2005 "Sea Battle, 'Shannon' engaging 'Chesapeake', 1st of June 1813" Oil on canvas signed lower left titled to the reverse on the stretcher bar ...

Iwan Albertovich Puni (Russian: Иван Альбертович Пуни; also known as Jean Pougny; April 3, 1890 – December 28, 1956) was a Russian avant-garde artist (Suprematism, Cubo-Futurism) wh...

Painting by Hermann Baisch (Dresden 1846-Karlsruhe 1894), “Farmers taking a Rest”, oil on canvas Hermann Baisch was a German painter and illustrator ...

Landscape with classical ruins. Oil on canvas. Attributed to Giner, Vicente (ca. 1636-1681). Reengineered (reentelado in spanish). Landscape with rocks and buildings in the background that presents, in the foreground, constructions with a marked classicist air, accompanied by two female sculptures on two pedestals. At the foot of this building, there is a group of people, dressed in the classic way (women, children and a soldier with a spear). Vicente Giner, canon and artist from Castellón, is documented working in Rome during the last quarter of the seventeenth century (until he died here in 1681), where he requested, together with others, from Carlos II...

Immerse yourself in the evocative artistry of this beautiful 1960s abstract figurative oil painting, signed in the lower right corner. This captivating piece embodies the spirit o...

A monumental pencil and acrylic painting on canvas by American artist Marc Ross, 2022. This minimal abstract painting features an impressive gradation of ochre and burnt orange hues ...

Sarah Leonard Krepp painting. Signed. Attached Resume... EDUCATION AND ACADEMIC EXPERIENCE Professor Emeritus and former Chair – Painting Program, School of Art and Design, University of Illinois at Urbana-Champaign Director, DIALOGUE CHICAGO, 2003-present Visiting Professor, Artist, School of the Art Institute of Chicago, Chicago, IL MFA – The School of the Art Institute of Chicago, Chicago, IL BS -- Skidmore College, Saratoga Springs, NY SELECTED SOLO AND TWO PERSON EXHIBITIONS “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Leedy-Voulkos Art Center, Kansas City, MO, (catalog essay by Jason Foumberg, curator Thoma Foundation, Chicago), 2021 “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Western Illinois University Gallery, Macomb, IL, 2021 “Tatting ↔︎ Tearing”, GSU Visual Arts Gallery, Governors State University, University Park, IL, 2020 “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Brauer Art Museum, Valparaiso, IN, 2019 “Sarah Krepp and Olivia Petrides: Line/Force/Burn Rubber!”, Phipps Center for the Arts, Hudson, WI, 2018 "Deconstructing the American Landscape" (with Joel Ross), Rockford Art Museum, Rockford, IL, (catalogue essay by Lisa Wainwright, School of the Art Institute of Chicago, Dean of Faculty), 2016 - 2017 "BLOW-OUT II" (with Garry Noland), University of Northern Iowa Museum, Cedar Falls, IA, (catalogue essay by Lynne Warren, MCA Curator), 2015 “BLOW-OUT”, Chicago Cultural Center, Chicago, IL, 2012-2013 “The Walking Drawings”, Roy Boyd Gallery, Chicago, IL, 2012 “Sarah Krepp”, Gallery 175, Chicago, IL, 2011 “Sarah Krepp”, Roy Boyd Gallery, Chicago IL, 2012, 2009, 2005, 2002, 1998, 1994, 1990, 1988, 1985, 1982, 1980 “Sarah Krepp,” Indiana University Northwest, Gary, IN, 2009 Gallery K, Washington, DC, 2003 Betty Moody Gallery, Houston, TX, 1999 Hellenic American Institute, Athens, Greece, 1999 Locus Gallery, St. Louis, MO, 1997 I Space Gallery, Chicago, IL, 1996 Krannert Art Museum, Champaign, IL. 1994 Marvin Seline Gallery, Houston, TX, 1991 Lucy Berman Gallery, Palo Alto, CA, 1989 NAB Gallery, Chicago, IL, 1988 B. Z. Wagman Gallery, St. Louis, MO, 1986 ARC Gallery, Chicago, IL, 1985 Roy Boyd Gallery, Santa Monica, CA, 1983 SELECTED GROUP EXHIBITIONS “A Sense of Gravity”, Sarah Krepp, Cleveland Dean, Jesse Howard, Hofheimer Gallery, Chicago, IL 2019 “Dubque Art Museum Biennial", Dubuque Art Museum, Dubuque, IA 2017 (first prize) "Translation - Collage and Assemblage", Illinois State Museum, Chicago, IL (traveling - 3 yrs) 2015 "WHERE THE POWER GOES", visual collaboration with the Seldoms Dance Company, Museum of Contemporary Art, Chicago, IL, 2014-15 “Sarah Krepp and Firat Erdim”, Olympia Center, Chicago, IL 2013 “Wall Relief”, Roy Boyd Gallery, Chicago, IL, 2013 “Some DIALOGUE”, Illinois State Museum, Chicago, IL, 2013 “Ways of Making: Painting,” Visual Arts Gallery, Governors State University, University Park IL, 2012 “Art Chicago”, International Art Exposition, Chicago, IL (annually 1983-2011) “ Gallery Artists”, Roy Boyd Gallery, Chicago, IL (annually since 1979) “Viewing Program,” Drawing Center, New York City, NY, 2009 “Prints & Drawings: Works on Paper,” Lubeznik Center for the Arts, Michigan City, IN, 2009 “Dialogue 4: Mentoring Vision,” Metcap Bank, Chicago, IL, 2008-09 “Art Works Chicago: A Progressive Corporate Exhibition of Chicago Artists,” Metcap Bank, Chicago, IL 2007 “Icy/I See” (2-person show), Los Manos...

PETRA VON KAZINYAN Fresh Ripe Fruit (af. CARAVAGGIO) Acrylic on Canvas // Unique, Signed Petra von Kazinyan's "ALTER IDEM" series (named after the famous Cicero quote „Amicus est ta...

Coastal view with Dutch sailing ship. Lacroix de Marseille School France, 1700. Oil on canvas 70 x 100 cm Typical view referable to the figure of Charles-Francois Grenier de la Cr...

A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...

17th century Mystical marriage of Saint Catherine Measures: Oil on canvas, 98 x 81 cm - with frame 119 x 102 cm The scene represents the mystical marriage between Catherine of A...

Robert Mars Chronicling a fascination with 1950s and 1960s iconography, Robert Mars has produced a body of artwork from his studio in Connecticut that celebrates the commonplace objects and icons of an America long past in a thoroughly modern, and exquisitely constructed, manner. His eye for a distinct facet of American history is impeccable, and his ability to manipulate both the color and wordplay of vintage printed material...

Italian School, 19th Century, 18th Century Ballroom Scene signed l.r. indistinctly, F. P....., oil on canvas, 30 by 52 in., overall in a gilt frame 34.5 by 57.5 Provenance: From the...

Frank Usher De Voll
American, 1873-1941

“Madison Square Tower and Park”

Oil on canvas

35...

Two accompanying street scene oil paintings of a European town. Appears to be France. Painted on canvas with original painted wood frames. Each measures 18" x 22.25" x 1.5"

Grand portrait of the legendary Myrrh intent on escaping from her bed once discovered by her father, painted by master Cesare Ghirardi in 1869. The painting is dated and signed on t...

18th Century Portrait of a Noblewoman in period attire, Oil on Canvas later mounted on board. Woman is dressed in richly detailed period attire and gazes confidently outward. A delic...

An alluring oil on canvas portrait depicting a beautiful young woman decorating her hair with a red lace. Made by Lajos Rezes Molnár (Hungarian 1896...

American School, painting likely done in the mid 20th century and set in a 19th century frame. This is a very well done nautical painting of a Union Clipper ship and naval ship sai...

Oil on canvas by Henri Hecht MAÏK (1922-1993) “Tiger and Clown with a Flower” sign and date lower right “MAÏK 66” Natural oak frame from the 60s. Canv...

A late 17th century Italian oil on canvas of a battle scene on a bridge by Francesco Graziani called Ciccio Napoletano (active in Naples late 17th/18th century). Measurements are ...

Untitled. Oil on canvas. Dimensions: Canvas 25 1/4 in. x 36 in., circa 1960s.

A very handsome late 19th century Dutch Oil On Canvas Painting by Ed. Jacobs housed in its ebonized frame depicting a marine scene with many sailing ships.

A beautiful large scale Italian 18th century oil on canvas painting in a giltwood frame. The painting depicts the lovely Italian countryside with charming personages dressed in class...

Clarence Hailey Newmarket (British born 1867-1949) famous for his painting of stallions and jockeys Portraits of a jockey and racehorse Newmarket, S...

Large Mid Century Modern Abstract Impressionist Oil on Canvas Painting Signed by Sharie Jones C1968 Measures - 40"H x 28"W x 1"D A captivating mid-century modern abstract impressio...

This exceptional Greeting Card was hand drawn by Gio Ponti for 'Natale' (Christmas) 1955. The card says, Giulia (his wife's name), Natale 1955, Auguri, Gio. An exceptional collector'...

Here we have a large antique 19th century oil painting of young girl in a black dress with buttons holding a horse crop sitting on a red cabriole leg chair in carved gilt wood frame...

Attributed To Joseph Highmore (1692-1789) 'Portrait of child - possibly Prince William Duke of Cumberland, son of King George II' Oil on canvas painted...

This Russian 19th Century oil on canvas transports us to a quaint snowy village in Russia. The scene unfolds outside a charming cottage, where a family has gathered after a successfu...

16th century, by Raffaello Sanzio (Urbino, 1483 - Rome, 1520) Madonna of the Carnations Measures: Oil on canvas 38 x 30 - with frame 59 x 52.5 cm The Madonna dei Garofani made b...

Painted icon depicting Notre Dame du Perpétuel Secours, oil on jute canvas, 1960s. Beautiful representation of the Madonna of Perpetual Help, taken from the Byzantine icon preserved ...

A very large antiqued reproduction oil painting after Antoine Watteau. Features an antiqued canvas. Frame: 75.5 cm (29.72 inches) x 66.5 cm (26.1...

Original work by Larry Locke, (American b. 1959) with frame. 62" x 62". From the artist " I was born in Gray County, in the Texas Panhandle. I spent my younger years working as a cow...

Add a refined sense of calm and texture to your space with this stunning Vintage Abstract Painting by renowned artist Scott Upton. Evoking the serene horizons of nature, the piece fe...

Gorgeous hand painted still life oil painting in the Georgian manner Very vivid and bright, will add light and energy to any room Comes in elegant gilt frame Offered in great shape r...

El Colgado, 2019 by Maria Jose Franco Maldonado From The Ventura Series. Embroidery thread on canvas Image size: 27 cm H x 17 cm W Frame size: 40 cm H x 30 cm W x 3 cm D Unique Bla...

This delicate still life captures a vibrant bouquet of pansies in full bloom, arranged informally in a simple glass vase. Rendered in oil on canvas, the composition celebrates the fr...

Signed Guido Coletti "Closed Windows" Plexiglas-Framed Mixed-Media Work, 1980s Transform your space with a daring mixed-media masterpiece by Friulian artist Guido Coletti. Crafted i...

Early 19th century oil on canvas from the British School depicting a jockey astride a galloping racehorse, set against a distant grandstand and open field. The scene is rendered with...

Charming Dutch Impressionist oil on canvas painting if cows grazing in a landscape. Image: 12.5 x 8”

Nice vintage amateur painting, portrait of a Congolese woman, probably acrylic on canvas, signed T. Kamurna at the bottom right, marked on the back and...

DIMENSIONS: Height: 16.25 inches Width: 13.5 inches Depth: 2.25 inches Frame width: 2.5 inches ABOUT MODEL Encarnación López Júlvez, known as La Argentinita (Buenos Aires, March 3, 1898 – New York, September 24, 1945) was a Spanish-Argentine flamenco dancer (bailaora), choreographer and singer. La Argentinita was considered the highest expression of this art form during that time. López Júlvez was the daughter of Spanish immigrants in Argentina, where her father had a fabric business. While living there, two of her siblings died in a scarlet fever epidemic. Consequently, she was brought to the north coast of Spain in 1901, where she began to learn Spanish regional dances. When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name "La Argentinita" in deference to the famous flamenco dancer Antonia Mercé (La Argentina). After travelling throughout Spain as a child prodigy, she settled in Madrid to perform at Teatro La Latina, Teatro de la Comedia, Teatro de La Princesa, Teatro Apolo and Teatro Príncipe Alfonso. Her success led her to tour in Barcelona, Portugal and Paris, and then Latin America. In the early 1920s, she returned to Spain, where she worked in Madrid. Among her early performances was the 1920 premiere of Federico García Lorca's musical play El maleficio de la mariposa as "the Butterfly". She announced her retirement in 1926, but would quickly return to the show business as part of the artistic renewal that led her to the Generation of ‘27, in which she combined flamenco, tango, bulerías and boleros. She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel. She helped in the development of Ballet Español. Adapting pieces to popular tradition, she toured Europe, triumphing in Paris and Berlin and participating in the artistic movements of that time along with Spanish poets such as Rafael Alberti, Federico García Lorca, Edgar Neville and Ignacio Sanchez Mejias. Sánchez Mejías, an intellectual and bullfighter, was a married man and her lover. La Argentinita retired a second time to maintain her clandestine relationship with him. However, she would return to the stage with the aid of Sánchez Mejías, who participated in the search and employment of interpreters for her subsequent performances. In 1931, López Júlvez and García Lorca recorded five gramophone slate records, which were accompanied by García Lorca's piano. The selection of songs was prepared, adapted and titled Colección de Canciones Populares Españolas by García Lorca. Among the ten songs were "Los cuatro muleros", "Zorongo gitano", "Anda Jaleo" and "En el Café de Chinitas". With the beginning of the Second Spanish Republic, López Júlvez formed her own ballet company called Bailes Españoles de la Argentinita together with her sister, Pilar López Júlvez, and García Lorca. López Júlvez staged several flamenco theatrical shows, including an adaption of Falla's El amor brujo (Love, the Magician) in 1933, and Las Calles de Cádiz (The Streets of Cadiz) in 1933 and 1940.[7] She travelled through Spain and Paris, where she was recognized as one of the most important flamenco artists of her time. Her company included the flamenco figures Juana la Macarrona, La Malena, Fernanda Antúnez, Rafael Ortega and Antonio de Triana, who was her first dancing partner until the 1940s. At the end of her tour around Spain, her lover Sánchez Mejías was gored to death in 1934 in the Manzanares bullring. She sought refuge in her work and moved to Buenos Aires to dance at the Teatro Colón; from there she embarked on a long American tour. In 1936 she achieved success in New York. Afterwards, she returned to Spain but was forced to flee the country shortly before the outbreak of the Spanish Civil War. She travelled through Morocco, France, the UK, the Netherlands, Belgium and the USA, where she remained in exile in New York. From then until her death in 1945, she developed her career and became one of the biggest stars of international dance, and even participated in movies. In 1943, she presented the flamenco troupe El Café de Chinitas at the Metropolitan Opera House in New York, with her own choreography, texts by García Lorca, scenery by Salvador Dalí and the orchestra directed by José Iturbi. In addition, she performed at the Washington DC Watergate complex with her sister. On May 28, 1945, she gave her last performance at the Metropolitan of the orchestral work El Capricho Español, composed in 1887 by Nikolai Rimsky-Korsakov and based on Spanish melodies. At the end of the event, she had to be admitted to a hospital, where she died on September 24 from a tumor in her abdomen. She did not want to have it operated on because she did not wish to abandon dancing. Her body was repatriated to Spain in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honors she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honor her merits in the field of culture. ABOUT ARTIST Emmanuel Fougerat (French, 1869 – 1958) was a renowned French painter, museum curator and art historian. A former student of the Regional School of Fine Arts in Rennes, Fougerat studied in the studio of Albert Maignan and that of Jean-Paul Laurens in Paris. He was appointed director of the Nantes School of Fine Arts and was also the founder and curator of the Museum of Fine Arts in the same city. Emmanuel Fougerat was named Chevalier of the Legion of Honor in 1912. In 1923, he was placed on temporary leave from the French State in order to carry out a mandate as director of fine arts education in the Province of Quebec, Canada; where he served as an art teacher and director of the École des beaux-arts de Montréal from 1923 to 1925. Emmanuel Fougerat’s paintings are in the following public collections: • Nantes Museum of Fine Arts, France. • Museum of Modern Art in Paris, France. • Rennes Town Hall: permanent decorations. • Museum of Fine Arts of Saint-Nazaire (destroyed in 1944), France • National Museum of Fine Arts of Quebec, Canada. Emmanuel Fougerat is also the author of works on several French painters, including Albert Besnard, Paul Baudry...

Modern abstract, oil on canvas painting; titled “Le Grand Bleu” by Michelle Hénault, a conceptual fine artist. Signed on front bottom right, also, signed...

"Kamut" by Bruno Chavanne (1957), 2012: Oil on canvas. Certificate of Authenticity provided by the gallery. Measures: 97 x 130 cm 38.2 x 51.2 inches ...

Bursting with raw, expressive energy, this vintage mixed-media painting is a captivating example of abstract expressionism. The artist creates a powerful dialogue between chaos and c...

An atmospheric English oil on canvas painting from the 19th century, depicting a black-and-tan hunting dog frozen in a moment of stillness, poised and alert as it discovers a pheasan...