Canvas Wall Decorations

Mid-Century Italian Oil Painting An Italian oil on canvas, mid-20th century, depicting a rural coastal scene rendered in vivid, expressive colour. In the foreground, a farmer sits ...

A celestial giant watching over, surrounded by symbols of orbit and time. Lunar King is a surreal celestial portrait. A central figure — part eye, part starburst, part crowned silh...

Lovely 19th Century Painting by Italian Artist Alessandro Sani (1856-1927). Lovely Painting by Alessandro Sani from 19th Century. Similar one sold in...

Five original separate panels by Houston artist Allan Rodewald, signed. Panels are not attached, but are meant to be displayed together, as shown in pho...

19th century José Mirailles Darmanin (1850-1900) Spanish school the gentleman (and his servant) takes the meal. Genre scene.

Bright colorful oil on canvas painting by Juan Carlos Lasser. Selvatico II (wild, rough, jungle, primative). Lasser studied at the Mutualidad de Estudiantes y Egresados de Bellas Artes (MEEBA). Since 1973, the painter of abstract, colorfully expressive paintings has exhibited his works in solo and group exhibitions in his native Argentina as well as in Singapore, Korea, Cuba, Uruguay, Germany, Belgium, Bulgaria and the USA. The exhibition venues included the "Galería Atica", the "Fundación Banco Patricios", the "Galería de Arte Tema" and the "Galería Van Eyck" in Buenos Aires, the "Art Gallery" in Washington DC and the "Sicardi-Sanders Gallery" in Houston, Texas. In the course of his life, he received various awards for his artistic work. He was awarded the Grand Prize of Honour of the LXXXI Salón Nacional de Artes Plásticas. In 1990 he also received the First Prize for Painting from the Salón Municipal de Artes Plásticas Manuel Belgrano. Two years later he was honored with the first prize of the Salón Nacional of Rosario. He also received the Premio Benito Quinquela Martín...

Midcentury abstract expressionist oil painting signed lower right M. Q. Rothwell. This is absolutely gorgeous, original oil, vintage work of art on canvas by Michael Quincy Rothwell....

This beautiful original oil painting captures a serene winter landscape, executed with the soft, ethereal brushwork characteristic of Impressionism. Dated and signed 1983, the scene ...

Offered this old Dutch painting with Texel sheep grazing on the heath. This oil painting is a beautiful scene of a heathland landscape at the begi...

Antique Framed Oil Painting on Canvas by Jan Deckers (1865-1942) is a stunningly realistic depiction of a basket of fresh-picked flowers that seems to have escaped the grasp of the gardener. The leaves and flower petals were depicted at the canted angle for visual interest, held in a much-used wicker basket...

A 19th century watercolour of ruins on the Appian Way. Attributed on the reverse to Samuel Prout (British, 1783-1852) and dated ’34, this painting is of the scattered ruins along th...

Painting, oil on canvas, depicting a still life on the theme of hunting pheasants and pheasant chickens. Signed lower right "C. MALAPEAU" and dated 1847. This painting is in good con...

A large and beautiful vintage oil painting by Roger San Miguel (Philippines, Born 1941). This is beautifully executed, it depicts a woman crouched ov...

Gerson Leiber "Finally, A Hard Won Victory" Oil and Graphite on Linen, 2015 Born in Brooklyn in 1921, Gerson showed promise in his high school art classes. Later, while stationed ...

Very beautiful large canvas attributed to Théodore Levigne (1848-1912), gallant scene in Louis XV style. Large oil on canvas. Romantic scene. Very beautiful gesture by the painter. U...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

Cubist Still Life with Violin Gilberte Schmitt (1907–2001) Still Life with Violin This work presents a Cubist-structured still life featuring the motif of a violin, constructed from...

Vintage Eleonore Guinther nautical maritime oil painting on canvas featuring fishing boats / sailboats docked in the harbor. Signed lower left. Gold frame, Includes picture light. ...

An aboriginal contemporary painting by Australian artist Ningie Nangala (born 1938-). The colorful canvas depicts the artist's ancestral country called...

1970s painting in acrylic on canvas, in gradation of color of geometric patterns.

J. Eklund, 1952 Oil on canvas The work is dated and signed by the artist Dimensions 46/55 Unframed work Work in original vintage condition. The colors of the products shown in the ...

Roald Ditmer, Abstract Composition Oil on canvas Work signed by the artist Work dimensions 31/31 Framed work Roald Ditmer was born in 1959. He is a Danish artist who specializes in ...

Traditional framed oil on canvas depicting a landscape with a flowing blue river and rich flora all around, and also illustrating small houses next to the lake. Signed by Joseph Geor...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

A vintage boho portrait of a man rendered in oil pastel on canvas would likely combine elements of both the bohemian aesthetic and classical portraiture with the unique, expressive q...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning very large John Collier 1850-1934 oil painting portrait of William Regester Esq Chair of Middl...

Vertical portrait painting of a man by American artist Genie Brock. (Oklahoma, circa early 20th century) The subject is of an older gentleman with a gray head of hair and beard. He s...

Abstract Oil Painting, Mid-20th Century, Framed A striking Mid-20th century abstract oil painting presented in a stylish decorative frame. Executed in a sophisticated palette of sof...

An excellent full colour multi-layered original production cel of an animated character from the film 'Cool World'. Authenticated by Paramount and dated 1992. Original production cels are one-of-a-kind pieces of art that were used in the creation of an animated film or television show. Each has been hand painted by studio artists on a piece of celluloid acetate, and has been photographed over a background painting to create a frame of the finished production. Additional information Framed Height: 46 cm Framed Width: 54 cm Condition: Excellent Original Condition Dated: 1992 Materials: Sericel SKU: 245 About Paramount Pictures...

17th century Roman school, Santa Cecilia with angels in concert, oil painting on canvas The valuable painting, in excellent condition, depicts Sa...

Unknown artist and unsigned, this wonderful vintage oil on canvas in rectangle long form displays beautiful colorful characters in an abstract figural manner. Simple vintage and orig...

Rococo oil painting signed Bruno Blätter around 1890 Oil on canvas painting. Rococo scene. Three gentlemen seated at the table, playing cards a...

Oil painting of the Crusifiction by Listed Artist-Theo in chrome frame.

Painted by the accomplished French academic artist Emile Godchaux (1860–1938), this evocative oil on canvas captures a serene mountain river scene with remarkable detail and atmosphe...

The artist portrayed an upper-class lady who has some facial features of Reynolds' Mrs Andrews. More specifically, the long, straight nose and the large eyes. Her head resting on her...

This is a nice depiction of drip painting by Kimberly Gonzalez. She does it in an abstract way thus creating textures and fluidity in this painting. It's an acrylic on canvas work an...

- An amazing Baroque Period painting named "La Fille Grondé'' (Disobedient daughter) by the renowned painter Paul Emile Destouches (1794-1874). It depicts a family scene with the be...

Beautifully executed large-scale still life painting with overflowing fruit, flowers and a parrot. Oil on canvas, in carved, painted and gilt period frame. Signed in lower right corn...

Oil painting on canvas with a costumbrist scene framed in Bamboo.

19th C. French landscape with swan, naïve impressionist oil-on-canvas landscape painting, signed indistinctly in the lower right corner. Dimensions: Frame H 23.5" x W 27.5". Canvas ...

This is a Geometric Abstract artwork, executed by artist Robert Moore in 1982. The background presents as a lithograph print would, but the piece has several colorful, textured pops ...

A beautiful, large, and colorful still life featuring lilacs; an XL-format floral painting signed "Vandewalle" at the bottom. Belgian origin, second half of the 20th century. A char...

Leonardo Roda (Racconigi, 1868 – Turin, 1933) View of Mount Breithorn Oil on canvas, 117 x 156 cm With frame, 127 x 166 cm Signed in the lower right corner: “L. "RODA" The pain...

Oil on canvas by Bernard Vincent depicting a bouquet of flowers in a vase. Dimensions without frame: 46.5x55cm Bernard Vincent is a French artist born in 1942 and a member of the So...

G. Cole - Framed 19th Century Oil - "Sailing Under Moonlight" The full moon emerges from behind the clouds, casting luminous light across the water's placid surface. Several sailing ...

This monumental diptych offers a profound exploration of Color Field abstraction, commanding any interior with its ethereal presence and impressive scale. Comprising two expansive ca...

Don Bloom (b. 1932-2016) large oil painting, dated 1957. In 1960 he was awarded the Guggenheim fellowship for creative painting, the same year his work was i...

Temptations of San Antonio Abad. Oil on canvas. 17th century, following the model of David Teniers II (Antwerp, 1610-Brussels, 1690). Oil on canvas showing a figurative scene located inside a cave. To the right, you can see a cross standing, supported; to the left, a hut; and in the center of the painting appears an elderly, bearded man, leaning on a table on which there is a ceramic jug and a skull, with an open book at the foot of it. The man looks towards a woman, who points to something outside, and appears accompanied by a large frog and a series of ghostly beings or monsters dressed in brightly colored cloth and clothing. San Antonio Abad or Antonio Magno (251-356) was a Christian monk, considered the founder of the eremitical movement. He was tempted numerous times by the devil while he was in the desert, becoming a subject frequently represented in art (as can be seen in this oil painting). He is represented in a black habit because the Order of the Knights of the Hospital of San Antonio (Hospitals) was placed under his patronage, being the color of the habits of the members of this order (the tau or Egyptian cross was also the symbol chosen by they). David Teniers II or El Joven was a prominent Flemish painter and engraver, son of David Teniers El Viejo or I and father of David Teniers III, much appreciated at the time for his scenes of villagers and common people, his paintings of monkey painters, etc. . He dealt with the theme of the Temptations of Saint Anthony...

Signed by artist Yvette Dreanne. Oil on Canvas with a beautiful patina on a silver frame. Wear consistent with age. About the Artist Yvette Dreanne (1916–2000) was a distinguished F...

Pair of whimsical surrealist oil on panel paintings in shadow boxes. Signed.

Monumental Harley Francis abstract male nudes oil painting on canvas Offered for sale is a monumental abstract oil painting by Harley Frances ( 1940...

Impressionist large Provincetown Massachusetts - A sunny and prideful morning walk in Provincetown. Birds soaring over the hill, with sail boats drifting in the wind below. Centering...

A charming portrait of a King Charles Spaniel.... beautifully and lovingly executed.

A large and striking aboriginal painting by celebrated Australian artist Yannima Tommy Watson (1935s-2017; Pitjantjatjara people from Australia's central western desert). Stretched and ready to display (no frame). Medium: Acrylic on canvas Year of Creation: 2013 Title: Wati Kutjara An important aboriginal dreamtime story from the Western Australia (the song line is also known as Two Men Dreaming), the narrative is about two young lizard-men travelling all over the Western Desert. They covered a vast landscape from Kimberley in the north to Southern Australia. The two brothers often took the form of wind and left songs in their epic journey to enlighten the people they encountered with rituals and knowledge. As magical ancestral beings, they destroyed evil spirits and created sacred objects across all over the Western Dessert. Provenance: Agathon Galleries, Melbourne 2013 Art Yarramunua, Melbourne (accompanied by a certificate of authenticity) Private Collection, Melbourne 2017 About the artist (courtesy of Kate Owen and Japingka Gallery) Yannima Tommy Watson was a celebrated Pitjantjatara artist, born around 1935 in the desert west of Irrunytju in Western Australia. Tommy was a Law man of Karima skin group, and his traditional names were Yannima and Pikarli relate to specific sites near his birthplace at Anumarapiti, west of Irrunytju. As a young man Tommy learned the bush skills of hunting and gathering, living off the land. In these years his physical and spiritual knowledge of the land was deeply embedded in his life. Tommy Watson first met white people at Ernabella Mission in the 1940s. He then spent decades working as a stockman and laborer on cattle stations. Not until 2001 when he was in his mid 60s, did Tommy Watson pick up a paint brush and painted his first picture at Irrunytju art center established by a small group of artists. Watson's work became quickly recognized for his powerful use of colors and his mesmerizing creation of energetic movement. He exhibited in Alice Springs at Desert Mob and as a finalist at the Telstra NATSIAA Art Awards in Darwin. With his work becoming highly collectable, Tommy soon entered into an exclusive representation agreement with Jon Ioannou of Agathon Gallery. This arrangement marked the start of a second phase of Tommy's career and saw the creation of a large body of outstanding artworks which were to further propel Tommy into the upper echelons of Australian indigenous artists. This painting was created toward the end of that phase. In 2005, Tommy was commissioned, along with Ningura Napurrula, Lena Nyadbi, Michael Riley, Judy Watson, John Mawurndjul, Paddy Bedford...

Pioneer of American Color Field painting, John Adams Griefen (1942-2025) focused on color and its interplay with surface texture. With its swirling vortices of greens and golds and a...

Ancient Religious Painting From The 17th Century 17TH CENTURY RELIGIOUS PAINTING. SANTA CATARINA. LATIN WRITING. MEASUREMENTS: 116X80CM

This evocative original portrait offers a soulful and enigmatic study of the feminine form, capturing a sense of quiet introspection. The artist utilizes a dramatic play of light and...

An original portrait of an elegant lady, wearing a little black dress (LBD) and a sheer shawl. The woman is wearing a sparkling diamond ring and black shoes with criss cross detailin...

DIMENSIONS: Height: 16.25 inches Width: 13.5 inches Depth: 2.25 inches Frame width: 2.5 inches ABOUT MODEL Encarnación López Júlvez, known as La Argentinita (Buenos Aires, March 3, 1898 – New York, September 24, 1945) was a Spanish-Argentine flamenco dancer (bailaora), choreographer and singer. La Argentinita was considered the highest expression of this art form during that time. López Júlvez was the daughter of Spanish immigrants in Argentina, where her father had a fabric business. While living there, two of her siblings died in a scarlet fever epidemic. Consequently, she was brought to the north coast of Spain in 1901, where she began to learn Spanish regional dances. When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name "La Argentinita" in deference to the famous flamenco dancer Antonia Mercé (La Argentina). After travelling throughout Spain as a child prodigy, she settled in Madrid to perform at Teatro La Latina, Teatro de la Comedia, Teatro de La Princesa, Teatro Apolo and Teatro Príncipe Alfonso. Her success led her to tour in Barcelona, Portugal and Paris, and then Latin America. In the early 1920s, she returned to Spain, where she worked in Madrid. Among her early performances was the 1920 premiere of Federico García Lorca's musical play El maleficio de la mariposa as "the Butterfly". She announced her retirement in 1926, but would quickly return to the show business as part of the artistic renewal that led her to the Generation of ‘27, in which she combined flamenco, tango, bulerías and boleros. She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel. She helped in the development of Ballet Español. Adapting pieces to popular tradition, she toured Europe, triumphing in Paris and Berlin and participating in the artistic movements of that time along with Spanish poets such as Rafael Alberti, Federico García Lorca, Edgar Neville and Ignacio Sanchez Mejias. Sánchez Mejías, an intellectual and bullfighter, was a married man and her lover. La Argentinita retired a second time to maintain her clandestine relationship with him. However, she would return to the stage with the aid of Sánchez Mejías, who participated in the search and employment of interpreters for her subsequent performances. In 1931, López Júlvez and García Lorca recorded five gramophone slate records, which were accompanied by García Lorca's piano. The selection of songs was prepared, adapted and titled Colección de Canciones Populares Españolas by García Lorca. Among the ten songs were "Los cuatro muleros", "Zorongo gitano", "Anda Jaleo" and "En el Café de Chinitas". With the beginning of the Second Spanish Republic, López Júlvez formed her own ballet company called Bailes Españoles de la Argentinita together with her sister, Pilar López Júlvez, and García Lorca. López Júlvez staged several flamenco theatrical shows, including an adaption of Falla's El amor brujo (Love, the Magician) in 1933, and Las Calles de Cádiz (The Streets of Cadiz) in 1933 and 1940.[7] She travelled through Spain and Paris, where she was recognized as one of the most important flamenco artists of her time. Her company included the flamenco figures Juana la Macarrona, La Malena, Fernanda Antúnez, Rafael Ortega and Antonio de Triana, who was her first dancing partner until the 1940s. At the end of her tour around Spain, her lover Sánchez Mejías was gored to death in 1934 in the Manzanares bullring. She sought refuge in her work and moved to Buenos Aires to dance at the Teatro Colón; from there she embarked on a long American tour. In 1936 she achieved success in New York. Afterwards, she returned to Spain but was forced to flee the country shortly before the outbreak of the Spanish Civil War. She travelled through Morocco, France, the UK, the Netherlands, Belgium and the USA, where she remained in exile in New York. From then until her death in 1945, she developed her career and became one of the biggest stars of international dance, and even participated in movies. In 1943, she presented the flamenco troupe El Café de Chinitas at the Metropolitan Opera House in New York, with her own choreography, texts by García Lorca, scenery by Salvador Dalí and the orchestra directed by José Iturbi. In addition, she performed at the Washington DC Watergate complex with her sister. On May 28, 1945, she gave her last performance at the Metropolitan of the orchestral work El Capricho Español, composed in 1887 by Nikolai Rimsky-Korsakov and based on Spanish melodies. At the end of the event, she had to be admitted to a hospital, where she died on September 24 from a tumor in her abdomen. She did not want to have it operated on because she did not wish to abandon dancing. Her body was repatriated to Spain in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honors she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honor her merits in the field of culture. ABOUT ARTIST Emmanuel Fougerat (French, 1869 – 1958) was a renowned French painter, museum curator and art historian. A former student of the Regional School of Fine Arts in Rennes, Fougerat studied in the studio of Albert Maignan and that of Jean-Paul Laurens in Paris. He was appointed director of the Nantes School of Fine Arts and was also the founder and curator of the Museum of Fine Arts in the same city. Emmanuel Fougerat was named Chevalier of the Legion of Honor in 1912. In 1923, he was placed on temporary leave from the French State in order to carry out a mandate as director of fine arts education in the Province of Quebec, Canada; where he served as an art teacher and director of the École des beaux-arts de Montréal from 1923 to 1925. Emmanuel Fougerat’s paintings are in the following public collections: • Nantes Museum of Fine Arts, France. • Museum of Modern Art in Paris, France. • Rennes Town Hall: permanent decorations. • Museum of Fine Arts of Saint-Nazaire (destroyed in 1944), France • National Museum of Fine Arts of Quebec, Canada. Emmanuel Fougerat is also the author of works on several French painters, including Albert Besnard, Paul Baudry...

Impressive large-scale Mexican cinematic poster, hand-painted in oil and acrylic on canvas (loneta), created for the cult classic Santo vs. the Vampire Women (1962), starring Santo e...