Wool Wall Decorations

Outstanding hand printed on wool wall tapestry.    

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

An 18th century Brussels mythological hunting tapestry, size 9' H x 8' W, depicting the Roman goddess of the hunt, Diana, reposing in a forest setting with her attendants, with one h...

Located a stone's throw from the Eiffel Tower in Paris, we are a French family business specializing in the purchase, sale, expertise, cleaning, restoration and conservation of tapes...

Nice french Aubusson style tapestry with beautiful design of nature and town, and nice colors, woven by mechanical Jaquar manufacturing with wool and cotton. ✨✨✨ "Experience the epi...

"Experience the timeless elegance of this exquisite French Jacquard weaving, in rolls of long meters, of excellent quality, with floral designs in red, pink, green, blue and yellow, ...

Beautiful mid century European (probably french) needlepoint tapestry or rug, with a design of antique French savonnerie rugs in the style of Louis XVI (the 16th) and beautiful color...

79011 Vintage Swedish Scandinavian Rya Rug Runner, 01'07 x 03'07. This charming vintage Swedish rya rug runner is a testament to the Scandinavian design ethos of marrying functionali...

Designed by Marc Saint Saens (1903-1973), Aubusson and hand woven by Rene Baudonnet. original wool tapestry "Le Reveille Matin" ('The Alarm Clock'). Saint Saens was known as an influ...

73692 Charles le Brun Gobelins Inspired Château Neuf Saint-Germain Tapestry with Louis XIV Style, Wall Hanging 06'00 x 07'03. This hand-woven wool Louis X...

Modern wall Tapestry Designed by Guido Maggiori (b. 1944) Bold, Colorful Abstract Composition Entitled "Rouge, Vert, Jaune, Noir & Bleu". (Red, Green, Y...

One of a kind vintage Bessarabian Kilim. Measures: 5.7 x 9.4 ft. A handwoven Eastern European Rug from Moldova. These traditional Moldovan flat-weaves are inspired from vintage Aubus...

An English William Morris verdure tapestry from the turn of the 20th century, featuring several peacocks within a verdant setting of large leaves and floral sprays. Enclosed within a...

3-398 Handwoven tapestry set in a giltwood frame.

984 - This Jacquard tapestry "touch" is from the Lady with the Unicorn series. On this hanging, the sense of touch is highlighted. Framed by the lion and the unicorn...

A fine and large Flemish 17th-18th century Baroque figural historical tapestry fragment. The large tapestry depicting an allegorical Royal family scene of a warrior meeting his new b...

Square scatter size Persian Kilim from the 20th century with 2 cats going on a shopping adventure together on a beige field. This was originally belonging to a private Persian collec...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

This magnificent wall hanging tapestry, measuring 204 × 141 cm (6' 8" × 4' 7"), is a breathtaking representation of classical elegance and artistic mastery. The scene captures a roma...

Nice vintage Kilim with beautiful geometrical design and nice colors, entirely hand woven with wool on cotton foundation.

This wall hanging is a one of a kind heirloom piece. Taking inspiration from brutalism, mid-century abstraction, and Joseph Albers studies on the interaction of color. The entire pr...

Fountain and Architecture This narrow silk and wool tapestry fragment dates to the 1600s and is from Brussels. It is depicting a statue of the Greek God, Hermes (Mercury to the Ro...

Pretty french mid century Aubusson style Jaquar tapestry with nice design of castle and nature with birds, and beautiful colors, entirely woven with wool.

Aubusson tapestry - Berger Mouton - XIX E. century mille fleures gothic. Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you wo...

A stone's throw from the Eiffel Tower We are a family business specializing in the purchase, sale and expertise of old, modern and contemporary tapestries, rugs, kilims and textiles....

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

A stone's throw from the Eiffel Tower We are a family business specializing in the purchase, sale and expertise of old, modern and contemporary tapestries, rugs, kilims and textiles....

A distinctive piece of vintage Mid-Century Modern handwoven tapestry wall art, crafted in the mid-1900s, this textile work combines abstract form with symbolic design. The tapestry features a bold interpretation of a shield and arrows motif, rendered in earth tone hues of ivory and brown, evoking a sense of strength, balance, and organic simplicity. Expertly woven with a focus on both texture and composition, this piece reflects the aesthetic principles of mid-century modern design—minimalist, yet deeply expressive. The neutral palette offers versatility, making it an ideal focal point for a variety of interior styles, from modern rustic to Scandinavian-inspired and bohemian spaces. A timeless example of mid-20th-century textile art, this tapestry is perfect for interior designers, art collectors, or anyone seeking a unique and meaningful piece of vintage wall decor. Dimensions: 30” x 44” x .25” Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Scandinavia Material: wool, cotton Condition: Excellent The Persian Knot Gallery, SKU: 2205 Mid-Century Modern tapestry, vintage wall art, handwoven tapestry, abstract textile art, mid-century textile, colorful wall tapestry, retro wall hanging, vintage woven art, mid-century home decor, vintage abstract art, 1950s tapestry, 1960s wall art, woven wall decor, collectible textile art, handmade vintage tapestry, red yellow pink brown tapestry, modernist wall art, mid century design tapestry, Vintage Tapestry Wall Art, Vintage Woven Wall Art, Scandinavian Wall Art, Modern Wall Art, Fabric Wall Art, Handwoven Textiles, Loom Art, Textile Art on the Wall, Modernist Tapestry, Mid Century Wall Tapestry...

A vibrant, late 20th century, woven wool rug with design after a Sam Francis (American, 1923-1994) painting.

A stone's throw from the Eiffel Tower We are a family business specializing in the purchase, sale and expertise of old, modern and contemporary tapestries, rugs, kilims and textiles....

A deux pas de la Tour Eiffel Nous sommes une entreprise familiale spécialisée dans l'achat, la vente et la location de voitures. expertise en tapisseries, tapis, kilims et textiles a...

A stunning mid-century French tapestry featuring a captivating battle scene. At the bottom of the tapestry, you'll find an inscription that reads 'Defeat of the Spanish army near the...

3783 hand woven tapestry of a mythical flute player set in a gilt metal frame.

An antique 18th century Flemish mythological tapestry, size 11'0 H x 12'6 W. This period European tapestry depicts the Greek God Apollo, who is the deity of the arts, poetry, crops, ...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

17th century French grotesque tapestry An antique French Beauvais tapestry from the 17th century, depicting a Grotesque scene with an Elephant and ...

78235 Late 19th Century Antique French Aubusson Tapestry, 04'10 x 06'01. Woven in the twilight decades of the 19th century, this antique French Aubusson tapestry is a romantic echo o...

Tapestry Aubusson Harbor and birds.

- Handspun and handwoven wool, henna dye, oil paint, big size - 2022 - Unique piece - Framing by Laetitia Verchere - Edition of 10. Dimensions: 11.8 x 11.8 in // 30 x 30 cm.

An antique 18th century Flemish mythological tapestry, size 11'0 H x 12'6 W. This period European tapestry depicts the Greek God Apollo, who is the deity of the arts, poetry, crops, ...

A fine Louis XIV verdure tapestry, Aubusson woven with a wooded river landscape with view of neighboring chateaux, in good four-side floral border. Measure: cm 200 x 300. France, sec...

Exquisite late 19th-century French needlepoint tapestry originally from a chair cover but can be also use for cushions, or frames. Adorned with a captivating floral design from the N...

Scandinavian woven Folk Art wedding wall decoration tapestry, 1760 Dated 1760 and monogrammed OHW/HPS. The tapestry is decorated mostly in red and yellow colors, with flowers and...

Very pretty Tapestry 19th century Aubusson chinoiserie style with very pretty and freche colors ref. 1100.

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Artist: Jean Picart Le Doux Period: 20th century Style: Modern art Condition: Perfect condition Material: Wool Width: 160cm Height: 120cm Depth: 0.5cm A stone's throw from the Eiffe...

This rug is a one of a kind heirloom piece. Inspired by movement, the asymmetrical design is meant to interact with the flow of any space. Andrew Boos seeks to redefine what a ru...

Unique hand sewn and crafted 1960s Afghan waistcoat. This waistcoat is one of a kind and made with great skill and attention to detail. The colors a...

Introducing the magnificent "Along the River" French tapestry designed by British artist Harris Rightway. This captivating piece depicts women drawing water from the river and engage...

Mid-century Hand Woven Hanging Wall Tapestry Depicting European Coastal Fish Market Scene, Featuring Merchant Ship Unloading and Selling its Daily Catch, Colors Having Faded Look to ...

Hand knotted in high-quality wool originating from France between 1870-1880, this antique French tapestry highlights a number of distinguished Aubusson and neoclassical elements in i...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Beautiful 1960's Wall Tapestry with stylized Peacock motif. Nice example of a Mid Century wall decoration / rug. Yellow, ochre, rust & brown colourways. Measurements: Height: 56 cm ...

Exquisite late 19th-century Chinese rug featuring a stunning Chinese design, adorned with a captivating blue field color. Meticulously hand-knotted with wool velvet on a cotton found...

Very beautiful 20th century french tapestry with a museum medieval design and beautiful colors with blue field, mechanical Jaquar manufact...

Nice modern Art Deco needlepoint French tapestry, with a beautiful cock and sun design. And beautiful colors with orange, yellow, purple, grey and black, entirely hand embroidered wi...

Stunningly vivid late 17th early 18th century Aubusson tapestry. Strong Verdure themes with a scene depicting Bathsheba and David in the centre. An unusually large amount of silk was...