Hudson

Nice fine weave with pretty knot details. Base is a square, ending in a circle at top. Made of smoked and polished bamboo. 3 1/2" inside diameter.

A collection of Annie Leibovitz's most classic photographs. The photographs made up her first museum show, which "took place in 1991 at the National Portrait Gallery in Washington, D...

Danish Jens Risom attributed Mid-Century Modern armchairs with new wool felt upholstery, circa 1960s . Button tufted. Tapered legs with minor loses and fading to wood. Good original ...

On later stands, each fitted with a pair of cabinet doors opening to shelves. Loose translation of the calligraphy across the four doors reads: "Going tens of miles in Jiangnan in ...

Jens Quistgaard Odin for Dansk Silverware, 40 pieces creating service for 8. This service was manufactured in three different countries, Germany, Kore...

A set of 18 pieces of dinnerware by American Atelier at home in the Blue Jardiniere pattern. Features a three-dimensional gold scroll and ...

image size: 8 x 10 inches Young Nude Man in Bed Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom left...

This finely crafted console is Austrian, circa 1830-1840. Designed as a flat mahogany surface richly inlaid in holly, fruitwood, and ebony the piece is further worked by careful sand...

image size: 8 x 10 inches Standing Young Nude Man Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom left corner. ed. 1/6 This is one i...

Kano style painting in mineral pigments on silk with a silk brocade border.

with applied gold and silver roof, light color and pigment on paper with gold flake and red frame.

Set of 6 freshly upholstered dining chairs model 5296 and 5297 designed by Edward Wormley for Dunbar Furniture Company. Stunning curved back design with sculpted back legs that are s...

This three-seat sofa or settee is made of hand-carved wood with many fine details and retains its original painted finish. Done in the Louis XV style and made in France with the time...

Beautiful all-over patina and hand carvings on the apron.

Japanese six-panel screen: Mother and her kittens under flowering cherry tree. Kano School painting, mineral pigments on gold, with beautiful early bronze mounts.

A beautiful Peter Keil original painting. Keil's signature style is shown in these Picasso inspired portraits. These portraits are characteristic of Keil's work in the 1980s when the...

Vintage Mid-Century Modern set of 4 Italian corded jute dining chairs with ladder back. Elegant design and a beautiful minimalist style. Seat on all chairs in very good condition, on...

Oval serving platter in the Claire pattern by Wedgwood for Ralph Lauren Home. Signed. Made in England, circa 1990. Details: *White china with an embossed design of ribbons com...

With nandin, narcissus and chrysanthemums. Signature and seal read: Koun. Mineral pigments on mulberry paper with a silk brocade border.

This is a clay over wood sculpture titled 'Cross Scape' by Greek artist Celeste Polycroniadi (1904-1985). Polycroniadi was born in Athens in 1904 and moved to Paris in 1930 to study...

India Sachi is a contemporary, female painter and photographer who's mythologically inspired works explore concepts of power, vulnerability, and folklore. With work evocative of Raus...

Louis Philippe center hall table.

Robsjohn-Gibbings for Widdicomb headboard for full size bed. Newly restored in an expresso finish. Matching mirror also available.

Antique veined alabaster pendant light fixture with period bronze fittings and custom silk wrapped stem. Wired for USA; takes 2 standard bulbs, 40 watts max each. UL certification ...

A signature hourglass shaped brass table lamp designed by Angelo Lelii for Arredoluce Monza. Made in Italy, circa 1960. Signed with sticker to underside of base. Takes a standard ...

The wood and upholstered Martine bed, shown here, is from the foley&cox HOME Collection. Drawing inspiration from a 1940s market find in France, the bed features a curved headboard and footboard...

Originally fusuma doors, three deer stand in a clearing in a pine forest with gold leaf mist. Mid Edo period painting in mineral pigments on gold leaf wi...

Japanese Wakasa lacquer table with coral quince design. Signature not readable.

Each fitted with two drawers with beautifully patinated bronze handles, and cracked ice design on base. Property from a Hillsdale, NY collector.

The dramatic round mirror, shown here, features oyster shells arranged as petals of a 45-inch flower. The shells are intricately arranged in graduating s...

Ottoman recently reupholstered with tiger stripe fabric and feather down cushion in 2015.

Landscape watercolor by Allen Tucker of an oak tree. This piece, along with several others, was gifted to Una Brage, a friend of the artist in the 1930s. More about this artist: Allen Tucker, was an architect and painter so influenced by Vincent Van Gogh that he was called "Vincent in America". (Gerdts 291) Robert Henri and Maurice Prendergast were also credited as having an influence on Tucker's brushwork and compositions, the latter decisively. However, as his painting evolved, he did not fit into any tidy slot for description and was known as an individualist not easily categorized in American art history. Tucker was born in Brooklyn in 1866 and graduated from the School of Mines of Columbia University with a degree in architecture and took a job as an architectural draftsman in the architectural firm of McIvaine and Tucker, his fathers business. During that time, he studied painting at the Art Students League with Impressionist John H. Twachtman, but it was not until around 1904, when he was 38, that Tucker became a full-time painter, leaving architecture behind. Many of his early canvases were classically Impressionistic with poplar trees resembling those of Van Gogh and haystacks and corn shocks...

A classical French chair from the early 19th century. The form is good and the wood selection is detailed and in great shape. The closed arm style makes the...

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted Tiffany Blue background, black abstract portrait. Here you ...

Made in Vermont circa 1820 this fine old country drop leaf table retains if not its original surface a very old one. Constructed by a craftsmen using pegs and hand plained local tige...

Japanese two panel screen: Moon rising through bamboo on silver leaf, Meiji period painting (1868 - 1912) of the moon rising on the horizon with a garden stone in the foreground. Lic...

Stunning black leather Nicos Zogrophos club chairs. Priced per chair. 4 chaiors available. Nicos Zographos made his name during his time at the renown architecture firm Skidmore, Ow...

A 24 (twenty-four) piece set of dinnerware by Lauren/Ralph Lauren in the Reed Natural pattern. Features a tan wicker patterned border on white complemented by brown trim. Includes ...

This pair of manuscript pages are 18th century and are done it water colour and gauche. The images are of people in landscapes and the colors are still...

Pair of refinished 1940's mahogany round side tabloes/gueridons with a satin finish. Stunning geometric starburst wood pattern to the tops, with a decorative gold beading along the e...

Pair of Paul Frankl black cerused Mid-Century modern end tables with stepped motif and smoke glass top.

Cherry blossoms and maples among ragged pines. Mineral pigments on mulberry paper with gold mist clouds. Completely remounted utilizing an antique silk brocade...

English George I style chest on chest.

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1950 University of Illinois at Urbana "Contemporary American Painting" 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 36" x 2". About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

This very nice old papier-mache tray produced approx 1885 comes from England while the stand is a modern addition creating a useful and attractive small coffee table. The base is mad...

A set of 6 (six) pieces in the Wedgwood Wild Oats dinnerware pattern. Includes the following 6 (six) pieces: 2 Dinner plates, 10.25 inches W 2 Salad plates, 8 inches W 2 ...

Reupholstered in 2015 with Clarence House fabric "Imperial Household".

This vintage single mahogany plant stand was made circa 1920 by the Kaplan Furniture Company for the Beach Hill collect which is fully labeled and numbered. This company was founded ...

Carved from a single block a rare banded onyx this large sculpted egg rests on an electrified pedestal that creates internal light for the egg making it a ...

These beautiful pots are used for cooking and serving food. Temples and families commission them for special occasions. The handles have beautiful ornamentation. Rods are inserted th...

Furosaki (tea ceremony screen) Mineral pigments on mulberry paper with oxblood lacquer trim. Signature and seal read: Katsutoshi. On back it is titled: Irises (Kakitsubata) with a ...

This Louis XV style table made in Italy or France in the 20's exhibits great carving and a fine fluid line. Both countries in that time period made fine furniture for export to America in exacting styles and with time-honored handcraftsmanship sometimes making it hard to locate a point of origin. The table is carved from mahogany, an interesting and expensive choice but one allowing for deeply detailed carving and good structural stability. The finish is an old dry paint...

with elegantly carved wooden stand. Designs featuring floral patterns and birds.

A “Lega” vintage sculptural silvered vase designed by master metalsmith Guido Niest and crafted by Fabbrica Artigianale Lavorazione Argento (F.A.L.A.). Italy, circa 1980. Signed on...

This pair of nice old side chairs are of the period called Gustavian. This correlates to that time in Sweden between 1772 and 1809. These chairs were made circa 1790 and are typical ...

Even with its small footprint, this handsome tall mahogany display case offers plentiful storage for collectibles and objet d'art. Marked "Lond...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

A rare chair by Donald Knorr for Knoll. Great modernist design, bent sheet metal with solid rod steel legs. Model # 132 produced from 1950-52. Winner of 1...

Beautiful and charming Louis XV style bench. Looks as though it is standing on its tip toes. Carved , and polychromed frame with the perfect amount of wear make this so very BOHO chic. Upholstered with hair on cow hide and antique brass tacks...

A wonderful stylized Art Deco polo player sculpture. Signed Hagenauer, Wien.