Art by Medium: Drypoint

Pablo Picasso Les Pauvres, 1905 Etching and drypoint 9 1/4 x 7 1/8 inches 11 1/4 x 8 5/8 inches full sheet Edition of 250 Pablo Picasso was one of the most influential and celebrat...

Panther by Kate Boxer is a limited edition drypoint etching with carborundum. The bold black and white print is a statement artwork in any room. Kate Boxer makes the plates in her st...

Salvador Dali (1904-1989) - Les Caveliers de l'Apocalypse Drypoint etching on chromolithograph, embossed from 1971. The edition of 197/197 on Rives paper. Countersigned by the edi...

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

Walter Tittle, 'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 6 15/16 inches (299 x 176 mm); sheet size 15 11/16 x 9 inches (399 x 229 mm). A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

Pablo Picasso "Tête de femme n°1. Portrait de Dora Maar" 1939 Colour aquatint, scraper and drypoint on laid paper with watermark "Picasso" Lower right inscribed and signed by the art...

Drypoint, on Chine collé to Hahnemühle Copperplate paper Edition 9 of 35 48.3 x 40.6 cm (19 x 16 in) 53 x 45.5 x 3.8, 20.9 x 17.9 x 1.5 in Signed, numbered and dated on the front Min...

French Landscape is an original artwork realized by Eugène Corneau during the 1930s. Etching and drypoint on paper. Very good conditions except for some small folds on the left mar...

An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...

Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...

CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...

McBey, James (Scottish, 1883-1959). DAWN, THE CAMEL PATROL SETTING OUT. Hardie 181. Edition of 76, of which 70 were signed and numbered. Etching and drypoint, 1919. Signed in black ...

Etching and drypoint on paper. Beautiful proof of 2nd state on 2, probably from the second Cadart edition of 1874. Signed in the plate on top right. Two holes in the center on top...

Cowboy is a limited edition drypoint etching made with carborundum on paper by printmaker and artist, Kate Boxer. The classic black and white artwork is somewhat reminiscent of the o...

Salvador Dali (1904-1989) Portrait de Marguerite (Portrait of Marguerite) Original drypoint etching with roulette and hand-applied watercolor on Japanese paper, from the deluxe edit...

Color drypoint etching on Japan nacré paper, edited in 1968 Limited edition, numbered as 146/175 in lower left corner.
 Hand-signed in pencil by artist in lower right corner. Plate ...

Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...

This is a limited edition drypoint etching by Kate Boxer. Saladin is widely recognised in Muslim, Arab, Turkish and Kurdish culture, and has often been described as being the most fa...

Portrait of Albert Schweitzer. Etching. 11 3/4 x 9 3/4 (sheet 16 1/4 x 14). Illustrated: Beall, American Prints in the Library of Congress, page 205....

Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...

Rembrant Van Rijn "Adam and Eve" 1638 Original etching and drypoint, printed in black ink on laid paper. A strong dark impression of Bartsch’s second and final state and Usticke’s only state. Signed and dated below image 6.5 x 4.75 inc 16.5 x 11.5 cm Bartsch 28 ii/ii, Hollstein 28, Hind 159, Bjorklund-Barnard 38-D, Usticke 28 Provenance From the collection of the Print Department of the Szefmuveszeti Museum (Musee des Beaux Arts), Budapest, with their collection stamp( Lugt 2000) From the collection of Wilhelm Theodor Moll (Lugt 1819a): Collector's stamp as belonging to Wilhelm Theodor Moll (Lugt 1819a). Wilhelm Theodor Moll was a German collector, dealer, and connoisseur of old master prints. His collection included works by artists such as Rembrandt van Rijn, Dürer, and other major printmakers. His collector's mark is frequently encountered on impressions from distinguished nineteenth-century collections and is catalogued in the well-known collector's marks reference by Frits Lugt.Significance of the Stamp If this is indeed the Lugt 1819a mark, it can add an important layer of provenance to the etching: Demonstrates that the print passed through a recognized nineteenth-century collection. May help establish ownership history prior to modern sales records. Can support authenticity and collecting interest, particularly for Old Master prints. Collectors of Rembrandt prints often place considerable value on documented provenance through notable collections. Prov. Pasquale Iannetti Gallery, San Francisco, circa 1982 Private collection, Utah, USA Acquired by the present owner, General Investment Group LLC, June 2026. Publication Daniel Daulby, A Descriptive Catalogue of the Works of Rembrandt (Liverpool, 1796), p. 15, no. 29.M. le chev. de Claussin, Catalogue raisonné de toutes les estampes qui forment l’œuvre de Rembrandt (Paris, 1824), p. 22, no. 34.Thomas Wilson, A Descriptive Catalogue of the Prints of Rembrandt (London, 1836), p. 46, no. 35.Charles Blanc, L’œuvre de Rembrandt (Paris, 1880), pp. 55-57, no. 1.Woldemar von Seidlitz, Die Radierungen Rembrandts (Leipzig, 1922), pp. 40-41 (ill.).Arthur M. Hind, A Catalogue of Rembrandt’s Etchings, 2 vols. (London, 1923), I:83, II:pl. 159.Ludwig Münz, Rembrandt’s Etchings , 2 vols. (London, 1952), I:pl. 197, II:87, no. 177.George Biörklund, Rembrandt’s Etchings: True and False (Stockholm, 1955), p. 70, no 38D (ill.).Karel G. Boon, Rembrandt: The Complete Etchings, trans. by Elizabeth Willems-Treeman (New York, 1963), pl. 140.G. W. Nowell-Usticke, Rembrandt’s Etchings: States and Values (Narberth, Pa. 1967), n.p., no. B28 (ill.).Christopher White, Rembrandt as an Etcher: A Study of the Artist at Work, 2 vols. (London, 1969), II: 248, pl. 35.Christopher White and Karel G. Boon, Rembrandt’s Etchings: An Illustrated Critical Catalogue, 2 vols. (Amsterdam, 1977), I: 13, no. 28, II:17 (ill.).James N. Wood and Sally Ruth May...

Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...

Salvador Dali (1904-1989) - Le Cavalier Triomphant Drypoint etching on chromolithograph, embossed from 1973. The edition HC. Countersigned by the editor. Additionally dedicated b...

Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...

Salvador Dali (1904-1989) - Holed Fruit from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Hand...

Whistler, James A. M. READING BY LAMPLIGHT. Etching and drypoint, 1859. Glascow 37, W.25, K.32. Third state of three, with the revisions to the sitter's facial expression and the dar...

Heliogravure, etching, and drypoint, 1934. From the deluxe edition of 40 with the drypoint remarqué, before the published edition of 100 printed from the reduced plate. From the po...

Artist: Dali, Salvador Title: Tristan and the Dragon Series: Tristan et Iseult Date: 1970 Medium: drypoint printed in color Unframed Dimensions: 17.7" x 13" Framed Dimensions:...

Kate Boxer Goose Contemporary Drypoint Print Edition of 30 Image Size: H 71cm x W 93cm Paper Size May Vary Sold Unframed Please note that in situ images are purely an indication of h...

Otto Kuhler, 'The Furnace', drypoint, edition 26, 1924, Kennedy 5. Signed and annotated 'Drypoint. Ltd Ed. Del. et imp.' in pencil. Titled in pencil, in the bottom center sheet edge....

Salvador Dali (1904-1989) - Holed Fruit from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Hand...

Salvador Dali (1904-1989) - Tete de Veau (Calf's Head) Drypoint etching and watercolor from 1968. The edition 25/145. Dimensions of work: 38.5 x 28.5 cm. Hand signed. The work i...

See you at the palace is a limited edition drypoint etching with medium and gold leaf by Kate Boxer. The golden hooves of the cow give the work a majestic glow and brings life to the...

Alligator print is a limited edition drypoint etching by printmaker, Kate Boxer. The bold shapes and deep colour that the carborundum lends to the piece give depth to the minimalist ...

Come Here and I'll show you something beautiful is a limited edition drypoint etching finished with oil pastel by artist and printmaker, Kate Boxer. The work is soft purple pastel c...

Salvador Dali (1904-1989) - Abricot chevalier (Apricot Knight) Lithograph with drypoint etching from 1969. The edition LVIII/CL on Auvergne paper. Dimensions of work: 74.5 x 54.5 ...

Lioness is a hand coloured limited edition drypoint etching on chîne collée paper by artist Kate Boxer. This is a bright artwork by Kate Boxer. The lioness is depicted on a yellow ba...

untitled (Returning Home with Supplies) Signed in pencil by the artist lower right (see photo) Signed by his printer, Otto Felsing lower left ((see photo) Annotated in pencil: "In kupfer geschnitten von einen Lapplander" Printed by Otto Felsing, one of Germany's master printers of the era One of several engravings Hagemann made based upon actual drawings given to him by Laplanders. Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony. He fought in the First World War between 1914-1918. After the war he studied art from 1920...

Artist: Dali, Salvador Title: Untitled 05 (Les Chants de Maldoror) Series: Les Chants de Maldoror Date: 1934 Medium: original drypoint Unframed Dimensions: 12.5" x 9.75" Framed...

To you the Tarzans Drypoint, handcoloured Limited edition print Edition of 30 Image Size 66.5 x 49.5 cms (26 1/8 x 19 1/2 in) Unframed ARTIST BIOGRAPHY: Kate Boxer makes the plates...

Etching and drypoint on paper, realized in 1867/68 and published in 1869. 3rs state on 3, printed by Salmon and published in 1869, with the addition of lettering. Ref. Harris 59; G...

Color drypoint etching on BFK Rives paper, edited in 1970.
 Limited edition, numbered XVII/XXV in lower left corner.
 Hand signed by artist in pencil in the lower right corner. Plat...

Etching and drypoint on paper. Signed and titled on plate. Pubished on the "Gazette des Beaux-Arts". Printed b A. Porcabeuf, Paris. Image Dimensions : 15.5 x 11 cm Very good cond...

Artist: Eileen Alice Soper (English, 1905-1990) Title: "Spring Song" *Signed by Soper in pencil lower right Year: 1924 Medium: Original Etching on cream laid paper Limited edition: 178 Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Sheet size: 8.13" x 10.13" Image size: 6.63" x 9.63" Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157 Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition Notes: Provenance: private collection - Boulder, CO. Biography: Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...

Hardie/Carter 244. 8 1/16 x 6 3/8 (sheet 10 1/4 x 8 1/4). Edition 80, #52. Illustrated: Guichard, British Etchers, 1850-1940; ; Eric Denker, Reflections & Undercurrents: Ernest Roth ...

Color lithograph with drypoint etching on Auvergne paper from the series 'Flordali (Les Fruits)', edited in 1969. Limited edition, numbered as LXXXI/CL in lower left corner. Hand-sig...

Leaning on a Pedestal Paul-César Helleu (1859-1927) JEUNE FEMME EN BUSTE, DE PROFIL À DROITE Paul César Helleu (17 December 1859 – 23 March 1927) was a French oil painter, pastel a...

An exotic hashira-e shaped work, an homage to the heavy influence Japanese printmaking had on the artist. London: 1880 Etching with drypoint on cream laid Van Gelder Zonen paper wit...

Etching and drypoint in black on laid paper, with wide margins Signed in the plate From La Vie Artistique by Gustave Geffroy Literature: Delteil 8; Stella 8 Le Chapeau...

Salvador Dalí  Argus from Mythology, 1963 Heliogravure and drypoint  Hand signed lower right Numbered  27/150 Image size: 39.5 x 49.5 cm Sheet size: 56 x 76 cm Published by Pi...

Paper sizes may vary. Stag is a limited edition drypoint etching by artist and printmaker, Kate Boxer. The warm tones of the work and delicate use of line highlights the magnificence...

The Biggest of All; Telephone and Telegraph Building. 1925. Etching. Wuerth 853. 9 7/8 x 11 7/8 (sheet 11 1/2 x 17 1/8). Edition probably 35. An atmospheric impression with plate tone, printed on antique laid paper...

"Combat Equestre" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (24/100) in the lower left. This piece depicts mu...

Medium: aquatint and drypoint Year: 2016 Edition of 21 Image Size: 16 × 12 inches Portrait of a plump and possibly perplexed owl in a nocturnal setting, by Franco-Iranian artist M...

A lively image by a female artist who was part of a vibrant generation of British printmakers who were pushing the boundaries of color and technique during the early 20th century. N...

Martin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...

Lola by Kate Boxer is a limited edition work. This charming piece depicts a dog, with bright red collar, faithfully sitting for its owner. Carborundum, Drypoint print, Gouache on Pa...