Art by Medium: Aquatint

Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an ongoing exchange o...

Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla II', 2020 engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 ID: CAM-102 Unframed

"Fishing Boats Gloucester" is a soft ground etching created by Joseph Margulies. The artist signed this piece in the lower right margin with graphite. This piece depicts several fish...

Sergio Hernández (Mexico, 1957) 'Corral III, 2011 silkscreen on paper Velin Arches 300 g. 29.6 x 41.4 in. (75 x 105 cm.) Edition of 10 Unframed

Created in 1984 on handmade paper, “Glass Garden” was signed in pencil, numbered 50/59, and published by Motherwell with his blind stamp in New York City. Robert Motherwell, the youn...

Luis Miguel Valdes (Cuba, 1949) 'Gorda 2', 2007 aquatint on paper Canson 320 g. 21.5 x 15 in. (54.5 x 38 cm.) ID: 1D200713 Hand-signed by author _____________________________________...

Camille Pissarro (1830-1903), L’île Lacroix, à Rouen, etching, aquatint, maniere grise, drypoint, burnishing, c. 1887. Signed and numbered (No. 1) in pencil lower left, annotated 1er...

Etching and aquatint on paper, edited in 2001. Limited edition, numbered “p.a.” (prova d’artista) (artist’s proof) in the lower left corner. Hand-signed in pencil by the artist in th...

Emil Orlik (1870-1932), Market in Grodek, etching and aquatint, 1898, signed in pencil lower right, in very good condition, trimmed just outside of the platemark and so with a small ...

Si son de otro linage is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los...

Arnoldi, Charles (American, born 1946). UNTITLED. Etching and aquatint in colors, 1982. Edition of 5, printed at Teaberry Press, San Francisco, with their blindstamps, lower left and...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Aquatint and soft ground on paper, edited in 1970
 Limited edition, numbered in lower left corner.
 Hand signed by artist in pencil in the lower right corner.
 Very good conditions. ...

Created in 1964, ‘Fumeur à la Cigarette Blanche’ belongs to Picasso’s late graphic period, a prolific era in which he returned to themes of portraiture, artistic identity, and the cr...

This artwork titled "Skull" c.1990 is an original color etching and aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by the artist. The ...

Proofed and editioned by Peter Kosowicz at Thumbprint Editions Ltd, London, published by Paragon Press. Edition 2/115 The large-scale pop-art 'Grey Spots' Etching with Aquatint is a...

Max Ernst "Untitled" 1965 Etching and aquatint in colors, on Arches paper. 7.8 x 5.39 inches Publisher: Georges Visat, Paris. Total edition: 100 copies +...

This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial...

A very good impression of this color aquatint on J. B. Green paper. Signed and numbered 5/50 in pencil by Motherwell. Printed by Catherine Mousley in the artist's studio, Greenwich, ...

Aquatint and soft ground on paper, edited in 1970
 Limited edition, numbered in lower left corner.
 Hand signed by artist in pencil in the lower right corner.
 Very good conditions. ...

Joan Miró Le Porteur d' Eau II Aquatint in colours, 1962 Hand signed lower right Numbered 34/75 Published by Maeght, Paris Sheet size: 56 x 75 cm Reference: Dupin 338

John Harris after Harry Hall The Merry Beaglers c. 1845 48x65cm Aquatint with hand colouring The most famous beagling print there is, after the 1845 pa...

Aquating Engraving Image Size: approx. 20 1/4 x 13 3/8 Framed Size: 28 x 20.5 inches Pencil Signed Lower Right Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In Icart's drawings, one sees the Impressionists Degas...

Crow, 1994 Paula Rego Etching with aquatint, on Somerset wove Signed and numbered from the edition of 80 in pencil Published by the Byam Shaw School of Art, London Printed by Culfo...

Olga Poloukhine, French/American - Marsh Land, Medium: Aquatint Etching, Signed and Numbered in Pencil, Edition: 200, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm)

Camille Pissarro (1830-1903), Paysannes Dans un Champ de Haricots, etching, aquatint, maniere grise; 1891, titled, signed, annotated 1er etat no. 10, also marked with a large Z by th...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Le Sculpteur by Pablo Picasso is a compelling and refined representation of the artist at work. The composition focuses on a sculptor figure, reduced to essential lines and forms, ye...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857) Nobleman, Cambridge (1815) Aquatint with original hand colouring 30 x 25 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of a nobleman studying at Cambridge, from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections. John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

A very good impression of this color aquatint and lift-ground etching and aquatint on Arches Cover paper. Signed and numbered 15/100 by Motherwell. There are 20 artist proofs, number...

Camille Pissarro (1830-1903), Paysanne au Puits (Peasant Woman at the Well), etching and aquatint, 1891, signed, titled and numbered (3 etat no 2). Refer...

Artist: John James Audubon (American, 1785-1851) Title: "Scarlet Ibis" (Plate CCCXCVII - 397; part No. 80) Portfolio: The Birds of America (Havell Edition) Year: 1837 Medium: Origina...

Covers 3 Ultramarine (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This piece is part of a series titled ""Covers"", it pays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. Aquatint is an intaglio printmaking technique, a variant of etching, using copper...

JOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...

The Emperor is an etching and aquatint realized by Franco Gentilini (Italian Painter, 1909-1981) in the 1970s. From the serie "The Tarots" Dry stamp by Il Cigno Stamperia d’Arte. ...

ZAO WOU-KI 1921- 2013 Beijing 1921 -2013 Switzerland (Chinese) Title: Canto Pisan, 1972 Technique: Complete Suite of Eight Original Hand Signed and Numbered Etchings and Aquatints ...

The single letter "E", from the alphabet, illustrated by elephants. All letters are available, and the full set of 27 etchings in folio box is available for $3200. Animals, real and ...

Covers 3 Orange (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 5 of 20. This piece i...

Adored by collectors and art lovers the world over, Alex Katz is renowned for his elegant and distinctive version of figuration. Born in 1927, Katz has been dedicated to art-making ...

SALVADOR DALI (1904-1989) THE BELOVED FEEDS AMONG THE LILIES, 1971 Board for the series "The Song of Songs hymns" Aquatint and dry point on wove paper...

Huc-Mazelet Luquiens: 1881-1961. Well, listed American artist primarily known for his aquatint etchings of scenes in Hawaii. This is a great example of one of those Hawaiian scenes. ...

Chris Ofili (British, b. 1968) Untitled, 2000 Medium: Etching, aquatint and drypoint, on Hahnemühle wove paper Dimensions: 25.7 × 20.8 cm (10 1/10 × 8 1/5 in) Edition 3 of 100: Hand-...

Individual Etching: Salut à Méphisto (1969) by Salvador Dalí. Aquatint etching in colors on Japon paper, edition EA. Artwork dimensions: 9 × 12.5 inches (22.86 × 31.75 cm). Framed di...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...

Barnet, Will. THE TAILOR. Szoke 39, Cole 38, Johnson 30. Aquatint and etching, 1938. Edition of 25, titled, inscribed "25 Prints, and signed in pencil. Printed by the artist on Rives...

Jean Sariano, Algerian/American (1943 - ) - Heaven Should Wait, Year: 1979, Medium: Intaglio Etching and Aquatint, signed and numbered in pencil, Edition: 300, Size: 17 in. x 30....

An original etching, aquatint, dry-point and carborundum by Joan Miro, 1969. It is hand signed and numbered H.C. aside the edition of 75 copies on Arches, plus some H.C. copies. The...

A very good, richly-inked impression of this scarce color aquatint on Arches Cover. Initialed and numbered 15/28 in pencil by Motherwell. Printed by Catherine Mosley at the artist's ...

Artist: Alexander Calder Title: Le Portrait de Constantin Year: 1974 Medium: Etching with Aquatint on Auvergne à la main du Moulin Richard-de-Bas paper Edition: 17/80 Image Size: 19....

Image dimensions: 28 x 22 cm. Hand signed on the lower right margin. Artist's proof. Etching and Aquatint, wide margins with a very fresh line. In very good conditions. Referenc...

This etching and aquatint in colours from 1992 was published in ‘La Nouvelle Chute de l'Amérique’ (The New Fall of America). The 115-page unbound book comprises 11 poems by Allen Gin...

Image dimensions: 15.7 x 21.7 cm. Sitting Woman is a beautiful original linoleum realized around the Sixties by the Italian master, Domenico Cantatore. A wonderful original print representing a sitting woman on a bed...

Alan Herman is a native New Yorker who graduated with a BFA from The Philadelphia College of Art, and an MFA from Temple University. After graduation he returned to New York and desi...

Peter Doig (born 1959 in Edinburgh) Canoe, 2008 Medium: Aquatint on wove paper Dimensions: 59 x 75 cm (23.23 x 29.33 in) Edition of 500: Hand signed and numbered on recto Condition: ...

Etching and aquatint in colours "Hirsch" by Georg Baselitz from 1999. The edition on BFK RIVES comprises approx. 20 copies. The present copy is inscribed in pencil below the plat...

Aquatint and etching on Japon paper from Historia de Don Quixote de la Mancha. Hand signed lower right by Salvador Dali. Hand numbered 63/150 lower left. Sheet size: 29.875 x 22.1...

Charming etching by Italian/Pennsylvania artist Salvatore Pinto (1905-1966). The work is titled in pencil lower left “Beach Houses.” Created 1935. Signed in pencil lower right “Salv...

Abstract composition on paper by Karl Peter Röhl.

Signed, titled and numbered from the edition of 30. A print memorializing a friend in a traditional Mexican altar. Viramontes was the subject of a 1-hou...

One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...